How My Writing Has Evolved Over Time

Welcome back, good people of the blogosphere, and happy Monday. We're going to have a beautiful week, so prepare yourselves! Today, we'll be taking a look at some of my earliest writing (both here on the blog and in my first novel, which coincide, weirdly) and see just how cringe we can make the experience (for me, obviously). This should be a riot. I haven't visited my early blog posts for a long time. haha

If you're ready to get going and laugh alongside me, grab some coffee and settle in. Here we go!

My first-ever blog post can be found here. This was back when I didn't understand what the hell a blog was or how to run one. I literally thought I could write a gabillion posts on one book. Boy, how naive was I?

Bold as I am, my dumbass posted a snippet from my book, and when I read it now, I want to slap myself silly. Let's just grab the first paragraph and have a looksee.

*********

He screamed, louder this time, as Temujin cut off another one of his fingers. I involuntarily flexed my own in response to the act. I had never seen a man fight like my friend had last night. It was like something other than his own mind was working his muscles, causing him to strike and slash like a harbinger of death. It made me appreciate that I had made a friend of him and not an enemy. When he began to peel back the man’s skin from his body, I almost vomited. I took a few steps away and turned my head.

*********

While this isn't terrible, it's not great, either. How would I write this today? Let's just see...

*********

He screamed again, louder than the first time, as Temujin removed another one of the man's fingers with the swift strike of a blade. 

I involuntarily clenched my fists. I'd never seen a man fight like Temujin had last night. It was as though he was possessed, a demon from Hell working his muscles, causing him to strike and slash like a harbinger of death. It made me glad I'd made a friend of him and not an enemy. When he began to peel the man’s skin back from his body, I took a few steps away and turned my head, nausea roiling. 

*********

This is how I'd revise. New character, new paragraph, and staying in one tense (first-person past). While Jamuka is the person from whom we're getting the story in the prologue, it's still about the other man. Not a bad opening line for a book though.

Now, let's go back and take a peek at my first advice blog. You can find it here. It's not exactly advice, but it is book-world news about closing bookstores.

All I can think of as I read my rambling diatribe is the sad loss of contractions. You'd think, someone who writes like I do now would've been into contractions from the start. Nope. I suppose I loved writing everything out formally. *vomit* It also sounds so transactional. Like, who the frack did I think I was? Zero humility. Though I still have very lofty opinions of myself, they're much more focused than they were back then. hahaha

Okay, those two were from 2012 (I've been around a while), so let's jump forward to 2014. Check this one out. We're talking about fun writing exercises, and I seem to have adopted my style for a greeting by then. I also have become far more comfortable with my readers, and even went above and beyond by making printable things for y'all.

Gonna jump forward to 2016 and see how we fare now. Surprisingly, I found a post where I talked about my MS diagnoses. Didn't think I'd done that before. Don't I look stupid? LOL! You can see it here, and you'll notice I was putting a lot of images in my posts back then. Scroll down to the comments section, and if those don't make you tear up... Yeah, you don't have a heart. 

I also noticed a BUNCH of my 2016 posts were cover reveals and new releases. How freaking dull am I? Jeesh.

Okay, now we'll go to 2018 and see where I was...

44 posts that year compared to 71 the year before and hundreds the years before that. You could literally see me slowing down. *cries in my coffee* I even remember the troll who caused me to halt the blog. Boy, was that frustrating. I got nasty comments telling me how I wasn't doing enough... I wrote a whole post about it. Well, to hell with them. I was doing what I could at the time. Ugh. Don't sign up for that newsletter!! It's dead and gone. Also to be resurrected sometime in the future!

I did come across this beauty of a post while I was digging. It's still how I write today and how I'm able to crank out thousands of words in just a few hours. Go enjoy it because I seem to have honed my blog voice by then.

I've gotten awfully wordy today! I hope you had a good laugh and were riveted to the page long enough to get down here. I'm excited about what Wednesday will bring, and I hope to see you all back here for that. This was fun and cathartic. :)

That's all for today, folks!

Until next time, WRITE ON! <----this has stayed with this blog since day one. *happy tear*

Jo

Passive vs Active Work and Why Each Matters

Happy Friday, good people of the blogosphere! Welcome back. I know things have been kind of all over the place this month, but hey, you're not here for normal. If you wanted that, there are a ton of other blogs out there that'll deliver. Ha! One thing you won't get here are pre-written blog posts created by anyone, or thing, other than me. Despite my interest in AI and what it can offer writers, I prefer to tickle the keys and bring you my winning personality. :)

All that being said, today, we're diving into the differences between active and passive work and why you should be doing both. Why do they matter? Are they really both important?

There's only one way to find out! Let's stop wasting time up here and dive on in, shall we? Get that coffee, get comfortable, and get to scrolling.

Passive Work - This is most easily defined as learning. On a more complex level, you can call it a dabble (practice), gaining education, thinking about what you need to do, or setting up preparation to complete a task. Now, let's break those down.

Thinking about your task is the first thing you should do. While it does still matter, it usually comes in the form of considering what you need to complete the task, how you'll tackle the dabble, what books you'll read or videos you'll watch, and thinking about timing/making a schedule so you know when you're ready to prepare. You can also spend this time making a playlist or ordering/buying books you'll need for the education phase.

Dabbling gives you the advantage of basically trying before buying. This is where you try the skill or get used to the tools you're about to use to perform a bigger task. In the form of art, it's trying different mediums to see how they feel or react to whatever substrate you plan to use or getting the feel of different tools in your hands. In writing, it's things like blogging or journaling. Just keep in mind that practice doesn't make perfect, practice makes permanent, so assure you're practicing with the right form in mind. Either by holding that brush just the right way or using complete sentences.

When you're passively tackling education, it's all about reading or watching someone else do what you're about to do. Taking classes to further your education in one area or another is also considered education. Lots of folks dive into this before they start to dabble. Yeah, there could be a set path, but sometimes, you dabble, educate, then do, so nothing is really set in stone. I know I started dabbling in writing when I was about twelve, and I didn't dive into the education side until much later. :) By the way, those first stories never saw the light of day. They were just mine. I shudder to think about the reviews... You also practice here because that's learning. Read, paint, do whatever until you're good at it.Something a lot of people don't know is that MailerLite has an education course where you can become certified. If you're thinking about that newsletter, go take the course and practice using their platform.

Now, with preparation, this is your woolgathering stage. You set the circumstances, get everything together that you need to perform the task, and make a plan or schedule to get things done. A lot of folks might call scheduling active work, but it's not. It's passive. 

Active Work - This is the doing. We can break it down into creating the thing; making sure others create the thing; or diving, well prepared, into that task.

When you're creating the thing (whatever it may be), you should know exactly what to do next and be well prepared to do it. You know your stuff because you spent passive time learning how to do the task(s) needed. You're familiar with the tools. All that passive work leads to the doing.

If someone else needs guidance (if you're a manager or foreman), you're the one with the skills to show them how to do it, and you can keep people on task because you have a schedule you created during your passive time.

Active work will be a small percentage of your day unless you're already well versed on the things you need to accomplish and how to get them done. Every time you're learning a new skill, you'll have more passive time in your workflow.

I've heard of some companies giving employees up to two hours a day to spend on learning so they get better at their jobs. Something to think about. When we know more, we're more productive and have to spend less time stopping to learn what we're doing when we come upon something we're not sure how to do. You know it ahead of time.

Spend the time learning how to do everything related to the tasks you know you'll be facing, and you'll be more productive and have fewer hours of downtime from having to backtrack or look something up (which is oftentimes where writers get lost in the internet). Ha!

I feel sometimes too much emphasis is put on the active side of things because that's where actual results can be seen, but passive work is equally as important, or you lose a lot of production hours. I know you know what I mean. :P

I hope this post was informative! Do you find yourself engaged in more passive or active work? How do you find the balance? Drop me a comment and let me know. :)

Well, that's all for today, folks!

Until next time, WRITE ON!

Jo

MS Awareness Month! What MS is and How Diagnoses Happens

Hello, and happy Wednesday, good people of the blogosphere! Today, I'm getting a little personal with you all and discussing MS. So many folks don't know what it is or how it behaves, and since March is Multiple Sclerosis awareness month, I thought it was a good time to get into it. If you're not interested in learning more, feel free to move on. However, if you are wanting to know a little more about this disease and my journey with it, grab a blankie and scroll on.

Let's get into it.

Multiple Sclerosis, better known as MS (or Mister Sinister in many circles) is a nerve demyelination disease. Myelin is the soft covering over your nerve endings, and MS causes the body to attack these soft parts and destroy them. That's the simplified version. We'll get more in depth here in a minute, but first, I'd like to tell you about my personal journey with this disease.

I traveled via airplane to see my son graduate high school in Iowa. When we were airborne, I fell asleep on the plane. This isn't something I usually do--naps don't happen for me and never have, but I passed right out. I simply could NOT keep my eyes open. I did the same thing in the car on the drive to the hotel. Weird.

I figured it was just my new glasses. You see, I'd been having some weird vision problems and assumed I just needed a bit of help. I was like that the whole trip, and I'd just fall asleep in random situations. Okay...

We came back home via airplane. It was the next day when all Hell broke loose. I woke up feeling like someone had put me on a Tilt-a-Whirl, hit the start button, and left it running. I was dizzy as all hell, nauseated, and exhausted. My husband urged me to see the doctor.

Doctor A (PCP) put me on steroids and antibiotics, assuming I had an inner-ear infection. A month later, I was still dizzy. I went back to see that doctor again. He told me to find a neurologist and make an appointment. I looked up reviews and found the best neurologist in my area. Keep in mind, I was at the height of my career and suddenly couldn't write. I was in a bad place and was sleeping all the time. It took another month, but I got in to see Doctor N.

SHE said she thought it might be MS, but she had to do a lot of tests to confirm it. Here are all the things we did:

• Bloodwork (to rule out Lupus and other autoimmune things)
• Infectious Disease Doctor (to rule out Lyme)
• Vestibular Testing (to rule out that inner ear)
• MRI (to check for lesions on the brain)
• Spinal Tap (to check for: WBC count, neurofilaments, and Oligoclonal bands [the most important])

Only then could she say, with 98% certainty, that I had MS and could start treatment for it. You see, there's no test for MS. You have to rule out everything else it could possibly be, and even then, there's a slight chance that's not what it is. However, every single one of my ducks were in a row, and my lesions were mid-brain, which impacts speech, hand-eye coordination, and several other things creatives need. There was a need to be super aggressive, so she started me on a popular drug that worked wonders.

My fatigue went away, my dizziness subsided, and my hands started to cooperate a bit better. I finished the books I was working on. Yay! I felt like a human again. Through the years, I've had a couple of flares and med changes, but overall, my MS is under control. This was in 2017. This September will mark my eighth year fighting this crap, and thank goodness for intelligent doctors. I'm not sure I would've survived everything that was happening to me.

Now, back to the potential things MS can cause.

I know you've probably put it together by now, but MS can cause a ton of things to go wonky in your body. This is one of the reasons it's so difficult to pin down. It can be literally anything because of the nervous system. If something goes down, it can seem like it's related to something else (see vision problems and inner-ear crap above). Some people lose the ability to walk suddenly, and some folks simply have a weird rash.

It varies from person to person, but an intelligent neurologist will be able to discover what's going on.

If you met me, you'd wonder whether I have a disease at all because it's so well controlled. That's one of the reasons they call it an invisible disease. Sometimes you see it, and sometimes you don't. When I'm in a flare, you see it. I can't write; hell, I can't even sign my damned name (an automatic thing your brain does). Nothing gets done because I'm just tired all the time. Not tired like someone who's sleepy, but it's massive fatigue--almost like narcolepsy. I can't hold my eyes open and can sleep for days. Pain is a constant friend, and my scale probably is at a one when yours is at an eight. I've acclimated.

Many people with MS also take a lot of OTC pain medication. Don't judge them.

So, if you know someone struggling with this disease, be gentle with them. They can only do so much. You probably won't see the pain, but trust it's there, and try to be understanding. Mister Sinister is a quiet, vicious beast.

I hope you all learned something from this post! If you have questions or comments, feel free to drop them below. You do have to have a Google account, and I apologize for that, but the SPAM has been horrendous here. Help a sister out and just log in, mkay?

Well, that's all for today, folks!

Until next time, WRITE ON!

Jo

AI and Writing - A Series of Looks Inside: Part Four - HyperWrite

Happy Monday, everyone! I did end up missing my Friday post, but that's okay because I had a suuuuuper busy day getting back to Georgia. I wanted to sleep all day Saturday. Sadly, I have a hubby that drives me from slumber with promises of coffee. I didn't complain too loudly. Okay, I did, but that's neither here nor there. Let's get on with today's topic, a part of our AI and Writing series. Today, we're looking at HyperWrite, and we'll use the same parameters we used for the others. If you missed the first post (where all other posts are linked), you can check it out here.

That post talks about how AI (Artificial Intelligence) and ML (Machine Learning) works. It's a great read.

Without further gabbing up here, let's get our coffee and blanket and snuggle in for the journey. Ready? Let's do it!

I'm not going to make you wade through screencaps of the signup process. I did it, and when I verified my email, these are the options I got:

We'll choose Create Document. We get this screen:

I'm going with Write It For Me. It gave me these questions:

Now, we'll answer the questions, plug in our prompt/outline, and see what turns up. Again, I'm just asking for Chapter 1. 

Here's what I input:

I need the first chapter of a YA Fantasy novel about two creatures, a vampire and a shape-shifting unicorn, who meet and fall in love after defeating an evil I haven't decided upon yet. I have a rough outline of a few chapters, and I only need chapter one written. It should be about 3000 words in length. My audience is teens between the age of 15 and 19. There are no other restrictions. Here's the outline of the first six chapters:Chapter 1: Elara, a lonely vampire, hunts in the forest. She senses a strange presence.
Chapter 2: A unicorn, Rhys, shifts into human form. He's lost and confused.
Chapter 3: Elara finds Rhys. She's drawn to his innocence, despite her vampire nature.
Chapter 4: Elara takes Rhys to her secluded home. He learns about vampires and her solitary life.
Chapter 5: Rhys reveals his unicorn origins. Elara is shocked but intrigued by his magic.
Chapter 6: A growing attraction sparks between them. A threat from Elara's past emerges.

It output it all in chat, so I had to click Add to Document, but it did so seamlessly. Here's what it looked like:

Here's what we got (all 877 words of it). We'll also dive into the actual writing. :) Italics are mine, as always.

Chapter 1: The Hunt

The moon hung like a broken fang in the violet twilight sky, casting weak shadows through the ancient oaks of the Blackmire Forest. Elara moved between them with the silence of falling snow, her boots barely disturbing the carpet of dead leaves beneath her feet. Three hundred years of hunting had taught her patience, but tonight something was different. Tonight, the forest held its breath.

This part actually isn't terrible, and I do like the way it compared the moon to a broken fang. Nice name for the forest, too. I'd like some mention of death to grab reader attention, but other than that... *shrugs*

She paused, lifting her nose to the wind. The usual scents were there—decomposing leaves, damp earth, the musty fur of small creatures that knew better than to cross her path. But underneath it all lurked something else. Something that made her centuries-old blood sing with curiosity.

"What are you?" she whispered to the darkness, her voice barely a thread of sound in the growing night.

Honestly, I'm not a fan of anything other than an action tag or dialogue tag. Mixing them has always felt off to me. It's like a stutter in the story. Decide. Editing wise: We need to get rid of the em-dash, shorten the second sentence, and combine sentences two and three. Sentence four isn't even a whole sentence. I'll shut up now and let you read. :)

The hunger gnawed at her insides, a constant companion she'd learned to live with but never truly befriended. Elara had sworn long ago that she wouldn't become like the others of her kind—the ones who haunted cities and treated humans like cattle. She chose the forest instead, feeding only on what she needed to survive: deer, wild boar, the occasional wolf that grew too bold.

I can't help it. I never said she didn't feed on humans! Why is every AI doing this?

A twig snapped somewhere to her left, and Elara's head whipped toward the sound. Her enhanced vision cut through the shadows, but whatever had made the noise was already gone. Still, that scent lingered—like summer rain and starlight, if starlight had a smell. It was maddening.

She pressed her palm against the rough bark of an oak tree, its age nothing compared to her own. The forest had changed so many times around her, generations of trees living and dying while she remained. Lonely? Perhaps. But loneliness was safer than the alternative.

The strange scent grew stronger, and with it came a pulse of energy that made her skin tingle. Elara's fangs extended involuntarily, pressing against her lower lip. Not from hunger this time, but from something else. Something that felt almost like... fear?

She almost laughed at the thought. What did a vampire have to fear in these woods? She was the apex predator, the nightmare that kept other nightmares awake. Yet here she was, heart racing like a newborn vampire's, all because of some mysterious presence that danced just beyond her perception.

A flash of silver between the trees caught her eye—too bright to be moonlight, too pure to be natural. Elara moved toward it, her preternatural speed carrying her across the forest floor in silent bounds. But each time she reached the spot where she'd seen the light, it appeared again several trees ahead, leading her deeper into the Blackmire.

"If this is some kind of trap," she muttered, "it's not a very subtle one."

Still, she followed. What choice did she have? Three centuries of the same routine—hunt, feed, retreat to her solitary cabin, repeat—had left her with an insatiable curiosity for anything new. And this? This was definitely new.

The silver light led her to a clearing she'd never seen before, which should have been impossible. Elara knew every inch of the Blackmire Forest, or thought she did. Yet here was this perfectly circular space, where the trees stood guard like silent sentinels around its edge, and in the center...

Nothing. The light was gone, the strange scent faded to almost nothing, and Elara stood alone in a clearing that shouldn't exist, feeling, for the first time in centuries, completely out of her depth.

She circled the clearing slowly, her enhanced senses straining for any clue about what had led her here. The ground at the center was disturbed, as if something large had recently lain there. When she knelt to examine it closer, she found a single hair that gleamed like liquid moonlight between her fingers.

"Curiouser and curiouser," she whispered, tucking the hair into her jacket pocket. The hunger that had driven her out to hunt in the first place was forgotten, replaced by an entirely different kind of appetite—one for answers.

A distant howl echoed through the trees—a normal wolf, nothing supernatural about it—and Elara realized how long she'd spent chasing shadows. The night was half gone, and she still hadn't fed. With one last look at the mysterious clearing, she turned and headed toward the areas where deer usually gathered at this hour.

But as she moved through her familiar hunting grounds, Elara couldn't shake the feeling that everything had changed. That single strange encounter had awakened something in her that she thought had died centuries ago: hope. Hope that perhaps she wasn't destined to spend eternity alone in these woods. Hope that magic still existed in the world that could surprise even a creature as old as she was.

And somewhere in the back of her mind, a small voice whispered that this was only the beginning. The silver light, the impossible clearing, the otherworldly scent—they were all connected to something bigger. Something that would shatter the careful solitude she'd built around herself like a fortress.

For the first time in three hundred years, Elara smiled as she hunted, her fangs gleaming in the darkness. Change was coming to the Blackmire Forest.

And she was ready for it. 

*******************************BREAK BACK TO ME*******************************

For the love of the em-dash. Ten is too many. That's more than one for every 100 words. No. What's up with AI starting sentences with but or AND? Does it realize there's a comma and a lowercase b or a in there in 99% of cases? What writing is it studying to get these ideas?

Also: Now I need someone to tell me what starlight smells like...

If you check this model out, be sure and click over to the tools section. Marvel at the sheer number of tools available. I nearly peed my pants. This is just a few of them (click image to enlarge).

Overall, HyperWrite did an okay job, but so did the others we've looked at so far. It's a start of something. It's wasn't overly flowery, which is good, but it also left a lot to be desired. I asked for 3k words and got 877. That means I have to find places I can insert things. :(

I hope you all enjoyed this post and learned a little! Wednesday, we'll be back on the train with Rytr. 

What do you think? Are these snippets getting better? Worse? Do you have any answers to my questions above? Drop me a comment.

Well, that's all for today, folks!

Until next time, WRITE ON!

Jo

Big Words and Bigger Egos

Hello, and happy Monday, y’all!! Today, we’re discussing something, as an editor, drives me bananas: big words. We’ll take a look at when to use them, how to use them, and when to avoid them like the plague. Even the AI we’ve been discussing tends to drop in big words with no context, so this isn’t a singular issue. Unsure if that program’s developers simply told it to pepper the manuscript with big words for effect or if the papers/training material fed to it influenced it to use words most people don’t know, but it sure is annoying to have to look up every third word.

So, if you’re ready to be inundated by information, grab a cup of coffee or tea, settle in, and let’s learn some shizz.

Definition of Big Words: Things not easily understood by the majority of the population without some context clues for identification as to the meaning of the word. Words which need to be researched for understanding.

Big words are considered any singular word or multi-word phrase a common reader can’t comprehend without a dictionary or internet search. Used too often, they can turn a reader off the book or article you’ve written. Of course, there’s a time and place for everything, as you know.

When should you use big words?

When you can spare the word count to define them, you’re good, and when you’re 99% sure people will understand your meaning, a well-placed big word can enhance the narrative. For example: Gargantuan is a big word, and my pun is totally intended. Most people know what it means. Those who don’t can figure it out if you’ve used excellent context clues to help with definition.

She took a gargantuan bite of the sandwich, her mouth stretching like a python’s around the two slices of bread with all the meat and cheese I could fathom between them. How she managed to chew without choking, I’ll never know.

You get it. It’s a BIG bite. Gigantic. Ginormous. Huge. Gargantuan.

See? You got several words to relate to the one you may not have known the definition of. That’s context. Of course, the majority of people already know what the word means, so the context isn’t as needed, but it’s still helpful.

How should you use big words?

To enhance the narrative. Period. If there’s a simpler way to say something, say it that way.

When should you avoid big words like the plague?

If you’re writing for a young-adult audience, for children, or for the news (which is mass consumed), just say no. Unless you’re really, really good at context definitions, you want to use big words sparingly in these publications.

Why is this a thing which makes me nuts?

Because I read a ton. If I don’t know what a word means, there’s an excellent chance the common reader won’t know it either. We don’t need to be slapped in the face with your presumed intelligence or your overinflated ego because you believe you’re the wordsmith of legend. We simply find you arrogant and repulsive because you can’t pull your head out of your ass long enough to be on our level. If you’re writing for “smart” people, you’re not going to sell that many books; I don’t care how riveting your prose may be. As I said, it’s tiring AF to look up every third word. Yuck. DNF every time.

What books have you read that left you with the nasty aftertaste of dictionary? Did you finish?

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo

Uh... Wow. What's Going on With this Blog?

Long freaking time no see, eh? I'm thinking of doing a little revival here because I need the habit of writing to come back and sit with me again. After 2020, things got a bit crazy for me. If you read my post from that year, you'll know a lot happened, but the blows just kept coming.

• My second-eldest son died.
• My mother died.
• My hubby changed jobs.
• I changed jobs.
• My art exploded (if there's one positive thing about grief...).
• We decided to move this year (after renovations--Lort help us all).
• I got five new pets, and I've lost four of them--the one hitting the hardest was the first one I got. She was the goodest girly and was very special to me.
• I haven't been able to write novels.

All that being said (typed?), I'm trying my darndest to come back. I have my last author conference this coming April (Authors Rock Roanoke), and after that, we move. I'm hoping to get back to some semblance of a routine once the dust settles.

Also! If any of you read Recipe for Redemption by TJ Kelly, a collab with Tia, Kelly, and myself, you'll be excited to know we've officially finished book two and are moving on to the editing stage! Yay! I think our title for book 2 is: Recipe for Redemption 2: Izzy's Story. After we get this one published, we're going on to Frankie. ;) I just have two more recipes to add to book two: Gluten-free Corn Cookies and Corn Cakes. Hey, it's set in Iowa. No shade. It will, however, have a hushpuppy recipe in it that's TO. DIE. FOR. So freaking yum.

I'm hoping to have copies at Roanoke, so if you're into RfR and would like some free recipe cards (and maybe the second book?), tickets for the event are only $5, and you can get them at the link above.

I have to say, I'm so grateful for those two ladies. We've continued our tradition of a yearly trip together after 2020, and those have given me something to look forward to while helping me hold on to the small thread of sanity I have left.

Did I say sanity? Not even sure what that means any longer, but here we are!

Moving on...

I'm still editing and formatting, and one of my clients is releasing the last in a series soon, so I'll be back with details once that happens.

Hold out hope I can keep going with the blog. If I can, it'll mean new books are coming soon. I have a number of them mostly written, so it shouldn't be long before they're done. Book three in my Guerrilla Grannies series, and book two in the Angels and Vampires series. Again, both are nearly done, but when I had things start to go south, they really took me off my path. I also have a cult book I plan to release sometime this year. It's also about two chapters from conclusion but has no definitive cover yet, BUT the handbook has a loose cover, and I'll show it below. I had a difficult time finding the motivation to finish any of these things. Seeing as I'm here now, it's a positive thing. Cross your fingers!

I have to include some of the pretty things in this post for you all to look at, so here you go!

Until next time, WRITE ON!

Jo

How to: Microplot

Happy Monday, everyone! I hope you had a fantastic weekend and are ready to crank out the words this week! Today, I'm talking about microplotting. You know, that thing you do when you're furiously writing your novel. Oh! You don't do that? Don't know how? Well, sit back, relax, sip your coffee, and read on!

Some people have a detailed plot when they sit down to write their novels. If that's you, this post isn't your friend. But if you're of the other kind, the plansters, who only know where the story begins and ends when you start writing, and maybe have a couple of plot points you want to hit along the way, you may find this useful.

Microplotting isn't a long, drawn-out plot. You make decisions on the fly about what's going to happen to your characters, and you type them out like so:

In this chapter:
Beatrice will discover who has betrayed her.
How that happens:
She finds the key.
She opens the door.
She reads the riddle.
She solves the riddle, but has to seek help from Hayman to do so.
When Hayman reads the riddle, he becomes ill.
Beatrice must speak the answer aloud.
The betrayer's name appears in smoke, and it disappears just before Hayman comes to.

Then, you go above the microplot and write furiously. When you're typing out the microplot points, that's when you look up any names or important features you want to remember as you're writing. If there's something you don't know or forgot to include, type XXX in the place of the item and move on. Keep writing. Don't slow down to look it up. If you're consistent with your marker type, then you can do a find later and take the time to fact check or do research.

Microplotting can push your novel to a whole new level, but be careful of getting sidetracked. Stay on the path to the conclusion you're pushing toward. It's fun.

I don't know about all of you, but every time I've tried plotting out each chapter, I fail and end up having to scrap it and re-do the whole thing. Now, I go high-level plot points and fill in the blanks as I write. My loose outlines look something like this:
Chapter 1 - Introduce character, tone, and setting. Be sure to drop nuggets of what's coming (the beginning of change from now to the end).
Chapter 2 - Beatrice gets in trouble at school for something and a letter is sent home.
Chapter 3 - Beatrice is grounded because of the letter, and she ends up acting out at school again in some way.
Chapter 4 - Beatrice is suspended.
Chapter 5 - Beatrice meets Mark, and he ignores her because she's a "bad girl" (this makes her want to change because she really likes him).
... other chapters I fill in like the ones above.
Last Chapter - Beatrice and Mark finally get together.

So, in each chapter, I microplot how to flesh it out once I get there. Those outlines are treated as living documents and are changed often.

I hope this helps some of you when you're sprinting!

Did you find this useful? What do you do when writing? Plotter? Pantser? Plantser? Hit me with your process!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Author Life ABC's - B

Happy Wednesday! Today marks the halfway point of the week! Who's excited? I know I am. Tomorrow, you get yet another excerpt from Provocation, which is sitting at 36k words at the moment with around 15k to go. Keep your eyeballs peeled for that. I can't wait for release day. EEK! Anywho, for today, we're back on the ABC's of author life. Ready for letter B? I know you are. Grab your coffee, or tea, and let's get going!

My chosen word to go with letter B is Break.

Why? Because I see so many authors with this on their horizon. Every year, too many of us break apart and quit. Those authors reach the point where they don't see why they're doing what they are. They throw in the towel and walk away.

So many more sit and stare at their computer screens or that blank piece of paper and wonder why they're bothering to do what they do. They're nearing the point where they'll break and quit. Of course, several of them reevaluate and push forward, slamming the keys day and night in a continuous loop, charging toward that pot of gold they see at the end of the rainbow.

And still others remember why they started writing in the first place.

If an author sets out to make a million dollars, thinking this is the way they'll make an astronomical amount of money for living, most will end up quitting within a few years. After all, "the big break" only happens to about 2% of writers. Several authors make a decent living, and they're happy with that, but they fall in a rough 5% category, so those aren't the folks I'm talking about here.

Like I said in last week's Author Life ABC's post, you first have to define what success is for you. That's the starting point, and then you gotta run with it. Be realistic, and post it somewhere you can see it every day.

Why did you start?

Many of us became authors because we're addicted to the written word. We have to write. It's what makes our blood move through our veins and what drives us out of bed each day. Even if we never sell a single book, we're in it for the words.

If that's why you started, you should never have a near break day. You're doing what you love, and no matter what, you'll find a way to do it. Putting the words on the page is what it's about. That, in and of itself, is satisfying as hell.

I always say, "I write because I must, and I design because I can."

If it's important to you, you'll find a way;

if not, you'll find an excuse.

I'm not sure who said that, but damn, how true is it?

What do you think? Have you ever hit the point where you thought you might break and quit? How did you come out of it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Author Life ABC's - A

Happy Thursday, everyone! Welcome to my new, twice-a-month Thursday feature, Author Life ABC's. Obviously, since this is the first, we're on the letter A. I thought about this one for a while, and I've decided to go with Achieve. Ready? Grab your coffee or tea, get comfy, and let's get going!

As authors, we're always trying to achieve something, make something happen, get into a good place with our writing.

I think it's important to bring up goals when talking about achievements. If you have nothing you're striving for, you can't achieve hitting a milestone, right? Right.

For the folks who've been around the blog a while, you're aware that I usually set my goals low because I like to celebrate the small achievements in my career. Those are usually gateways to bigger things, stuff I don't let myself dream about because I'm an easy one to fall off the wagon if I can't see a positive end to my journey. But that's just me. I dream small and try to do more than my goal.

When I started writing, my definition of success was set very low (in my eyes): I wanted to change the life of one person, make them look at the world in a new way, or have such a massive impact on them that they went out and did something amazing.

After all, this was never about money for me. While selling books is lovely, and reviews are awesome, I never expected to get rich and/or famous for the things I was writing. Still don't.

I wanted to change a life. Simple.

Back in 2014, I achieved that goal. I'm not going to say how or when it happened, but I will tell you that one incident changed the way I looked at my career from then on. There was no longer a burning need inside me to create words that changed minds. Instead, from those books emerged my true author self. I found my voice.

I now write to entertain and educate while still examining the human condition however I can. Characters are put in impossible situations and area asked to make a choice. It's fun and so very rewarding.

My achievement in one area of my career led to new, exciting things for me.

Over the years, I've had other goals, and still do, but the biggest one was met, and I consider myself a success. No matter what happens from here on out, I have that to hold on to.

Sure, there are other things I'd like to achieve, but nothing will ever compare to that one thing, and nothing will ever replace it. It's my most cherished achievement.

In order to be successful, you first have to define that for yourself, in whatever way you choose. Writing is your career, and you need to feel as though you're doing whatever you set out to do, achieving those goals, no matter how simple, or silly, they may seem to other people.

That's what I'll leave you with today. Go define success for yourself.

If you've already achieved that goal, drop a comment below telling me when and how it changed your life.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Busy, I Have Been - Exciting Announcements!

Happy freaking Tuesday, everyone! I know you've all missed the blog and my epic ramblings here, but it's been for a great reason! Grab your coffee or tea and let's get going. Lots of news today.

As you may know, NaNoWriMo has been conquered this year. My final word count was 75k, and I hit 57k on day 14.

BUT THERE'S MORE!

The books I created during NaNo are in my Pen Pals and Serial Killers series.

First up, is The House (this was one of my NaNo novels). It clocks in right around 50k even and will be released AFTER my second NaNo novel. This is a collection of short stories that ties in with the next book in this list. I have a placeholder cover, but it's not the final. Shared it and the blurb on Facebook here, if you'd like to take a peek.

My second was Intensification. It's about a detective chasing a serial killer who's obsessed with reality TV stars. It's currently sitting at 20k.

Better than that, though, I've managed to fix the issue that was causing me to delay writing Provocation, and it's well on its way to being completed, sitting at 17k as of this moment. It's about a female psychiatrist that kills abusive men.

Utterances, my contemporary fantasy novel standalone, will release at the beginning of December. Pre-order price is $0.99, but it'll be $2.99 after launch. You can grab it here. More information about the book can be found on this post.

Finally, I've been working on another book for a few months that I plan to release right around Christmas. It's a book on wellness. You may be aware that I've been on my own journey over the last year, and this book is the culmination of things I've learned and steps I've taken to feel better in general. It has a routine guide, tons of information, and a little section with a few recipes (and a place to keep your own that you try and end up liking). YAY! Title: How to be a TOTAL LOSER and feel better than you ever have. Yeah. Because that's how I roll. LOL

I have a slew of covers to share, but I'll hold off until we're closer to the release dates. I'm still trying to decide on a cover for my wellness book.

Like I said, I've been super busy! How exciting is this?

What have you been working on? Which of the above are you excited about?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Is it Wrong to Expect Readers to be Active Participants in the Story?

Happy Thursday! Today, we're gonna talk about description, how it might impact the reader, and what authors might or might not expect from the consumer. Ready? Grab your coffee or tea, and let's get going!

So, I'm on the phone yesterday with an author friend of mine, and we got into talking about what we expect from our readers. Both of us agreed that we write with the assumption that the person picking up the book has a brain and understands the basics of the world they live in.

For example: If you say someone walks into a bedroom, do you need to write out to the reader that there's a bed, or is that something you can expect them to infer by telling them it's a bedroom?

Several writers will go into great detail about the room's furniture, but those machinations are usually reserved for the times that it matters, right? Say, if there's something "off" about the decor, or if the bed is an antique and should be admired for a moment. Even if the scene calls for a description to tell the reader it's a male's room or a sex cave, that's okay. But if the character is just walking into a bedroom, is it really necessary to bog the reader down with minute details right off the bat?

Here are some other ways to work those details into the story without having an information dump--again, unless the character is actively admiring, or scrutinizing, the decor:

• As the person is active in the room, they run their hands over things like the brocade on the chaise lounge.
• When they tell someone else to sit, it could be noted they made the choice of where to place the person based on potential comfort level.
• If the character lies on the bed naked, the satin sheets could feel cool on the skin.
• While they're being made to wait, they can then notice one thing about the room and scrutinize it to give their brain a distraction.

There are several ways of describing a room's contents without going into infodump mode, as you can see above. Unless you're actively trying to slow the story down, is it really necessary to tell the reader everything that's in a common room (bedroom, bathroom, living room, kitchen, etc...)?

I think, perhaps, we should give our readers a little credit and assume they have brains in their heads. If I read that someone is sitting at the bar in the kitchen, I have a pretty good idea of what that room will look like.

I've gone into description and when it's useful in this post, and I went into how to paint the scene in this post. If you're looking to heighten tension with description, here's a post I wrote a while back that breaks it down (this post also compares showing and telling).

What do you think? Do you expect a more active participation from your readers, or do you spoon feed them all the things?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing Sprints - What and How

Happy Wednesday, everyone! Today's post is informational. If you already know what writing sprints are and how to do them, then feel free to scroll on down to the bottom for the 411 part. For those of you that aren't familiar with sprints, let's get going!

With NaNoWriMo only a month and a half away, authors are gearing up to write furiously for the thirty days of November by plotting their novels and planning how to write 50k words.

Writing sprints are a solution! What's a writing sprint? Well, let's go into that.

A writing sprint is when you write as many words as you can in a set amount of time. Usually, they're set up like so and are done on some form of social media so everyone can comment their word count:

1. You find a group of authors willing to sprint.
2. Someone volunteers to be timekeeper.
3. You set an amount of time (usually 15-30 minutes).
4. Whoever the timekeeper is tells everyone to GO and starts the timer.
5. Everyone writes like crazy people.
6. Timekeeper posts STOP and requests word counts from participants (and posts their own).
7. There's a five to ten minute resting period, and it happens again.
8. Whoever has the most words gets a huge thumbs up (there are no prizes usually).
9. It repeats for one to two hours (usually--I've seen folks do three or four).

That's it. So easy, right? I've seen people log upwards of 6k words during these sprints, so I know they work. Your word count isn't really the target. This is to get you writing, to get words on the page. Progress is progress.

So, to make it a little easier to sprint, I created a group over on FB. It's kinda quiet, but I'm hoping that will change--I have big plans for that group!

If you'd like to join up, here's the linky: Writing Sprints Group on Facebook

I hope to see you there!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

That Ah Ha! Moment When Writing and Utterances Excerpt

Happy Wednesday, everyone! Yes, I missed two days this week, but it was for good reason. I'm not only getting ready to leave for London and the awesome Chapter.Con, but I've also been writing Utterances! Today, I'm going to share the details of the book once again and a little snippet from further on. Grab your coffee (or tea), and let's get going!

PSA: This blog will be mostly silent until August 28th. I have a big surprise for you all on 8/24. Keep your eyes open for that post.

Yesterday, I had an ah ha! moment with my WIP. Here I was, struggling with the next big step in the book, and I hit upon the idea to just let the characters go with the flow of the story. I discovered they're smart and resourceful.

My characters are also pretty funny.  

Favorite quote:  "If crazies come a knockin’, guns come out a cockin’."

I started the day at 37k words, and I ended with 42.5k. Win!

Do you ever have that moment in your novel writing where you're just like I'VE GOT IT! and things flow?

Title: Utterances
Author: Jo Michaels
Genre: New Adult Paranormal
Length: TBD
Release Date: 2017

Blurb:
Simone spent the last two years by her cancer-ridden mother’s bedside. Taking care of her was the number one priority. When Mom suddenly goes into full remission, Simone is left bobbing in an unfamiliar ocean with a young man named Tristan. What happens next is the stuff of fairy tales—and nightmares.

Shocking, heart-wrenching, and insightful, Utterances will make you question everything you thought you knew about self-sacrifice. Award-winning author Jo Michaels pulls reality and the paranormal together in a way never before seen, intensely examining what we call the human condition by diving into the innermost workings of one young lady’s mind.

~~~~~~~~~

Excerpt (unedited) Chapter 14:

When the doc finally left, he was as white as his coat and moving fast.
Simone sat on the floor and watched as the fabric billowed in the breeze.
“Alexandra, honey?”
“Yes ma’am! Coming!”
Mrs. Shandy smiled. “Oh, good. I thought you’d done gone and left me!”
“No way, no how. We have a story to finish.” Simone dropped back in the chair, opened the book to where she’d left off, and continued.
That afternoon, she left a little early, with three chapters done, and decided to go to Tristan’s house to surprise him. On her way to Shady Pines, she’d texted him, but hadn’t said she had the evening off. After checking her makeup in the mirror—a new addition to her wardrobe thanks to Mom saying how tired and old her daughter looked, she started the engine and shifted into reverse.
It was twenty minutes before she got to his house, and she started to second-guess herself on the way up the driveway. He’d been off school that day, and she hadn’t pestered him to hang out. If he found out she’d been off work…
His truck was in the driveway, so she parked behind it and got out, suddenly nervous.
As she moved toward the door, she kicked herself for being impulsive. He was sure to ask questions she didn’t have answers to. She knocked three times and waited, a cold sweat breaking out on her forehead and palms.
He opened the door, his eyes got wide, and he stepped out, keeping hold of the handle. “Hey. What are you doing here? I thought you had to work.”
“Well, I knew you were out of school and had the day off work today, so I thought I’d drop by and surprise you.” She smiled, but her hackles rose. Something about the situation wasn’t quite right, yet she couldn’t put her finger on what.
Rather than pull her into a hug, he closed the door and grabbed her arm, guiding her off the porch toward her car. “How about I come to your house in a little while?”
“Um, why can’t we hang out here?” It was getting weirder, and he was being pretty obvious about wanting her to leave.
“My, uh, mom isn’t feeling well, and I wasn’t expecting company.”
She jerked her arm out of his grasp, turned, and sprinted toward the house, throwing open the front door and rushing in, looking everywhere.
He was half a step behind her, yelling at her to stop.
A gorgeous, long-legged brunette with barely any clothes on was passed out on the couch, whisky bottle still in her hand. There was only one word to describe her: flawless.
Simone stared, her mouth dropping open. Every fiber of her being went into shock then flew into blind rage. Her world tinted blood red. She rounded on Tristan, spit at him, and bolted.
Words were being shouted at her, but all she could hear was the fury screaming at her to leave and not come back. Ever. Once in the car, she jammed the key into the ignition, turned, shoved the car in reverse, and spun around in a perfect one-eighty. Tears gathering in her eyes made the driveway blurry, but she managed, somehow, to make it to the base of the hill before she had to pull over.
There was another driveway about fifty feet up the road on the opposite side, covered with a lush growth of leafy branches that would hide her car, so she gunned the accelerator and pulled up far enough to avoid being seen. Once sure no one had followed or seen her, she shut off the engine and curled into herself, letting the tears loose. She cried, she screamed, and she beat the steering wheel with her palms until they hurt.

~~~~~~~

Uh oh. Looks like our couple is in a bit of a pickle, huh?

Hope you enjoyed that!

My fingers are crossed I find the time to give you all a post tomorrow about something I discovered while browsing Facebook. It's interesting, and it's infuriating. Ha! Way to be vague, Jo!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Readers, Sensitivity, and Mob Mentality - How Much is Too Much?

Happy Friday, good people of the blogosphere! Today, I'm on yet another discussion. There are several things that have popped up over the last few weeks about right and wrong things to put in a book. Get your coffee or tea in hand, your typing fingers ready to respond, and let's get going!

We all have opinions, right? I plan to open discussion on both sides of the board with this post, and I won't be standing on either side of the fence. You all know me too well if you've been around here a while. I like to hear what you think, I'm going to try my best not to influence you with my own words, and I enjoy the verbal exchange of ideas and viewpoints.

*****That being said, please be nice when you comment. This is my blog, and I won't tolerate hatred, calling-out, or vitriol here. Got it? Okay. Let's move on.

There are a number of books that have been released lately that have spurred some pretty serious reader blowback. To be 100% transparent, I haven't read any of them. My work has revolved around writing my own book, and it's been emotional enough.

But I've seen posts and discussions on Facebook, and I know the titles of the books under fire. No, I'm not going to share those, either. If you want to know, you'll have to do your own research. This post isn't about that.

For centuries, books have been the catalyst to change in many countries. If you don't know the history, do a quick search. There isn't enough space here to discuss them all, and you should be informed. But what I'm seeing now deals directly with what the authors write.

Incest, racism, hate.

Those are the topics under fire.

From my reading experience, either an author is trying to change your way of thinking, trying to bring to light something that's horrible that needs to have light shed on it, or they're trying to tell a story that has nothing to do with their own thoughts or beliefs (a true escape).

It's difficult to tell the difference sometimes, but that doesn't stop me from reading books I don't know what's inside of. This thing where authors have to disclaim horrifying details of their books in the blurb is unsettling.

Why?

Because the things that bother one person, won't bother another. We see this with all the reviews from all the books everywhere. Some people loved the Harry Potter series, and some folks wanted to burn all the books for promoting witchcraft.

See what I'm saying?

I can see labeling it 18 and up, but I'm talking about all the other things. It's worrisome that someone might just grab a book and "read" it only so they can trash it in the review later on and have that little verified purchase ribbon to back their words. But I'm backsliding.

Anyway, the problem here isn't just that labels are being applied, because I know at least one of the novels under fire was labeled, but that it's expected in the first place.

Who are we to know what someone else is going to feel when they read our books? How are we the authorities on how something we've written will be comprehended by the reader? 

Authors may be the worst people to add warnings to their books, but then, so might readers. What some find intense, others will merely scoff at.

Let's discuss by the three topics above then.

Incest.
This isn't a new trope used in books. It goes way, wayyyyy back to novels published in the 70s even. Before you go bananas, let me say, I can see both sides of the issue here. 1) It's something that happens in real life, ergo, it can be applied to a book for real-world additions. 2) It's disturbing to read about, and the fear is there that it'll incite someone to do something they hadn't considered before. It's a touchy subject, to be sure. If an author writes about it, does that mean they're encouraging it, bringing light to an ugly, or merely writing a story?

Racism.
This also isn't a new topic. I could list several books that were racist in nature, but they've become literary classics all the same. I can, again, see both sides of the issue. Do you want to see through a racist's eyes? Get their viewpoint on things? How their brains work? Maybe. Maybe not. 1) Racism is something that's real. It's a serious problem, but it can be used as a mechanism to show what might be in a racist's mind, giving others a unique insight. 2) It's bothersome to read, and it may fuel the already present racist heart of another, making them think of doing something they'd only considered before reading it. Again, what was the point of the author writing it?

Hate.
This applies to genders, races, siblings, government, etc... An older than time topic. Dystopian worlds were borne from hate of a ruling class or laws. You could also say hate applies to books with rape in them. Both sides have weight. 1) Hate is a true problem in our society, and shining a spotlight on it can be used as an effective fuel for the proverbial fire in a novel plotline. 2) Reading about a character hating on people from any walk of life is hard, and it may, again, reinforce that the reader's mindset is the correct one. Do we care about the point if the book makes us uncomfortable?

Historically, we're strongly influenced by books (again with the search recommended above), but does that mean if we read about it, we're going to act on it?

Has the fine line between reality and fiction blurred, or are we just more attuned to the crossovers now? Do the disclaimers even matter at that point?

What bothers me most about all of this is the mob mentality that's taken hold of the world. When someone writes something that's not considered PC, they're attacked by backers of the antis. While I believe in having an opinion and stating it, isn't that what reviews are for? Why do we feel the need to attack the person (in public, no less) behind the words without understanding (or caring) what it was they were trying to say? Is that really the case, or is something else going on here?

Is this censorship?

I'd love to hear your thoughts and opinions on the matter. Remember to be nice and don't name authors or books directly. This isn't a bash-fest.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Being Put in Impossible Situations

Happy Tuesday, everyone! Well, the kidlings here in Ga are back in school, and that means Mommy can finally concentrate on things she needs to do without interruptions. While my child is good about not coming into my office when she knows I'm working, she's still a kid. Sometimes, she just can't help herself. But yay to being back on track. This post isn't about all that, however. Today, I'm going to talk about something I hate: being put in an impossible situation. Ready? Let's get going.

My definition of an impossible situation, for purposes of this post, is one where if I do one thing, I look like an ass, and if I do the other, I compromise my core values, allow myself to be deeply hurt or disappointed, or let people take advantage of me. Either way, as you can see, it's lose/lose. As you read, keep that in mind.

I've had sessions with counselors in which I'm told I have a very good sense of self-awareness, but that I need to be firmer with people. I should tell them when they hurt or disappoint me. For example: I know what it was that hurt me and why, but I can't bring myself to address it with someone else because I'm afraid of hurting them even though they've hurt me already. Oftentimes, I find myself commiserating with characters I see in movies that do stupid stuff, those folks that no one but me seems to understand, and I end up feeling badly for them.

Why is this?

Well, while talking out a situation one time, it was pointed out that I'm a giver with a very high core value of integrity, and while I never believed I expected anything in return, that wasn't quite the case.

I believed that if I gave and was honest, I would get loyalty in return. Now, loyalty isn't friendship. A true friend is there because they genuinely like the person you are and respect you. Loyalty, however, can be earned and independent of friendship. Someone who is loyal doesn't necessarily have to like you.

I hold people to a very high standard of behavior that includes respect of me and my time along with a few other things I have a hard time compromising on.

Let me clarify: I don't do things so people do things in return for me. That's not what I'm saying. I'm saying I give, and what I want in return is respect, thoughtfulness, and to not be put in impossible situations.

Here's one:
My son tells a friend they can stay over before asking me. I just took the kid all over town for school shopping, and I have three other kids in the house besides him. I'm just not in the mood to deal with someone else's child. I say no. He stands there and begs me, says he already invited the kid, and begs me some more. For every no, he has a reason it will work out, and he refuses to call the kid and tell them they can't come.

Okay, now I'm in an impossible situation. 1. ) I can either call the kid's parents and tell them the kid can't come, or 2. ) I can give in and be miserable all night. Several things eat at me about both of those options (please know I realize we'll all react differently to these things--these are my opinions and feelings--they may not make sense to you): 1. ) This option makes me look like a terrible parent (an ass) who can't keep their kids under control and it disappoints another child who might have been looking forward to something. It also has the likelihood of ruining the other set of parents plans they may have made with the expectation their child would be gone for the night. 2. ) If I give in to my kid, I reinforce that he can beg and get his way. Worse, I allow him to have control over me. I would be tired and grumpy, and I'd have yet another mouth to feed, another kid to clean up after, and another someone in my house (this alone causes me stress).

There are so many of these examples that I could throw down here, but I'm not going into all that. Today, I'm trying to get you to think about yourself and maybe even your characters' situations. It can be cathartic to write about people who behave in a different manner than you, but be careful to dig deeply and show why the character is the way they are to your reader. If you'd just read the beginning, without understanding why I reacted the way I did, you probably would've said that you'd stick to your no and be done with it. Hell, maybe you'd still say that. But this is showing you what it might be like via the inner turmoil of another.

I hate disappointing people or making them feel badly about something they've done. I also can't stand being selfish. It eats at me. So, when it comes to me standing up for myself, oftentimes, folks have no idea they've hurt me--even when it's deeply--because I move forward and pretend like everything is okay (this is especially true if they can't see me--if they can, they'll see the tears, but I'll insist everything is fine unless pushed, and then I tend to explode because I'm trying really hard to keep it under control--lose/lose) or I end up just ignoring them because I know I'll hurt their feelings if I say something.

My issue is that I expect other people to be as careful with my feelings as I am with theirs. This is what I refer to as loyalty.

I'm working on it.

What are yours? What do you think of the above? Do you have this issue? Do any of your characters? How did you show it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Metamorphosis of Indie and Trad Pubbed Books in 2017

Happy Wednesday, everyone! Today, my curious side has hold of me, and it's led me to ask of you something I've noticed myself. If you're ready for some thought-provoking, grab some coffee (or tea or whatever), and let's get going.

As you may know, I've been doing a lot of tangible book reading lately. Simply put, they were easy for me to read and not be distracted by texts or any manner of other things work related coming through. Silence is, in fact, golden. Plus, my MS crazy eyes seem to like print more than digital. Go figure.

Anyway, in preparation for that trip I went on, I moseyed into a bookstore and bought a couple of trad pubbed reads. Okay, it was a bunch, but that's neither here nor there. Now, I also snagged an Indie book while I was on my buying tear. Here's a shot of the trad pubbed books I snagged (my Indie title hadn't come in yet):

Also in my big pile was The Circle, but I bought it on the previous trip, so it wasn't pictured in my haul for that day. I read Keeper of Crows by Casey L. Bond when it first released, and I ordered Keeper of Souls from her because I was invested in the story and wanted more. First book was amazing. Second one was scheduled to be read while I was traveling. It DID come in before I left, so that was awesome.

Before I started thinking about what books I'd bring, I'd blazed through Red Queen and the little novella from that series, Cruel Crown, so I got (what I thought were) the last two in that series as well.

I took my pile of books and hit the road (yay)!

First up was Vitro. I was super interested in the premise of the story, but put it down several times because the editing was so very bad.

While waiting on the courage to pick it back up and try again, I read some of Glass Sword. I bumped into a couple of inconsistencies in that book that had me rolling my eyes, so I went back to Vitro and finished it.

Then, I moved on to Keeper of Souls (which I read in about 8 hours and ADORED).

Because I was annoyed with the Red Queen series, I went on to try The Circle. That title was abandoned for.e.ver after just fifty pages or so. Back to Glass Sword I went, and I finished it and King's Cage (laborious reading right there), and that ending had me throwing the book on the damned floor. I found out only later there's another one in the works (I mean, REALLY?).

I'm nervous to even crack the cover on The Diabolic because of the quality of the other trad pubbed books I've gotten hold of. I love the cover so much...

Anyway, all this reading caused me to stop and ponder. Why did the Indie book breeze by while I plodded and struggled through the trad pubbed options?

While on the phone with my bestie and writing/business partner, Tia, today, she mentioned that she thought trad pubbed books have declined in quality because they're rushing to press. Why? In order to keep up with the Indie market.

Indie authors are publishing books at an astronomical rate, and their quality has jumped ahead by leaps and bounds over the last few years. Meanwhile, trad pubbed books seem to be getting worse (if you MUST have an example of the kinds of things I found, I'll dig them up, but this isn't me being nitpicky, I swear).

Are Indies getting better because we've become more educated about what we should and shouldn't publish? Or, perhaps it's the rise of Indie run and Indie focused editing houses (like IBGW) that are making the difference?

This leads me to open the floor to you all.

Have you noticed the change? What book(s) did it for you? What do you think is causing the shift?

If you think I'm just crazy, feel free to tell me that, too.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Complete Guide to Sprinting During NaNoWriMo

Happy Friday, everyone! Whew! Day three of NaNo and I'm sitting at 12.5k words (and I'm not done writing for today).

What's that you ask? How?

Easy.

I've been doing writing sprints.

What the heck is a writing sprint? Great question!

Writing sprints are set amounts of time where a writer produces words as quickly as they can. Once the timer buzzes, they stop and do a word count, then pick up again when the next sprint starts.

Person with the most words gets a round of applause (or sometimes, a prize, depending on the sprinting group--however, this comes with an issue: cheating to win--when there are no prizes, no one has a need to falsify their stats, and nothing needs to be verified).

Sprints (typically) last anywhere from 15-60 minutes. They can be done on any social media site, though the preferred space is usually a designated thread on Facebook.

Brought to my attention by fellow author Ali Winters (thank you, woman!), there's a sprinting page on the NaNoWriMo site that will accommodate individuals as well as groups. Click here to be taken to that page. If you look below, you'll see the two options at the top and a "Dare Me" button near the bottom. I'm the curious sort, so I clicked mine. Below are the results. It changes every time you press it, too. Fun stuff.

I didn't play around with the group sprint button yet, but I have half a mind to get some of my writing buddies together and do just that.

Now, here's how to get the most out of your sprints:

1. Know where your story is going. I like to plan a point about 10k words in that I know I want to get to, and build the prose up to there, but some folks go 2k. Whatever floats your boat, ya know?
2. Write furiously for that half hour. Turn everything else off and be with your words.
3. Give yourself plenty of time between sprints to refresh, go pee, or get coffee.
4. If you can, take your eyes off the page and look elsewhere (or just close them) while you type. This will prevent you from noting and backspacing out misspellings, bad punctuation, or other flubbubs we writers make.
5. Don't burn out. Take long lunch breaks or whatever other break you need when you need it.
6. Try not to write a lot during your lulls (the periods between sprints). Use that time to plan what you'll write when you come back to sprinting or to just veg.
7. Keep something to drink handy. Though you may not need it, it's better to have it and not use it. *grin*

Here's how my sprints are set up:

• In the morning, I set a block of 1-3 hours aside (lately it's been 10AM, 11AM, and NOON). 
• The first 30 minutes of those hours are used for sprinting, and the second 30 are used for tweaking, fixing my crazy misspellings I got from not looking at the screen, and marking things I want to take a closer look at later (during edits). 
• Then I break for a long time (like 2-3 hours--NOON-2 or 3PM).
• More time is set aside for later. Again, 1-3 hours (it's been 8PM, 9PM, and 10PM, but this week is a special one, so that will likely be cut by Monday.)

I'll show you next week's projected schedule so you have a better idea (life things have to happen on different days, but I'm not going to worry about it). I also don't write on weekends. Those are for my family. I refuse to succumb to writer burnout.

M-F

9AM - Sprint for 30 minutes

10AM - Sprint for 30 minutes

11AM - Sprint for 30 minutes

NOON-2PM - BREAK TIME (real break--no looking at my WIP)

3PM - Sprint for 30 minutes

4PM - Sprint for 30 minutes

Thing about it is, it works. I'm averaging 1k words every 30 minutes. If I sprint for 30 minutes, 5 hours a day, I've written 5k words. I know that doesn't seem like a lot, but when you see that counter go down on your NaNo dashboard under "words per day to finish on time," you'll feel like a flipping ROCK STAR.

Any tips to add to the above?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

5 Reasons Authors are Divas

Happy Friday, everyone! Wowzers, what a crazy week, huh? Hope you all have big plans for the weekend and have a ton of fun. Today, I'm gonna talk a little bit about authors. If you're ready, get comfy, grab a cup of Jo, and let's get going!

5 Reasons Authors are Divas!

Number 1

No one ever told us how much marketing we'd have to do when we published our book. Seriously, that shit wasn't laid out there in the beginning. We had no idea we'd need a degree in human psychology and social media interaction to make anything of ourselves in the book world. Now that we've found out, we lament the loss of our writing time. It makes us grouchy on the best of days (no matter how many cups of coffee we imbibe). We're tired, frustrated, and downright pissed off most of the time because we don't have the magic formula, and when we find something that works, it's suddenly inundated with 5k other people doing the exact same thing. What happens then? We have to go back to the drawing board and pray whatever we try next works, and then wash, rinse, and repeat.

Number 2

It's literally all about us. All the time. We have to be our own biggest cheerleaders, and that makes our heads swell whether we want them to or not. When a person spends all day talking about themselves on social media, it's hard to step out of that mindset and remember how to focus on other people. Just know that most of us don't do it intentionally. Narcissism is a byproduct of marketing yourself.

Number 3

When a person sacrifices so much of themselves, both physically and mentally, to accomplish a task with the magnitude of publishing and marketing a book, they feel like they deserve some kind of reward or acknowledgement for all that they gave up to make it work. To put it simply: This shit ain't easy. Authors give up time with their families, time they'd spend on themselves, and even time to pause and eat something, for the cause. Do we want to take the time to go get mani-pedis? Hell yeah we do! But unless the nail person can come to our office and do our toes under the desk as we write (I still haven't figured out how the manicure would even occur--Dragon?), we're shit out of luck. I hear people say there need to be more hours in a day. That statement makes me laugh. We'd still use those hours to write or market. It's a dog-eat-dog world out there, and if we're not producing books, or talking about our stuff, we're screwed.

Number 4

We give a lot of stuff away. Why? Because this is what we've been told will make loyal readers. For every few dollars we make, we're probably spending ninety percent of it on giveaways and marketing. Hours are spent setting things up so readers have the most fun at our parties. Then, we find our books on pirate sites, posted by someone we gave an advance review copy to, or we get a one star review from someone we gave several prizes to, only to have them say they'll never read anything by us again. I mean, holy shit, Batman! Do you have any idea what that can do to a non-diva mindset? Yeah... So, we have to hold our heads up and say it doesn't bother us, put on a brave face, and forge ahead. Otherwise, we go down in all-consuming flames of depression and give up.

Number 5

We're tired of hearing how easy it is to write and publish a book. Seriously. So damned tired of it. We're also sick of people shunning us because we're not worldwide bestsellers with a million bucks in the bank. We freaking work hard, and we have to have an attitude about it because we know we've done something all those mouthing bastards who talk about how easy it is haven't done. If they had, they'd never spout all that bullshit to begin with. Rather than berate or negate us or our work, they'd genuflect. Regularly.

Writing is a job. When someone works for themselves, they don't have 9-5 like regular folks. Authors usually work 10-18 hours a day. So do small business owners. Guess why? Yep, because being an author is the same thing as owning a small business.

At this point, are you wondering why we do it? If you are, just know it's because we love what we do. Writing books is what our insides tell us we must keep doing in order to stay sane.

So, if there's a writer in your life, and you wonder why they're so consumed with themselves, take a moment to consider what it is they do every day. Think about what kind of pressure they may be facing. Ask how you can help (if you can), and be sure and tell them what an amazing job you think they're doing. It matters.

Are you an author? Do you know one? What are your thoughts on the above?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo