Worth by Numbers and Stars

Happy Wednesday, everyone! Today, I'm just talking. No need for pen and paper, but you might want to bring your inner-voices to the party. If you're ready, let's get going!

So, I saw this image floating around on Facebook this morning, and I shared it because the message was so powerful (see it here).

But, as everything in life, it got me thinking about the author world and how we use numbers to measure our worth. When our books are selling well, we think: Wow, I must be a great author. So many people want to read what I've written!

Then comes the dreaded drop in sales or the horrific one star review.

Just like that, our worth seems to fly out the window on the wings of a fiery demon. We fall into a pit of despair, wondering who we were kidding when we thought we could write a book.

Now, I want you to look at those last five words in the sentence above: "We could write a book."

Rethink your stance right now.

You did write a book. Countless hours of your life were spent writing, editing, re-editing, editing again, formatting, and marketing that book.

Countless hours.

There are so many people in the world who say, "I have a book in me."

Do you know the difference between you and them?

You didn't talk about how you can write a book; you did it. Blood, sweat, and tears flowed from you to the page. Not once did you stop, throw down your pen/close your laptop, and give up.

No. You kept going, pushing through the doubt demons and naysayers. You published that book.

Fast-forward fifty years into the future. Your children are grown and have a couple of kids. Out there, in the book world, your words are still going strong. Even if no one is buying them, they're still existing.

It's your legacy. You've made yourself a little bit immortal. Even if people hate your story, they haven't written a book, and they won't live through the pages forever. Take every opinion with a grain of salt.

So, I leave you with this:

Don't measure yourself against your sales numbers or star ratings. Put it all in a new perspective, and remember, you did it when others wouldn't. Even if you feel like crap about it today, it will still be there tomorrow, ready to carry your words through the millenniums. Be proud (it's okay to celebrate your own accomplishments--that doesn't mean you're narcissistic).

Scream into the ether just once today:

"I am f*ck*ng AWESOME! I wrote a book!"

If you're feeling froggy, I also encourage you to jump like the woman in the image above.

Huge thanks to Chelsea Starling for giving me the first part of that battle cry!

How do you get over the measuring of yourself? Plan to scream today? Tell me about it.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stealing Plots

Happy Friday, good people of the blogosphere! I hope you all had a fantastic week and are looking forward to the long weekend. Perhaps you want to use that time to craft new book ideas. Well, you've come to the right place! Today, I'm going over how you can steal plots from real life to craft novels. Intrigued? Then grab those pens and notebooks and let's get going!

If you remember the posts I did on plot ideas (part one and part two), you'll know I'm a huge advocate of using things you see/read/hear to inspire you. Well, let's look at life for some inspiration and see exactly how that works.

Situation one: You're sitting, watching the news, and a story comes on about terrorists on a train and three heroes who leap in and save the day (anyone remember this?). That's an awesome story, right? Those men have been talked about often since that day.

Situation two: Friend one calls you, sobbing. Her husband was part of the Ashley Madison scandal, and your friend has discovered he's had multiple affairs. Her life is ruined, and she tells you all the warning signs she saw but ignored as you try to make her feel better.

Let's break down and re-work both situations for awesome plot ideas, shall we?

Situation one: What if the terrorists were vampires and the heroes were slayers? Or, what if they were all women instead of men? What would've happened if it were some kind of plot to get rid of a different terrorist who was planning to bomb the train, and the men sent to stop it were thwarted by the "heroes" who thought they were doing something good?

Situation two: What if the husband wasn't cheating, but he'd been doing some kind of recon mission for the CIA or some secret organization? All the "warning" signs weren't what they seemed, but the wife has no way of knowing because she doesn't know he's a spy/assassin. That's a whole different story.

It's not the situation that matters; it's the details you want to store away in your brain for the book you can write with these ideas that are important.

What caused those men to react? What were they thinking? What did they see?

What were those "warning" signs your friend is talking about? How did her husband act? What excuses did he use to get out of the house and meet up with those women?

All these questions can be answered by watching interviews or asking questions. Be the sleuth. Be creative. Bend the world to fit the story you want to read, and write it.

Whether you're a paranormal, contemporary, fantasy, dystopian, contemporary, murder mystery, or other genre author, you can make your story and characters feel more real to your reader when you use real-life situations as the basis.

So, this weekend, my challenge to you is to take something you see on television or hear on the news and turn it into a plot for a novel in your genre.

Post them below! Let's see how creative you can be!

Well, that's all for today, folks. Until next time, WRITE ON!

Jo

Character Bios - Visually

Happy Thursday, everyone! Today, I'm going to give you a tip to help you keep those characters you're writing about straight (and maybe even the places they live). This is gonna change the way you write forever
—I hope. It's a way to keep your characters (and their details) visible so you never have to stop writing and look something up. Ready? Grab those pens and notebooks and let's get going!

If you've been here before, I'm going to assume you've downloaded my free PDF on Novel creation. If you haven't, get it here. There's a wonderful section in the back that'll help you create a character bio. This is what you need right now. My PDF is free to download, print, and redistribute as you see fit, but please, do not sell it. It's meant to be a free tool for authors.

I tend to write character-driven fiction, so my buddies in the story are key to making things feel real to my readers. There's a requirement that I know those folks inside and out.

So, once I've decided on some details, how do I keep them straight without going back to that document every single time I want to give some goodies to the reader?

Well, this is where Google and a color printer are your friend! Do a search for your character (brown haired male with blue eyes, for example), and put it in a Word document. Size the image so it takes up most of the top. Beneath it, type out the character's height, weight, birthday, location, parents' names, and any other nuggets of fun you think you'll want to reference. Make those details BIG and BOLD.

Click print.

Create one for each character, and print those reference sheets out.

Tack them on the wall behind your desk so you can see them!

Now, go do the same for locations (these can be general or scene-specific).

Boom! All that pretty info is right there for you. All you have to do is look up!

Here's an example of one of mine (for the upcoming novel I'm writing with the Fractured Glass ladies):

Doesn't that make it so freaking easy?

Because you aren't redistributing the images, you don't have to purchase them. These are for YOU, not the world. Even if they have a watermark on them, you can see the details well enough. If you decide to use the photo for something else, please, PLEASE be sure and purchase the full sized image and correct rights.

Same goes for location scenes.

If you take the time to do this, you'll never have an inconsistency issue, and your work will gain a ton of momentum!

Have you ever done anything like this? What do you use? Discuss!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Novel Research - How Much is Too Much?

Happy Monday, good people of the blogosphere! Welcome to another week of fun. Yeah, it's Monday, but you now have five whole days to get in your writing groove. Today, I'm talking about research. You know, that stuff that makes your book seem plausible to your reader. Ready? Grab those pens and notebooks and let's get going!

As you all are probably aware, when I was writing M, I had to do a lot of research for a few topics and scenes included in the novel. Here are a few:

Buying explosives online (yes, you can!).
What the range on a GPS tracker is.
Best sniper rifle.
What genes are responsible for reproduction.
What genes/chromosome strands are associated with malformations of the heart.
How to pick a lock (actually picked a lock to learn what this was like).
Self-contained cities (how they work).
Moving sidewalks and how one steps onto them.
What genes are responsible for "giantism."

And those are just a few. I've asked other sci-fi writers, and they have pretty much the same experience. You have to learn as much as possible so your story can ring true. Sure, you can ask an expert or read an article about how to pick a lock, but until you do it, you don't know what pitfalls may happen or how it feels.

I've talked about this before on my post Writing What You Don't Know, but sometimes you need to get into the meat of your story by heading out and experiencing things for yourself.

Don't leave your words to someone else. The way I describe something might not be the way you describe that same thing.

As a bonus, the next time you want to write about what it feels like to walk over hot coals, you'll already know. Those little tidbits will be stored in your memory bank or feelings workbook.

It's not just sci-fi that demands research. If you're planning a book where you deal with legal issues or historical facts, you have to look that up, too. Writers are born researchers, and we usually have a thirst for first-hand knowledge of topics.

What's been the most fun/interesting thing you've ever had to research for a book? What book was it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Atmosphere Feels - Helping Readers Feel the Characters and Setting

Happy Friday, everyone! Holy cow, what a week, huh? It's been blazing trails here on my desk. Huge edit, schedules for bloggers, handling the radio show, and blogging every day have me so confuddled, I'm not sure whether to scratch my watch or wind my butt. But! Today, I'm all about the writing tip! I had a discussion with Teal Haviland, creator of the awesome website My Endless Endings (it's like a smashup of Facebook and Goodreads), and she suggested a post on atmosphere and feels. So, we'll be talking atmosphere and all the feels your character can get from their surroundings (and how to communicate that to the reader). Grab those pens and notebooks and let's get going!

So, your character is on their journey, and they walk into a room. Let's do this via examples. My character will be named Teal, and she's going to her grandmother's house.

     Teal stepped into the room and plopped down on a sofa, putting her feet on the coffee table. A teapot was sitting nearby, and she snagged a cup, filling it with the hot liquid. She took a sip, and relaxed as she waited for her grandmother to come downstairs.
     After waiting for half an hour, Teal wondered what was taking Grandma so long. Something felt off. She usually made an appearance within five minutes or so, and Teal was getting worried. Carefully, she put down the cup, rose to her feet, and walked back to the foyer to look up the stairs.

Okay, there's Teal in her environment. You all know I'm not one of those writers that goes into a ton of description. However, there's a time and a place for everything. You need tension in this scene, so description and engagement of the five senses will help. Remember this post. Yeah, only this time we're talking about how the environment impacts the character's feels. If you have your Feelings Workbook, pull it out now. Let's edit!

     Teal stepped over the threshold to a dimly lit foyer. Shivers ran down her spine when she inhaled and the musky scent of the house assaulted her. Moving to the living room, she sat on the flower-print couch, wondering where the plastic cover went, and put her feet on the antique coffee table. A silver tray with a porcelain teapot and cups was nearby, and she tossed a sugar cube in one of the cups before pouring over the liquid. She took a sip, wrinkling her nose at the bitterness of the drink, being careful not to burn her tongue, and sat back as her eyes scanned the room and she waited for her grandmother to come downstairs.
     Time ticked by, increasing the unease Teal felt when she entered. Where was Grandma? She always arrived within five minutes to spread the latest gossip from the other blue-haired ladies in the neighborhood.
     Teal's shoes clicked on the floor when she put her feet down. In the absolute still, it was like a gunshot. She winced, carefully put down the cup, and removed her shoes. Holding the slingbacks by their straps, she rose and tip-toed back to the foyer. Her heart pounded in her chest and echoed in her ears.
     One of the floorboards in the ancient wood creaked, and she paused, ticking back her ears. Dread slammed into her, and she let her gaze float up the stairs, tracking the fresh boot prints on the beige carpet.

In the first passage, you understand something's not quite right at Grandma's house. In the second, you feel like it's something sinister. Smell, sight, sounds, touch, and taste are all engaged.

Why? What's the difference?

In the first passage, there's little to no description of the environment or how it's impacting the character. If the surroundings don't have a feeling, your reader won't feel. Sure, you can tell them, but they want to feel it, too. You have to show in this case. If you noticed, from the content of passage two, we're now aware plastic is missing, the lights are dim, the tea is hot, it's too quiet in the house, and there are fresh boot prints on the carpet.

What do you think Teal will find based on the first passage? How about the second?

What do you feel when you read each one?

We can bring a lot out by describing the atmosphere of the character's environment, and it'll translate to the reader. I do ask that you use this tactic sparingly. Pages and pages of description will bog your reader (and your story) down.

Now you try it. Start with a passive scene, and make it an active scene.

Let's see your results. Don't be scared to share!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Your Opening Scene

Happy Thursday, everyone! Hang in there, Friday is just around the corner. Today, I'm talking about your opening scene. There are certain obligations you, the writer, have in those first few pages, and I'll go over the most imperative four. Ready? Grab those pens and notebooks and let's get going!

When you're browsing a bookstore, do you just read the blurb on the back of the book, or do you open the cover and read a couple of paragraphs to see if you might like what's inside?

I'm betting you do a little of both. Well, the people who plan to read your novel will likely do the same thing. Why not hook them with a little bit of oomph? There are a couple of things people don't even know they're looking for, but if those things are missing, their reader brains will shut off and your book will be stuck back on the shelf or dropped back on the table.

Some of these, I bet you even do on accident. Besides the tips on using powerful words, from a post I wrote on the first one hundred, you have to set certain things up. If you missed the post before this one, I recommend checking it out, too.

1. You have to hook the reader into the story. This goes back to that post on the first one hundred words. These words should be powerful and resonate deeply in the soul. Perhaps even introduce the central conflict or present a question that will be answered later. Either way, you want them to keep reading.
2. Consistency is the ruler of all else. Your beginning should set the tone and establish rules you'll adhere to later on in the story. Don't have the reader walk into a suspense thriller only to throw them into fairy land a page later (unless it's a fantasy thriller with killer sprites that slash people to death with razor wings). You get the point here. Also, don't use a hook that has nothing to do with the rest of the novel. Readers will feel, rightly so, they've been hoodwinked.
3. Give the central conflict. Your reader wants to know why they should keep reading. If Jane is going to plod through the book with no direction or goal, it probably won't be something many (any?) people would enjoy spending time on. There's room for some action. If you're using a prologue, this is where you can show the blood, guts, and gore (if that's what your book is all about) just before the bad guy escapes and leaves a path of death in his wake. Yes!
4. Hint at the ending. Have you ever been stuck at the end of a story that's flown from your fingers up until that point? It might be time to start reading your manuscript from the beginning. If you've crafted it well, you'll have an idea of where it's going by examining where it began. Readers like that, too! When they have a vague idea of what might happen, they're intrigued enough to buy the book to find out. Think "central conflict" as mentioned above.

Don't backstory dump on your reader! Please. Readers aren't stupid. In fact, many of them are highly educated and well read. They know how to infer things from the text. You don't have to spoonfeed them every single detail. Especially in the first chapter. Trust that your audience is intelligent, and your writing will take on a whole new level of awesome.

Did you know any of these? What's your favorite hundred opening words of all time?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Avoiding the Backstory Infodump by Using Layers

Happy Tuesday, good people of the blogosphere! Today, we're talking about backstory. Every character has one, but no one wants it shoved in their face in huge chunks. I'll be giving you some ways to work the yummy goodness in as your story progresses so you can avoid the dreaded infodump. Ready? Grab those pens and notebooks and let's get going!

#1: Throw out tidbits in dialogue

This one can be fun. Say you have two characters arguing. One friend screams at the main character about an embarrassing or revealing thing that happened in the past that shaped the MC's personality. Boom. Backstory. One character can also be talking to another and reveal something about the MC's past to explain why he/she reacted the way they did in a situation. There's no need for a whole conversation about it; just throw things in here or there.

#2: First person thoughts

I have an excellent example of this one! In Fractured Glass Kelly Risser lets Sloan remember a time when she and Diego rode an amusement park ride and he yakked afterward. This reveal came when he groaned through her earpiece after she flipped around and around, and she needed to recall his motion sickness issue. It flowed right into the story, but gave the reader a better understanding of Diego.

#3: Memories

This one can be a bit tricky. Some people go into memories as a whole separate scene, but they don't have to be set apart. You can add a snatch of them here and there like sprinkles, rather than dredging the entire cupcake and leaving the reader with a mouth full of pasty yuck. When the character sees a rose, he/she can have three lines of memory that recalls the funeral of a good friend. Don't get bogged down in details.

#4: Third person narrative

While it isn't the best way to work in a lot of drama, you can have the narrator recall a situation where the MC changed or did something amazing/horrid. "This one time, at band camp, Harry and Joe..." You get my point.

#5: Long flashbacks or dreams

This is where you cut out a chunk of story and lend it to the character's drama. It becomes a whole separate scene in the chapter where you go into feelings, who, what, when, and where. Long flashbacks should be used sparingly (italics are hard on the eyes). If in a dream sequence, try offsetting it with asterisks rather than setting in italics. Be sure you're setting time and space in there somewhere so you don't lose the reader.

#6: Paperwork

Exactly what it says. Maybe the character finds an old newspaper article stuffed in a photo album that was locked in a trunk in the attic for fifty years. Perhaps it's birth certificates. If you're V. C. Andrews, it would most certainly be the latter, and the document revealing Mom and Dad as brother and sister won't be discovered by the child until the last page of the last book. Yikes.

Something important to remember: Don't use these items until your story has been well established. Readers need some mystery as they dive into the prose, and most don't want to be dumped on early in the novel. When there's nothing left to discover, why keep reading?

I hope you found these tips useful.

Any you hadn't thought of?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

13 Rules for Stronger Writing

Happy Friday, everyone! Wow, it's the weekend already. I feel like I've missed out on a couple of days in here somehow. Anywho, today is all about making your writing stronger. I have thirteen tips that'll help you keep your writing flowing. Ready? Awesome. Grab those pens and notebooks and let's get going!

No dallying today. Right into it. When examples are given, what you shouldn't do will be in red, what you should do will be in green.

1. Use active voice. Don't use were. Reconstruct your sentences to read as it is. Example: There were fifteen girls standing on the field. Fifteen girls stand on the field.
2. Kill the truth. If reality is blocking, make up new rules. You're writing fiction, after all.
3. Unite common phrases. Things that go together, stay together. Example: Molly lifted her arm and then, with a roar like a lion, she began beating the door. Molly lifted her arm, roared like a lion, and beat the door.
4. Write as you see. When you're writing, think visually about the scene, and use the imagery as fodder.
5. Catch the beat. All writing has a rhythm. You know it. Use it.
6. IT is a horror story. Beware of dangling "it" in your prose. Example: I thought it was strange. I thought the chair scooting across the floor by itself was strange.
7. Sentence structure variation. Don't write the same sentence over and over. Example: I walked into the kitchen. I got a glass from the cabinet. I filled the glass with water, and I drank. I drank it in one gulp. I walked into the kitchen, grabbed a glass, and filled it with water. As thirsty as I was, it went down in one gulp.
8. Marry related words. Keep things together that go together. Example: Henry stared at the float in the pool that was spinning in the middle. Henry stared at the float spinning in the middle of the pool.
9. Allow the reader to infer. Don't over explain. Example: "I'll do anything I can to help," Tina said lovingly. "I'll do anything I can to help," Tina said.
10. Create parallels. Mix some ideas and compare two unrelated things.
11. Kill repetition. Don't use the same word more than once in a paragraph; your reader will feel like they're reading the same sentence again and again.
12. Use one instead of two. If you can delete a word and not lose meaning, do so. Example: A scary, creepy spider is crawling up my leg. A creepy spider is crawling up my leg.
13. Beef up with stronger verbs and concrete nouns. Use these to replace adverbs and adjectives.

I hope you got some good tips today. Any of these that you didn't know?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Authors Reviewing Authors - Warning: Opinion Piece Ahead!

Happy Thursday, everyone! Today, I'm going to talk about a hot-button topic I've seen floating around Facebook and give you my two cents on the issue. I may make you angry, or I may make you think. Either way, know this is just one person's opinion. We all have them, and you know what they say about that. Fair warning. If you don't think you'd like to hear mine, feel free to stop reading (I'll be okay).

For those of you still with me, brace yourselves.

Amazon's ToS says you're not allowed to review competing products. For authors, that means you're not supposed to review books on Amazon.

Well, I wonder if anyone considered that most authors were readers long before they became writers. In my humble opinion, this is one way Amazon uses to be able to remove sock puppet reviews with zero backlash. If someone goes to the site and slams a ton of books that aren't theirs into the ether, Amazon can remove them and point to their ToS as reason.

Okay, I get that. I can even get behind it because it makes sense. You don't post a crappy review on a book just to drag it down in the ranks so yours can shine.

Someone said, "Authors reviewing authors is unprofessional. Once we've written books, we can't appreciate books like we used to."

It's this I have an issue with.

You see, I'm an author and editor, and I can still read a book where I get totally lost in the scenarios, characters, and world.

Do I see errors more prominently now? Yes, I do.

Does that ruin the story for me? Nope.

Does that mean I don't make the mistakes I see? Nope.

I understand books won't be error free. Hell, most trade published books have errors. But as a person, I'm allowed to be bothered and voice my opinion.

I don't take ARC copies for review. When something happens and I either end up not being able to read and review the book or I don't like it, I feel terrible about it. I decided long ago to only take books for review once a year, in December, during my big event, and I buy each and every one I choose (yeah, I like having the little "Amazon Verified Purchase" thing on my review).

I refuse to rate a book less than three stars. Why? Because anything less than that and I don't finish reading the book. How can I review something I haven't read all of? If it kept my interest to the last page, it deserves more than two stars. That, in and of itself, is worthy of three stars.

Professionalism denotes I contact the author privately (if I choose to do so) if I find a gross number of errors, not me going into the realm of internet and slamming the title (though I'd be within my rights to do so). If I just didn't like the story? Well, then it's up to me as a reader to stop reading the title and let it go. If the author asks, I'll tell them. If not, I don't lose sleep over it.

I do think we all need boundaries of what we will and won't do.

Here's the crux of the issue: Would I say something in my review that I wouldn't say to the author directly? Absolutely not. If I read a book and have a thought, I'd be willing to discuss the why and where with the author all day. Again, that doesn't mean I don't make the same mistakes, it means it's easier to see errors in someone else's work than it is my own. This is why we have beta-readers and book reviewers. If we won't be honest, who will be?

Let me be transparent with you all for a moment. If I didn't write book reviews, or hold my blog's big review request event each year, how many of you would lose out? What is it you'd be losing?

If authors didn't review books, how many reviews do you really think there would be?

I've been reading since I was very young. I took weekly trips to the library beginning at age six, and I devoured up to ten books a week. When I realized I could help others find great books by providing feedback in the form of a review, I jumped at the chance to do so. As a bonus, this helps the authors find readers and increase their review numbers.

How many people pay for a review? Why do they do that? Well, because reviews matter. Those paid ones aren't even guaranteed to be positive.

Not everyone is going to love every book--that's nonsensical. But for anyone to tell me I shouldn't be writing reviews because I write books is also nonsensical. Could I burn a bridge or two? Yes, I could. But anyone who takes my review and turns it negative won't be back to ask for another one anyway, right? Could they troll my books? Yes, they could.

Will that stop me? Nope.

Why? Because I feel I've done more good than harm, and trolls are easy to spot (readers can tell).

Here are most of my reviews. To date, I've published almost 100 on Amazon.

If I can't be professional about a negative review as much as I am about a positive one, I'm in the wrong business.

It all boils down to this: I'm a person who loves books. I'll continue to do what I did (recommend books to other people), before the internet existed and before I became an author, until I can no longer type. No one will come between me and my books. Amazon kicks me off? Okay. I have a blog. Blogger shuts me down? Well, I'll go elsewhere. Either way, my reviews aren't going anywhere, and no one should expect them to or tell me I'm in the wrong. Making a blanket statement that calls reviewers who are also authors unprofessional... Well, it's unprofessional.

"Opinions are like assholes. Everyone has one, but no one really wants to hear them."

After all, a love of books and storytelling is why we all started writing, isn't it?

How many book bloggers have become authors later on? Does that make all the reviews they've written and plan to continue to write obsolete?

Is it fair of me to expect other people to review my books if I'm not out there writing reviews for someone else and paying it forward?

Get in here and give me your opinion. Just remember to play nice.

If I didn't do my event each year, what would you miss? If I quit writing reviews, what would you miss? Would you care? Why? What have you gained?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Amazon Author Central and You - Take Two

Happy Fridayyyyy! Wow, it's the weekend, you guys! Two days of no work. Whatever will we do with ourselves? Well, you could spend the time snazzing up your Amazon Author Central page. Yesterday's post was all about how to create an account and add books. Today, we're going into some of the clicky things you can modify. So you can take the info you find here and get to work making everything fabulous. Ready? Grab those pens and notebooks and let's get going!

I'm just gonna jump right in here. Login to Author Central here so you can follow along. Be sure you're on this tab and have your bio all filled out:

After your biography, you need to set your author page URL. As you can see, mine's already done (amazon.com/author/jomichaels). Amazon lets you set this to whatever you choose, but you only get one shot, so choose wisely! It's here:

Next, you'll want to upload a photo of yourself. Click the add photo button here:

Browse through your pictures, choose an image, click the box saying you have permission to use the photo, and click Upload Photo:

You can do this more than one time so you can change your picture up now and then. When you click manage photos, you get a couple of options:

Delete or rearrange at will. First one in the row is your profile picture! The Add Video button works the exact same way as the Add Photo one. NOTE: You must have the video available on your computer to upload. You can't link or add one from YouTube. Twitter add is pretty self explanatory, too, so I won't bog you down with images for all that.

Now, you'll want to add your blog feed. If your blog isn't pushing to a feed, here's how to find it for Blogger, and how to find it for Wordpress. Write it down and keep it handy, you'll need it for Monday's post. *wink* Once you have your feed address, click here:

It'll open a popup where you can type in your feed URL. Do it and click Add.

Let's go add an event, shall we? Click here:

You'll get a popup window like this:

Yeah, that's a lot of information to fill out, but Amazon will do most of it for you. Add a description first, then click on the location and start typing the name of a venue. I've added Utopia Con. If you're going, too, start by typing Millennium Max, then choose the hotel name from the list that populates underneath. Boom! Amazon fills in all the cool details like this:

Then, choose a book (yeah, just one), and a start date and time. I chose the date fans will be allowed into the conference. Click Add. Your profile should look something like this:

You're all done for today. Monday, I'm going to show you something amazing you can do with Amazon if you have a blog. Tuesday, we'll go into the various sections on the book tabs (hopefully, your books will be listed by then if they aren't already).

Did you create one? Leave us a link so we can take a peek!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Author Central and You

Hello, and happy Thursday, good people of the blogosphere! Today, we're going to be talking about Amazon's Author Central, and how you can make the most of your profile there. If you're ready, grab a pen and notebook, and let's get going!

Everyone knows Amazon is the big pie in the sky every author wants to stand on top of, wiggle their feet into the a la mode, and be covered in the gooey goodness. Why? Because that's the pinnacle of awesome. Readers are reading your books, you're enriching lives with your words, and (hopefully) you're providing hours of entertainment and deep thought. But you have to be seen in order for people to find your work, right?

One of the tools you should be using to accomplish visibility is Author Central. It's not difficult to set up a profile there, and there are some cool features you may not know about available to you. Let's start by setting up an account if you don't already have one.

Go here to the Author Central login page. I'm going to pretend to create a dummy account for the purpose of this tutorial, so you can see what steps to take. Okay, you should be at a screen that looks like this:

If you have an account, log in. If not, click join now.

Now you'll be on a screen like this:

That's where you sign in with your current Amazon customer account (even if you don't have an Author Central page). Like I said, I'm pretending to create a dummy account, so I'll go to "I'm a new customer."

Enter your e-mail address and click continue. You'll go here:

Fill it out and proceed. This is where I back up and login to my own account so I can show you all the goodies there.

Here's your welcome page:

If you just signed up, you won't have any information here. You'll need to fill out your profile and upload an author photo. Click Author Page at the top, and you'll end up here:

You know what to do. Now, click on the books tab, and you'll go to a page that looks like this (yours may or may not have books on it yet):

How do you add books? By clicking this button:

And searching for your title in this box:

I did a search for Fractured Glass. As you can see, it says already added. Yours won't say that, so click the button "This is my book."

It takes Amazon about 24 hours to link your book with your profile. But, once they do, your page will look like mine above and be ready for editing. Because I'm using Fractured Glass as an example, I'll navigate to that book's edit page by clicking on the title:

As you can see, the wide array of choices is staggering. You can also see, by looking in the top right corner, I'm editing the Kindle version of the book (not the paperback).

This is important to know, because you have the freedom to edit each edition's sections separately. I'm going to add an award to the Kindle edition's page, because I'm a dork and only put it on the paperback. So, I click edit on the product description:

And I paste in what I copied from the paperback edition description in this popup:

Then, I click preview:

Of course, I have to remember to click Save Changes if it looks good:

Amazon gives me a pat on the head and tells me it'll take 3-5 days for my changes to show up (most of the time it's just 24 hours or so, but err on the side of caution).

There are six sections available to edit here:

• Review (this is for editorial reviews, because Amazon doesn't allow those guys to publish reviews)
• Product Description
• From the Author
• From the Inside Flap
• From the Back Cover
• About the Author

Go tinker with them all! It's fun!

Because this post is getting really long, I'll go into some of the fun things available to play with on your profile page tomorrow. Hopefully, you'll have it all filled out and ready to rock!

What do you think? Did you sign up? Already had? Learn something new?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo