Showing posts with label checklists. Show all posts
Showing posts with label checklists. Show all posts

Tuesday, February 4, 2014

Most Popular Posts of 2013

Happy Tuesday, everyone! I know, I know, I'm late. But, I have good reason. This morning, I had a meeting with Ms. Sandi Tuttle, a dentist appointment, and a very sick child to contend with. Onward and upward! Today, I'm going to give you all links to some of the posts on my blog that have had the most traffic. They're probably the most useful posts, too. Strap in, get your fingers ready to do some clicking, and let's get going!

Because all posts are better with a cute baby with cake on his hands and feet.


Up first, I'm gonna give you my two free PDFs. These have been downloaded a lot and are free for you to keep and share, providing you don't change any of the content.

This one is on Branding Yourself.
This one is a A Novel Checklist.

Now, we move on to the posts!

Monkey Wrenches
Dialogue Tags vs Action Tags
Pesky Pronouns
Human Nature Series (last post)
Enneagram Personality Types
Comma Part 3 (links to part 1 and 2 included)
Timeline Tips
Common Editing Errors
Templates for Using MS Word for Print
He Said, She Said, Who Said What?

Love those? Here's a page with them all (plus others that didn't get as much traffic but are still just as useful). I even categorized and summarized them. Yup, all for you readers.

Thanks for making 2013 awesome. I hope to bring just as much great content in 2014!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Wednesday, August 28, 2013

Checklists for Novels - Part 3 of 3 - Scenes, Dialogue, Complexity, and Character

Happy Wednesday, good people of the blogosphere! Halfway through the week, we are. Wow, the volume of that cheer blew my hair back. Guess you're all looking forward to the three day weekend, huh? Well, I hope you all have a novel you're editing right now and can print these little checklists and make good use of them with your *ahem* time off. Today, you get checklists for scenes, dialogue, complexity (in one), and character (there are three of these). At the end, you'll find a link to a PDF you can download, print, keep, and share! All I ask is that you don't alter it in any way. Thanks! Let's get going!

Scenes
  • Do your scenes ebb and flow well?
  • Are the four basic happenings taking place?
  1. Action - This is the objective of the scene.
  2. Reaction - What the emotional state of the protagonist is.
  3. More Action - What they do about it.
  4. Deepening - This happens only in the most dramatic scenes.
  • Do you have a great hook, intensity, and a good setup for the next scene?

Complexity
  • What value are you supplying to your reader (values can be life lessons or new opinions)?
  • Is there a sub-plot that could be added that would give your protagonist (or antagonist) more depth?
  • How will any sub-plots assist you in changing the values of your character?

Dialogue
  • Have you used a lot of he said, she said?
  • Can you turn any of the dialogue tags into action tags?
  • Are you using the proper dialect?
  • Contractions. Do you use them?

Characters (this is broken out in the checklists)
  • Full Name - First, middle, and last along with any other names they've had along the way.
  • Location - Where they live, where they were born, if different, why it changed.
  • Age - Includes birthday, zodiac sign, and recent celebrations.
  • Physical Description - Height, weight, hair color, eye color, shoe size, skin color, manicure?, pedicure?, hair length, eyebrows (V shaped, bushy, pencil thin, etc...), identifying marks, for women: bra size.
  • Mental Description - Self centered, egotistical, timid, brash, vengeful, etc...
  • Reasons for Mental Description - What happened in life to make them that way.
  • Friends - Other characters. Are they major? Minor? Plot changing?
  • Relationships - Spouse, kids, parents - with names and nature of relationship.
  • Goals - What their ultimate life goal is.
  • Career - What they do or want to do.
  • Skills - Any skills they may have.
  • Magical Powers - For fantasy or paranormal. Can they shoot fire from their asses? Lightning bolts from their eyes? Levitate? See through peoples' clothing?
  • Sexual Orientation - Straight, gay, bisexual, etc...
  • Fun - What they do to let their hair down.

Here's the link to the full PDF that has tweaks and little boxes to put checks in: GIMMIE MY FREEBIE!

Enjoy and share!

Have these changed the way you look at your novels?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Tuesday, August 27, 2013

Checklists for Novels - Part 2 of 3 - Deepening Plot and Structure

Happy Tuesday, good people of the blogosphere! And isn't it a grand day! The sun is shining and words are everywhere for the grasping. Today, I'm continuing my printable checklists and taking the plot and structure lists from yesterday a bit further. No pens and notebooks. Just bring your mouse and printer, please. Let's get going!

Deepening Plot:
  • Does my protagonist have a goal?
  • What is that goal and why does it matter (who cares scenario)?
  • When do I introduce the doorway of no return (should be in the first 1/4 of the novel)?
  • Is my antagonist evil/bad enough?
  • What's the relationship between my protagonist and my antagonist?
  • Is it strong enough to warrant their continued angst? Why?
  • What does my protagonist believe in deeply?
  • How does that change?
  • Did I make the change believable?
  • What opinions did I alter to garner a change of core beliefs?
  • Is there a sub-plot?
  • If yes, could the sub-plot stand on its own?
  • What was the reason for it?
  • Can I take it out and keep the suspense/action going just as well?
  • When I lay my plot out, does it flow in a linear fashion?

Deepening Structure:
  • The Beginning
  1. Have I shown the protagonist's world in enough detail so the reader understands the rules?
  2. How did I do that?
  3. Is the protagonist directly involved in creating or upholding those rules?
  4. How so?
  5. Do I have a dynamite opening line?
  6. Is my prologue necessary?
  7. Action first?
  8. If no, how can I rearrange the story so explanation comes later?
  • The Middle
  1. Is there a sense of death hanging over my protagonist's head (physical, emotional, professional, or psychological)?
  2. Could my protagonist simply walk away from the conflict and lose nothing (this should be a no)?
  3. Why?
  4. Is there plenty of action, reaction, and more action going on?
  5. Are my stakes high enough?
  6. What can I (or did I) do to raise them?
  7. How did I set up the final battle or show that it's coming?
  • The End
  1. Did I answer all the questions I brought up in my reader's mind during the tale?
  2. Is my ending a knockout, that'll leave my reader breathless or scratching their head?
  3. Was my ending predictable?
  4. What kind of ending do I have (objective reached, objective lost, or dangling)?
  5. How did I set that up?

If you can answer all these questions without a second thought, your novel is very well built. These aren't checklists for when you're starting to write. They're for the final product. It'll help you spot holes you need to fill.

Remember, feel free to print these out or save them as you wish. If you want to share them, I'll be putting up a PDF tomorrow of all six together. All I ask is that you don't alter them in any way if you redistribute on your own site.

Tomorrow, a checklist for scenes, dialogue, and complexity and one on character. Be sure and come on back for those!

Are these lists something you've done in the past; or, is this all new to you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo