Happy Friday, good people of the blogosphere! Today, I have a review for you. If any of you lovely followers have ever taken a gander at my reviews, you'll know I break them down into what I liked and didn't like while not providing spoilers for those of you that haven't read the book.
In keeping with the challenge I entered on Wednesday called Indie Fever, I'm reviewing my first indie book of the year from my list. I don't normally review books on the blog; but for these eight, I'm making an exception. Here's hoping you all check out these books and authors (if the review is a nice one)!
Without further ado, I bring you: Love From Planet Wine Cooler by Kate Baggott
Synopsis:
The last "nice girl" on earth finds her way through a world defined by sex, music and the Internet. Somehow.
Love
From Planet Wine Cooler is an ode to a generation of women who didn't
so much lose their virginity as misplace it thanks to the advent of wine
coolers. Somehow, they managed to find out all about love,
relationships and careers.
Or did they? Put in your imaginary
ear plugs and follow Marina and her best friend through the laughter and
tears of being a human being from the '90s on the search for answers
now.
My personal notes (not to appear in the review elsewhere):
To be honest, the cover didn't appeal to me (I'd love to see that changed - Kate, if you're reading this, send me a message and we'll see what we can do - if you're interested) and neither did the synopsis (doesn't tell me much about what to expect). What caught me and wrapped me in a web of intrigue was the sample I picked up on Amazon. I got to the last page and was terribly upset there was no more book. So, I bought it.
Now for the review.
From a reader's perspective:
I loved the voice of the main character, Marina. She came across as an intelligent, albeit self-centered, character with a lot of spunk and clever witticisms. Her journey through high school and beyond was one I could identify with. I was in turmoil every time she entered a new relationship; wondering what the outcome would be and how she would get along with the boy/man. Pacing in the book was really good and the humor here and there had me with stitches in my sides. One of my favorite scenes was Marina out on a date at a martini bar. If you're a pro-feminist reader, you'll love this book. It reads more like a series of short stories or snapshots of Marina's life than a novel; but it works.
From an editor's perspective:
Grammatical issues were nill. I only had one problem with the book overall: When people are speaking to one another or writing a letter, they use contractions. When writing, it's easy to forget that or feel like you need to write more formally, but it's an issue that needs to be addressed. It stilted the flow. But it wasn't so stifling that it threw me out of the story.
Rating:
1 star for a great main character.
1 star for a wonderful true-to-life story.
1 star for making me wonder what was going to happen next.
1 star for great pacing.
.5 star for grammar.
-.5 star for contraction usage.
4.5 out of 5 stars (where applicable, this will be rounded up to five and not down to four)
You can find the book on Amazon for just $4.99 via this link:
Love From Plant Wine Cooler: Kate Baggott
Follow Kate on Twitter here: @baggyk
Find Kate on Goodreads here: Kate Baggott
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
A blog dedicated to the education and support of Indie authors.
Also striving to providing great book recommendations and reviews for readers.
Links and Books by Jo Michaels
Friday, January 11, 2013
Thursday, January 10, 2013
Writing as the Opposite Sex
Happy Thursday, good people of the blogosphere! What weird weather we're having here in Atlanta! It's really warm to be January and the birds outside are chirping away with the dawn. Feeling that joy, I bring you a post about crossing gender lines when you're writing. Some authors do this and some don't. I have thoughts about why it works and why it doesn't. Join me and feel free to give your opinions after!
Women writing as men:
I may be way off the mark when I say it's easier for a woman to identify with a man than it is for a man to identify with a woman; but maybe not. There are many wildly successful books written by women with a male protagonist: Harry Potter, Interview with a Vampire, Night of the Wolf, etc...
I did it myself when I stepped out and wrote Yassa. I had to be able to identify with Genghis Khan on some level and be brutal when he was angry, compassionate when he was loving, and strong when he was feeling dejected. I was able to do it because I truly understood his dilemma: Uphold a law or turn his back on the very thing he believed so strongly in. I think men are more like women than women are like men. That's not to say a man can't write a strong female lead; just that they may have a more difficult time thinking of a woman as a warrior. After all, there's a reason the military doesn't like females on battlefields. Women can write men as strong because we see them as strong (in most cases).
Men writing as women:
A man, by his very nature, should see the softer, mothering, loving side of a woman. To step beyond this boundary may be difficult if the man can't directly identify with the female. However, there are many wildly successful books written by men with a female protagonist: Carrie, Percy Jackson series, The Pelican Brief, etc...
If a male writes as a female, he must forget some of what he feels and be willing to write difficult scenes where the woman is injured, shows her strength, or commits murder, and not bat an eyelash at what he's writing. Men don't typically like to think of women this way. Because men are protectors by nature, they tend to see women as life-givers that nurture; not go to war.
A strong female protagonist, just like a male, has to have some callousness at her disposal. Readers want to look up to their main characters. If a female lead is oversexed, weak, or portrayed as dumb, readers tend to get angry and are pulled out of the story. On the other hand, she must have a certain level of compassion. There's the softer side that needs to be portrayed and played up.
Examples of female protagonists that work and why:
Katniss in The Hunger Games. She had that hard edge but also showed her softness when Rue was killed. While she cared about the people she was fighting with, there was no hesitation in taking out Coin in the end. Her loyalty to her sister and mother were part of her being female but so was her desire to protect them in the absence of a father.
Myra and the other females in the Vigilantes series by Fern Michaels. Every one of these women have some vein of ruthlessness running through them. They're clever and skilled beyond measure when slapped into a room with one another. Sure, they have males helping them, but they're puppets in the women's games (and know it). It never fails; I always find myself cheering these women on.
Carrie from Carrie. Telekinesis from hell. But the author wasn't afraid to show Carrie's weaknesses as well as her strength. She cried, was humiliated beyond belief, had common desires (to be accepted and pretty), and wasn't afraid to take out a whole town when she got pissed off. Add to that her own self-destruction in the end and you have a character we all cheered for, identified with, and feared.
If you're a male who desires to write as a female, take some time and really pay attention to women. On the same token, if you're a female who desires to write a strong male, learn as much as you can about men. Find out what drives the opposite sex, don't be chauvinistic, and don't be afraid to allow your character to be exactly who and what they are. Social 'norms' be damned.
Thoughts? Can you think of any other books where the author crossed genders and it worked or didn't? Why or why not?
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Women writing as men:
I may be way off the mark when I say it's easier for a woman to identify with a man than it is for a man to identify with a woman; but maybe not. There are many wildly successful books written by women with a male protagonist: Harry Potter, Interview with a Vampire, Night of the Wolf, etc...
I did it myself when I stepped out and wrote Yassa. I had to be able to identify with Genghis Khan on some level and be brutal when he was angry, compassionate when he was loving, and strong when he was feeling dejected. I was able to do it because I truly understood his dilemma: Uphold a law or turn his back on the very thing he believed so strongly in. I think men are more like women than women are like men. That's not to say a man can't write a strong female lead; just that they may have a more difficult time thinking of a woman as a warrior. After all, there's a reason the military doesn't like females on battlefields. Women can write men as strong because we see them as strong (in most cases).
Men writing as women:
A man, by his very nature, should see the softer, mothering, loving side of a woman. To step beyond this boundary may be difficult if the man can't directly identify with the female. However, there are many wildly successful books written by men with a female protagonist: Carrie, Percy Jackson series, The Pelican Brief, etc...
If a male writes as a female, he must forget some of what he feels and be willing to write difficult scenes where the woman is injured, shows her strength, or commits murder, and not bat an eyelash at what he's writing. Men don't typically like to think of women this way. Because men are protectors by nature, they tend to see women as life-givers that nurture; not go to war.
A strong female protagonist, just like a male, has to have some callousness at her disposal. Readers want to look up to their main characters. If a female lead is oversexed, weak, or portrayed as dumb, readers tend to get angry and are pulled out of the story. On the other hand, she must have a certain level of compassion. There's the softer side that needs to be portrayed and played up.
Examples of female protagonists that work and why:
Katniss in The Hunger Games. She had that hard edge but also showed her softness when Rue was killed. While she cared about the people she was fighting with, there was no hesitation in taking out Coin in the end. Her loyalty to her sister and mother were part of her being female but so was her desire to protect them in the absence of a father.
Myra and the other females in the Vigilantes series by Fern Michaels. Every one of these women have some vein of ruthlessness running through them. They're clever and skilled beyond measure when slapped into a room with one another. Sure, they have males helping them, but they're puppets in the women's games (and know it). It never fails; I always find myself cheering these women on.
Carrie from Carrie. Telekinesis from hell. But the author wasn't afraid to show Carrie's weaknesses as well as her strength. She cried, was humiliated beyond belief, had common desires (to be accepted and pretty), and wasn't afraid to take out a whole town when she got pissed off. Add to that her own self-destruction in the end and you have a character we all cheered for, identified with, and feared.
If you're a male who desires to write as a female, take some time and really pay attention to women. On the same token, if you're a female who desires to write a strong male, learn as much as you can about men. Find out what drives the opposite sex, don't be chauvinistic, and don't be afraid to allow your character to be exactly who and what they are. Social 'norms' be damned.
Thoughts? Can you think of any other books where the author crossed genders and it worked or didn't? Why or why not?
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Wednesday, January 9, 2013
Blog Topics: Where do They Come From?
Good people of the blogosphere, today is Wednesday. Make it through today and you've got half the week wrapped up! As my post title suggests, today I'm talking about blog topics and how to come up with great ones.
I read something about this not long ago, but it was more in the way of 'what not to write on your blog if you're a writer'. That post talked about authors writing to other authors and how we shouldn't do it because authors aren't our target audience. While there's some truth to that, I have a further argument: All authors are (or should be) readers, right? Just sayin'.
Anywho, on to today's topic! While I was in design school, they taught us about thought webs and why we should use them. The idea behind using a thought web is this: If you have a product, the obvious way to market that product or build a design for it isn't always immediately visible. You should use a web like the one below for a visual reference.
As you can see, you would get around 13 posts or so out of a thought web like this. It can be any topic. If you've covered it in the past, you can just mark through it. Ideas that spring to mind for post topics from this thought web might be: How-to Research a Location's Vernacular, How-to Write a Character Bio, What Roles Parents Play in Shaping a Character, Why Where Your Character Lives is Important, etc...
There's really no limit to the ideas here. You're only held back by how many words you have at your disposal. Being a writer, you should have a multitude.
I hope this idea helps some. Have you ever used a thought web? What was the topic?
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
I read something about this not long ago, but it was more in the way of 'what not to write on your blog if you're a writer'. That post talked about authors writing to other authors and how we shouldn't do it because authors aren't our target audience. While there's some truth to that, I have a further argument: All authors are (or should be) readers, right? Just sayin'.
Anywho, on to today's topic! While I was in design school, they taught us about thought webs and why we should use them. The idea behind using a thought web is this: If you have a product, the obvious way to market that product or build a design for it isn't always immediately visible. You should use a web like the one below for a visual reference.
As you can see, you would get around 13 posts or so out of a thought web like this. It can be any topic. If you've covered it in the past, you can just mark through it. Ideas that spring to mind for post topics from this thought web might be: How-to Research a Location's Vernacular, How-to Write a Character Bio, What Roles Parents Play in Shaping a Character, Why Where Your Character Lives is Important, etc...
There's really no limit to the ideas here. You're only held back by how many words you have at your disposal. Being a writer, you should have a multitude.
I hope this idea helps some. Have you ever used a thought web? What was the topic?
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Tuesday, January 8, 2013
2013 Reading Challenge: Indie Fever!
Happy Tuesday, good people of the blogosphere! If you've been around before, you know I've asked indie authors to pitch their books to me for a read and review. I've decided to make it part of the 2013 Reading Challenge. Below, I'll list the books I chose with links and dates that I'll do the posts/reviews for each winner. This contest on my blog happened back in December and I ran across some great indie books that I'd love to help promote.
If you'd like to join the challenge, click the image below and follow the instructions to join the linky list. I'm signing up as an Amateur with a promise to read 8 INDIE books this year. I may read more but this is what's on the table right now. Without further ado, I give you the link and the list!
Kate Baggott - Love From Planet Wine Cooler Amazon link $4.99
This review will go live on or before January 28th, 2013.
Andrea Buginsky - The Chosen Amazon link $0.99
This review will go live on or before February 18, 2013.
Michael Cargill - Underneath Amazon link $3.30
This review will go live on or before March 11, 2013.
Eric Dulin - Condemned (Deus Ex Machina Series) Amazon link $2.99
This review will go live on or before March 25, 2013.
Deborah Armstrong - Forever Love Amazon link $3.49
This review will go live on or before April 22, 2013.
Ginney Etherton - Looping in Limbo (Lainey Tidwell Series) Amazon link $2.99
This review will go live on or before May 20, 2013.
Angela Graff - The Awakening Amazon link $2.99
This review will go live on or before June 10, 2013.
Leonardo Noto - Intrusive Memory Amazon link $4.99
This review will go live on or before July 1, 2013.
I know that seems like a huge gap between reviews but I'm leaving myself some breathing room (I have a couple of indie books not listed here that I may get to in between these AND I have some others from the contest I think I'd like to read). Like it says: On or before. I may have them all done by mid-April but I don't want to make promises I can't keep and I have a rigorous publishing schedule set for myself this year. I wrote a lot of partials last year I intend to finish and I must wrap up the Mystic series with a bang sometime in 2013.
Go grab some samples of the above works and give them a read. You won't be sorry.
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
If you'd like to join the challenge, click the image below and follow the instructions to join the linky list. I'm signing up as an Amateur with a promise to read 8 INDIE books this year. I may read more but this is what's on the table right now. Without further ado, I give you the link and the list!
Kate Baggott - Love From Planet Wine Cooler Amazon link $4.99
This review will go live on or before January 28th, 2013.
Andrea Buginsky - The Chosen Amazon link $0.99
This review will go live on or before February 18, 2013.
Michael Cargill - Underneath Amazon link $3.30
This review will go live on or before March 11, 2013.
Eric Dulin - Condemned (Deus Ex Machina Series) Amazon link $2.99
This review will go live on or before March 25, 2013.
Deborah Armstrong - Forever Love Amazon link $3.49
This review will go live on or before April 22, 2013.
Ginney Etherton - Looping in Limbo (Lainey Tidwell Series) Amazon link $2.99
This review will go live on or before May 20, 2013.
Angela Graff - The Awakening Amazon link $2.99
This review will go live on or before June 10, 2013.
Leonardo Noto - Intrusive Memory Amazon link $4.99
This review will go live on or before July 1, 2013.
I know that seems like a huge gap between reviews but I'm leaving myself some breathing room (I have a couple of indie books not listed here that I may get to in between these AND I have some others from the contest I think I'd like to read). Like it says: On or before. I may have them all done by mid-April but I don't want to make promises I can't keep and I have a rigorous publishing schedule set for myself this year. I wrote a lot of partials last year I intend to finish and I must wrap up the Mystic series with a bang sometime in 2013.
Go grab some samples of the above works and give them a read. You won't be sorry.
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Monday, January 7, 2013
Cover Reveal Good Ghost Gone Bad by Janiera Eldridge
Title: Good Ghost Gone Bad
Author: Janiera Eldridge (Check out her other books on Amazon)
Synopsis: Brianna Moreno was an average 22- year- old woman who loved shopping, hanging out with her
friends and making more career plans....until the night she was brutally and unexpectedly murdered.
Now she finds herself trapped in the ghost world while residing on earth. The problem is, her killer can see
all of his ghostly victims and enjoys taunting them as much as he does killing them.Brianna soon finds out that her killer has horrible new plans concerning her family.
Brianna meets up with a few of her killer’s past victims to hatch a plan so terrifying, the entire town will
never be the same again.
Brianna is a good ghost gone bad; the good girl side is gone forever!
*This book is not a YA read. 18+ only for sex, strong language and strong violence.
Add it to your TBR list: Goodreads
Cover Artist: Janiera Eldridge
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Author: Janiera Eldridge (Check out her other books on Amazon)
Synopsis: Brianna Moreno was an average 22- year- old woman who loved shopping, hanging out with her
friends and making more career plans....until the night she was brutally and unexpectedly murdered.
Now she finds herself trapped in the ghost world while residing on earth. The problem is, her killer can see
all of his ghostly victims and enjoys taunting them as much as he does killing them.Brianna soon finds out that her killer has horrible new plans concerning her family.
Brianna meets up with a few of her killer’s past victims to hatch a plan so terrifying, the entire town will
never be the same again.
Brianna is a good ghost gone bad; the good girl side is gone forever!
*This book is not a YA read. 18+ only for sex, strong language and strong violence.
Add it to your TBR list: Goodreads
Cover Artist: Janiera Eldridge
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Friday, January 4, 2013
Semicolons
Happy Friday, good people of the blogosphere! Ah, thoughts of the weekend bring us so much joy! As the title of today's post suggests, I'll be talking about semicolons. If you struggle with this most interesting piece of punctuation and have a hard time knowing when to use it and when to leave it out, follow along. Grab those pens and notebooks because here we go!
Let's start with the definition:
sem·i·co·lon /ˈsemiˌkōlən/: Noun - A punctuation mark (;) indicating a pause, typically between two main clauses, that is more pronounced than that indicated by a comma.
A semicolon is used to join two independent but related clauses. While this can also be done with a comma, the semicolon is more often used when one is using a conjunctive adverb (however, incidentally, otherwise, etc...) or transitional phrase (even so, as a result, matter of fact, etc...). Smaller coordinating conjunctions are the ones most often used with a comma (and, but, so, etc...).
Now an example:
I went out last night and have a hangover; I can't go to work today.
There are many ways to write these two statements using either a semicolon, periods, commas, or no punctuation at all. Let's break it down:
I went out last night and have a hangover, so I can't go to work today.
I went out last night and have a hangover. I can't go to work today.
I went out last night and have a hangover; as a result, I can't go to work today.
I can't go to work today because I went out last night and have a hangover.
I always remembered it as: If two sentences can rely on one another to further understanding, you can join them with a semicolon.
Semicolons are helpful in preventing stilted flow in your writing, adding interest, and creating variety. I can't tell you how many books I've read where the author uses periods too often and it results in short, choppy sentences that make my brain stumble along over the words. I usually don't read more than a chapter or two before I get frustrated and throw the book down.
Punctuation isn't scary if you take the time to learn about it. If you're a writer, this is me begging you to read all you can get your hands on about punctuation and grammar; it does matter.
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Let's start with the definition:
sem·i·co·lon /ˈsemiˌkōlən/: Noun - A punctuation mark (;) indicating a pause, typically between two main clauses, that is more pronounced than that indicated by a comma.
A semicolon is used to join two independent but related clauses. While this can also be done with a comma, the semicolon is more often used when one is using a conjunctive adverb (however, incidentally, otherwise, etc...) or transitional phrase (even so, as a result, matter of fact, etc...). Smaller coordinating conjunctions are the ones most often used with a comma (and, but, so, etc...).
Now an example:
I went out last night and have a hangover; I can't go to work today.
There are many ways to write these two statements using either a semicolon, periods, commas, or no punctuation at all. Let's break it down:
I went out last night and have a hangover, so I can't go to work today.
I went out last night and have a hangover. I can't go to work today.
I went out last night and have a hangover; as a result, I can't go to work today.
I can't go to work today because I went out last night and have a hangover.
I always remembered it as: If two sentences can rely on one another to further understanding, you can join them with a semicolon.
Semicolons are helpful in preventing stilted flow in your writing, adding interest, and creating variety. I can't tell you how many books I've read where the author uses periods too often and it results in short, choppy sentences that make my brain stumble along over the words. I usually don't read more than a chapter or two before I get frustrated and throw the book down.
Punctuation isn't scary if you take the time to learn about it. If you're a writer, this is me begging you to read all you can get your hands on about punctuation and grammar; it does matter.
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Thursday, January 3, 2013
Your Cover Speaks Volumes
Happy Thursday, good people of the blogosphere! Today, I'm going to talk about book covers. Things every author should think about when deciding on a cover for their book. Grab those pens and notebooks and let's get going!
I'm going to start by discussing my own book covers and a couple I've designed for other authors.
First up, the cover of Yassa.
I chose this design because of the quality of the artwork and what it says to the reader. Yassa is a law that outlines the idea of loyalty until death. The book inside is all about inner struggle, love, and culture. It's supposed to convey the softer side of a warlord like Genghis Khan. I know it's a geisha and I know there are no geisha in the book, but the geisha represented beauty and the cherry tree represented new life. It also worked really well in black and white. Pay attention to the type. It's strong yet beautiful.
I'm going to start by discussing my own book covers and a couple I've designed for other authors.
First up, the cover of Yassa.
I chose this design because of the quality of the artwork and what it says to the reader. Yassa is a law that outlines the idea of loyalty until death. The book inside is all about inner struggle, love, and culture. It's supposed to convey the softer side of a warlord like Genghis Khan. I know it's a geisha and I know there are no geisha in the book, but the geisha represented beauty and the cherry tree represented new life. It also worked really well in black and white. Pay attention to the type. It's strong yet beautiful.
The Abigale Chronicles features handwritten type done by a twelve-year-old girl. My main character is twelve and it seemed fitting to stay within the age group to which the book is geared. As the book progressed through volumes 2 and 3, the colors and the design elements are all that changed. I wanted it to be recognizable as a series from no more than a glance and to be unique.
My Mystic series features a digital painting representing the end of the world. I wanted all the books to look alike so I stayed with the idea of only changing the name inside the orb. Thinking of Markaza, I wanted the paranormal/mystical aspect to be clearly recognizable as well as the barren wasteland and dead tree. I chose the greyscale cover to impart death and loneliness. No bright colors would have worked for this design. Look at the flowing type. It says something on its own.
Divorced to Dating Disasters was designed for Ms. Chelsea Black. Her idea was one of chocolates and I had the perfect image to compliment the sweet wreckage her book portrays. Maybe when broken, things are sweeter. Perhaps it just creates a mess... Strong type was used to reinforce the words. Divorce is series, disasters are damaged, and Chelsea is a serious writer.
This bright and fun cover was designed for my good friend Crystal Lee. She gives workshops on how to grow things in the hot Arizona climate. We wanted something that said food, hot, and fun to read as well as making it eye-catching for the browsing readers over on Amazon. It was fun to design and the typography is just gorgeous. Don't you love that negative space between the y and the A? How about the way the O and G mimic the roundness of the peppers?
Last but not least, The Bird. If you're a frequent visitor to the blog, you probably saw the three design options for this book. You probably also voted on one or the other. I used a cardinal because he is the character that changes the story for Stormy. Everything is plodding along as usual before that pesky Trobodyte bird shows up. I chose blue and red because they're neighbors on the color wheel and looked good together. I wanted strong typographical elements to offset the strength of the digital painting of the bird. A border was added for punch.
I bet you're all wondering why I chose to show you these covers, right? I'm asking that you look at them. Really take a moment and look. Every one of them has something in common. Forget the imagery for a moment and focus on just the words. Look at the shapes of the letters and see how they speak on their own. Every typeface has a voice. You have to consider that when you're designing your book covers or when looking over a cover designed for you by an artist. If your cover doesn't work with just the type, your imagery will fall flat every time. Never rely on a great picture to get your feeling across.
I gave three options for each of the above books before I settled on one. You should see the rejects! Maybe one day I'll list them and go into why they didn't work.
Well, that's all for today, folks! Until next time, WRITE ON!
Jo
Subscribe to:
Posts (Atom)