Comma Part 1

Happy Friday, good people of the blogosphere! I'm sure you're all looking forward to the weekend, like I am. Welcome to the first of three posts on the comma. This little piece of punctuation gets its own three posts because there's a ton of information and I don't want to overwhelm you. If you use a comma every time you join two independent clauses with the word "and" you're in for a treat. So, grab your pens and notebooks and let's get going!

I'm just gonna be frank with you here for a moment. If I'm reading a book and there's a comma every other line, I end up putting it down. A comma indicates a pause. My brain reads it as a pause and too many will have me banging my head on the desk before long. When you're writing, try to mix up your sentences a bit. Too many commas does not a good story make. As with all the posts on punctuation, we'll be following the rules outlined in The Chicago Manual of Style, 15th Edition.

Commas

The primary use of this little piece of punctuation is to indicate a small break. Overuse will kill your story and make it difficult to read. You need a comma when there's a list, a direct address, or an introductory phrase. These are the three uses we'll be focusing on today. More uses of the comma will come later.

There are two ways to punctuate a list with commas. I'll give examples:
She debated with me over whether I should buy the green, white, or blue striped hat.
He went to the store for eggs, milk and bread.

In the first example, we've separated the items in the list with commas and used a comma before the conjunction. This is recommended by CMS. In the second example, we've omitted the last comma. Either way is correct as long as the style is used consistently. You may omit commas if every item is joined by a conjunction or if the last item is joined by an ampersand.

When using a direct address, commas go on either side of the name. Examples:
She looked up from her notebook. "Hey, Mom, what's for dinner tonight?"
As the speaker approached the podium, he could be heard talking to the attractive blonde. "You said your name was Myra? I have to say, Myra, I look forward to getting to know you."

Introductory phrases and words get commas unless the phrase is an introductory adverbial or participial phrase immediately preceding the verb it modifies. Words like: Oh (unless spoken), Ah, Well, Okay, Yes, and No get commas.

Examples:
Introductory phrases -
After looking through the book, she dropped her head into her hands.
Peeking out from behind his mother's skirts was the boy we'd been searching for.
Introductory words -
Yes, we can go to the park today.
Okay, I'll see what I can do about that.
No, we won't be donating to your charity this year.

Keep in mind that it's perfectly okay to use two independent clauses with a conjunction and omit the comma. As long as the two clauses aren't particularly long, leaving the comma out is a good idea. It changes up your writing and keeps the reader engaged in the words on the page.

We'll go into more with another comma post Monday.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Period

Happy Thursday, good people of the blogosphere! I know what you're all thinking: Oh, how can she come up with something about the period I don't know? Strap on in and find out after you grab your pens and notebooks so we can get to it!

Everyone learns what a period means when they begin learning to write. It's finality, the end, and appears on the backside of a sentence. When you forget a period, your sentences bleed together like zebra running from a hungry lion. Can you imagine a story devoid of periods?

Did you know there's more than one use for a period?

As with every post on punctuation I'm going to be doing, this one uses information from The Chicago Manual of Style, 15th Edition.

Periods

While a period indicates you've come to the end of a declarative sentence, it can also be used to indicate something left out. Think about it. When you're abbreviating something, you put a period at the end. When you write, etc., there's a period on the end. Your period should always appear inside quotation marks (single or double), inside parentheses or brackets when they contain a complete sentence unless inside another complete sentence, and put three together to indicate a trailing off of speech (called an ellipsis).

Colons can replace periods when introducing an inline list or when something is being described.

When not to use a period:
At the end of a heading, subheading, running head, signatures, or addresses (to name a few). If your subhead is in line with the text, a period is necessary to separate the subhead from the text. Never in a vertical list. These lists should be preceded by an opening statement and a colon. Line items don't get periods.

Abbreviations
When using a period in an abbreviation, it always goes directly after the last letter and all other punctuation rules apply as though the abbreviation is a complete word.

But did you know you can also put periods on the end of incomplete sentences and it be okay? If you're writing in colloquial style (a style more similar to spoken language), it's perfectly acceptable. It's also okay to use before block quotations unless the quote is introduced by a word that indicates "this is because" or tells you to look out for what's next. In those cases, a colon is appropriate.

Maybe you already knew all this; maybe you didn't. Either way, I do hope you pay close attention to the periods in your life and how they affect you.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Dashing Dashes and How to Use Them

Happy Hump-Day, good people of the blogosphere! I bet you think you know all there is to know about dashes. Well, I'm here to tell you, you may not know as much as you think. This is a post you don't want to miss! So, grab those pens and notebooks and let's get going!

There are so many ways to use hyphens and dashes. This post is going by the rules outlined in The Chicago Manual of Style 15th Edition. First, I'm gonna show you what each one of the five looks like, then we'll go into how they're used.

Hyphens, en dashes, and em dashes are the most commonly used.

Hyphens

Hyphens are used to separate numbers or group numbers, in compound words, names, and for word division.

A little known use of the hyphen is in dialogue when referencing American Sign Language.

Examples of hyphen use:
Would you believe she wore a box-hat to the party?
Please call 1-800-888-8888 to find out more.
My book's ISBN is 978-1477489031.
My niece can sign A-P-P-L-I-C-A-T-I-O-N very quickly.

Going into names and compound words is best left for another day. It's a whole section in and of itself.

En dashes

It literally means "between" or "up to and including." It's used in dates or times or in place of a hyphen when one of the elements of a compound adjective is open. Some people would use a slash, but an en dash works as well. It can also be used to separate a college name from the city if there are more than two in the state with the same name. There are no spaces with en dashes unless indicating something is ongoing.

Examples of en dash use:
I went to Columbus for four years, 1995–1999, loving every minute of it.
My life has been long (1977– ) and I can't wait to have more fun. *Note the space after the en dash.
He went to the University of Tennessee–Chattanooga, not the University of Tennessee–Knoxville.
We went to Mexico as non–Spanish–speaking people.

Em dashes

This one is for setting off elements in novels. Some people use parentheses, commas, or colons to do this; but an em dash works as well. It will also separate a subject from a pronoun, indicates a break in speech when someone is cut off (unlike when someone trails off—those are indicated by an ellipsis), or replaces a comma. You can use them with other fun punctuation as well—like exclamation points!—as a tool to set off the phrase.

Examples of em dash use:
Should I—can I?—go to the party tonight?
"I was thinking we should—" I cut her off with a lift of my hand. "No. Probably not a good idea because she'll be there."
When the old man walked up—and he was walking really slowly—we showed him the way to his seat.

2-em & 3-em dashes

2-em dashes are used to represent something left out. The rule here is: If it replaces a part of a word, don't leave space on either side; but if it replaces a whole word, leave space. A 2-en dash is most commonly used to block out profanity. Oftentimes, these are shown by using four hyphens.

3-em dashes are used in bibliography to indicate this name is the same name as the one before, but it's a different title or work. These are shown by using six hyphens.

Examples:
2-em: She let loose with many words like —– and they blew my mind.
3-em: ——, Yassa. Jo Michaels: CreateSpace, 2012.

I hope this helps straighten some of the confusion out. I find these errors quite a bit when editing.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing Through It

Happy Tuesday, good people of the blogosphere! I hope you all had an awesome Memorial Day weekend. Having a Monday off is tough, but it did help me process some thoughts I've had concerning this blog. We'll be delving into punctuation this week and I wanted you all to have a head's up because, running in tandem, will be a contest for you to win some very cool prizes both here and over at INDIE Books Gone Wild. Today, I'm going to stress scheduling. Grab your pens and notebooks and let's get going!

If you're at at-home writer with kids, your summer just got difficult. I beg you to do some re-scheduling. Lighten your writing load for the summer. As long as you're writing every day (some of you, like me, are sans weekends because of family, anyway) you'll still have forward progress. Keep that.

As I suggested in the post over on ChaBooCha, schedule your day down to the hour. Here are a couple of the images from that post:

As you can see, I had a lot of writing time. That's going to be cut by half because of the summer. I've rearranged my own schedules to only write for three hours in the afternoon.

You really should go read the post and see how scheduling can help you maximize your writing output. If you're writing at the same time every day you shouldn't come upon writer's block. Just make sure the people around you know you're not to be disturbed while you're working. They can give you three hours a day; it won't kill them.

Don't let the summer overwhelm you. Keep doing what you can to retain your writerly brain and write through it.

Do you schedule like this? Why/why not?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Cover Reveal - Chasing Memories by Tia Silverthorne Bach

Happy Friday, good people of the blogosphere! I'm very excited to bring you a cover reveal for a good friend of mine and an amazing author. I give you the cover of Chasing Memories by Tia Silverthorne Bach.

About Chasing Memories (Tala Prophecy, Book 1)

There isn’t another way; not now. The others are coming. I can’t let them have you…

Seventeen-year-old Reagan has a problem: She can’t remember what happened the night her brother was taken. Now, the dreams haunting her from the incident are becoming more intense by the day. All the while, the lines between what’s real and what’s a product of her paranormal-obsessed mind are becoming blurred.

Is she losing her mind or has she just stepped into a world she thought only existed in books?

Caught in a web of worried parents, competing boys, Wiccan relatives, protective amulets, and psychiatrist babble, Reagan must determine the truth before it’s too late.

Expected Publication Date: June 10, 2013

Add Chasing Memories on GoodReads.

Cover design by Jo Michaels.

About the Author

Tia Silverthorne Bach is an avid reader, sometimes runner, involved wife and mother, and rabid grammar hound in addition to being a multi-genre writer. Her three daughters were born in Chicago, San Diego, and Baltimore; and she feels fortunate to have called many places home. She's the award-winning co-author of Depression Cookies, a coming of age story written with her mother. Tia's office is wherever her laptop takes her and any place that's conducive to allowing a wild imagination like hers to flourish.

Please visit her at her blog, on Facebook, on Twitter, GoodReads, and read more about her on INDIE Books Gone Wild.

I edited the book for Tia and I'll tell you, it's a delightful story that's going to leave you aching for more at the end. I do hope you'll check it out. You won't be sorry you did. Besides, check out that awesome cover design! You know you love to look at pretty things. Haha!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

When the Muse Steps out of the Room

Well, it's Thursday yet again, good people of the blogosphere! Today we're gonna talk about the Muse and what to do when she steps away from your side to go tend another author, songwriter, or painter. Tips and tricks to tempt her back, if you will. So, grab your pens and notebooks and let's get going!

What do you do when you feel the Muse upon you? Do you hurry to your computer and quickly boot up and begin to write? What happens when you're at the store or at church when she pays you a visit? Do you rush home and leave your buggy or excuse yourself from the chapel to go to your car and write?

Of course not. We don't have lives like that, where we can drop any task and write when we need to.

But what about when your Muse has abandoned you and refuses to return? There are a couple of things you can do to help yourself in this situation.

• Write at the same time every day. Muses are busy, they don't have time to hang around with everyone on the planet. Seriously, when you write at the same time every day, your brain will get used to the creative cycle you put it on and you'll find words flowing more easily over the course of just a few weeks.
• Read a book. Books are a writer's fuel. We consume them because they engage our brains and make us think.
• Exercise. Believe it or not, exercise stimulates your brain. It gets your blood flowing and your neurons pumping.
• Read a good writing blog (like this one!). Sometimes, just reading about writing helps you out of your funk and allows you to put down new words.
• Take a walk or call a friend. Walking and having a seat on a bench, watching people, can be a huge booster to your brain. Sometimes, you'll find an interesting character that way. Talking to a friend and letting them vent will also give you book fodder. Maybe not exactly, but you can pull from life.

Before you know it, your Muse will be right there with you all the time.

Those are just a few suggestions. I'm sure if you do a Google search, you'll find many more.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

First Visions Second Sight Book One Sale

Happy Hump-day, good people of the blogosphere! WOOOOOWEEEE do I have a deal for you today. If you remember my post from a while back, I listed my favorite reads of 2012. In it were two books by author Heather Topham Wood. Well, it's been about a year since I read First Visions (where does the time go?) and, as a birthday present, Heather has put the book on sale for the week. This offer is good until May 26th. I never posted my review of the first book on my blog, so I'll give you that to go along with the links and information. HAPPY READING!

Title: First Visions Second Sight Book One
Genre: New Adult Paranormal
Author: Heather Topham Wood
Page count: 231 printed pages
Price: $0.99

Description from Amazon:
Two years ago, 21-year-old Kate Edwards became deathly ill and slipped into a coma. While unconscious, she crept into the mind of a missing boy and awoke with the knowledge of his location. Friends and family were skeptical and wary of her new ability to see into the minds of others. Their fears prompted Kate to keep her psychic powers a secret. Feeling alienated, she dropped out of college and spent most of her days holed up at her mother's home.

Now another child has been abducted. Police detective Jared Corbett seeks out Kate for her help in solving the case. Reluctantly, Kate agrees and they must work together to bring 8-year-old Cori Preston home to her family. Although attracted to one another, Jared has a girlfriend with ties to the abduction case and Kate is sarcastic and guarded since her coma. With visions she can't control and an uncontrollable attraction to the detective, she wonders if she can leave the past behind and finally stop hiding from the world. Otherwise, Cori may be lost forever.

My review (copied from Goodreads):
Rating is 4.5 stars but I round up.

I loved the protagonist, Kate, in First Visions. She is a typical girl who never really got the chance to grow up due to her extraordinary ability and the reclusive life she decided to lead after the media circus surrounding it. Her reactions to situations are perfectly human. There were parts that had me laughing out loud, worrying, and hoping that Kate and Jared ended up together somehow.

I adored the fact that Kate experienced change from page 1 to page 250. I felt like I could really identify with her (even though I'm not psychic). Those are qualities of a great story. I read this book over the course of a week and am looking forward to the next installment of the series.

The only issue I had, and this may be no big deal for most readers, was that pronouns were oftentimes used incorrectly and the book could use a proofreader for tiny errors here and there (as most could). These did not hinder the reading experience to a point that I wanted to drop the book in a puddle, but they did throw me off the story now and again. All in all, a very excellent read that I would highly recommend.

The Second Sight series:
First Visions (book 1): Amazon and Barnes & Noble
New Revelations (book 2): Amazon
Dark Premonitions (book 3): Amazon and read the review here on my blog.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Structure for Life and Novels

Happy Tuesday, good people of the blogosphere! What a crazy weekend. My internet was down because of a huge storm we got hit with and I missed my post yesterday! YIKES! Along with my eldest son graduating high school, we had quite a lot of excitement around the old household. Busy is as busy does, I suppose. Well, on to the post for today. We're gonna talk about structure. Both for your life and for your novels. Grab your pens and notebooks and let's get going!

When you're writing that best-selling novel, one of the things you have to keep in mind is how you structure it. If it's going to be a trilogy, you have to have the beginning in the first book, the middle in the second, and the ending in the third. Like life, every novel has a beginning, a middle, and an end. This is repeated throughout everything we do. Each day begins, has a middle, and ends.

As humans, we thrive on structure. There are a number of ways you can repair it when it falls out of whack, but one thing you have to remember: Something is only as structured as the person putting it together. I suppose you remember a while back when I wrote a post for ChaBooCha on how to structure your writing day. If you didn't read it yet, you really should. It gives you simple ways to plan things out so you're never caught with your proverbial pants around your ankles.

Of course, every day is different; just like every novel is different. But if you're a linear person, chances are you won't have much trouble writing a linear or three act novel. Play to your strengths. I'm not saying if you're a person who's all over the place, you'll never be able to write a novel. What I'm getting at is maybe you aren't a linear structure type of person.

I've read some pretty great books that jump forward and backward through the story. While it's tricky (and you bet your ass I couldn't pull it off), it can be done.

Before you start writing, just like before you begin your day, decide what kind of structure you're going to use and stick with it. Are you going with a straight beginning to end? How about beginning to end and then back to events that occurred before the beginning ever happened? I've even read a novel that was written backward.

Generally, you want your character's doorway to appear sometime in the first third of the novel. But what if you skipped the doorway and just went right into the chaos it caused? Wouldn't that be something?

If your story is good but no one is loving it, your cohesion may be off. What's the glue that holds a story together? Structure. Think very hard about it before you put down the first word.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Enneagram Types - Conclusion

Happy Friday, good people of the blogosphere! Today is the tenth and final post in my series on Enneagram Personality types. Rather than just have you typing your characters and following the Enneagram model, I'm going to give you food for thought today. You've been (hopefully) working through the dialogue exercises and have a pretty good grasp of how specific character types will react in certain situations. You can combine these types with an understanding of Human Nature and really dream up characters that make an impact. I'll show you how. So grab those pens and notebooks and let's get going!

Here's a recap of all the posts from the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever
Type #4 - The Artist
Type #5 - The Observer
Type #6 - The Questioner
Type #7 - The Adventurer
Type #8 - The Leader
Type #9 - The Peacemaker

I used definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

So, if you've been following along, you now know what drives each type of person to do the things they do. You'll also have a pretty good grasp of how these characters interact if you've been doing the exercises at the bottom of the posts.

Let's talk about how to bring these characters to their knees, shall we?

Ones are perfectionists. This means they're a little on the OCD side and they try to push their perfectionism onto others. They enjoy dotting the I's and crossing the T's. Think for a moment about what would drive a One up the wall.  If you're using a One as a main character, consider putting them up against something they can't control or can't change the outcome of; no matter how much they want to.

Fives are watchers. Rarely do they get into the thick of things. They prefer to read about things to learn how to do them rather than learning by trying. These folks usually have the right answer. But what would drive them batty? Being wrong all the time, never knowing what's really going on, or even being forced to take control of a situation.

When you study the Enneagram, you're looking for a deeper sense of self. It will tell you what your pitfalls are and how to avoid them. Character insight goes from surface understanding to truly knowing what your character feels, thinks, and how they'll react in any given situation.

What else does understanding give you?

The ability to know just how to hit them where it hurts, make them sublimely happy, or change them in some profound way. Wait, change them? Why would you want to change a great character?

Every character is on a journey. They must change in some profound way from page one to the end of the book. Without the journey, you have no story. If you have no change, your character will seem like one that can't learn from their mistakes. They come off flat. Using the Enneagram will prevent unbelievable change. Know what they tend to when stressed or happy. Put it to good use.

You should think about what kind of character you're writing before you ever put down the first word. Now, there's a caveat to this! Maybe you have a great character and don't know yet what their personality type is. My suggestion is to use free-writing via dialogue. Sit down and have a conversation with that character. Let them show you just who they really are. Once you have that down, you're golden.

As writers, we tend to base our characters on people we know well. We don't even realize we're doing it half the time. But we're familiar with their personality so we're in our comfort zone. Keep this in mind. There's nothing wrong with doing it that way, just make sure you have the greatest understanding possible.

I hope this series has helped you in some way. Character driven stories are pretty popular. Think: Harry Potter, Pride and Prejudice, or the Percy Jackson series.

How will you use the Enneagram? For personal or writing purposes?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Peacemaker - Enneagram Type #9

Happy Thursday, good people of the blogosphere! Today, I give you the last of the Enneagram types: The Peacemaker. Tomorrow, we'll go into how you can use these personality types in a different way. So far we've been delving into the human mind and extracting what makes people tick. I'm gonna show you how to use that knowledge to create lots and lots of drama. So be sure you come on back tomorrow for the final installment of the series! Grab your pens and notebooks and let's get going.

As always, I'll begin with links to the first posts of the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever
Type #4 - The Artist
Type #5 - The Observer
Type #6 - The Questioner
Type #7 - The Adventurer
Type #8 - The Leader

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #9 - The Peacemaker.
Definition: Peacemakers are motivated by the need to keep the peace, merge with others, and avoid conflict. Since they, especially, take on qualities of the other eight types, peacemakers have many variations in their personalities, from gentle and mild mannered to independent and forceful.

Nines are usually pretty easy to spot. They tend to try and diffuse a situation by offering some excuse for the other person or entities' behavior. Some of the more aggressive types might the Peacemaker as taking sides with those who behave badly. It will probably piss the other type off.

At their best, Peacemakers are some of the most pleasant people to be around. They always fit in with a group of people and are seen as the most understanding of the nine types. However, when they're stressed or having a bad day, you'll be face-to-face with one of the strangest people you'll ever meet. It's like a total personality change. Where you've had this calm, nice, understanding person before, you'll be faced with a roaring lion that can't seem to focus on anything and passive-aggressively attacks you.

Never will a Nine ask for what they want. They'll be so focused on you and your needs, they'll overlook themselves. But the dam breaks eventually and the Nine will begin to act a lot like a Four; bringing drama to the table you may not be able to handle. After their meltdown, they'll feel bad and try to patch things up.

Peacemakers don't make good antagonists because they desire peace at any cost.

This leads us to the exercise for today!

You have a Peacemaker that just broke up an argument between a Reformer and an Artist. Show how the Peacemaker acts when under duress. Use a lot of action. Have both the One and the Four yell at the Nine. Make them throw things. Create a hurricane your character must traverse. It's up to you how it all ends, but remember to have some fun with it.

Don't forget to come back tomorrow for the final post!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Leader - Enneagram Type #8

Happy Wednesday, good people of the blogosphere! Wednesdays always make me think of weddings. You got wed on a Wednesday. How charming. Okay, enough drivel. We're continuing with our Enneagram personality types today! The Leader (also can be called The Asserter) is a fun type of character for an action novel or as comic relief for a lighter read like chick-lit. Grab your pens and notebooks and let's get going!

As always, I'll begin with links to the first posts of the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever
Type #4 - The Artist
Type #5 - The Observer
Type #6 - The Questioner
Type #7 - The Adventurer

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #8 - The Leader.
Definition: Leaders are motivated by the need to be self-reliant and strong and to avoid feeling weak or independent.

Leaders are assertive and often end up getting themselves into trouble with their constant fight for what's right. They can be martyrs, sacrificing themselves for the "greater good." If you use a leader in your novel, do it with caution if they aren't the main character. They'll steal the spotlight every time if you allow them to.

Using an Eight as your protagonist might just be the kick you need to really catapult your story into the next realm of awesomeness. They're assertive, loyal, and fiercely protective of those they love or their own ideals.

When they're bad, you see a control freak that can go overboard with their wants and needs. Leaders make great bad guys; but they can also make a compelling good guy. Remember Peeta in The Hunger Games?

All this leads us to today's exercise!
Create a leader who's angry about deforestation in their area. When the machines show up to cut down the trees, put a Three in the role of foreman. Allow the scene to write itself. What the Eight will do should be based upon their feeling of injustice to the trees. Use action tags with only a few dialogue tags as the two go at it. Remember, you can use a woman and a man, two women, or two men. Do something unexpected. Have fun with it!

Is there someone in your life who's a cut-and-dry Leader? What causes do they fight for?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Adventurer - Enneagram Type #7

Happy Tuesday, good people of the blogosphere! Today, we talk about an exciting personality type: The Adventurer. When you read the book about the different types of people, you'll start typing people in your head. Heck, you may be doing it now, from these blog posts! I urge you to pick up a copy of the book and have your friends or loved ones answer the typing questions at the start of each chapter. You may be surprised. Someone you've nailed down as a Three may end up being a closet One or Eight. It's a lot of fun. Well, grab your pens and notebooks and let's get going!

As always, I'll begin with links to the first posts of the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever
Type #4 - The Artist
Type #5 - The Observer
Type #6 - The Questioner

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #7 - The Adventurer.
Definition: Adventurers are motivated by the need to be happy and plan enjoyable activities, contribute to the world, and avoid suffering and pain.

This character is fun-loving, enthusiastic, and charming when on their game. They're also clingy, needy, and a wee bit self-destructive when they aren't. Never being happy with what life gives them, they're constantly searching for more.

Your reader may see the character as impulsive and want to slap their face. Or, the reader may wonder why in the hell this character would act they way they do. Especially if your reader is a Five or Six.

Adventurers are reckless and love the element of danger. They sometimes seek it out if life becomes too hum-drum. These actions can cause trouble or a lot of fun! Great characterization can be done if you create a protagonist who's a Seven.

On to today's exercise!
Write two pages of dialogue between a Seven and a Three. Remember, the character types on either side, called wings, also influence the actions of a person (we'll go into this more on Friday). A Three will also have traits of a Two and a Four. Keep your Seven firmly in their type while allowing the Three to lean one way or the other. Your scene? A crowded bar with loud music and lots of dancing. Threes are workaholics so go with the flow and enjoy writing. Don't paint the scene through anything but dialogue. Use no inner-monologue for this exercise.

What was your favorite book with a Seven as the protagonist?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Questioner - Enneagram Type #6

Good morning and happy Monday, good people of the blogosphere! Today, we'll be talking about more of the Enneagram personality types. If you've been keeping up with these posts, you'll have taken a headlong dive into some of the more interesting personality types. I think Questioners would make very good writers because they're always asking what if. Decide for yourself! Grab your pens and notebooks and let's get going!

As always, I'll begin with links to the first posts of the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever
Type #4 - The Artist
Type #5 - The Observer

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #6 - The Questioner.
Definition: Questioners are motivated by the need for security. Phobic questioners are outwardly fearful and seek approval. Counterphobic questioners confront their fears. Both of these aspects can appear in the same person.

Questioners are constant worriers. They stress over things you'd probably never dream of giving more than a passing thought to. They always look at a situation and try to figure out what's really going on, how it can worsen, and what could make it better.

They make fun characters because you can play with those fears and really show the reader how much deeper the trouble really is. On the flip side, you can also use them as a crux to a One, having the Six constantly make judgments about the decisions being made, or being overly critical of the One's appearance.

Keep in mind flattery rarely works on a Six. They never believe compliments and will always ask themselves why someone is saying those pretty words. Rarely can a Six see it for themselves, even if the person giving the compliment is sincere.

Time for today's exercise!
Use a Two (Giver) and a Six. Put them in a coffee shop and have the Two pick up the tab for the Six. Write one page of inner-monologue and dialogue that shows what the Six is saying and thinking. Remember, your Giver gives freely, with no thought of payback. Now change the POV and write the same scene from the Giver's point of view.

As you've probably realized, many of these personality types can blend a bit into one person. That's because of the way the Enneagram is formed. Folks can jump to the types on the opposite side when in stress or when feeling confident. Know your personality types and use them. If you want to know more, pick up the book. As always, I don't make any money off what I recommend on this blog, I just suggest tools that I believe will help you in your writing endeavors.

Have you read anything lately with a character that fits one of these personality types? What was it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Observer - Enneagram Type #5

Holy crap, good people of the blogosphere! It's Friday! Do a happy little dance because you get the next two days off work. Know what you should do with all that free time? Write! Try a couple of the exercises from the blog this week and get your dialogue muscles doing those mental push-ups. Continuing with my series on the Enneagram (pronounced any-a-gram) personality types. I give you #5 - The Observer. So, grab those pens and notebooks and let's get going!

As always, I'll begin with links to the first posts of the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever
Type #4 - The Artist

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #5 - The Observer.
Definition: Observers are motivated by the need to know and understand everything, to be self-sufficient, and to avoid looking foolish.


Observers, as their name implies, are watchers. They'll never be found at the center of the action, won't ever be the life of the party, and worry about everything, seeking knowledge to make sense of it all. However, when prompted, and reassured their viewpoint matters, it's difficult to shut them up.

They'll annoy the crap out of you with their controlling ways, but often have insight no one else in the room does. Their analytical mind goes crazy with options all the time. If you say yellow, they try to figure out why you said yellow rather than blue.

What's surprising about the observer is, they won't open their mouths until they're sure they're right with their opinion. Once you give them the go-ahead, they'll tell you about everyone in the room. They make interesting characters because you can have them sit by and watch, only to drop the bomb that makes everyone gasp.

Which leads us to today's exercise!
Take an observer and have them watch an artist and a reformer have a conversation. Drop hits that the reformer is wrong in their ever-giving advice but don't let it become obvious until the observer is asked for an opinion. Make it twisty and have some fun.

I know you're all wondering how any of this is going to help you write. I'll get to that next Friday. So keep your pants on!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Artist - Enneagram Type #4

Happy Thursday, good people of the blogosphere! I know you've all been waiting for this one, being writers and all. Enneagram type #4 - The Artist. Would you believe there's only five more types? Well, believe it. Remember, you can delve into awesome things with my writing class over on INDIE Books Gone Wild. You'll learn so much! Grab those pens and notebooks and let's get going!

As always, I'll begin with links to the first posts of the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #4 - The Artist.
Definition: Artists are motivated by the need to experience their feelings and to be understood, to search for the meaning of life and to avoid being ordinary.

Artists are drama queens. They tend to make tsunamis out of every wave life rolls at them. In addition, they have a difficult time understanding how others don't see the tsunami. These people tell everyone they meet  about accomplishments, failures, and confusions in an effort to identify.

When I typed ordinary, above, it almost felt like a dirty word. I can't imagine being just like everyone else. I suppose most people would call that being normal. What the heck is normal, anyway? A house with a white picket fence, two and a half kids, and a golden retriever? I have all that but the golden retriever, and I'm far from normal. But I also don't like confrontation. That very firmly puts me out of the artist category.

Have you been trying to identify yourself as we go along?

Creating a character that's an artist requires you to be overly sensitive to the emotions in the world around you. But they have the potential to bring a whole new level of emotion to a story. Used wisely, these characters are confrontational, fun, and very rounded. They can also piss your reader off with their dramatic ways. Ah well, at least they'll be remembered. After all, that's what we strive for, right?

Time for today's exercise!
Put a character who's an artist into the following situation with a reformer: It's a Friday and both are waiting for an interview for a big job. While sitting in the holding area, these two strike up a conversation. Using what you know of the artist's tendencies to tell everyone everything about themselves, create a scene where the other people sitting nearby want to flee. Have some fun with it.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Achiever - Enneagram Type #3

Happy Hump-day, good people of the blogosphere! I love Wednesdays because I don't have to cook dinner and I get to spend time with The Best Boyfriend in the World. Plus, after today, there are only two days left until the weekend. All good. We're continuing with our Enneagram personality types today. The Achiever is quite the character. But we're gonna put a little spin on that type of character so we end up with more to give our readers. Grab those pens and notebooks and let's get going!

If you'd like to take a peek back to the first two types, here are the links:
Type #1 - The Reformer
Type #2 - The Giver

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #3 - The Achiever.
Definition: Achievers are motivated by the need to be productive, achieve success, and avoid failure.

These types of characters have a lot of energy and a long to-do list. When they're engaging someone in conversation, they're not fully engaged. Their mind is always thinking of what they need to do next.

Having an achiever means they'll be focused and very good at whatever it is they do. Striving for people to like them, they're the ones working the room at parties; networking, introductions, and telling jokes is the order of the day.

On the flip-side, they're also persuasive and can sometimes talk someone into doing something they didn't even realize they were being convinced to do. It'll come out of nowhere. Achievers have a dire need to win every argument, outhink everyone in the room, and be the best of the best of the best. These characters succeed in everything they do.

You can use an achiever to either further your plot by having them convince your main character to do something (or not do something) they've been wavering on.

That leads us to:
The exercise for today!
Your achiever isn't going to be the CEO of a company. They won't be a business owner. Today, your achiever is going to be a serial killer. Engage them in dialogue with someone who they're planning to kill. Have them convince the person to do things that put them in harm's way without realizing it. Have some fun with this one and be devious as hell.

Remember, The Bird is still free until midnight tonight. Go snag a copy and see if you can tell what personality types the characters are!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Giver - Enneagram Type #2

Happy Tuesday, good people of the blogosphere! Today, we continue with our Enneagram personality types. I do hope you're enjoying all the learning around here. I'm gonna take the time to remind you all, I give a four-week class on these things. You can check it out over on INDIE Books Gone Wild. Now, without further ado, I give you: The Giver.

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself. Type 1 can be found on this post: The Reformer - Enneagram Type #1.

Today, we talk about #2 - The Giver.
Definition: Givers are motivated by the need to be loved and valued and to express their positive feelings toward others. Traditionally society has encouraged #2 qualities in females more than in males.

These characters aren't usually good as protagonists in novels where the lead needs to be aggressive. They're passive, advice-giving people who are always willing to share what they have with others.

Keep in mind that what people say and what they do are oftentimes very different. Givers are the same. From my post on Holding a Grudge, from my Human Nature series, you can see this character would most likely fit into the category of Pretending to Let it Go. Oftentimes, their words and actions don't match their thoughts.

They also love to be martyrs. They'll sacrifice just about anything in the hopes people stand up and say, "Wow. That was really great of them to give the rest of their life to save hers." But even when people don't appreciate those actions, the giver will continue to give. It's what they know.

There's an easy way to let the reader know your character is a giver: inner-monologue.

This leads us to the exercise for today!
Write a page or two of dialogue in first-person interspersing inner-monologue. Have the giver face another character who's always asking for something. This is where you can really make your reader either love or hate the giver. Either way, go for strong emotional reaction to the character by the reader. Make your giver someone your reader won't forget any time soon.

I'm leaving you with a little treat today! Through tomorrow at midnight, my fantasy novel, The Bird, will be free on Amazon. Pop on over and grab a copy!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Reformer - Enneagram Type #1

Welcome back to Monday, good people of the blogosphere. Another week is upon us. Good news! For the next ten days, you're going to get a treat from the blog. We'll be going over Enneagram personality types and how you can use this labeling system to create dynamic characters. Not only will you be producing more interesting characters, they'll also have wants and needs. Hopefully, you can bring this out in dialogue with the exercise given at the bottom of each post. So grab your pens and notebooks and let's get going!

I'll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That's the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #1 - The Reformer.
Definition: Reformers are motivated by the need to live their lives the right way, including improving themselves and the world around them.

These characters are outspoken and never miss an opportunity to point someone in a direction the reformer believes is right. Now, keep in mind these folks live with a strong point of view that isn't always socially acceptable. They try; but they don't always succeed. Oftentimes, they're called smartasses, jerks, assholes, or know-it-alls behind their backs. But they can come in handy either as a lead character or a secondary character who pushes the lead to do the "right" thing.

Reformers can also be fun. If you have one in your story, you might want to give him or her a snarky attitude. This could be great for the punchlines of jokes or just to annoy the crap out of other characters. Perhaps you can off the reformer just so the reader punches the air and yells, "It's about time!"

You decide what kind of personality to give your character. Why not have a reformer in the slew of cast you pull from your imagination? They're almost guaranteed to give your story the two-punch in the guts it needs.

Time for the day's exercise!
Write a few paragraphs of dialogue where a reformer talks to you. Let them show you where you're going wrong and have them point you in the "right" direction. See what kind of things you learn about the character. Tell them off, agree with them, or just let them rant at you about everything you're doing wrong and how you might be able to fix it.

This is going to be a long two weeks. But if you hang in there, I promise you'll be thanking me by the end.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Dialogue Exercises - #5

Happy Friday, good people of the blogosphere! Oh, man, what a week it's been! Busy is always good for a writer though, so I can't complain. Is everyone ready for the weekend? I know I am! Before you take off and grab some R&R, do a dialogue exercise or two and flex your creative brain. You won't be sorry. Today is the last day of pumping brain iron. Next week, and the week after, we'll be going over something that will help you with a final exercise. I'm not gonna ruin it by giving it away now. Come on back Monday and see what's in store! Enough about that, grab those pens and notebooks and let's get going!

If you'd like to check out the first four posts, follow the links below:
Dialogue Exercises - #1
Dialogue Exercises - #2
Dialogue Exercises - #3
Dialogue Exercises - #4

There are fifteen exercises total, three on each day. Remember, each of these workouts calls for at least two pages of dialogue.

Exercise #13: Using dialogue to create sympathy.
Grab a protagonist and antagonist from one of your stories. Throw them into a setting and have them talk about their pasts. Show your reader why they should root for one over the other; or, make your reader feel a little sorry for your antagonist.

Exercise #14: Adding dialogue where you usually wouldn't to amp up the scene.
Put two characters on an island and have them make love. Write what you think they'd say if they were speaking while participating in the act. Use this to garner a deeper understanding of what your characters are feeling as they do something where speech isn't usually the order of the day, to set the scene, or as a surprise to wake your reader up and make them pay attention.

Exercise #15: Revealing obstacles through dialogue.
This time, use yourself. Think of a lofty goal you have and bring someone into the scene who never fails to tell you like it is. Open the scene with that person revealing an obstacle you can't overcome. Focus on your own feelings and how you'd react when you realize your dreams just went down the toilet. Use the rest of the scene to convey the goal to the reader and have them understand why it can't be accomplished no matter what.

I hope these exercises have been useful, and I hope you did at least one of the fifteen. The next ten days are gonna be awesome! Make sure you come on back and check it out. If you'd like these helpful tips delivered to your e-mail inbox every day, subscribe to my blog!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Dialogue Exercises - #4

Happy Thursday, good people of the blogosphere! I hope you all have a wonderful weekend planned. Just two more days to go now. That's two more days of dialogue exercises. If you want to rush the time along, try doing one or more of these today. Before you know it, it'll be Friday! Grab your pens and notebooks and let's get going!

Again, I won't bore you by repeating myself. If you want to check out days one, two, and three, you can find them here:

Dialogue Exercises - #1
Dialogue Exercises - #2
Dialogue Exercises - #3

Remember, each of these exercises require at least two pages of dialogue.

Exercise #10: Remembering your senses when writing dialogue.
Take a place you've visited that's full of activity and bring it to mind. Put two characters in the midst of it all and have them talk about what's going on around them. Use all five senses as you write so your reader gets a good idea what the place is like. Sight, sound, smell, taste, and touch. Bring the venue to life on the page. Make one of them blind, if that helps.

Exercise #11: Using dialogue to bring about transformation.
Using the confrontation/response method, create dialogue in which one character gives the other a reason to change. Make it so the protagonist has to look deep within and see something they hadn't before. Your antagonist can be cruel or kind in their observations/opinions, but their words should bring about change.

Exercise #12: Setting tone/voice with dialogue.
Something is in the woods. A mom and daughter are camping, alone. Suddenly, mom feels like they're in danger. Using dialogue, set the tone of the scene. Be true to your characters and really bring forward their fear and Mom's protectiveness over her daughter.

I hope you'll give at least one of these a whirl today. You can't get better if you don't practice! Tomorrow is the last day of dialogue exercises. Next week, I'm going to begin a 10 day series on a very important topic relating to dialogue. Come back every day and see what you find!

Which one of these is your favorite?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Dialogue Exercises - #3

Happy Hump-Day, good people of the blogosphere! I hope the first half of your week has exceeded expectations and the second half looks promising! Today, we continue with our dialogue exercises! Three more tools to add to your belt to help you on your journey to greatness. Remember, over on INDIE Books Gone Wild, I give a writing class that goes through this and so much more! Grab those pens and notebooks and let's get going!

You can find day one here.
And day two here.

Remember, each of these exercises calls for at least two pages of dialogue.

Exercise #7: Writing telephone dialogue.
Take two of your characters and make them interact over the phone. Stay in one POV. Write both sides of the conversation but omit all hellos and goodbyes. Use assumption to infer what the other character is doing while talking. Make it a heated conversation or put something big at stake. Now go back and write it from the other POV.

Exercise #8: Removing all saids from dialogue.
Write a conversation between two of your characters without using the word said. You may only use actions, thoughts, or observations.

Exercise #9: Killing direct addresses in dialogue.
Go through a passage you've written from above and take out all instances of direct address. Make it work through actions instead.

Example:
"John, did you see that UFO just now?" Marsha screamed.
"No, Marsha, I didn't. I was too busy looking at you."
"But, John, we're at an observatory!"
"I know, Marsha. I am observing," said John.

Change to:
"Did you see that UFO just now?" Marsha screamed.
"No, I didn't. I was too busy looking at you." John's face was slack and his eyes bored into her.
She felt her face get hot. "But we're at an observatory!"
"I know. I am observing."

See how much more natural that sounds?

I do hope you take the time to do at least one of the above exercises. Your manuscript will thank you for it later.

Have any of these worked out for you? Are you trying them?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo