Stealing Plots

Happy Friday, good people of the blogosphere! I hope you all had a fantastic week and are looking forward to the long weekend. Perhaps you want to use that time to craft new book ideas. Well, you've come to the right place! Today, I'm going over how you can steal plots from real life to craft novels. Intrigued? Then grab those pens and notebooks and let's get going!

If you remember the posts I did on plot ideas (part one and part two), you'll know I'm a huge advocate of using things you see/read/hear to inspire you. Well, let's look at life for some inspiration and see exactly how that works.

Situation one: You're sitting, watching the news, and a story comes on about terrorists on a train and three heroes who leap in and save the day (anyone remember this?). That's an awesome story, right? Those men have been talked about often since that day.

Situation two: Friend one calls you, sobbing. Her husband was part of the Ashley Madison scandal, and your friend has discovered he's had multiple affairs. Her life is ruined, and she tells you all the warning signs she saw but ignored as you try to make her feel better.

Let's break down and re-work both situations for awesome plot ideas, shall we?

Situation one: What if the terrorists were vampires and the heroes were slayers? Or, what if they were all women instead of men? What would've happened if it were some kind of plot to get rid of a different terrorist who was planning to bomb the train, and the men sent to stop it were thwarted by the "heroes" who thought they were doing something good?

Situation two: What if the husband wasn't cheating, but he'd been doing some kind of recon mission for the CIA or some secret organization? All the "warning" signs weren't what they seemed, but the wife has no way of knowing because she doesn't know he's a spy/assassin. That's a whole different story.

It's not the situation that matters; it's the details you want to store away in your brain for the book you can write with these ideas that are important.

What caused those men to react? What were they thinking? What did they see?

What were those "warning" signs your friend is talking about? How did her husband act? What excuses did he use to get out of the house and meet up with those women?

All these questions can be answered by watching interviews or asking questions. Be the sleuth. Be creative. Bend the world to fit the story you want to read, and write it.

Whether you're a paranormal, contemporary, fantasy, dystopian, contemporary, murder mystery, or other genre author, you can make your story and characters feel more real to your reader when you use real-life situations as the basis.

So, this weekend, my challenge to you is to take something you see on television or hear on the news and turn it into a plot for a novel in your genre.

Post them below! Let's see how creative you can be!

Well, that's all for today, folks. Until next time, WRITE ON!

Jo

Atmosphere Feels - Helping Readers Feel the Characters and Setting

Happy Friday, everyone! Holy cow, what a week, huh? It's been blazing trails here on my desk. Huge edit, schedules for bloggers, handling the radio show, and blogging every day have me so confuddled, I'm not sure whether to scratch my watch or wind my butt. But! Today, I'm all about the writing tip! I had a discussion with Teal Haviland, creator of the awesome website My Endless Endings (it's like a smashup of Facebook and Goodreads), and she suggested a post on atmosphere and feels. So, we'll be talking atmosphere and all the feels your character can get from their surroundings (and how to communicate that to the reader). Grab those pens and notebooks and let's get going!

So, your character is on their journey, and they walk into a room. Let's do this via examples. My character will be named Teal, and she's going to her grandmother's house.

     Teal stepped into the room and plopped down on a sofa, putting her feet on the coffee table. A teapot was sitting nearby, and she snagged a cup, filling it with the hot liquid. She took a sip, and relaxed as she waited for her grandmother to come downstairs.
     After waiting for half an hour, Teal wondered what was taking Grandma so long. Something felt off. She usually made an appearance within five minutes or so, and Teal was getting worried. Carefully, she put down the cup, rose to her feet, and walked back to the foyer to look up the stairs.

Okay, there's Teal in her environment. You all know I'm not one of those writers that goes into a ton of description. However, there's a time and a place for everything. You need tension in this scene, so description and engagement of the five senses will help. Remember this post. Yeah, only this time we're talking about how the environment impacts the character's feels. If you have your Feelings Workbook, pull it out now. Let's edit!

     Teal stepped over the threshold to a dimly lit foyer. Shivers ran down her spine when she inhaled and the musky scent of the house assaulted her. Moving to the living room, she sat on the flower-print couch, wondering where the plastic cover went, and put her feet on the antique coffee table. A silver tray with a porcelain teapot and cups was nearby, and she tossed a sugar cube in one of the cups before pouring over the liquid. She took a sip, wrinkling her nose at the bitterness of the drink, being careful not to burn her tongue, and sat back as her eyes scanned the room and she waited for her grandmother to come downstairs.
     Time ticked by, increasing the unease Teal felt when she entered. Where was Grandma? She always arrived within five minutes to spread the latest gossip from the other blue-haired ladies in the neighborhood.
     Teal's shoes clicked on the floor when she put her feet down. In the absolute still, it was like a gunshot. She winced, carefully put down the cup, and removed her shoes. Holding the slingbacks by their straps, she rose and tip-toed back to the foyer. Her heart pounded in her chest and echoed in her ears.
     One of the floorboards in the ancient wood creaked, and she paused, ticking back her ears. Dread slammed into her, and she let her gaze float up the stairs, tracking the fresh boot prints on the beige carpet.

In the first passage, you understand something's not quite right at Grandma's house. In the second, you feel like it's something sinister. Smell, sight, sounds, touch, and taste are all engaged.

Why? What's the difference?

In the first passage, there's little to no description of the environment or how it's impacting the character. If the surroundings don't have a feeling, your reader won't feel. Sure, you can tell them, but they want to feel it, too. You have to show in this case. If you noticed, from the content of passage two, we're now aware plastic is missing, the lights are dim, the tea is hot, it's too quiet in the house, and there are fresh boot prints on the carpet.

What do you think Teal will find based on the first passage? How about the second?

What do you feel when you read each one?

We can bring a lot out by describing the atmosphere of the character's environment, and it'll translate to the reader. I do ask that you use this tactic sparingly. Pages and pages of description will bog your reader (and your story) down.

Now you try it. Start with a passive scene, and make it an active scene.

Let's see your results. Don't be scared to share!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stereotypical Stuffed Shirts - Changing Cliché Characters

Happy Tuesday, good people of the blogosphere! Excuse me. I seem to have alliterated. *grin* Okay, all grammar nerd jokes aside, I bet you're all knee deep in the work week and looking forward to a little break, eh? Well, today I'm bringing you a post all about using stereotypes to your advantage. People tell you never to use a typical character, but I think using common folk as a base is a fantastic place to start. This is gonna be another work with me post, so grab those pens and notebooks and let's get going!

First, let's list some stereotypes:

• Crazy aunt who pinches cheeks and laughs too much.
• Shy, smart, eager to please teen who's bullied in high school.
• Bad boy who smokes, drinks, and gets in fights all the time who turns good with love.
• Good girl who has no one and nothing, but does everything right (perhaps even playing nursemaid to a sick parent or other relative).
• Southern idiot with a drawl, a gun, and a coon hound.

Okay, that should be enough to get us through this exercise. Now, stories with these characters are abundant. You can find at least one in every three books you read.

They make great secondary/forgettable characters, because there's nothing about them that stands out from the fray. People forget them easily (especially if you don't name them).

That being said, you don't want to slap this kind of person into a tale and put the spotlight on them.

Unless...

You add a little something to make them twisty to the reader. Take the stereotype and flip him/her on their heads. Throw in a surprise for your reader that's like a nugget of gold hidden in the pages. After all, riches kept miners going to the deadly land of Alaska looking, right?

Reward your reader; they'll come back for more.

How can you do that? Well, let's use the characters from above (yeah, you knew that was coming) and work out how we can make them more than they seem. I'll give typical traits, then how you might be able to give that character a twist.

Crazy Aunt - Now, this cliché lady crochets, makes jam, and probably has a fruit pattern on her plastic dining room tablecloth. But the twisty lady might keep kids in cages in the basement, men tied up in the barn to torture (perhaps she was a victim of abuse and this is her revenge on the male species), or she's a spy for a foreign government.
Bullied Teen - Typically quiet, excellent students (because no social life), and usually dress down so as not to draw attention to themselves. If you gave them a twist they could bully others anonymously, enter beauty pageants in other states, or run for class president (now that would be a shocker).
Bad Boy - Women are drawn to him, he's crazy sexy, and he has some sort of tortured past. Flip him and make him rich with great parents and un-saveable, someone who's doing a social experiment by acting like a bad boy (your reader will gasp), or have him be really bad and kidnap girls who fawn over him because he was always fascinated by the way women look.
Good Girl - She goes to her job every day like clockwork, never gets in fights, and makes perfect grades. Change her by giving her a twisted fetish she has to hide, visions of dead people she shakes when she sees but hides because she's actually crazy, or let her go on a murder rampage and kill everyone who ever expected her to be perfect.
Southern Imbecile - Hunts, fishes, not playing with a full deck of cards, drives a dirty pickup truck. Make him different by giving him a secret lab and off the charts IQ he hides, making him an alien, or let him be an over the top wealthy guy who's a brilliant artist in hiding.

Now you try. List each one on a piece of paper and try to come up with three things you could do to make them different. After that, come up with your own cliché characters, and change them, too!

No matter how you accomplish the twist, keep it fresh, keep your reader guessing, and do something folks don't see all the time.

I hope this gives you some ideas on how to change characters up and make them more.

What do you think? Ever used a stereotype in a different setting? Tell me about it!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Guest Posting - Topic Turmoil

Yay! Only two days until the weekend gets here! It's a terrific Thursday here on the Jo Michaels blog, and I intend to give you a little something to think about in my post for the day. That's right, I'm talking about guest posts. How do you rock it like a star? Grab those pens and notebooks and let's get crackin'!


Do you ever get invited to guest post on someone’s blog and stare at a blank screen for hours, wondering why in the world anyone would want to hear from little old you? Ever get a case of the heebie-jeebies when you go to write that post, thinking you’ll sound stupid or make crazy errors and look like a complete fool?

Yeah, we all do.

But, here are some tips and tricks to help you write the best guest post ever:

1. Don't be afraid. Yeah, that's my number one tip. Put your insecurities in a drawer and lock that bad boy until you're done writing your post.
2. Write on a topic you’re familiar with or something you’re an expert on (we all have an area of expertise—even if it’s just changing a diaper). Do some research on the blog your post will be appearing on. Find out what their readers want to see and learn about.
3. Be engaging but don't overdo it. Talk with the readers—not at them.
4. Include your bio and why you have the knowledge to write what you sent.
5. Don't be afraid to talk about yourself, your experiences, or what you've seen others doing (whether right or wrong).
6. Write the post in a linear (progressive) fashion. Don't meander around with your thoughts. Point A to point B to point C, please.
7. Give references to back up your words. Links are always fun.
8. Send your host some pictures to go along with your words. Pictures are fun to look at and can set the tone for your post.
9. Proofread (please) so you don't look nutso.

Now, if you follow these easy tips, you'll be well on your way to guest post Heaven. Maybe they'll even have a parade in your honor. *grin*

If you'd like to check out a couple of guest posts I've done, here's a little list (links will take you to the post I wrote on their blogs):
Chapter Book Challenge
Zombie Survival Crew
Rebel Writers

See? Those are all fun and informative, and are all something I know a lot (but not everything) about. Yeah, I schedule my own life and blog down to the day/minute. Remember that huge dry spell I went through the last couple of months? No schedule. It drove me insane. Why do I know about zombie novels? I'm a reader of them and the author of one for young people. I can write on editing before you send your MS to an editor because I am one and know what kinds of things I look for during evaluation.

You may think there's a lot you don't know. I'm not going to argue with you. There's a lot of information in the world; no one knows it all. Impossible! Instead, focus your topic on what you do know. Make a quick list of those and and choose one.

Still stuck?

Try writing down things you've accomplished in life:

• I've self-published a novel (formatted, uploaded, etc...)
• I'm an editor (grammar, plot, etc...)
• I schedule my life (why? what did I learn from it?)
• I read how-to books (which ones? why? how have they helped?)
• I'm a reader (what books? learned what?)

You can take a list like that and make it into something awesome. Again, go research that blog you've been asked to write for and see what they might like to learn more about.

If you follow this very basic outline, you'll be rocking the guest posting world in no time.

Why guest post? It expands your reach to many readers you may not have attracted before. Now that you know how, and what you can write about, go out there and find like-minded blogs. Ask them if you can write up a guest post for them. Easy!

How about you? Care to share some of your guest posts? Leave them in the comments so we can check them out!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Blank Canvas and Page Woes

Happy Tuesday, everyone! I hope you all had a fabulous weekend. You're almost halfway to the next one, so chin up! Today, I'm gonna blast my inner musings and thoughts for you to read; maybe you'll take something away from it, maybe you won't. Either way, it's therapeutic to talk it out! So, grab your coffee, get your typing fingers ready, and let's get going on my not philosophical discussion. *grin*

While browsing through Michael's art store the other day, I came upon a 40% off canvas sale. Well, I usually don't spring for the big ones because they aren't cheap. I ended up buying one that's 24" x 36" and giggling the whole way home. If you didn't know I draw and paint, I have to ask how long you've been following my blog, or if you've ever seen one of my book covers (most notably Yassa and The Bird).

Here are a couple of my artworks:

But, anyway, as you can see, I have no lack of skill. Yet, I find myself staring at the blank canvas, wondering what in the world I'm gonna put on it. I don't want to stop once I've started, and I don't want to hate it halfway through and have to gesso it out and start over.

So I find myself planning.

If you know anything about me, you'll know I'm a strict pantser when it comes to my writing.

When the thought of picking up a brush and going at a canvas makes me cringe, how the hell can I craft a story by the seat of my pants?

Truth: I don't.

I think about the book, plan out my characters, and have the plot (at least a beginning and ending) in mind when I sit down to write. I think a true pantser would sit down with no idea what they're going to do and bang out a book.

Like people say a true artist sits down and bangs out a painting.

But is it really that easy? No. Most of the famous artists in the world never sat down and slapped paint around on a canvas. They had direction, and they had a picture in mind before they ever began. This leads me to believe art rarely comes from nowhere. Even color choices made by the artist who attaches balloons to the wall and throws darts at them is a decision. There's never complete freedom in art. Everything has a plan.

Writing novels is an art form. Sure, you can write whatever you want, whenever you want, and throw it out there for the world to consume. But readers will become disenchanted if your novels have no cohesion, plot, or character building. Just like art lovers will spot an amateur painter if the colors on the canvas clash.

On the same note, there must be some freedom in painting like there is in writing. My imagination is my only limitation as far as situations, characters, and plot go; but I'm bound to certain rules of the written word—like artists are bound to rules of composition and color usage. Even Jackson Pollock had a specific idea in mind when he tackled a work. But he got to choose the colors. Note my baby pink oak tree up there.

What I'm saying is: We all have freedom in our writing or art,  but knowing all you can know about your craft—and using that knowledge—never hurts.

I guess buying that canvas did more for my thought process than I realized.

It's still sitting there, completely blank, waiting on me to make a decision.

I'm knee-deep in my section of the Fractured Glass anthology. It's so much fun giving characters free reign to lead me in the direction they choose. I've had a number of epiphanies while writing. Interesting twists and some mighty creepy situations are emerging as I bang the keys. Not long now. Good thing I had a plan, eh?

Time for you to join in the discussion here! Do you think it's possible to write an entire novel from the hip? Or do you think you must know the building blocks on all sides in order to craft something with no idea where it's going or how it'll get there?

Inquiring minds wanna know.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Dialogue - Keeping it Fresh

Happy Friday, good people of the blogosphere! Today, I'm talking with you about dialogue again. I started writing this post yesterday, but life took over and killed it. Ha! Great how that works, isn't it? But! The kids go back to school soon, so things around the blog will settle down as they were before. Anyway, today we're gonna talk about keeping your dialogue fresh for readability and comprehension. I'll also give you a little exercise to do afterward. Grab those pens and notebooks and let's get going!

Let's start with things you shouldn't do.

• Make every line of dialogue begin the same way.
• Break several lines of dialogue in a row with an action.
• Confuse your dialogue tags with action tags.
• Make everyone sound the same.

In keeping your writing fresh, you want to use dialogue, action, and dialect in a way that keeps them harmonious.

Example time!

Shouldn't do:
Pat elbowed her way through the crowd. "Can you believe how many people are here?"
I grabbed her hand before leaning toward her ear. "It's always like this on Friday night!"
Lucy made her way to us and joined the circle. "I'm so excited to be here! I can't believe our parents let us come."
I put my free hand on her shoulder. "This is once in a lifetime, kid."
Music pumped through the speakers, and my insides rattled.

Better:
Pat elbowed her way through the crowd. "Can you believe how many people are here?"
"It's always—" someone jostled me, and I grabbed Pat's hand to lean toward her ear "—like this on Friday night!"
Lucy made her way to us. "I'm so excited to be here, y'all! I can't believe our parents let us come." Her eyes sparkled.
"This is once in a lifetime, kid," I said.
Music pumped through the speakers, and my insides rattled.

Frequent name restatement is often necessary when there are several people in a discussion. Watch your pronouns. Let's look at one more example; then I'll turn you loose with an exercise.

Shouldn't do:
"I wanted to go to the store with Mommy," Lisa whined.
Her father's mouth turned down. He said, "You didn't want to stay with me?"
She crossed her arms and shook her head.
"I thought maybe we could play your favorite," he said, pulling out Chutes and Ladders.
She clapped her hands and said, "Yay! Yes, Daddy. I want to play."
"But you wanted to go to the store with Mommy," he teased.
"I was just kidding," she said.
He roared with laughter.

Better:
"I wanted to go to the store with Mommy." Lisa threw her tiny figure face-down on the couch.
Her father frowned. "You don't want to stay with me?"
She rolled over, crossed her arms, and shook her head.
"I thought maybe we could play your favorite," he said.
When Lisa saw the Chutes and Ladders game in his hands, she clapped. "Yay! Yes, Daddy. I wanna play."
"But you wanted to go to the store with Mommy."
"I was just kidding."
He roared with laughter.

Not only is the second passage easier to read, it's correctly punctuated. Remember to ditch the dialogue tag when giving the character an action. If you use a dialogue tag, there should be no action. Change it up so it doesn't get stale. No one wants to read: he said, she said, he said, he said, she said over and over again.

Time for your exercises!

#1:
Write a few quick paragraphs of dialogue with four characters: Paul, Mike, Anna, and Frank. Start each sentence the same way, pay no attention to punctuation, and no attention to pronoun usage.

Use the tips above and this post to correct your writing. Feel free to send it to me if you want someone to check it.

#2:
Using the ideas above, craft one line of dialogue for each of the following:

1. Starts with an action, ends with dialogue.
2. Uses a dialogue tag at the beginning.
3. Uses a dialogue tag at the end.
4. Break the dialogue with an action.
5. Stars with dialogue, ends with action.
6. No dialogue tag; no action tag.
7. Interrupted speech (remember your em-dash!)
8. Trailing off of speech (don't forget the ellipsis!)
9. Starts with action, then has dialogue, then another action

You may feel free to post your attempts in the comments below.

What do you think? Helpful?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Reversal Word

Happy Thursday, good people of the blogosphere! As you can probably tell, I'm going into word reversal in novels today. What the heck am I talking about? Well, I'm not gonna beat around the bush. Grab your pens and notebooks, slurp up that coffee, and let's get going!

When I say word reversal, what I mean is using the difficult path to convey an idea to your reader. One of the things I do when I'm editing is check readability. Your words should flow for the eyeballs moving over the page. One of the acronyms I love is:

K. I. S. S.

It means: Keep It Simple, Stupid!

Never speak over your reader's head (we know you're smart, but making someone feel stupid isn't a good idea), and try not to reverse your words. If you do, be on the lookout for awkward sentences in your first round of edits.

Time for some examples!

Rob looked at me, and I inwardly cringed.

First off, you don't need that adverb. Taking it out would simplify the sentence and make it more reader friendly. But let's say we want to leave it in there. As an editor, I try to apply a lighter hand when suggesting changes. I'll suggest a blanket change to remove most of the adverbs when I run across the first one. Mentioning it again becomes cumbersome. If the author enjoys adverbs and I leave this sentence alone (thinking it'll be fixed later), I'm doing them a disservice. Why? Because it will read/flow better if the action precedes the modifier. That's my job. There are two possible fixes if we leave in the adverb:

I cringed inwardly when Rob looked at me.
Rob looked at me, and I cringed inwardly.

Put the action first.

Here's another one that needs some rearranging:

I'd heard about the relationship being messed up between them, but I knew it wasn't also damaged on my side.

A small move will make a big difference. Like this:

I'd heard about the relationship being messed up between them, but I also knew it wasn't damaged on my side.

Make sense?

Yes, there's always more than one way to fix a sentence. Remember to KISS your reader, and you'll be fine.

When in doubt, read it out!

Do you ever catch yourself making those kinds of mistakes?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Partials

Happy Friday, good people of the blogosphere! Today I'm gonna talk about those wonderful things I like to call: Partials. You know, those stories you've had an idea for (and have maybe even written a chapter or two of) that fell by the wayside as you trudge merrily forward on your current WIP. Let's get going, shall we?

How are you planning to move forward with your partials? Do they pop out of oblivion every now and then so you can tweak something or add to them? Do you write a chapter or two and leave them in a drawer just in case a day comes when you can't think of anything new?

Why not pull one out today and write another chapter for it? Or read what you've written already and find holes in your story or places it could use some fixes grammatically?

That's my challenge for you today if you're a writer. Then, come on back and tell me how you fared.

I have one you frequent readers of my blog may remember that I pulled out a few days ago and started reading/editing. It's really well done (I was shocked) and I'm thinking I may release it this year. It's out of the box for me so I'm a little nervous but it's giving me ideas for new stuff as I read/continue it. More on that later!

If you don't have a partial to pull out and work on, make one today. Come up with a title and story line and bang out the first chapter. Don't think too hard about it; just write. This will accomplish one of two things:
Either you'll be inspired to write a whole new story
OR
you'll get some pepper for your current WIP.
Either way, you win!

If you're a reader, go pick up a new book today. Doesn't matter if you're already reading one, get a new one or a sample of one from Amazon and poke through it. Add it to your reading list then come back here and tell me about it. Step out of your comfort zone and choose a different genre. Don't read an author you know, pick a new one.

We never grow if we stagnate.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Blog Topics: Where do They Come From?

Good people of the blogosphere, today is Wednesday. Make it through today and you've got half the week wrapped up! As my post title suggests, today I'm talking about blog topics and how to come up with great ones.

I read something about this not long ago, but it was more in the way of 'what not to write on your blog if you're a writer'. That post talked about authors writing to other authors and how we shouldn't do it because authors aren't our target audience. While there's some truth to that, I have a further argument: All authors are (or should be) readers, right? Just sayin'.

Anywho, on to today's topic! While I was in design school, they taught us about thought webs and why we should use them. The idea behind using a thought web is this: If you have a product, the obvious way to market that product or build a design for it isn't always immediately visible. You should use a web like the one below for a visual reference.

As you can see, you would get around 13 posts or so out of a thought web like this. It can be any topic. If you've covered it in the past, you can just mark through it. Ideas that spring to mind for post topics from this thought web might be: How-to Research a Location's Vernacular, How-to Write a Character Bio, What Roles Parents Play in Shaping a Character, Why Where Your Character Lives is Important, etc...

There's really no limit to the ideas here. You're only held back by how many words you have at your disposal. Being a writer, you should have a multitude.

I hope this idea helps some. Have you ever used a thought web? What was the topic?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Semicolons

Happy Friday, good people of the blogosphere! Ah, thoughts of the weekend bring us so much joy! As the title of today's post suggests, I'll be talking about semicolons. If you struggle with this most interesting piece of punctuation and have a hard time knowing when to use it and when to leave it out, follow along. Grab those pens and notebooks because here we go!

Let's start with the definition:
sem·i·co·lon  /ˈsemiˌkōlən/: Noun - A punctuation mark (;) indicating a pause, typically between two main clauses, that is more pronounced than that indicated by a comma.

A semicolon is used to join two independent but related clauses. While this can also be done with a comma, the semicolon is more often used when one is using a conjunctive adverb (however, incidentally, otherwise, etc...) or transitional phrase (even so, as a result, matter of fact, etc...). Smaller coordinating conjunctions are the ones most often used with a comma (and, but, so, etc...).

Now an example:
I went out last night and have a hangover; I can't go to work today.

There are many ways to write these two statements using either a semicolon, periods, commas, or no punctuation at all. Let's break it down:
I went out last night and have a hangover, so I can't go to work today.
I went out last night and have a hangover. I can't go to work today.
I went out last night and have a hangover; as a result, I can't go to work today.
I can't go to work today because I went out last night and have a hangover.

I always remembered it as: If two sentences can rely on one another to further understanding, you can join them with a semicolon.

Semicolons are helpful in preventing stilted flow in your writing, adding interest, and creating variety. I can't tell you how many books I've read where the author uses periods too often and it results in short, choppy sentences that make my brain stumble along over the words. I usually don't read more than a chapter or two before I get frustrated and throw the book down.

Punctuation isn't scary if you take the time to learn about it. If you're a writer, this is me begging you to read all you can get your hands on about punctuation and grammar; it does matter.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Human Nature - The Love Affair

Happy Monday, good people of the blogosphere! This week I'm going to be discussing a few different facets of human nature as they relate to characters and writing. See the quick schedule below:

• The Love Affair
• Holding a Grudge
• Seeking Revenge
• Situation Reaction
• Thought Processes

You can see today is about Love Affairs and why characters have them. Let's get started, shall we?

As writers, we are students of human nature. If you're a reader as well (and you should be if you're a writer), you've met a lot of people. Yes, many of them were fictional. But I'd be willing to bet you've thought how similar a character's actions are to what someone you know would do. It's because that writer pulled information from life to create the character.

Why do humans have love affairs? There are a multitude of reasons behind them. This gives you a plethora of selections when deciding why your character is going to do it. They aren't always epic reasons. Sometimes, it's as simple as a feeling the person is having in the moment, drugs, or alcohol in copious amounts. Let's go through them:

1. Feelings of Loneliness - This is probably the most common reason. Even if someone has a multitude of friends and a significant other in their lives, they will have a moment where they will feel lonely. The feeling can cause even the most astute person to lash or act out by seeking someone to fill the void they have.
2. A Life-changing Event - Another common cause. If a person has a huge event happen in their life that changes the way they think or if the event causes them pain, they may seek out a romantic involvement to ease the blow.
3. Opportunity - If a person puts themselves in a situation where the opportunity is there, they might take it just because they can. Especially if they're pretty sure no one will know or find out about it.
4. Fights with a Significant Other - Fights can increase in frequency if the person discovers it leads to solitude in which they can do whatever they wish. They won't have to worry about being bothered by the person they had the fight with while they're seeking out or spending time with someone else.
5. A Desire to Cause Pain - This may stem from a painful breakup or anger the person is harboring in their heart toward their ex-significant other or current significant other. Chances are, this will happen and the significant other will either be told or will be allowed to find out in some way.
6. High Sex-Drive - Sex is not synonymous with a love affair. Sometimes, love affairs are simply affairs of the heart. However, someone with a high sex-drive is more likely to step out of their relationship boundaries if that relationship isn't meeting their needs.
7. Neglect - If the person's significant other isn't showing them enough attention, it may lead to the person seeking out someone who will. This can happen in a variety of ways and commonly ends in a love affair even if that wasn't the initial intention. It's caused by the person finding someone who allows their world to revolve around the person in question. Revolution leads to admiration which leads to a love affair.
8. Drunk or High - Many times these factors inhibit the normal thought process and lower morals. If you have a person who does this often, they're probably going to screw up at some point and regret it later. These folks sometimes tell what happened, sometimes not.

Now, any character that's going to do these things (if they're a good person), is going to struggle with the initial decision. It's going to cause strife and pain in their life if they choose to move forward. They'll change the way they interacted with people before the love affair began and they may begin to act out in other ways:

• Excessive Drinking
• Bouts of Anger
• Lethargy
• Feelings of Being Evil
• Suspicion of their Significant Other
• Withdrawal
• Refusal to do Things they Enjoyed Before
• Drug Use

A decision to engage in these activities should not be made lightly. Your character should go back and forth between yes and no. After, you can make the fallout be unbelievably bad. It's one version of a Monkey Wrench.

Your character should have something worth losing or the whole thing becomes an exercise in futility. But this option opens a lot of doors and gives you a chance to rebuild that character as a better individual as the story continues. They can now fully grasp the implications of deviant behavior and swear never to do it again, go through rehab, or connect with another character who helps them re-build their lives. It also gives you the ability to re-build the character's significant other if they stay together.

Question of the day: Can you think of another reason your character might have a love affair?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo