Showing posts with label editing services. Show all posts
Showing posts with label editing services. Show all posts

Wednesday, March 11, 2015

Book Giveaways in Your Inbox

Happy Wednesday, everyone! I know you all love books, right? That should be why you're checking out my blog. Today I'm gonna tell you about an awesome service INDIE Books Gone Wild offers their clients and give you a link where you can join in the fun. Get your clicking fingers ready and let's get going!

PROMOTION

Why is that such a scary word? Because Indies promote tirelessly. It's really quite a big job to promote one book, let alone two, ten, or fifteen. For that reason, writers rely on having fans; people who know and love the books these Indies write, and folks who'll seek out more once they've tasted something awesome.

(Sign up for IBGW's newsletter here.)

Think about it: Who are your favorite authors?

Betcha have a list of well-known writers alongside those Indies you love, right?

How'd you find them?

Was it through a friend's recommendation, or were you browsing a bookstore one day and happened upon a novel that captured you?

What if you could've tried that new author you grew to love with zero risk?

That's what we're offering you!

Here's the skinny:

IBGW edits and proofreads a book (or a series). Once that book (or books--if we do them all at once) gets published, we set up and run a Rafflecopter giveaway. Entry options are always to give our author a follow on some kind of social media and give IBGW a follow somewhere, somehow. IBGW purchases the books and ships or gifts them to the winner(s).

This accomplishes two things:
  1. You get the chance to follow an author you might like
  2. Our authors get a little publicity as we build our own audience
We only send out e-mails when one of our authors publishes a new title we've worked on in some way, and an e-mail once a year (in January) as a recap/roundup. While we can't guarantee you'll love every genre and want to enter, or even that you'll love every story our authors produce, we can guarantee you'll find a well-edited (or well formatted, depending on the service we provided) novel. We embed the giveaway form in the e-mail, so all you have to do is click and enter!

When we edit and proofread a book, we give away two digital copies. When we format a print book, we give away one.

So, head on over to our signup form here:


and let the delivery of awesome begin!

You have nothing to lose and everything to gain.

Did you sign up? What kind of genres do you prefer to read?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, November 7, 2014

New Release - Renaria: Into the Adyton

Happy Friday, good people of the blogosphere! I'm so excited to announce this awesome new release from author J. L. Wilson. If you love MMO games, you're gonna freak out over this novel. Heck, even if you don't know what an MMO game is and you just love fantastical creatures like dragons and fairies, you're gonna dig it. So, grab a cup of something warm (because it's hella cold outside), and let's get going!


Without further ado, I bring you the book!

Title: Renaria - Into the Adyton
Author: J. L. Wilson
Genre: YA Fantasy
Length: Around 250 pages
Buy Link: Amazon Kindle $2.99

Synopsis:
A small memento, a universal power...

It’s the year 2126, post-World War V. Leda, age seventeen, bounds through the lush forested region of the Desintor Foothills as a regal, bow-wielding, High-Elf Scout. That is, when she’s logged into her favorite MMO game: Renaria.

One crisp fall afternoon, an unseasonal storm fractures the sky of Trinton, New Texas with splinters of emerald lightning and otherworldly songs. Oddly, no one sees the storm except her brother and their guild mate Travis.

She brushes off the event as a fluke, but she can’t seem to get the song out of her mind. Suddenly, a new quest appears in her game directing her to the blue sand dunes of the Sinare Desert to meet Caleb, a legendary Elf Diviner.

Now she has a choice: Ignore the quest and turn off the game, or dive in and risk everything for a shot at an adventure.



Now that you've seen it, enter to win one of two e-copies!

a Rafflecopter giveaway

What do you think? Pretty, huh?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, June 27, 2014

Love Giveaways with a Guarantee of a Great Read?

Happy Friday, everyone! As you all know by now, I'm a member over at INDIE Books Gone Wild. Well, we've just had a brilliant idea to get the books by our authors into your hands with greater ease. As you know, we do a little promotion and giveaway of our authors' books (at no extra cost to them) at the end of every edit, formatting job, or proofread.

Well, here's how we're doubling the exposure for our authors, and providing great books to readers:

Every time we list a giveaway on the IBGW blog, we'll shoot our readers an e-mail with the rafflecopter link and details about the book. No more having to keep an eye on the blog to know when another great title has just hit the shelves!

Besides that one e-mail every now and again, you'll get a message every January that recaps the previous year's publications. We won't bug you about anything else, sell your e-mail address, or spam you. No crazy marketing stuff, just books by our authors we know you'll enjoy winning (and reading).

As you may be aware, we're planning to add six new editors to our amazing team! Details about those lovely ladies will come on the IBGW blog next week and the week after. Keep your eyes peeled! This is going to be amazing. I've searched the web to find editors who have a love for the finished product and adoration for their clients. I think you'll all be extremely pleased to get to know them, work with them, and add them to your "go to" editor list. Their way of thinking melds well with ours, and I think you'll all love them as much as we do.

Time to give you that link!

MailChimp signup for INDIE Books Gone Wild Publishing News

If you're one of our authors, signing up for that e-mail will let you know when your giveaway is live.

What do you think? Did you sign up?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, February 20, 2014

What Kind of Editor do You Need?

Happy Thursday, good people of the blogosphere! I missed my post yesterday! But, it's all good because I'm caught up with work and back to one hundred percent. Kids are back in school, there's no snow days causing my internet to malfunction (you wouldn't believe how slow it is when the whole neighborhood is home and online!), and I'm back in my office after being run out by the cold. So nice! Anyway, today we're gonna talk about the different kinds of editors and how to decide which one is right for you. So, grab your pens and notebooks and let's get going!

You've written a novel! Yay! Good for you. Now you have this manuscript you don't know what to do with. Well, first things first. You need to do at least four rounds of edits on it yourself. Start by following the steps listed here and the tips on what to look for here. Once you're done with that, then you'll be ready to start looking for an editor. But there are so many to choose from. Hopefully, this list will help you choose the right kind for your novel. Heck, you may think you need more than one. Allow me to open your eyes to a fabulous secret! But, that's on down the page. Keep reading!

First up, we have the Developmental Editor.
These guys will check your plot, structure, and flow. They'll make sure you don't have holes in your story and ensure your facts are kept straight. Yeah, they're the ones doing all the research and making copious notes on long, yellow legal pads. They're the right choice if you aren't sure about your novel's storyline, character building, or facts.

Next, I give you the Beta Reader.
These folks are fans of your genre and know what they're looking for in a story. Giving them a questionnaire to answer will help them give you much needed feedback. Commonly, a beta reader is used before you go through a ton of editing, but huge errors will have them complaining that you need to write your story better.

On to the Copy Editor.
These folks check facts, grammar, punctuation, and spelling. They do exactly what their title implies: edit the copy. They won't be looking for what the Developmental Editor looks for. There will be no plot, storyline, or character development checking. They live and breathe the written line.

Now, the Proofreader.
Your proofreader is NOT your editor. They exist to find those little, niggling errors missed by your editor (and yourself). Their whole purpose in life is to make sure your copy is clean and error free after the editing is done. It shouldn't take them as long as it did your editor because they should be able to skim your work to find what was missed.

Next up is the Content Editor.
They live and breathe plot, characters, voice, and setting. These folks don't give a hoot about your grammar, punctuation, spelling, or otherwise. All they care about is the story and making sure you aren't jumping tenses, head-hopping, or meandering off the storyline.

Bet you're freaking out right about now, huh? I suppose you can see how you could need more than one of these folks for your novel and how it would behoove you to have them all in your corner. Well, that leads me to the last (but certainly not least) type of editor on the list. This is the fabulous secret I mentioned earlier. Your secret weapon.

I give you the Line Editor.
These folks do it all. They check facts, grammar, punctuation, POV, plot, characterization, flow, tension, storyline, word count, redundancy, tenses, and every other manner of novel content. It should take them a long time to edit your novel. They don't play around and a lot of writers become dismayed by the amount of feedback given by a Line Editor.

Line Editors will cost you a little bit more. But, that's understandable, right? They're a one-stop shop. This is the service we provide at INDIE Books Gone Wild. We check it all. Your MS will have so many comments, you'll think you died and went to heaven. Plus, we hire one of our own to do your proofread after your edits are complete (yeah, it's included in the cost of editing). That's just good business.

Which one do you need? I'm sure by now you're foaming at the mouth. You already know. Indie authors should expect to use a Line Editor and then a Proofreader. ***Warning! If your proofreader gets your MS and it's obvious it hasn't been edited, they'll send it back to you (and will have every right to do so). So be sure you've used an Editor before you contact a Proofreader.***

Most importantly, be sure you know about your editor; no matter what kind you use. Vet them. Do the work to find out if they're worth it. Don't get snowed. Refer to Monday's post and Tuesday's post to know what to ask, what to expect, and what to look for in your contract. This is SO important. I won't take it personally if you don't use IBGW. I just want you to be careful and know what you're getting into.

I can't stress it enough. Watch your back because you're all you have. There's no big publishing house that's gonna do it for you unless you're traditionally published.

Questions? Comments? Pop them in below and I'll answer everything I can. If you have an editor you'd like vetted, feel free to shoot me an e-mail and I'll do everything in my power to check them out for you. Let's not use the comments section for that, okay?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Monday, February 17, 2014

Editors - Good vs Evil

Happy Monday, good people of the blogosphere! I realize you were all probably looking forward to meeting Ms. Allison Pensy today, but I made a last minute decision to push everyone back to the dates they were originally given for their interviews. Ms. Pensy will be here in 2 weeks. I'm super duper busy this week and want to give Allison's interview the attention all my other guests' have gotten. So, today I'm going to talk about editors instead. Grab your pens and notebooks and let's get going!

Over at IBGW, we do a lot for our authors. Not only do we take a book and help it be all that it can be; we also throw a team of editors at it while we're working it and into the promotional stuff once the book goes live. Our authors become like our family members. When the books we work on go live, we watch them like hawks. One thing can be said about every IBGW book: There are no technical flaws in the writing (unless the author rejects some of the changes that are suggested). While people may not love the story between the covers, they can't complain about the grammar.

Our mission: To have the IBGW mark/name represent quality. We want to make it known that if you pick up a book, flip to the copyright page, and see our name there, you can buy the book with confidence.

When you're looking for an editor for your novel, be sure you're in sync with your editor and that they have a proven track record of turning out quality work. How can you be sure? Here are a few tips:
  • Be sure you know which style guide your editor uses and you agree with the rules between the pages (your edit will turn into a headache if you don't). Also, be sure your editor has a style guide they reference and has it listed on their about me page. Anyone who doesn't follow a style guide is going to have trouble giving your book the proper consistency.
  • Ask your editor what books they've edited in the past. Check those books out on Amazon and Goodreads. See what reviewers are saying.
  • Make sure your editor isn't the proofreader on your work. Once you've been through two rounds of edits (or three) your editor is as close to the work as you are and begins to miss things.
  • Is your editor an author? Read their work. Read the reviews on their work. Yeah, it matters.
  • Perhaps most importantly, be sure your editor has a contract and they let you read over it and ask questions before you're expected to sign.
I give you these tips because I'm a reader and Indie author as well as an editor. I can't even begin to say how angry I get when I know a fellow author paid someone a lot of money to have an edit done, and I still find a book full of errors. No, no, no! One or two are common (even in traditionally published books). Those I can ignore.

A good editor will be available to answer your questions about the changes after the work is done. They'll be able to explain any changes made to your novel and why those were done.

Please, for the love of all that's good, vet your editor like you would your child's date. Don't hand over your money willy-nilly.

A good editor won't be cheap. Understand that and be okay with it. Remember the old adage: You get what you pay for. It's as true today as it was when it was coined.

Oh, and don't hire more than one editor to work on your book at once. It shows a lack of confidence in your choice. While you may think it's a good idea, if the person finds out, they may refuse to work with you in the future. Too many chefs in the kitchen makes for an unstable soup.

I hope this post saves someone from a headache.

Tomorrow, we're gonna talk about contracts and what you should be looking for.

Questions? Comment? Epitaphs? Post them below!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Monday, June 24, 2013

Editing vs Proofreading - What's the Difference?

Happy Monday, good people of the blogosphere! Today, I'd like to go over the difference between an edit and a proofread; including what you should expect from each. These are just a couple of the services we provide over on INDIE Books Gone Wild. If you aren't sure what services you need, this post will help you decide and tell you how to prepare for each one. So grab those pens and notebooks and let's get going!

Editing

This is a service where you send your book to someone and they fix basic grammar and construction issues, punctuation, transitions, spelling, inconsistencies, and look to cut your word count. A good editor won't change your voice, they'll make it more legible.

Any editor you choose should give you a sample edit of your first chapter to see if you're a good fit. At IBGW, we use that first chapter to rate the quality of your writing and base our price from there. Why? Because if it doesn't take us as long to edit your book, you won't pay as much. You're paying your editor for their time and knowledge of the English language.

Be sure your editor uses a style guide so you'll know what changes to expect and have a reference.

An inline edit looks something like this:
Inline changes and notes in the sidebar are things you should expect. At IBGW, we strive to make you a better writer during our edits by providing education and noting things you should be watching out for. Every writer makes common errors; but if you know what they are, you're less likely to repeat them if you learn from your mistakes. This, I believe, is something every editor should do.

Proofreading

Different from editing, proofreading is all about looking for good transitions, proper use of punctuation, spelling issues, and redundancy. A proofreader should be able to speed-read your work and highlight issues without going into great detail. Your editor should be catching everything else. Many proofreaders will highlight things your editor may have missed and sling out a comment; but you shouldn't expect that. They're looking to give your manuscript a final once-over before it goes to print. All your T's should be crossed and your I's dotted after your manuscript is returned by a proofreader.

Your editor should never be your proofreader. They're too close to the work by the time the edit is done, and they'll miss things, just like you.

At INDIE Books Gone Wild, we use one person on our team to edit and another to proofread. Proofreading is included in the price of your edit. There's no need to shell out more money for someone else to do it. We even write it up in your contract and book your proofreading for you. That's part of the benefit of working with a team rather than a single person who tries to do it all.

No matter who you choose to work with, make sure you've read something they've written or edited and are comfortable with them as a person. Be sure you can respect their comments when your manuscript is returned. There's nothing worse than questioning every change someone makes. Trust is a huge part of the writer/editor relationship.

As a final note: Regardless of who you work with, be sure to have a contract. If your editor or proofreader balks at the idea of a contract, or won't let you read/look it over before you're expected to sign, run away. A contract is there to protect you both and shouldn't sway power one way or the other. Also, make sure it has an out clause.

I hope this helps you all in some small way.

That's all for today, folks! Until next time, WRITE ON!

Jo

Friday, May 24, 2013

Cover Reveal - Chasing Memories by Tia Silverthorne Bach

Happy Friday, good people of the blogosphere! I'm very excited to bring you a cover reveal for a good friend of mine and an amazing author. I give you the cover of Chasing Memories by Tia Silverthorne Bach.

About Chasing Memories (Tala Prophecy, Book 1)

There isn’t another way; not now. The others are coming. I can’t let them have you…

Seventeen-year-old Reagan has a problem: She can’t remember what happened the night her brother was taken. Now, the dreams haunting her from the incident are becoming more intense by the day. All the while, the lines between what’s real and what’s a product of her paranormal-obsessed mind are becoming blurred.

Is she losing her mind or has she just stepped into a world she thought only existed in books?

Caught in a web of worried parents, competing boys, Wiccan relatives, protective amulets, and psychiatrist babble, Reagan must determine the truth before it’s too late.

Expected Publication Date: June 10, 2013

Add Chasing Memories on GoodReads.

Cover design by Jo Michaels.

About the Author


Tia Silverthorne Bach is an avid reader, sometimes runner, involved wife and mother, and rabid grammar hound in addition to being a multi-genre writer. Her three daughters were born in Chicago, San Diego, and Baltimore; and she feels fortunate to have called many places home. She's the award-winning co-author of Depression Cookies, a coming of age story written with her mother. Tia's office is wherever her laptop takes her and any place that's conducive to allowing a wild imagination like hers to flourish.

Please visit her at her blog, on Facebook, on Twitter, GoodReads, and read more about her on INDIE Books Gone Wild.

I edited the book for Tia and I'll tell you, it's a delightful story that's going to leave you aching for more at the end. I do hope you'll check it out. You won't be sorry you did. Besides, check out that awesome cover design! You know you love to look at pretty things. Haha!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo