Showing posts with label series post. Show all posts
Showing posts with label series post. Show all posts

Wednesday, February 19, 2025

How AI is Changing the Publishing Landscape

Hello, and happy Wednesday, good people of the blogosphere! Today, we’ll be talking about how AI is changing writing and publishing for thousands, or hundreds of thousands, of authors. We’ll take a peek into how writers are using AI, and we’ll discuss what changes have happened (that I know about) through the publishing industry.

That sound good? Excellent. Get comfy, turn up the heater (those of you in the Midwest, BRRRRR!), and grab a drink. Unsure how long this will be, but it’ll be nowhere near the length of the AI trial posts I’ve been doing. :)

Authors are using AI in various different ways. Some are cranking out books by having AI write the whole thing and just clicking publish, even though many publishers now demand you to disclose if AI was used to write the book. Most writers, however, are using it as a helping tool. They don’t just plug in a prompt and get a book. They’re spending hours creating an outline, characters, worlds, and other such things, and then they get a chapter at a time they have to heavily edit. Sometimes, the AI will give them a workable chapter, and sometimes, they’re forced to redo the entire thing because they forgot something.

None of these programs are cheap to use, either. Sure, GPT costs about $20 a month, but as you saw in my previous posts, it needs a ton of rewording before it’s usable. Most good programs cost you per word.

Then why use it?

Well, it makes their writing go faster, helps them past a part where they may be stuck, or gives them ideas they may not have come up with otherwise. For some writers, that’s invaluable. We all still have the same issue though: marketing. How to get a book in front of readers who may enjoy it, right?

There’s also the folks who won’t touch a book written with AI with a ten-foot pole. I think a lot of people don’t realize nearly every word processor has some kind of AI built in now. Even MS Word has the new CoPilot AI running. Avoiding AI books is becoming as difficult as avoiding the sun in SW Florida.

Now, the horrors of AI are those books simply produced 100% by AI and are published without any kind of editing done. It makes every author using the program as a tool to help them write look like a hack. Some books, you’d never know used any kind of AI unless the author tells you. Some, are obviously AI and are obviously terrible from page one. This is why samples are so important, yeah?

Along with Amazon, Ingram Spark had some AI drama not long ago, and if I remember correctly, it had something to do with them wanting to use the content of the books submitted to create audio with AI.

Well, that’s not okay. A lot of authors I know already have an audiobook company, and I imagine the Actor’s Guild had something to say about that…

Another problem I see is the AI editors. Grammarly often corrects incorrectly, and they’ve been in hot water lately because they said they’d use the text they’re editing to train their AI. That was quite a blowback, but I’m positive there are a ton of folks out there who didn’t read the fine print and are using the program without knowing. Are they still doing it? I don’t know. Check the fine print.

That’s something you should be doing anyway if you don’t want your stuff used.

I can’t see any of these things going away anytime soon, but whomever amongst the masses still chooses to 86 any kind of AI, be absolutely sure you’re checking the ToS or ToU for whatever program you use or install.

It won’t be long until AI gets enough input to output pretty convincing books, so in time, we may have no idea what was and wasn’t AI to begin with. Book covers are already generated, and a lot of those are pretty convincing, so you can pretty much count on the content inside to catch up.

There’s no way to stop it. It will happen, but you can just keep doing what you do and keep doing it as well as you can. That’s all you can do. You can boycott, but there are people who just don’t care, and there are enough of them to make a difference. Screaming in the streets and online seems to also make no difference, but as I said, you can keep doing what you do, and there are those who’ll follow you into the depths of Hell because of your choice either way—to AI or not AI.

What do you think? Can you think of any examples? Drop me a comment below.

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo

What

Friday, February 14, 2025

AI and Writing - A Series of Looks Inside: Part Four - Squibler

Hello, and happy Friday, everyone! Today, we'll continue our generative AI testing to see how the LLM Squibler performs with our basic input. We're being as vague as possible to see just how well these programs can fill in the blanks. So far, we've tested ChatGPT and Sudowrite. If you missed either of those, just click on the names, and you can check them out for yourself.

As a reminder: These posts aren't geared toward showing you how to write a book with AI. We're focused on finding a tool that may help you when you're stuck. If you can find your flow and rhythm, and learn basic writing errors you can easily avoid, you'll be able to write for yourself in less time than it would take to craft a proper prompt and then edit an AI manuscript.

I can already think of at least one reason a new writer may want to shy away from using these tools: You'll never have a chance to discover your unique voice. You like reading these articles? They're in my voice. If I had a program write them, they simply wouldn't sound the same. I wrote for about three years before I found my voice. Give it time.

If you happen to be a seasoned author, sprinkle yourself with a bit of sugar and cinnamon, and let's get going. We already know this post will be long, so let's not waste any more time up here. Ready? :)

Okay, so, I started by navigating to the Squibler home page and clicked the Get Started for Free button. Like Sudowrite, it asked me a couple of questions. Hey! What do you want to write today? Book. Then I was taken to a page that asked if I needed an outline or wanted to jump into a manuscript. Neither. I see, at the bottom of the page: Already have an outline or a draft? Continue here. YES.

I clicked it.

I was then taken to a page that asked me to upload a draft? That's not what I clicked on... 

Being the jokester I am, I put my outline for chapter 1 into a document and uploaded THAT.

I got this: 

Wait. What? I'm backbrowsing. What just happened? I'm not crazy.

Okay... Clicking the first option then. I get this: 

Whatever. I have no title. I'll just put something in. Book length? What? I don't freaking know yet! I'll make something up. A Tale of Two Monsters will be the title, and I'll drop in my outline. I chose 116 pages. Jeeze.

I then had to sign up for an account to read the "whole book." Okay. Done.

Then I hit a paywall.

So I backbrowsed because I'm not giving out my CC information. Period. Sorry, y'all, but if it ain't free to test, we ain't doin' it. That took me to a page with all my projects on it that was processing my "book." By the way, check out the cover it generated:

Cheeky, considering it doesn't even know the characters or context. It never asked. 

From my account page, I noticed a notification. I clicked it. It had been a while (I dropped in all the pics above on this post), and I was starting to wonder what the heck was going on. I see this:

Seven minutes already. Let's see how long this takes. I'm not even sure what it's processing. My first chapter was written (apologies for not copying it from there, y'all), so what gives?

*taps fingers on desk impatiently*

I'm not a person who likes to sit around and wait. We'll go back later to see if it ever finishes. It seems to be stuck on 34%. In the meantime, I click account settings and see this:

It appears there is a free plan, but it fully led me to believe I couldn't see the rest of what it wrote without a paid account. Don't like that. Not one bit.

It's now been 20 minutes and is still at 34%. Time is money, people!

Half an hour in, and there was no progress. I'll check back this afternoon, and if it's still stuck, I'll be deleting my account and issuing mad apologies to y'all for not copying the snippet it let me see. UGH. Disappointed panda.

I got a message that said, "manuscript generation failed," and everything was just gone. Oh well. I tried. Sorry, people.

Well, I guess that's all for today, folks!

Until next time, WRITE ON!

Jo

Friday, February 7, 2025

AI and Writing - A Series of Looks Inside: Part Two - ChatGPT

Good morning, and happy Friday, good people of the blogosphere! Today, we're taking a light look at creating prompts and how ChatGPT fares on the chapter production scale. To say this was fun is giving it way too much credit. I'm the kind of writer who enjoys pantsing, so creating all this plot is really far outside my wheelhouse. I usually have a beginning and an end, and all the character details, and then I write fast doing mini points along the way. My process can be found in this blog post.

Now that the intro is out of the way, let's dive into creating a prompt and making a chapter. I can already tell you I was less than impressed, but the authors I know that do this spend just as much time creating prompts (it's an art form in and of itself) and editing as I do just writing it myself. BUT! Not everyone can do that, so if you need a little help along the way, you may find something here that will assist you. If not, just read it for fun. :)

Bold is from the AI until we get down to the yummy part. Okay, let's get going! Grab a drink and a blankie, and read on.

I started on Vertex AI to get an idea of how to write a prompt (again, I have no clue how to do this). It gave me what I thought was a stupid one, so I used my writing skills and came up with this:

I’m trying to be as vague as possible here, but it seems like that won't work.
I clicked Generate Prompt a bajillion times and got nothing. Trying something else. Went back to here and tried this:

Here’s what it gave me:
Okay, here's a short outline:
Chapter 1: Elara, a lonely vampire, hunts in the forest. She senses a strange presence.
Chapter 2: A unicorn, Rhys, shifts into human form. He's lost and confused.
Chapter 3: Elara finds Rhys. She's drawn to his innocence, despite her vampire nature.
Chapter 4: Elara takes Rhys to her secluded home. He learns about vampires and her solitary life.
Chapter 5: Rhys reveals his unicorn origins. Elara is shocked but intrigued by his magic.
Chapter 6: A growing attraction sparks between them. A threat from Elara's past emerges.


Interesting. Now we’ll take our little idea and head over to ChatGPT. For this experiment, we’ll use GPT o1. I’ll always start my chats off this way and use the EXACT same prompt/outline:
Me: Hello, (addresses the AI)! I need some help writing a book, and I'm wondering if you can help with that.
Response: Absolutely! I’d be happy to help. Could you share a bit more about what you’re working on? For example:
    Genre: Is it fiction, nonfiction, or a mix of both?
    Topic or theme: What’s the main focus or subject matter?
    Audience: Who are you writing for?
    Stage: Have you started writing already, or are you still in the idea/outlining phase?
The more details you can give, the more specific my suggestions and guidance can be. Feel free to let me know what you have in mind!

(these are excellent questions and I didn't think to include them, so I'll make them up now)
Me: Nice. It's a fiction novel, and the main focus is two supernatural creatures coming together to defeat something I haven't come up with yet. Over the course of the story, the two will fall in love and end up together.
It will be a YA romance fantasy novel.
I have a loose outline I can give you for each chapter. Chapters should be no longer than 3000 words.
Response: Great! I’d love to see your outline. Go ahead and share the details you have for each chapter, and then we can develop them further. Once we have your outline fleshed out, we can start drafting scenes, refining the plot, and shaping your characters’ arcs.

Whenever you’re ready, feel free to share as much or as little of your outline as you’d like!

Me: Awesome. My two main characters are a vampire and a unicorn that can turn into a human. Here’s the outline for the first six chapters, but I only want to do the first chapter for now. *pastes in the loose outline from above*

Also, can I just say how much I hate the character names? Ugh. It’s like every YA novel of all time was examined, and these are the most popular two names. Gross.

Response (this will be long, but I’ll go through and note stuff - my notes will be in italics):
Crafting chapter details

Elara, a solitary vampire, traverses a forest with heightened senses, their sounds and scents filling her awareness. As her path unfolds, a distinct and unfamiliar essence emerges.

*******NOTE: GPT reasoned for 11 seconds before beginning. Insert eye roll. BUT it did expand upon the loose outline. One point for GPT.******

Below is a possible draft of Chapter 1, written in a YA-friendly style and designed to be fewer than 3,000 words. Feel free to adjust, expand, or shorten as needed to match your personal style and overall vision.

---

## Chapter 1

Elara stilled beneath the canopy of towering pines, her heightened senses tingling. The thick forest was home to many creatures—deer, foxes, even the occasional elk. But tonight, she hunted something different. The quiet hum in the back of her mind told her prey was near, though it wasn’t any ordinary animal. This was something… else. 

Now, this isn't my writing style at all. I probably would've dropped something like this:

Death. Scents of blood and pine filled the air, and Elara lifted her face to catch the scent like the predator she'd been turned into several hundred years ago. Her ears pulled back, listening for the faintest rustle of a leaf or twig snap. Forest creatures stilled, making the air silent but for one sound. It was coming from her left, and she recognized the rattle of last breaths.

Which means I set the scene without naming a bunch of things that didn't matter and allowed the reader to insert some imagination. Moving on...

Moonlight threaded through the swaying branches, illuminating Elara’s porcelain-pale face. Her long black hair hung loose around her shoulders, blending into the shifting shadows. She took slow, measured breaths, out of habit more than necessity. Vampires didn’t need to breathe, at least not like humans. But old habits clung to her like the memory of sunlight.

Who says vampires automatically can't go out in the sun? Also, what's with the dropping of commas? This sentence: Vampires didn't need to breathe, at least, not like humans, but old habits clung to her like the memory of sunlight. Not the way I would've constructed it because there are too many asides for a novel.

She stepped forward, boots crunching softly in a thin layer of pine needles. Her eyes glimmered with preternatural awareness, scanning the darkness. She was used to the hush of the forest at night—it was usually comforting. But tonight, the silence felt charged.

**Keep moving,** she told herself. **It’s just a hunt, no different from any other.** 

By the way, the ** means italics and ### means bold. They don't copy over.

But deep down, she knew this night was different.

### A Lonely Existence <----- WHAT THE FRESH HELL IS THIS?!?!

Elara had learned to move quietly, to keep her presence unnoticed. A lone vampire traveling from region to region without a coven had to rely on stealth. She’d chosen this remote forest for a simple reason: no people, no prying eyes. The last thing she wanted was to hurt a human. She never drank from them unless absolutely necessary. Animal blood left her weaker, but it still kept her alive, as alive as a vampire could be.

Never said she didn't have a coven OR only drank from animals...

A pang of guilt stung her chest as she recalled her early days of transformation, when she couldn’t control the hunger. She squeezed her eyes shut at the memory of the first—and last—time she’d drained a human. That life, the bright red warmth on her lips, haunted her. It had forced her to live alone, far from temptation.

**Loneliness is better than regret,** she reminded herself. A mantra she’d repeated a thousand times.

And so, she made her home in the outskirts of this dense woodland, gathering enough sustenance from wild creatures, never staying long enough to be discovered.

### The Scent of Prey

Elara crouched behind a cluster of ferns, inhaling deeply. The crisp night air carried a medley of scents: damp earth, crushed pine needles, and distant water from a creek. But there was something else, faint but unmistakable.

**Blood?**

Her senses sharpened at the possibility. The metallic tang was subtle, as if carried on a stray wind. She rose to her feet and followed the scent, each step driven by a hunger she tried to ignore. Her heart—still and silent in her chest—almost seemed to thud with anticipation.

She slipped past a thicket and found a small clearing. The moonlight fell on a wounded doe, its flank gashed by what looked like a predator’s claws. It panted in shallow bursts, eyes wide with fear. Elara hesitated, compassion warring with her instincts. Animal blood was part of her routine, but the creature’s pain made her heart twist.

Still, her thirst had grown; she’d put off feeding for too long again, hoping to avoid it. **It’s this or risk losing control.**

She moved closer. The doe shuddered, and Elara knelt beside it, wishing she had another choice. She murmured an apology before sinking her fangs into its neck. The warm rush of blood soothed her burning throat. She drank carefully, mindful not to prolong the animal’s pain. Within moments, it went still, its suffering ended.

Elara pulled back, chest tight with guilt. Another innocent life taken. She placed a trembling hand on the doe’s side, silently thanking it for sustaining her. It was a ritual she’d created to ease her conscience, though the sadness never fully left.

### An Unexpected Aura

Just as she stood to leave, a ripple of energy coursed through the clearing. The hair on the back of her neck rose, and the gentle night breeze turned still. A strange awareness pulsed in the air, as if the forest itself was holding its breath.

Elara whipped around, scanning the tree line. The shadows seemed unchanged, but she could sense something—a presence unlike any she had felt before. It was vibrant, emanating a warmth that starkly contrasted with her undead coldness.

**Another vampire?** she wondered. No, this didn’t feel like one of her kind; there was no scent of bloodlust, no suffocating aura of death. This presence was bright, more akin to life than the darkness she was used to.

A thousand questions shot through her mind, but she forced herself to stay calm. She was no stranger to unique beings—werewolves, witches, creatures that haunted the edges of mortal understanding—but this presence was different. It beckoned her somehow.

She swallowed, wiped her lips clean of any lingering blood, and took a cautious step forward. **What are you?** her thoughts sang in the silence.

### Compelled by Curiosity

Usually, Elara would slip back into the shadows after feeding. She avoided confrontation and kept interactions minimal. But tonight, curiosity tugged at her like an invisible chain.

She ventured deeper into the forest, following that warm, pulsing aura. Quiet as a wisp, she skirted gnarled roots and ducked under low-hanging branches. The canopy grew denser, blotting out moonlight, but her vision remained sharp. The path led her to a crooked birch, its trunk scarred by lightning. She paused, pressing a hand against the rough bark.

The presence flared again, tingling beneath her fingertips. It felt closer now, impossibly bright. Her pulse—if she could call it that—raced, and she rubbed her arms in a futile attempt to ward off a sudden chill.

Her instincts screamed for caution. **Anything that radiates this kind of energy could be dangerous.** And yet, she couldn’t bring herself to retreat. Something about it was… comforting. Inviting, almost.

The night continued in its hush, save for the rustle of leaves overhead. As she edged around the tree, her eyes locked onto a footprint in the soil—bare, human-shaped, and fresh. She knelt, tracing its edges with her fingertip. **Someone is out here,** she thought. **But who walks barefoot in this forest at night?**

Rising, she scanned the ground. There were more prints, each moving steadily in one direction, as though the person knew exactly where they were heading. She trailed them, stepping carefully in the footprints to stay silent.

### A Flicker of Light

A faint glow shimmered through the trees, halting her mid-step. At first, she thought it was a trick of the moonlight, but it danced—like a wisp of silver flame, darting from trunk to trunk. Elara’s sharp eyes followed the flicker, adrenaline spiking. Could this be a witch’s spell? A wandering spirit?

She crept closer, half expecting a spectral figure or even a group of forest nymphs—she’d heard enough stories of supernatural creatures drawn to moonlit groves. But the glimmer vanished as swiftly as it had appeared.

The trees thinned, revealing another small clearing. In the center rose an ancient oak, its thick branches twisting toward the sky. A broken stone circle lay scattered around its roots, remnants of some lost structure. Elara approached warily, sensing that the presence had led her here.

But the clearing was empty. Only the whisper of wind in the grass kept her company.

She sighed, shoulders slumping. Perhaps the aura had been nothing more than a fleeting magic or a trick of her imagination. She eyed the footprints again, but they seemed to stop at the edge of the clearing.

A primal part of her warned her to leave—daylight would come eventually, and she’d have to seek shelter. Still, she lingered, scanning the ground for any clue. A tuft of silver hair snagged on a broken stone drew her eye. She reached out to pick it up.

It felt soft, like strands of silk, shimmering in the moonlight. She turned it over in her hand, confusion knotting her brow. A faint energy radiated from the hair, matching the presence she’d been tracking.

She slid the strand into the pocket of her cloak. **I’ll figure this out later,** she told herself, heart fluttering with an uncharacteristic sense of excitement.

### A Lingering Unease

Elara stood there for a moment, soaking in the night, trying to calm the swirling questions in her mind. That strange warmth still buzzed in the atmosphere, calling to her. Part of her wanted to stay, to uncover the mystery, but her practical side urged her to go back before sunrise—or before something else found her.

With one final look at the clearing, she turned and made her way back through the forest. Each step felt heavier, as though the ground clung to her feet, wanting to drag her into something unknown. She glanced over her shoulder once, half-hoping to see a figure in the moonlight. But the clearing remained silent.

As she slipped past the pines, the distant hoot of an owl reminded her she wasn’t entirely alone. She smiled wryly to herself. She’d never been afraid of the forest. It was people—human or otherwise—who had the power to terrify her. And this presence? She couldn’t decide if it scared her or intrigued her beyond reason.

### Back to the Shadows

Navigating back to her hidden haven, Elara practiced her usual caution: she took a winding path, backtracked a few times to cover her scent, and finally reached the small, dilapidated cabin she called home. Nestled between thick firs, it looked like an abandoned woodsman’s shack, uninviting to any casual traveler. To Elara, it was a sanctuary.

She shut the rickety door behind her, leaning against it with a quiet exhale. The interior was sparse: a single cot, a small table, a few chairs she’d scavenged from a nearby ghost town. Moonlight from a single window provided just enough illumination for her to see by—though her vampire senses had no trouble in the dark.

Slipping off her cloak, she hung it on a nail by the door. Her thoughts lingered on the shimmering strand of hair she’d found. She pulled it from her pocket, holding it up to the thin moonbeam. It looked almost silver, but it glimmered with a faint rainbow sheen if she tilted it just right.

Her curiosity flared again. **What kind of creature leaves hair like this?** She had encountered werewolves, whose fur could be thick and coarse, but never shimmering silver. Some fae had iridescent hair, but she’d never known them to roam in these woods. And what about that human footprint? So many questions—and no answers.

Despite the steady hum of curiosity, exhaustion from the hunt pressed in. The doe’s blood would sustain her for a while, but it also made her feel weary. She set the hair on the table, where it caught the moonlight like a sliver of ice.

In the silence, she could almost imagine a soft voice drifting through the trees, calling her name. She shook her head to clear the thought—**just a trick of the mind,** she reasoned.

Stepping to the cot, she lay down, arms folded beneath her head. Vampires didn’t need sleep like humans did, but resting helped pass the long, empty hours until dusk. As she closed her eyes, she couldn’t shake the feeling that everything in her life was about to shift. The loneliness she’d worn like armor felt different now, lighter and somehow more fragile.

**Tomorrow night**, she promised herself, **I’ll go back and search for more clues.**

She didn’t yet realize how entwined her fate would become with that mysterious presence in the forest. Nor did she know that soon, she would meet the being who possessed that silver hair—someone lost and just as alone as she was.

For now, she succumbed to the quiet. Outside, the forest remained watchful, illuminated by the silver moon. And somewhere, not far away, a warm, glowing magic flickered in the darkness, waiting.

---

### Author’s Note and Next Steps

- **Tone & Style**: This draft sets a slightly moody, introspective tone for Elara. If you prefer something lighter or more fast-paced, we can adjust the prose accordingly.  
- **Chapter Hook**: The chapter ends on a note of mystery—Elara finds a silver strand of hair and senses an unusual presence. This naturally leads into the next chapter, where we introduce Rhys’s perspective.  
- **Word Count**: The chapter is under 2,000 words, fitting within your 3,000-word limit.  
- **Further Development**: In subsequent edits, you might want to deepen Elara’s internal conflict, add more sensory details, or foreshadow the looming threat.  

Feel free to revise or let me know if you’d like any changes. When you’re ready, we can move on to Chapter 2, or refine Chapter 1 further until you’re happy with it. Enjoy writing!

*******************************BREAK BACK TO ME*******************************

I mean, it's not the worst I've ever read, but why the desire to insert all the bold subheadings is beyond me. What novel does that?

As you can see, it gives a basic idea of where the story might go, but we're moving awfully quickly through the narrative, and there are a ton of descriptors in there I'd, personally, remove. It would take me as long to do rewrites/edits on this as it would to write it myself, in my voice. My voice is nice. I adore the tone I have. My readers love it.

Now, could I train it to write like me by feeding it tons of my writing? Sure, kind of. It would probably help, but I'd prefer to spend that time writing. If you're a new writer, I could see how it would be a good assistant, but there again, you need to find your own voice and use it.

I know this post was LONG, and I appreciate you hanging with me this long. Again, we're only testing what each of these gives when you're new to all this. No deep dives here. I forgot to mention it above, but a lot of these things limit your usage to so many outputs/words before you have to buy more, and if the AI is lacking in its ability, that could end up costing you a lot of money. 

You all know me! I love free. :) The cheaper it is with better function, the more I like it. ha!

Well, that's all for today, folks!

Until next time, WRITE ON!

Jo

Wednesday, February 5, 2025

AI and Writing - A Series of Looks Inside: Part One

Oh my goshness! Hello, good people of the blogosphere. I'm going to discuss something that's been discussed to death: AI and writers using AI. We're specifically talking generative AI here, but there are a ton of writing helpers that have been using one form of AI or another for a long time. We'll get into those as we go along, but today, I'll try to do some explaining on how LLMs work. If you already know, feel free to skip to the next post (if it's up). If it's not, wait two days, and I'll have moved on to examining the tools.

When AI first hit the market, I was as flummoxed as everyone else. I had trepidation, but I stood back and watched rather than freak out, and I learned as much as humanly possible about the way it works. I watched videos, did shallow dives, and did deep dives, which I emerged from in a much more confused state than when I went in.

I know, right? UGH. BUT THEN!

I was on the phone with one of my children (one that happens to be a computer genius, and I don't use that word lightly) when I lamented my lack of understanding. She proceeded to explain it to me. Only, she was using computer terminology.

Me: "Okay. You're adorable, but I can't understand a single word coming out of your mouth."
Her: "Hmmm... Well, how would you understand it?"
Me: "Pretend I'm a small child with only a basic understanding of the English language and know nothing about computers."
Her: *thinks for a minute then laughs like a loon* "I think I know how to help you understand."
Me: "Hit me with it."

And that's how I came to understand how a Large Language Model (LLM) works. Let me see if I can explain it the same way. If you're confused when I'm done, please drop me a comment below, and I'll do my level best to get you articles that might help.

Imagine you're a small child learning how to speak. You tune in to your parents, the TV, books, and every other thing that'll talk to you. As time goes on and you consume more information, you learn how to construct a basic sentence.

Example:
Mom always asks if you want more food.
Eventually, you understand to say, "I want more food." You understand this by hearing Dad say those same words in the same order. Mom rewards him with more food. However, the possessive I is something you learn from listening to TV and being corrected. Most babies would say, "Me want more food." Right? It's only through repetition of hearing it in the correct order when you begin to understand it's not me; it's I. Make sense?

Now, imagine you have a vast network of text to learn from because you can't hear (not speaking about the hearing impaired, they learn in other ways). You learn word B comes after word A in a typical sentence because after examining literally thousands of sentences, that word is the one that comes next most often. Word C comes after word B most often, so that's the one you use next. Then, you use word D, putting it all together to convey your idea.

I want more food.

On a much larger scale, this is how LLMs work. They're not smart, and they're not aware; they just have a vast amount of text that tells them what word most commonly follows the first in any conversation. Some of them pull from websites and give you a summary using the exact same method, but they're not regurgitating lines word for word, nor do they steal your words and give them to someone else.

It's highly unlikely you're constructing sentences in the exact way hundreds of other people are, so the likelihood your exact structure and prose would be used by an LLM is about a billion to one.

I can hear you being skeptical. Let's go for one more example.

I create a small language model using text from Bob, Lia, Dot, and Steve. Here's what they give me when I ask, "How do you get ready in the morning?"
Bob: I start by getting out of bed, having coffee, and taking a shower. Then, I brush my teeth and get dressed for the day.
Lia: My mornings start with me having coffee and watching TV. I tend to rush around feeding the animals and sit down to play a game or two after about half an hour. Once I'm relaxed, I get dressed and start to sort out what's for dinner.
Dot: I get up, shower, eat breakfast, brush my teeth, and get dressed.
Steve: I roll out of bed and fall into some clothes before rushing out the door and driving an hour to the office.
From those few responses, my language model would "probably" return something along the lines of: I get out of bed, brush my teeth, and get dressed.

Because those are the most common denominators in the text. Hell, it might not even be able to answer the question based on those limited responses and it not having enough reference material to use.

See how it's not the same but contains the general elements of the other items?

That is how an LLM works, folks. It's not smart enough to pull sentences out of thin air. So now, when you see people freaking out about their words being used to train an LLM, you can just smile and move on.

So, for this series! We'll be looking at the following apps/helpers, and I'll do my best to ask them all the same things/insert the same prompts to see how each one responds.

  • ChatGPT
  • Sudowrite
  • Jasper AI (turned out to be a marketing AI - dropped from list)
  • Grammarly (simply a word and syntax checker - dropped from list)
  • Squibler
  • Hyperwrite
  • Rytr
  • Copy.ai
  • Type.ai
  • ProWritingAid
  • Claude
  • Shortly AI
  • Anyword
  • Quillbot

I'll pepper in some posts about other things as we go to break up the monotony of a series, and those programs that don't have a free test feature won't be studied. This is just what I could find when I did a quick search. These will be updated with links to the individual posts.

Anyone who uses AI to 100% write a book and does no editing is an ID10T because of the very thing I explained above. However, they can sometimes pull someone out of a funk or help with a sticky spot in a plot (which is how most authors I've interacted, who use AI, use it). 

What AI can't do is generate large amounts of text and it be original. It'll sound dull and robotic (because it is). You can't just plug in a plot and get a good book. Period. So, let's see what these programs can do. If you don't want or need to use any of these, that's fine. Please just move along. :)

One of my biggest challenges will be with the prompts. Authors I know who use AI at all spend literal hours on their prompts then edit the hell out of the text. It's a helper, and IF you're going to use it, that's how it should be used.

I hope you're all looking forward to this. I'm interested to try them! Maybe I'll be disappointed. Maybe you'll find a tool that does exactly what you're looking for (which isn't writing an entire novel for you). We'll see!

Fingers crossed you all enjoyed this post and are stoked about trying stuff.

That's all for today, folks!

Until next time, WRITE ON!

Jo

Wednesday, February 14, 2018

Photoshop 101.3 - Magnetic Lasso Tool

Happy Wednesday! You're getting two posts today and two posts tomorrow! I'm playing catch up, and I can't WAIT to show you all what I've been working on, but it'll have to wait until the author is ready to share it. :) Today, for this first post, I'm going to introduce you to a tool called the magnetic lasso. It's really nifty! Grab your coffee, or tea, and let's get going, shall we?




So? What did you all think of that one? Did you learn anything new or useful?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo