Whatever Jo Wants Wednesday #3 - Tips and Tricks on Writing, Marketing, and Much More

Happy hump-day, everyone! Today, I'm talking about my little tips and tricks page here on the blog. I spend one month a year organizing it, adding alllll the posts from the year prior, and giving little descriptions so you can find what you're looking for quickly and easily. Let's dive into what's there, shall we? Get your clicking fingers ready, grab your coffee, and let's roll!

Here are the topics:

WRITING TIPS
This is broken down into Characters, Plot, Craft, and Tips and Tricks (like using MS Word to measure pacing, how to use Google Drive to collaborate, and more).

ADVICE ON EVERYTHING
Where to write, things to do to help you write, book swag, and other stuff. All clearly defined for your reading and browsing pleasure.

EDITING TIPS
If you're in the self-editing stage of your novel, this is where you want to be. Broken down into Punctuation, Dialogue, Pronouns, Variation, and Word Usage, you'll find everything you need to help your editor help you.

ORGANIZATION TIPS
Tips to help you organize yourself, your book, AND your files.

WRITING EXERCISES
Things to help you practice your writing. Games you can play with the family and dialogue exercises, too!

BOOK FORMATTING
What should be there, how you can get your novel ready to publish, and a few warnings.

EDITORS AND CONTRACTS
About the different kinds of editors and a breakdown of several contracts.

BRANDING YOUR AUTHOR SELF
Genres, look and feel, and why how you behave matters.

SERIES POSTS 
All the series posts I've written: Human Nature, Enneagram Types, Branding, Look at your xXx, Becoming a Book Blogger, and Punctuation (that one is fun).

FREE PDFS
All the PDFs I've created here for you to download, keep, and share for FREE!

BLOGGING AND BLOG TOURS
There's one on branding and one is a workbook to help you check your novel and fix holes (THIS IS A NEW TOPIC FOR 2016).

MARKETING TIPS  
Tools you can use to help you navigate the online waters and marketing ideas I've had.

I hope you find useful stuff on these pages. Every now and then, I throw archived posts out there into the ether and hope someone finds them when they're needed. I'm seriously considering focusing on social media how to this year.

Which one is your favorite?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

How Writers Can Use Google Chrome Remote Desktop

Happy Tuesday, good people of the blogosphere! Today, you get a digital goodie that's all about productivity and collaboration. So, sit back, grab a cup of Jo, and let's get rolling!

I'm sure you're all familiar with Google Chrome, right? Well, if you don't use that, this post isn't for you. But, if you do, and you have an iOS device...

Google Chrome Remote Desktop is now available for your Apple device. It's free, and you can get it here.

Why am I so excited about it? Well, as you may know, I recently published a book titled Fractured Glass with four other ladies. When it came time to edit the novel, we had a ton of back and forth between myself and Tia Silverthorne Bach (the editors). It was difficult to collaborate with the miles between us.

The Remote Desktop app would've allowed us to share our desktops and edit that novel together. It would've cut our editing time in half (at least), and given us the opportunity to make decisions about structure and consistency on the fly. Those two things set us back a couple of times.

But, if you're writing a novel with a second person, this app could be of even more use. Tell me you wouldn't love to be able to co-edit right in MS Word! Yeah, that's what I'm saying. You can both be writing your novel at the same time.

As a disclaimer, I'm not being paid to tell you about this (I never am), and I'm not sure how many people can share at once with this app. I just heard about it over the last week.

When you click on the link above, it'll give you screenshots to show you how the app works, and you can read the reviews of users taking advantage. It's sitting at four stars, which means it can't be terrible or difficult to use.

So, if you're someone who likes to try new things that may save you time, check it out. If not, just keep doing what you're doing. Like I said, I just found out about it. Once I get some use under my belt, I'll be back to let you all know my thoughts about how it works/doesn't work. So, we'll see!

Do you use it? How? Has it helped you? If not, will you give it a shot?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

What Kind of Editor do You Need?

Happy Thursday, good people of the blogosphere! I missed my post yesterday! But, it's all good because I'm caught up with work and back to one hundred percent. Kids are back in school, there's no snow days causing my internet to malfunction (you wouldn't believe how slow it is when the whole neighborhood is home and online!), and I'm back in my office after being run out by the cold. So nice! Anyway, today we're gonna talk about the different kinds of editors and how to decide which one is right for you. So, grab your pens and notebooks and let's get going!

You've written a novel! Yay! Good for you. Now you have this manuscript you don't know what to do with. Well, first things first. You need to do at least four rounds of edits on it yourself. Start by following the steps listed here and the tips on what to look for here. Once you're done with that, then you'll be ready to start looking for an editor. But there are so many to choose from. Hopefully, this list will help you choose the right kind for your novel. Heck, you may think you need more than one. Allow me to open your eyes to a fabulous secret! But, that's on down the page. Keep reading!

First up, we have the Developmental Editor.
These guys will check your plot, structure, and flow. They'll make sure you don't have holes in your story and ensure your facts are kept straight. Yeah, they're the ones doing all the research and making copious notes on long, yellow legal pads. They're the right choice if you aren't sure about your novel's storyline, character building, or facts.

Next, I give you the Beta Reader.
These folks are fans of your genre and know what they're looking for in a story. Giving them a questionnaire to answer will help them give you much needed feedback. Commonly, a beta reader is used before you go through a ton of editing, but huge errors will have them complaining that you need to write your story better.

On to the Copy Editor.
These folks check facts, grammar, punctuation, and spelling. They do exactly what their title implies: edit the copy. They won't be looking for what the Developmental Editor looks for. There will be no plot, storyline, or character development checking. They live and breathe the written line.

Now, the Proofreader.
Your proofreader is NOT your editor. They exist to find those little, niggling errors missed by your editor (and yourself). Their whole purpose in life is to make sure your copy is clean and error free after the editing is done. It shouldn't take them as long as it did your editor because they should be able to skim your work to find what was missed.

Next up is the Content Editor.
They live and breathe plot, characters, voice, and setting. These folks don't give a hoot about your grammar, punctuation, spelling, or otherwise. All they care about is the story and making sure you aren't jumping tenses, head-hopping, or meandering off the storyline.

Bet you're freaking out right about now, huh? I suppose you can see how you could need more than one of these folks for your novel and how it would behoove you to have them all in your corner. Well, that leads me to the last (but certainly not least) type of editor on the list. This is the fabulous secret I mentioned earlier. Your secret weapon.

I give you the Line Editor.
These folks do it all. They check facts, grammar, punctuation, POV, plot, characterization, flow, tension, storyline, word count, redundancy, tenses, and every other manner of novel content. It should take them a long time to edit your novel. They don't play around and a lot of writers become dismayed by the amount of feedback given by a Line Editor.

Line Editors will cost you a little bit more. But, that's understandable, right? They're a one-stop shop. This is the service we provide at INDIE Books Gone Wild. We check it all. Your MS will have so many comments, you'll think you died and went to heaven. Plus, we hire one of our own to do your proofread after your edits are complete (yeah, it's included in the cost of editing). That's just good business.

Which one do you need? I'm sure by now you're foaming at the mouth. You already know. Indie authors should expect to use a Line Editor and then a Proofreader. ***Warning! If your proofreader gets your MS and it's obvious it hasn't been edited, they'll send it back to you (and will have every right to do so). So be sure you've used an Editor before you contact a Proofreader.***

Most importantly, be sure you know about your editor; no matter what kind you use. Vet them. Do the work to find out if they're worth it. Don't get snowed. Refer to Monday's post and Tuesday's post to know what to ask, what to expect, and what to look for in your contract. This is SO important. I won't take it personally if you don't use IBGW. I just want you to be careful and know what you're getting into.

I can't stress it enough. Watch your back because you're all you have. There's no big publishing house that's gonna do it for you unless you're traditionally published.

Questions? Comments? Pop them in below and I'll answer everything I can. If you have an editor you'd like vetted, feel free to shoot me an e-mail and I'll do everything in my power to check them out for you. Let's not use the comments section for that, okay?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Editors - Good vs Evil

Happy Monday, good people of the blogosphere! I realize you were all probably looking forward to meeting Ms. Allison Pensy today, but I made a last minute decision to push everyone back to the dates they were originally given for their interviews. Ms. Pensy will be here in 2 weeks. I'm super duper busy this week and want to give Allison's interview the attention all my other guests' have gotten. So, today I'm going to talk about editors instead. Grab your pens and notebooks and let's get going!

Over at IBGW, we do a lot for our authors. Not only do we take a book and help it be all that it can be; we also throw a team of editors at it while we're working it and into the promotional stuff once the book goes live. Our authors become like our family members. When the books we work on go live, we watch them like hawks. One thing can be said about every IBGW book: There are no technical flaws in the writing (unless the author rejects some of the changes that are suggested). While people may not love the story between the covers, they can't complain about the grammar.

Our mission: To have the IBGW mark/name represent quality. We want to make it known that if you pick up a book, flip to the copyright page, and see our name there, you can buy the book with confidence.

When you're looking for an editor for your novel, be sure you're in sync with your editor and that they have a proven track record of turning out quality work. How can you be sure? Here are a few tips:

• Be sure you know which style guide your editor uses and you agree with the rules between the pages (your edit will turn into a headache if you don't). Also, be sure your editor has a style guide they reference and has it listed on their about me page. Anyone who doesn't follow a style guide is going to have trouble giving your book the proper consistency.
• Ask your editor what books they've edited in the past. Check those books out on Amazon and Goodreads. See what reviewers are saying.
• Make sure your editor isn't the proofreader on your work. Once you've been through two rounds of edits (or three) your editor is as close to the work as you are and begins to miss things.
• Is your editor an author? Read their work. Read the reviews on their work. Yeah, it matters.
• Perhaps most importantly, be sure your editor has a contract and they let you read over it and ask questions before you're expected to sign.

I give you these tips because I'm a reader and Indie author as well as an editor. I can't even begin to say how angry I get when I know a fellow author paid someone a lot of money to have an edit done, and I still find a book full of errors. No, no, no! One or two are common (even in traditionally published books). Those I can ignore.

A good editor will be available to answer your questions about the changes after the work is done. They'll be able to explain any changes made to your novel and why those were done.

Please, for the love of all that's good, vet your editor like you would your child's date. Don't hand over your money willy-nilly.

A good editor won't be cheap. Understand that and be okay with it. Remember the old adage: You get what you pay for. It's as true today as it was when it was coined.

Oh, and don't hire more than one editor to work on your book at once. It shows a lack of confidence in your choice. While you may think it's a good idea, if the person finds out, they may refuse to work with you in the future. Too many chefs in the kitchen makes for an unstable soup.

I hope this post saves someone from a headache.

Tomorrow, we're gonna talk about contracts and what you should be looking for.

Questions? Comment? Epitaphs? Post them below!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

PoSSeSSive S

Happy Hump-day, everyone! Snow in Georgia again and all the kiddies are out of school. I have to say, I'm more than ready for spring so I can get back to a normal schedule. This weather and being sick last month has really thrown me off. Anyway, enough about all that. Let's move on to today's post about the possessive S. Grab your pens and notebooks and let's get going!

If you aren't familiar with INDIE Books Gone Wild, allow me to share a bit of information with you. Every now and then, one of us posts on that blog about grammar, punctuation, or other little tidbits we find frequent errors revolving around. Before we get to the good stuff here, pop on over there and check out Tia's post on the Apostrophe. Yeah, it matters. Go read that sucker.

Now, I'm a Chicago Manual of Style lady. I have a copy of the 15th edition, and I follow it to the letter when doing an edit. Of course, this causes some of my clients to have small hernias when they don't agree with my edits or they have a style guide that's different from mine (which is totally fine, they should go with what feels right to them). I try to be very clear on our About Us page over on IBGW and state that I use the book I own as a reference. So, today's discussion will be the rules from that style guide.

When you show possession of a singular noun (not the demonic kind), the rule says you add an apostrophe and an S to the end of the word (section 7.17). Examples:

• Dora's shoes.
• Kitten's playground.
• Lola's necklace.

But what if those words end in S?

Well, here's where we get into a bit of a pickle. When choosing names, one usually avoids the ones ending in S so they don't have this conundrum. If you happen to select one that ends in S, how do you handle it? This is where the general guides don't agree.

If you're showing possession of a collective, like a family or group whose names or title of the collective end in S, the solution is easy, you add an apostrophe to the end. Examples:

• The Huss' house (this is the Huss family).
• The Picketts' son (this is the Picketts family).
• Those kittens' meows (more than one kitten).
• These dogs' leashes (more than one dog).

However, if you have a character who's named Cleatus, how do you show possession?

In section 7.18, page 282 of The Chicago Manual of Style 15th Edition, it states: The general rule covers most proper names, including names ending in s, x, or z, in both their singular and plural forms, as well as letters and numbers. This means writing the name and adding an apostrophe with another S at the end. Examples:

• I saw Cleatus's sneakers over there.
• We went to the mall to get Kriss's new purse.
• I can listen for hours to Venheis's violin.

Now, this is the way it's written out in the guideline. I think, when reading, it keeps me from thinking there's more than one Cleatus who owns sneakers I saw over there, and makes the possessive name read more easily.

All this is great! But...

Yeah, you knew there was a but. *grin*

In section 7.23, there's a suggestion for an alternative usage by simply adding the apostrophe to the end of the name. While easier to remember and apply, I think it reads with a clunky timbre. But, try it both ways and see what works for you. This goes back to Tia's post I mentioned above, where she talks about Strunk and White.

Before we wrap this post on possessive S up, I'd like to remind you of another rule of possession you may not be familiar with. Section 7.24 talks about more than one noun. When mutually exclusive, both nouns get an apostrophe S. If both are owning the same item, only the second named gets the punctuation. Examples:

• My daughter-in-law and son's house.
• Our niece and nephew's car.
• or
• My ex daughter-in-law's and son's houses.
• Our niece's and nephew's cars.

Seems a lot of stress rests on the S.

How can you avoid this when writing fiction? Easy: Choose names that don't end in S when you're making your list.

I hope you all enjoyed our little lesson for today. If you have questions, comments, or otherwise, feel free to pop them into the comments section.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Cover Reveal - Chasing Memories by Tia Silverthorne Bach

Happy Friday, good people of the blogosphere! I'm very excited to bring you a cover reveal for a good friend of mine and an amazing author. I give you the cover of Chasing Memories by Tia Silverthorne Bach.

About Chasing Memories (Tala Prophecy, Book 1)

There isn’t another way; not now. The others are coming. I can’t let them have you…

Seventeen-year-old Reagan has a problem: She can’t remember what happened the night her brother was taken. Now, the dreams haunting her from the incident are becoming more intense by the day. All the while, the lines between what’s real and what’s a product of her paranormal-obsessed mind are becoming blurred.

Is she losing her mind or has she just stepped into a world she thought only existed in books?

Caught in a web of worried parents, competing boys, Wiccan relatives, protective amulets, and psychiatrist babble, Reagan must determine the truth before it’s too late.

Expected Publication Date: June 10, 2013

Add Chasing Memories on GoodReads.

Cover design by Jo Michaels.

About the Author

Tia Silverthorne Bach is an avid reader, sometimes runner, involved wife and mother, and rabid grammar hound in addition to being a multi-genre writer. Her three daughters were born in Chicago, San Diego, and Baltimore; and she feels fortunate to have called many places home. She's the award-winning co-author of Depression Cookies, a coming of age story written with her mother. Tia's office is wherever her laptop takes her and any place that's conducive to allowing a wild imagination like hers to flourish.

Please visit her at her blog, on Facebook, on Twitter, GoodReads, and read more about her on INDIE Books Gone Wild.

I edited the book for Tia and I'll tell you, it's a delightful story that's going to leave you aching for more at the end. I do hope you'll check it out. You won't be sorry you did. Besides, check out that awesome cover design! You know you love to look at pretty things. Haha!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo