Big Words and Bigger Egos

Hello, and happy Monday, y’all!! Today, we’re discussing something, as an editor, drives me bananas: big words. We’ll take a look at when to use them, how to use them, and when to avoid them like the plague. Even the AI we’ve been discussing tends to drop in big words with no context, so this isn’t a singular issue. Unsure if that program’s developers simply told it to pepper the manuscript with big words for effect or if the papers/training material fed to it influenced it to use words most people don’t know, but it sure is annoying to have to look up every third word.

So, if you’re ready to be inundated by information, grab a cup of coffee or tea, settle in, and let’s learn some shizz.

Definition of Big Words: Things not easily understood by the majority of the population without some context clues for identification as to the meaning of the word. Words which need to be researched for understanding.

Big words are considered any singular word or multi-word phrase a common reader can’t comprehend without a dictionary or internet search. Used too often, they can turn a reader off the book or article you’ve written. Of course, there’s a time and place for everything, as you know.

When should you use big words?

When you can spare the word count to define them, you’re good, and when you’re 99% sure people will understand your meaning, a well-placed big word can enhance the narrative. For example: Gargantuan is a big word, and my pun is totally intended. Most people know what it means. Those who don’t can figure it out if you’ve used excellent context clues to help with definition.

She took a gargantuan bite of the sandwich, her mouth stretching like a python’s around the two slices of bread with all the meat and cheese I could fathom between them. How she managed to chew without choking, I’ll never know.

You get it. It’s a BIG bite. Gigantic. Ginormous. Huge. Gargantuan.

See? You got several words to relate to the one you may not have known the definition of. That’s context. Of course, the majority of people already know what the word means, so the context isn’t as needed, but it’s still helpful.

How should you use big words?

To enhance the narrative. Period. If there’s a simpler way to say something, say it that way.

When should you avoid big words like the plague?

If you’re writing for a young-adult audience, for children, or for the news (which is mass consumed), just say no. Unless you’re really, really good at context definitions, you want to use big words sparingly in these publications.

Why is this a thing which makes me nuts?

Because I read a ton. If I don’t know what a word means, there’s an excellent chance the common reader won’t know it either. We don’t need to be slapped in the face with your presumed intelligence or your overinflated ego because you believe you’re the wordsmith of legend. We simply find you arrogant and repulsive because you can’t pull your head out of your ass long enough to be on our level. If you’re writing for “smart” people, you’re not going to sell that many books; I don’t care how riveting your prose may be. As I said, it’s tiring AF to look up every third word. Yuck. DNF every time.

What books have you read that left you with the nasty aftertaste of dictionary? Did you finish?

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo

Uh... Wow. What's Going on With this Blog?

Long freaking time no see, eh? I'm thinking of doing a little revival here because I need the habit of writing to come back and sit with me again. After 2020, things got a bit crazy for me. If you read my post from that year, you'll know a lot happened, but the blows just kept coming.

• My second-eldest son died.
• My mother died.
• My hubby changed jobs.
• I changed jobs.
• My art exploded (if there's one positive thing about grief...).
• We decided to move this year (after renovations--Lort help us all).
• I got five new pets, and I've lost four of them--the one hitting the hardest was the first one I got. She was the goodest girly and was very special to me.
• I haven't been able to write novels.

All that being said (typed?), I'm trying my darndest to come back. I have my last author conference this coming April (Authors Rock Roanoke), and after that, we move. I'm hoping to get back to some semblance of a routine once the dust settles.

Also! If any of you read Recipe for Redemption by TJ Kelly, a collab with Tia, Kelly, and myself, you'll be excited to know we've officially finished book two and are moving on to the editing stage! Yay! I think our title for book 2 is: Recipe for Redemption 2: Izzy's Story. After we get this one published, we're going on to Frankie. ;) I just have two more recipes to add to book two: Gluten-free Corn Cookies and Corn Cakes. Hey, it's set in Iowa. No shade. It will, however, have a hushpuppy recipe in it that's TO. DIE. FOR. So freaking yum.

I'm hoping to have copies at Roanoke, so if you're into RfR and would like some free recipe cards (and maybe the second book?), tickets for the event are only $5, and you can get them at the link above.

I have to say, I'm so grateful for those two ladies. We've continued our tradition of a yearly trip together after 2020, and those have given me something to look forward to while helping me hold on to the small thread of sanity I have left.

Did I say sanity? Not even sure what that means any longer, but here we are!

Moving on...

I'm still editing and formatting, and one of my clients is releasing the last in a series soon, so I'll be back with details once that happens.

Hold out hope I can keep going with the blog. If I can, it'll mean new books are coming soon. I have a number of them mostly written, so it shouldn't be long before they're done. Book three in my Guerrilla Grannies series, and book two in the Angels and Vampires series. Again, both are nearly done, but when I had things start to go south, they really took me off my path. I also have a cult book I plan to release sometime this year. It's also about two chapters from conclusion but has no definitive cover yet, BUT the handbook has a loose cover, and I'll show it below. I had a difficult time finding the motivation to finish any of these things. Seeing as I'm here now, it's a positive thing. Cross your fingers!

I have to include some of the pretty things in this post for you all to look at, so here you go!

Until next time, WRITE ON!

Jo

How to: Microplot

Happy Monday, everyone! I hope you had a fantastic weekend and are ready to crank out the words this week! Today, I'm talking about microplotting. You know, that thing you do when you're furiously writing your novel. Oh! You don't do that? Don't know how? Well, sit back, relax, sip your coffee, and read on!

Some people have a detailed plot when they sit down to write their novels. If that's you, this post isn't your friend. But if you're of the other kind, the plansters, who only know where the story begins and ends when you start writing, and maybe have a couple of plot points you want to hit along the way, you may find this useful.

Microplotting isn't a long, drawn-out plot. You make decisions on the fly about what's going to happen to your characters, and you type them out like so:

In this chapter:
Beatrice will discover who has betrayed her.
How that happens:
She finds the key.
She opens the door.
She reads the riddle.
She solves the riddle, but has to seek help from Hayman to do so.
When Hayman reads the riddle, he becomes ill.
Beatrice must speak the answer aloud.
The betrayer's name appears in smoke, and it disappears just before Hayman comes to.

Then, you go above the microplot and write furiously. When you're typing out the microplot points, that's when you look up any names or important features you want to remember as you're writing. If there's something you don't know or forgot to include, type XXX in the place of the item and move on. Keep writing. Don't slow down to look it up. If you're consistent with your marker type, then you can do a find later and take the time to fact check or do research.

Microplotting can push your novel to a whole new level, but be careful of getting sidetracked. Stay on the path to the conclusion you're pushing toward. It's fun.

I don't know about all of you, but every time I've tried plotting out each chapter, I fail and end up having to scrap it and re-do the whole thing. Now, I go high-level plot points and fill in the blanks as I write. My loose outlines look something like this:
Chapter 1 - Introduce character, tone, and setting. Be sure to drop nuggets of what's coming (the beginning of change from now to the end).
Chapter 2 - Beatrice gets in trouble at school for something and a letter is sent home.
Chapter 3 - Beatrice is grounded because of the letter, and she ends up acting out at school again in some way.
Chapter 4 - Beatrice is suspended.
Chapter 5 - Beatrice meets Mark, and he ignores her because she's a "bad girl" (this makes her want to change because she really likes him).
... other chapters I fill in like the ones above.
Last Chapter - Beatrice and Mark finally get together.

So, in each chapter, I microplot how to flesh it out once I get there. Those outlines are treated as living documents and are changed often.

I hope this helps some of you when you're sprinting!

Did you find this useful? What do you do when writing? Plotter? Pantser? Plantser? Hit me with your process!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Author Life ABC's - B

Happy Wednesday! Today marks the halfway point of the week! Who's excited? I know I am. Tomorrow, you get yet another excerpt from Provocation, which is sitting at 36k words at the moment with around 15k to go. Keep your eyeballs peeled for that. I can't wait for release day. EEK! Anywho, for today, we're back on the ABC's of author life. Ready for letter B? I know you are. Grab your coffee, or tea, and let's get going!

My chosen word to go with letter B is Break.

Why? Because I see so many authors with this on their horizon. Every year, too many of us break apart and quit. Those authors reach the point where they don't see why they're doing what they are. They throw in the towel and walk away.

So many more sit and stare at their computer screens or that blank piece of paper and wonder why they're bothering to do what they do. They're nearing the point where they'll break and quit. Of course, several of them reevaluate and push forward, slamming the keys day and night in a continuous loop, charging toward that pot of gold they see at the end of the rainbow.

And still others remember why they started writing in the first place.

If an author sets out to make a million dollars, thinking this is the way they'll make an astronomical amount of money for living, most will end up quitting within a few years. After all, "the big break" only happens to about 2% of writers. Several authors make a decent living, and they're happy with that, but they fall in a rough 5% category, so those aren't the folks I'm talking about here.

Like I said in last week's Author Life ABC's post, you first have to define what success is for you. That's the starting point, and then you gotta run with it. Be realistic, and post it somewhere you can see it every day.

Why did you start?

Many of us became authors because we're addicted to the written word. We have to write. It's what makes our blood move through our veins and what drives us out of bed each day. Even if we never sell a single book, we're in it for the words.

If that's why you started, you should never have a near break day. You're doing what you love, and no matter what, you'll find a way to do it. Putting the words on the page is what it's about. That, in and of itself, is satisfying as hell.

I always say, "I write because I must, and I design because I can."

If it's important to you, you'll find a way;

if not, you'll find an excuse.

I'm not sure who said that, but damn, how true is it?

What do you think? Have you ever hit the point where you thought you might break and quit? How did you come out of it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Author Life ABC's - A

Happy Thursday, everyone! Welcome to my new, twice-a-month Thursday feature, Author Life ABC's. Obviously, since this is the first, we're on the letter A. I thought about this one for a while, and I've decided to go with Achieve. Ready? Grab your coffee or tea, get comfy, and let's get going!

As authors, we're always trying to achieve something, make something happen, get into a good place with our writing.

I think it's important to bring up goals when talking about achievements. If you have nothing you're striving for, you can't achieve hitting a milestone, right? Right.

For the folks who've been around the blog a while, you're aware that I usually set my goals low because I like to celebrate the small achievements in my career. Those are usually gateways to bigger things, stuff I don't let myself dream about because I'm an easy one to fall off the wagon if I can't see a positive end to my journey. But that's just me. I dream small and try to do more than my goal.

When I started writing, my definition of success was set very low (in my eyes): I wanted to change the life of one person, make them look at the world in a new way, or have such a massive impact on them that they went out and did something amazing.

After all, this was never about money for me. While selling books is lovely, and reviews are awesome, I never expected to get rich and/or famous for the things I was writing. Still don't.

I wanted to change a life. Simple.

Back in 2014, I achieved that goal. I'm not going to say how or when it happened, but I will tell you that one incident changed the way I looked at my career from then on. There was no longer a burning need inside me to create words that changed minds. Instead, from those books emerged my true author self. I found my voice.

I now write to entertain and educate while still examining the human condition however I can. Characters are put in impossible situations and area asked to make a choice. It's fun and so very rewarding.

My achievement in one area of my career led to new, exciting things for me.

Over the years, I've had other goals, and still do, but the biggest one was met, and I consider myself a success. No matter what happens from here on out, I have that to hold on to.

Sure, there are other things I'd like to achieve, but nothing will ever compare to that one thing, and nothing will ever replace it. It's my most cherished achievement.

In order to be successful, you first have to define that for yourself, in whatever way you choose. Writing is your career, and you need to feel as though you're doing whatever you set out to do, achieving those goals, no matter how simple, or silly, they may seem to other people.

That's what I'll leave you with today. Go define success for yourself.

If you've already achieved that goal, drop a comment below telling me when and how it changed your life.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Busy, I Have Been - Exciting Announcements!

Happy freaking Tuesday, everyone! I know you've all missed the blog and my epic ramblings here, but it's been for a great reason! Grab your coffee or tea and let's get going. Lots of news today.

As you may know, NaNoWriMo has been conquered this year. My final word count was 75k, and I hit 57k on day 14.

BUT THERE'S MORE!

The books I created during NaNo are in my Pen Pals and Serial Killers series.

First up, is The House (this was one of my NaNo novels). It clocks in right around 50k even and will be released AFTER my second NaNo novel. This is a collection of short stories that ties in with the next book in this list. I have a placeholder cover, but it's not the final. Shared it and the blurb on Facebook here, if you'd like to take a peek.

My second was Intensification. It's about a detective chasing a serial killer who's obsessed with reality TV stars. It's currently sitting at 20k.

Better than that, though, I've managed to fix the issue that was causing me to delay writing Provocation, and it's well on its way to being completed, sitting at 17k as of this moment. It's about a female psychiatrist that kills abusive men.

Utterances, my contemporary fantasy novel standalone, will release at the beginning of December. Pre-order price is $0.99, but it'll be $2.99 after launch. You can grab it here. More information about the book can be found on this post.

Finally, I've been working on another book for a few months that I plan to release right around Christmas. It's a book on wellness. You may be aware that I've been on my own journey over the last year, and this book is the culmination of things I've learned and steps I've taken to feel better in general. It has a routine guide, tons of information, and a little section with a few recipes (and a place to keep your own that you try and end up liking). YAY! Title: How to be a TOTAL LOSER and feel better than you ever have. Yeah. Because that's how I roll. LOL

I have a slew of covers to share, but I'll hold off until we're closer to the release dates. I'm still trying to decide on a cover for my wellness book.

Like I said, I've been super busy! How exciting is this?

What have you been working on? Which of the above are you excited about?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Is it Wrong to Expect Readers to be Active Participants in the Story?

Happy Thursday! Today, we're gonna talk about description, how it might impact the reader, and what authors might or might not expect from the consumer. Ready? Grab your coffee or tea, and let's get going!

So, I'm on the phone yesterday with an author friend of mine, and we got into talking about what we expect from our readers. Both of us agreed that we write with the assumption that the person picking up the book has a brain and understands the basics of the world they live in.

For example: If you say someone walks into a bedroom, do you need to write out to the reader that there's a bed, or is that something you can expect them to infer by telling them it's a bedroom?

Several writers will go into great detail about the room's furniture, but those machinations are usually reserved for the times that it matters, right? Say, if there's something "off" about the decor, or if the bed is an antique and should be admired for a moment. Even if the scene calls for a description to tell the reader it's a male's room or a sex cave, that's okay. But if the character is just walking into a bedroom, is it really necessary to bog the reader down with minute details right off the bat?

Here are some other ways to work those details into the story without having an information dump--again, unless the character is actively admiring, or scrutinizing, the decor:

• As the person is active in the room, they run their hands over things like the brocade on the chaise lounge.
• When they tell someone else to sit, it could be noted they made the choice of where to place the person based on potential comfort level.
• If the character lies on the bed naked, the satin sheets could feel cool on the skin.
• While they're being made to wait, they can then notice one thing about the room and scrutinize it to give their brain a distraction.

There are several ways of describing a room's contents without going into infodump mode, as you can see above. Unless you're actively trying to slow the story down, is it really necessary to tell the reader everything that's in a common room (bedroom, bathroom, living room, kitchen, etc...)?

I think, perhaps, we should give our readers a little credit and assume they have brains in their heads. If I read that someone is sitting at the bar in the kitchen, I have a pretty good idea of what that room will look like.

I've gone into description and when it's useful in this post, and I went into how to paint the scene in this post. If you're looking to heighten tension with description, here's a post I wrote a while back that breaks it down (this post also compares showing and telling).

What do you think? Do you expect a more active participation from your readers, or do you spoon feed them all the things?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing Sprints - What and How

Happy Wednesday, everyone! Today's post is informational. If you already know what writing sprints are and how to do them, then feel free to scroll on down to the bottom for the 411 part. For those of you that aren't familiar with sprints, let's get going!

With NaNoWriMo only a month and a half away, authors are gearing up to write furiously for the thirty days of November by plotting their novels and planning how to write 50k words.

Writing sprints are a solution! What's a writing sprint? Well, let's go into that.

A writing sprint is when you write as many words as you can in a set amount of time. Usually, they're set up like so and are done on some form of social media so everyone can comment their word count:

1. You find a group of authors willing to sprint.
2. Someone volunteers to be timekeeper.
3. You set an amount of time (usually 15-30 minutes).
4. Whoever the timekeeper is tells everyone to GO and starts the timer.
5. Everyone writes like crazy people.
6. Timekeeper posts STOP and requests word counts from participants (and posts their own).
7. There's a five to ten minute resting period, and it happens again.
8. Whoever has the most words gets a huge thumbs up (there are no prizes usually).
9. It repeats for one to two hours (usually--I've seen folks do three or four).

That's it. So easy, right? I've seen people log upwards of 6k words during these sprints, so I know they work. Your word count isn't really the target. This is to get you writing, to get words on the page. Progress is progress.

So, to make it a little easier to sprint, I created a group over on FB. It's kinda quiet, but I'm hoping that will change--I have big plans for that group!

If you'd like to join up, here's the linky: Writing Sprints Group on Facebook

I hope to see you there!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

That Ah Ha! Moment When Writing and Utterances Excerpt

Happy Wednesday, everyone! Yes, I missed two days this week, but it was for good reason. I'm not only getting ready to leave for London and the awesome Chapter.Con, but I've also been writing Utterances! Today, I'm going to share the details of the book once again and a little snippet from further on. Grab your coffee (or tea), and let's get going!

PSA: This blog will be mostly silent until August 28th. I have a big surprise for you all on 8/24. Keep your eyes open for that post.

Yesterday, I had an ah ha! moment with my WIP. Here I was, struggling with the next big step in the book, and I hit upon the idea to just let the characters go with the flow of the story. I discovered they're smart and resourceful.

My characters are also pretty funny.  

Favorite quote:  "If crazies come a knockin’, guns come out a cockin’."

I started the day at 37k words, and I ended with 42.5k. Win!

Do you ever have that moment in your novel writing where you're just like I'VE GOT IT! and things flow?

Title: Utterances
Author: Jo Michaels
Genre: New Adult Paranormal
Length: TBD
Release Date: 2017

Blurb:
Simone spent the last two years by her cancer-ridden mother’s bedside. Taking care of her was the number one priority. When Mom suddenly goes into full remission, Simone is left bobbing in an unfamiliar ocean with a young man named Tristan. What happens next is the stuff of fairy tales—and nightmares.

Shocking, heart-wrenching, and insightful, Utterances will make you question everything you thought you knew about self-sacrifice. Award-winning author Jo Michaels pulls reality and the paranormal together in a way never before seen, intensely examining what we call the human condition by diving into the innermost workings of one young lady’s mind.

~~~~~~~~~

Excerpt (unedited) Chapter 14:

When the doc finally left, he was as white as his coat and moving fast.
Simone sat on the floor and watched as the fabric billowed in the breeze.
“Alexandra, honey?”
“Yes ma’am! Coming!”
Mrs. Shandy smiled. “Oh, good. I thought you’d done gone and left me!”
“No way, no how. We have a story to finish.” Simone dropped back in the chair, opened the book to where she’d left off, and continued.
That afternoon, she left a little early, with three chapters done, and decided to go to Tristan’s house to surprise him. On her way to Shady Pines, she’d texted him, but hadn’t said she had the evening off. After checking her makeup in the mirror—a new addition to her wardrobe thanks to Mom saying how tired and old her daughter looked, she started the engine and shifted into reverse.
It was twenty minutes before she got to his house, and she started to second-guess herself on the way up the driveway. He’d been off school that day, and she hadn’t pestered him to hang out. If he found out she’d been off work…
His truck was in the driveway, so she parked behind it and got out, suddenly nervous.
As she moved toward the door, she kicked herself for being impulsive. He was sure to ask questions she didn’t have answers to. She knocked three times and waited, a cold sweat breaking out on her forehead and palms.
He opened the door, his eyes got wide, and he stepped out, keeping hold of the handle. “Hey. What are you doing here? I thought you had to work.”
“Well, I knew you were out of school and had the day off work today, so I thought I’d drop by and surprise you.” She smiled, but her hackles rose. Something about the situation wasn’t quite right, yet she couldn’t put her finger on what.
Rather than pull her into a hug, he closed the door and grabbed her arm, guiding her off the porch toward her car. “How about I come to your house in a little while?”
“Um, why can’t we hang out here?” It was getting weirder, and he was being pretty obvious about wanting her to leave.
“My, uh, mom isn’t feeling well, and I wasn’t expecting company.”
She jerked her arm out of his grasp, turned, and sprinted toward the house, throwing open the front door and rushing in, looking everywhere.
He was half a step behind her, yelling at her to stop.
A gorgeous, long-legged brunette with barely any clothes on was passed out on the couch, whisky bottle still in her hand. There was only one word to describe her: flawless.
Simone stared, her mouth dropping open. Every fiber of her being went into shock then flew into blind rage. Her world tinted blood red. She rounded on Tristan, spit at him, and bolted.
Words were being shouted at her, but all she could hear was the fury screaming at her to leave and not come back. Ever. Once in the car, she jammed the key into the ignition, turned, shoved the car in reverse, and spun around in a perfect one-eighty. Tears gathering in her eyes made the driveway blurry, but she managed, somehow, to make it to the base of the hill before she had to pull over.
There was another driveway about fifty feet up the road on the opposite side, covered with a lush growth of leafy branches that would hide her car, so she gunned the accelerator and pulled up far enough to avoid being seen. Once sure no one had followed or seen her, she shut off the engine and curled into herself, letting the tears loose. She cried, she screamed, and she beat the steering wheel with her palms until they hurt.

~~~~~~~

Uh oh. Looks like our couple is in a bit of a pickle, huh?

Hope you enjoyed that!

My fingers are crossed I find the time to give you all a post tomorrow about something I discovered while browsing Facebook. It's interesting, and it's infuriating. Ha! Way to be vague, Jo!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Readers, Sensitivity, and Mob Mentality - How Much is Too Much?

Happy Friday, good people of the blogosphere! Today, I'm on yet another discussion. There are several things that have popped up over the last few weeks about right and wrong things to put in a book. Get your coffee or tea in hand, your typing fingers ready to respond, and let's get going!

We all have opinions, right? I plan to open discussion on both sides of the board with this post, and I won't be standing on either side of the fence. You all know me too well if you've been around here a while. I like to hear what you think, I'm going to try my best not to influence you with my own words, and I enjoy the verbal exchange of ideas and viewpoints.

*****That being said, please be nice when you comment. This is my blog, and I won't tolerate hatred, calling-out, or vitriol here. Got it? Okay. Let's move on.

There are a number of books that have been released lately that have spurred some pretty serious reader blowback. To be 100% transparent, I haven't read any of them. My work has revolved around writing my own book, and it's been emotional enough.

But I've seen posts and discussions on Facebook, and I know the titles of the books under fire. No, I'm not going to share those, either. If you want to know, you'll have to do your own research. This post isn't about that.

For centuries, books have been the catalyst to change in many countries. If you don't know the history, do a quick search. There isn't enough space here to discuss them all, and you should be informed. But what I'm seeing now deals directly with what the authors write.

Incest, racism, hate.

Those are the topics under fire.

From my reading experience, either an author is trying to change your way of thinking, trying to bring to light something that's horrible that needs to have light shed on it, or they're trying to tell a story that has nothing to do with their own thoughts or beliefs (a true escape).

It's difficult to tell the difference sometimes, but that doesn't stop me from reading books I don't know what's inside of. This thing where authors have to disclaim horrifying details of their books in the blurb is unsettling.

Why?

Because the things that bother one person, won't bother another. We see this with all the reviews from all the books everywhere. Some people loved the Harry Potter series, and some folks wanted to burn all the books for promoting witchcraft.

See what I'm saying?

I can see labeling it 18 and up, but I'm talking about all the other things. It's worrisome that someone might just grab a book and "read" it only so they can trash it in the review later on and have that little verified purchase ribbon to back their words. But I'm backsliding.

Anyway, the problem here isn't just that labels are being applied, because I know at least one of the novels under fire was labeled, but that it's expected in the first place.

Who are we to know what someone else is going to feel when they read our books? How are we the authorities on how something we've written will be comprehended by the reader? 

Authors may be the worst people to add warnings to their books, but then, so might readers. What some find intense, others will merely scoff at.

Let's discuss by the three topics above then.

Incest.
This isn't a new trope used in books. It goes way, wayyyyy back to novels published in the 70s even. Before you go bananas, let me say, I can see both sides of the issue here. 1) It's something that happens in real life, ergo, it can be applied to a book for real-world additions. 2) It's disturbing to read about, and the fear is there that it'll incite someone to do something they hadn't considered before. It's a touchy subject, to be sure. If an author writes about it, does that mean they're encouraging it, bringing light to an ugly, or merely writing a story?

Racism.
This also isn't a new topic. I could list several books that were racist in nature, but they've become literary classics all the same. I can, again, see both sides of the issue. Do you want to see through a racist's eyes? Get their viewpoint on things? How their brains work? Maybe. Maybe not. 1) Racism is something that's real. It's a serious problem, but it can be used as a mechanism to show what might be in a racist's mind, giving others a unique insight. 2) It's bothersome to read, and it may fuel the already present racist heart of another, making them think of doing something they'd only considered before reading it. Again, what was the point of the author writing it?

Hate.
This applies to genders, races, siblings, government, etc... An older than time topic. Dystopian worlds were borne from hate of a ruling class or laws. You could also say hate applies to books with rape in them. Both sides have weight. 1) Hate is a true problem in our society, and shining a spotlight on it can be used as an effective fuel for the proverbial fire in a novel plotline. 2) Reading about a character hating on people from any walk of life is hard, and it may, again, reinforce that the reader's mindset is the correct one. Do we care about the point if the book makes us uncomfortable?

Historically, we're strongly influenced by books (again with the search recommended above), but does that mean if we read about it, we're going to act on it?

Has the fine line between reality and fiction blurred, or are we just more attuned to the crossovers now? Do the disclaimers even matter at that point?

What bothers me most about all of this is the mob mentality that's taken hold of the world. When someone writes something that's not considered PC, they're attacked by backers of the antis. While I believe in having an opinion and stating it, isn't that what reviews are for? Why do we feel the need to attack the person (in public, no less) behind the words without understanding (or caring) what it was they were trying to say? Is that really the case, or is something else going on here?

Is this censorship?

I'd love to hear your thoughts and opinions on the matter. Remember to be nice and don't name authors or books directly. This isn't a bash-fest.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Being Put in Impossible Situations

Happy Tuesday, everyone! Well, the kidlings here in Ga are back in school, and that means Mommy can finally concentrate on things she needs to do without interruptions. While my child is good about not coming into my office when she knows I'm working, she's still a kid. Sometimes, she just can't help herself. But yay to being back on track. This post isn't about all that, however. Today, I'm going to talk about something I hate: being put in an impossible situation. Ready? Let's get going.

My definition of an impossible situation, for purposes of this post, is one where if I do one thing, I look like an ass, and if I do the other, I compromise my core values, allow myself to be deeply hurt or disappointed, or let people take advantage of me. Either way, as you can see, it's lose/lose. As you read, keep that in mind.

I've had sessions with counselors in which I'm told I have a very good sense of self-awareness, but that I need to be firmer with people. I should tell them when they hurt or disappoint me. For example: I know what it was that hurt me and why, but I can't bring myself to address it with someone else because I'm afraid of hurting them even though they've hurt me already. Oftentimes, I find myself commiserating with characters I see in movies that do stupid stuff, those folks that no one but me seems to understand, and I end up feeling badly for them.

Why is this?

Well, while talking out a situation one time, it was pointed out that I'm a giver with a very high core value of integrity, and while I never believed I expected anything in return, that wasn't quite the case.

I believed that if I gave and was honest, I would get loyalty in return. Now, loyalty isn't friendship. A true friend is there because they genuinely like the person you are and respect you. Loyalty, however, can be earned and independent of friendship. Someone who is loyal doesn't necessarily have to like you.

I hold people to a very high standard of behavior that includes respect of me and my time along with a few other things I have a hard time compromising on.

Let me clarify: I don't do things so people do things in return for me. That's not what I'm saying. I'm saying I give, and what I want in return is respect, thoughtfulness, and to not be put in impossible situations.

Here's one:
My son tells a friend they can stay over before asking me. I just took the kid all over town for school shopping, and I have three other kids in the house besides him. I'm just not in the mood to deal with someone else's child. I say no. He stands there and begs me, says he already invited the kid, and begs me some more. For every no, he has a reason it will work out, and he refuses to call the kid and tell them they can't come.

Okay, now I'm in an impossible situation. 1. ) I can either call the kid's parents and tell them the kid can't come, or 2. ) I can give in and be miserable all night. Several things eat at me about both of those options (please know I realize we'll all react differently to these things--these are my opinions and feelings--they may not make sense to you): 1. ) This option makes me look like a terrible parent (an ass) who can't keep their kids under control and it disappoints another child who might have been looking forward to something. It also has the likelihood of ruining the other set of parents plans they may have made with the expectation their child would be gone for the night. 2. ) If I give in to my kid, I reinforce that he can beg and get his way. Worse, I allow him to have control over me. I would be tired and grumpy, and I'd have yet another mouth to feed, another kid to clean up after, and another someone in my house (this alone causes me stress).

There are so many of these examples that I could throw down here, but I'm not going into all that. Today, I'm trying to get you to think about yourself and maybe even your characters' situations. It can be cathartic to write about people who behave in a different manner than you, but be careful to dig deeply and show why the character is the way they are to your reader. If you'd just read the beginning, without understanding why I reacted the way I did, you probably would've said that you'd stick to your no and be done with it. Hell, maybe you'd still say that. But this is showing you what it might be like via the inner turmoil of another.

I hate disappointing people or making them feel badly about something they've done. I also can't stand being selfish. It eats at me. So, when it comes to me standing up for myself, oftentimes, folks have no idea they've hurt me--even when it's deeply--because I move forward and pretend like everything is okay (this is especially true if they can't see me--if they can, they'll see the tears, but I'll insist everything is fine unless pushed, and then I tend to explode because I'm trying really hard to keep it under control--lose/lose) or I end up just ignoring them because I know I'll hurt their feelings if I say something.

My issue is that I expect other people to be as careful with my feelings as I am with theirs. This is what I refer to as loyalty.

I'm working on it.

What are yours? What do you think of the above? Do you have this issue? Do any of your characters? How did you show it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Metamorphosis of Indie and Trad Pubbed Books in 2017

Happy Wednesday, everyone! Today, my curious side has hold of me, and it's led me to ask of you something I've noticed myself. If you're ready for some thought-provoking, grab some coffee (or tea or whatever), and let's get going.

As you may know, I've been doing a lot of tangible book reading lately. Simply put, they were easy for me to read and not be distracted by texts or any manner of other things work related coming through. Silence is, in fact, golden. Plus, my MS crazy eyes seem to like print more than digital. Go figure.

Anyway, in preparation for that trip I went on, I moseyed into a bookstore and bought a couple of trad pubbed reads. Okay, it was a bunch, but that's neither here nor there. Now, I also snagged an Indie book while I was on my buying tear. Here's a shot of the trad pubbed books I snagged (my Indie title hadn't come in yet):

Also in my big pile was The Circle, but I bought it on the previous trip, so it wasn't pictured in my haul for that day. I read Keeper of Crows by Casey L. Bond when it first released, and I ordered Keeper of Souls from her because I was invested in the story and wanted more. First book was amazing. Second one was scheduled to be read while I was traveling. It DID come in before I left, so that was awesome.

Before I started thinking about what books I'd bring, I'd blazed through Red Queen and the little novella from that series, Cruel Crown, so I got (what I thought were) the last two in that series as well.

I took my pile of books and hit the road (yay)!

First up was Vitro. I was super interested in the premise of the story, but put it down several times because the editing was so very bad.

While waiting on the courage to pick it back up and try again, I read some of Glass Sword. I bumped into a couple of inconsistencies in that book that had me rolling my eyes, so I went back to Vitro and finished it.

Then, I moved on to Keeper of Souls (which I read in about 8 hours and ADORED).

Because I was annoyed with the Red Queen series, I went on to try The Circle. That title was abandoned for.e.ver after just fifty pages or so. Back to Glass Sword I went, and I finished it and King's Cage (laborious reading right there), and that ending had me throwing the book on the damned floor. I found out only later there's another one in the works (I mean, REALLY?).

I'm nervous to even crack the cover on The Diabolic because of the quality of the other trad pubbed books I've gotten hold of. I love the cover so much...

Anyway, all this reading caused me to stop and ponder. Why did the Indie book breeze by while I plodded and struggled through the trad pubbed options?

While on the phone with my bestie and writing/business partner, Tia, today, she mentioned that she thought trad pubbed books have declined in quality because they're rushing to press. Why? In order to keep up with the Indie market.

Indie authors are publishing books at an astronomical rate, and their quality has jumped ahead by leaps and bounds over the last few years. Meanwhile, trad pubbed books seem to be getting worse (if you MUST have an example of the kinds of things I found, I'll dig them up, but this isn't me being nitpicky, I swear).

Are Indies getting better because we've become more educated about what we should and shouldn't publish? Or, perhaps it's the rise of Indie run and Indie focused editing houses (like IBGW) that are making the difference?

This leads me to open the floor to you all.

Have you noticed the change? What book(s) did it for you? What do you think is causing the shift?

If you think I'm just crazy, feel free to tell me that, too.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Complete Guide to Sprinting During NaNoWriMo

Happy Friday, everyone! Whew! Day three of NaNo and I'm sitting at 12.5k words (and I'm not done writing for today).

What's that you ask? How?

Easy.

I've been doing writing sprints.

What the heck is a writing sprint? Great question!

Writing sprints are set amounts of time where a writer produces words as quickly as they can. Once the timer buzzes, they stop and do a word count, then pick up again when the next sprint starts.

Person with the most words gets a round of applause (or sometimes, a prize, depending on the sprinting group--however, this comes with an issue: cheating to win--when there are no prizes, no one has a need to falsify their stats, and nothing needs to be verified).

Sprints (typically) last anywhere from 15-60 minutes. They can be done on any social media site, though the preferred space is usually a designated thread on Facebook.

Brought to my attention by fellow author Ali Winters (thank you, woman!), there's a sprinting page on the NaNoWriMo site that will accommodate individuals as well as groups. Click here to be taken to that page. If you look below, you'll see the two options at the top and a "Dare Me" button near the bottom. I'm the curious sort, so I clicked mine. Below are the results. It changes every time you press it, too. Fun stuff.

I didn't play around with the group sprint button yet, but I have half a mind to get some of my writing buddies together and do just that.

Now, here's how to get the most out of your sprints:

1. Know where your story is going. I like to plan a point about 10k words in that I know I want to get to, and build the prose up to there, but some folks go 2k. Whatever floats your boat, ya know?
2. Write furiously for that half hour. Turn everything else off and be with your words.
3. Give yourself plenty of time between sprints to refresh, go pee, or get coffee.
4. If you can, take your eyes off the page and look elsewhere (or just close them) while you type. This will prevent you from noting and backspacing out misspellings, bad punctuation, or other flubbubs we writers make.
5. Don't burn out. Take long lunch breaks or whatever other break you need when you need it.
6. Try not to write a lot during your lulls (the periods between sprints). Use that time to plan what you'll write when you come back to sprinting or to just veg.
7. Keep something to drink handy. Though you may not need it, it's better to have it and not use it. *grin*

Here's how my sprints are set up:

• In the morning, I set a block of 1-3 hours aside (lately it's been 10AM, 11AM, and NOON). 
• The first 30 minutes of those hours are used for sprinting, and the second 30 are used for tweaking, fixing my crazy misspellings I got from not looking at the screen, and marking things I want to take a closer look at later (during edits). 
• Then I break for a long time (like 2-3 hours--NOON-2 or 3PM).
• More time is set aside for later. Again, 1-3 hours (it's been 8PM, 9PM, and 10PM, but this week is a special one, so that will likely be cut by Monday.)

I'll show you next week's projected schedule so you have a better idea (life things have to happen on different days, but I'm not going to worry about it). I also don't write on weekends. Those are for my family. I refuse to succumb to writer burnout.

M-F

9AM - Sprint for 30 minutes

10AM - Sprint for 30 minutes

11AM - Sprint for 30 minutes

NOON-2PM - BREAK TIME (real break--no looking at my WIP)

3PM - Sprint for 30 minutes

4PM - Sprint for 30 minutes

Thing about it is, it works. I'm averaging 1k words every 30 minutes. If I sprint for 30 minutes, 5 hours a day, I've written 5k words. I know that doesn't seem like a lot, but when you see that counter go down on your NaNo dashboard under "words per day to finish on time," you'll feel like a flipping ROCK STAR.

Any tips to add to the above?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

5 Reasons Authors are Divas

Happy Friday, everyone! Wowzers, what a crazy week, huh? Hope you all have big plans for the weekend and have a ton of fun. Today, I'm gonna talk a little bit about authors. If you're ready, get comfy, grab a cup of Jo, and let's get going!

5 Reasons Authors are Divas!

Number 1

No one ever told us how much marketing we'd have to do when we published our book. Seriously, that shit wasn't laid out there in the beginning. We had no idea we'd need a degree in human psychology and social media interaction to make anything of ourselves in the book world. Now that we've found out, we lament the loss of our writing time. It makes us grouchy on the best of days (no matter how many cups of coffee we imbibe). We're tired, frustrated, and downright pissed off most of the time because we don't have the magic formula, and when we find something that works, it's suddenly inundated with 5k other people doing the exact same thing. What happens then? We have to go back to the drawing board and pray whatever we try next works, and then wash, rinse, and repeat.

Number 2

It's literally all about us. All the time. We have to be our own biggest cheerleaders, and that makes our heads swell whether we want them to or not. When a person spends all day talking about themselves on social media, it's hard to step out of that mindset and remember how to focus on other people. Just know that most of us don't do it intentionally. Narcissism is a byproduct of marketing yourself.

Number 3

When a person sacrifices so much of themselves, both physically and mentally, to accomplish a task with the magnitude of publishing and marketing a book, they feel like they deserve some kind of reward or acknowledgement for all that they gave up to make it work. To put it simply: This shit ain't easy. Authors give up time with their families, time they'd spend on themselves, and even time to pause and eat something, for the cause. Do we want to take the time to go get mani-pedis? Hell yeah we do! But unless the nail person can come to our office and do our toes under the desk as we write (I still haven't figured out how the manicure would even occur--Dragon?), we're shit out of luck. I hear people say there need to be more hours in a day. That statement makes me laugh. We'd still use those hours to write or market. It's a dog-eat-dog world out there, and if we're not producing books, or talking about our stuff, we're screwed.

Number 4

We give a lot of stuff away. Why? Because this is what we've been told will make loyal readers. For every few dollars we make, we're probably spending ninety percent of it on giveaways and marketing. Hours are spent setting things up so readers have the most fun at our parties. Then, we find our books on pirate sites, posted by someone we gave an advance review copy to, or we get a one star review from someone we gave several prizes to, only to have them say they'll never read anything by us again. I mean, holy shit, Batman! Do you have any idea what that can do to a non-diva mindset? Yeah... So, we have to hold our heads up and say it doesn't bother us, put on a brave face, and forge ahead. Otherwise, we go down in all-consuming flames of depression and give up.

Number 5

We're tired of hearing how easy it is to write and publish a book. Seriously. So damned tired of it. We're also sick of people shunning us because we're not worldwide bestsellers with a million bucks in the bank. We freaking work hard, and we have to have an attitude about it because we know we've done something all those mouthing bastards who talk about how easy it is haven't done. If they had, they'd never spout all that bullshit to begin with. Rather than berate or negate us or our work, they'd genuflect. Regularly.

Writing is a job. When someone works for themselves, they don't have 9-5 like regular folks. Authors usually work 10-18 hours a day. So do small business owners. Guess why? Yep, because being an author is the same thing as owning a small business.

At this point, are you wondering why we do it? If you are, just know it's because we love what we do. Writing books is what our insides tell us we must keep doing in order to stay sane.

So, if there's a writer in your life, and you wonder why they're so consumed with themselves, take a moment to consider what it is they do every day. Think about what kind of pressure they may be facing. Ask how you can help (if you can), and be sure and tell them what an amazing job you think they're doing. It matters.

Are you an author? Do you know one? What are your thoughts on the above?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Worth by Numbers and Stars

Happy Wednesday, everyone! Today, I'm just talking. No need for pen and paper, but you might want to bring your inner-voices to the party. If you're ready, let's get going!

So, I saw this image floating around on Facebook this morning, and I shared it because the message was so powerful (see it here).

But, as everything in life, it got me thinking about the author world and how we use numbers to measure our worth. When our books are selling well, we think: Wow, I must be a great author. So many people want to read what I've written!

Then comes the dreaded drop in sales or the horrific one star review.

Just like that, our worth seems to fly out the window on the wings of a fiery demon. We fall into a pit of despair, wondering who we were kidding when we thought we could write a book.

Now, I want you to look at those last five words in the sentence above: "We could write a book."

Rethink your stance right now.

You did write a book. Countless hours of your life were spent writing, editing, re-editing, editing again, formatting, and marketing that book.

Countless hours.

There are so many people in the world who say, "I have a book in me."

Do you know the difference between you and them?

You didn't talk about how you can write a book; you did it. Blood, sweat, and tears flowed from you to the page. Not once did you stop, throw down your pen/close your laptop, and give up.

No. You kept going, pushing through the doubt demons and naysayers. You published that book.

Fast-forward fifty years into the future. Your children are grown and have a couple of kids. Out there, in the book world, your words are still going strong. Even if no one is buying them, they're still existing.

It's your legacy. You've made yourself a little bit immortal. Even if people hate your story, they haven't written a book, and they won't live through the pages forever. Take every opinion with a grain of salt.

So, I leave you with this:

Don't measure yourself against your sales numbers or star ratings. Put it all in a new perspective, and remember, you did it when others wouldn't. Even if you feel like crap about it today, it will still be there tomorrow, ready to carry your words through the millenniums. Be proud (it's okay to celebrate your own accomplishments--that doesn't mean you're narcissistic).

Scream into the ether just once today:

"I am f*ck*ng AWESOME! I wrote a book!"

If you're feeling froggy, I also encourage you to jump like the woman in the image above.

Huge thanks to Chelsea Starling for giving me the first part of that battle cry!

How do you get over the measuring of yourself? Plan to scream today? Tell me about it.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Dialogue Pitfalls and How to Fix Them

Happy Thursday, everyone! Oh my, tomorrow is FRIDAYYYY! Who's excited? I can't believe it was just a four day workweek. I'm exhausted already. Ha! Today, I'm taking you all through an exercise to help with your dialogue. I'll start by outlining a few pitfalls, then explain how to correct in your first edit. Ready? Grab those pens and notebooks and let's get going!

We'll start with labels to keep it easy.

#1: Group Conversations

A common issue in creating group dialogue is when the author wants everyone to speak at once. Now, this can work if done properly, but line after line of Bob said, Marley said, Jane said, and Duke said gets tiresome.

Here's a tip:
Seek out scenes where folks are talking and examine them. If you have to, put people in a room and assign them all part of your dialogue. Have them read their lines (in character). Make notes of their facial expressions, movements, and tone. Work it in.

Example #1:

"I didn't think I had anything to be worried about," Bob said.
"Seriously? What didn't you see there?" Marley said.
"Right? I could've picked up on the subtle clues if I were blind," Jane said.
"Bob, your wife hasn't touched you in months. Wasn't that clue number one?" Duke said.
"But it's always been like that," Bob said. "Ever since we were first married."
"Really?" Jane said.
"Yes, really," Bob said.
"Well, why did you stay married ten years then?" Marley said.

Fix #1:

Mouth turned down, hand clutching a tumbler of bourbon on the rocks, Bob shrugged. "I didn't think I had anything to be worried about." Added action tag.
"Seriously? What didn't you see there?" Marley asked. Changed said to asked.
Jane snorted and curled her lip. "Right? I could've picked up on the subtle clues if I were blind." Another action tag.
"Your wife hasn't touched you in months. Wasn't that clue number one?" Duke asked. Changed said to asked.
Bob sighed and leaned back in the chair, studying his friends. They were all coiled and tensed up, like a snake ready to strike. There was no way they'd understand, but he figured he'd try. "But it's always been like that. Ever since we were first married." Applied exposition and action.
"Really?" Jane's head snapped up. Changed to action tag.
"Yes, really." We know it's Bob. Deleted dialogue tag.
Marley asked. "Well, why did you stay married ten years then?" Moved dialogue tag to front.

If you add a little action and thought in with the dialogue, you show the reader more about the situation, and you avoid overusing said.

#2 Invisible Dialogue Tags

It's a common misconception to believe you have to change up the dialogue tags every time. While "said" gets tiring to read, you've seen one way to avoid having to use it on every line. But what about invisible dialogue tags? How many are there? Why should you use them?

Here's a tip:
Seek out those scenes where you're using something other than said to denote dialogue. Ask yourself why. Is it an action tag? That's a good thing unless it's pulling the reader out of the story. There are a handful of invisible tags you can use; just make sure they're relevant to the tone/situation.

Invisible dialogue tags are words readers don't have to process as they move through the story. They exist to avoid confusion only. They speed up the flow of your story (pacing).

Example #2:

• Asked
• Said
• Answered
• Responded
• Whispered
• Shouted
• Yelled
• Screamed

A common error is to use an action tag as if it were a dialogue tag. More on these here. Unless the word is denoting speech of some kind, it's an action tag. List:

• Ordered
• Commanded
• Howled
• Growled
• Slurred
• Hissed
• And so on.

Use invisible tags whenever possible, but you don't need one every line. Hang on, that's next!

#3: Mixing Action Tags and Dialogue Tags

If you have a person doing something, you don't need a dialogue tag to tell the reader who it is that's speaking.

Here's a tip:
Find those places where you have action and dialogue together, and remove the dialogue tags.

Example #3:

Bob shrugged and panned his eyes over the faded wallpaper. He said, "I never thought Martha was the kind to do something like that."
"She's hitting the prime of her life, Bob. She's also a good looking woman," Jane said.
He slammed the glass on the coffee table, sloshing bourbon over the antique wood. "I know she's good looking. Hell, I'm the one who married her!" He yelled.
"All women go through a phase," Jane said as she shrunk back in the couch.
"Phase! Phase?" Bob screamed. "This is so much more than a phase!"
Jane nodded and said, "I understand."

Fix #3:

Bob shrugged and panned his eyes over the faded wallpaper.  "I never thought Martha was the kind to do something like that." Removed He said.
"She's hitting the prime of her life, Bob. She's also a good looking woman," Jane said. Left alone.
He slammed the glass on the coffee table, sloshing bourbon over the antique wood. "I know she's good looking. Hell, I'm the one who married her!" Removed He yelled.
"All women go through a phase." Jane shrunk back in the couch. Removed said as she.
"Phase! Phase? This is so much more than a phase!" Removed Bob screamed.
Jane nodded. "I understand." Removed and said.

Again, if you know who it is that's speaking, there's no need for a tag. But removing all those tags cleaned up the prose.

#4: Using a Dialogue or Action Tag on Every Line

You don't have to go bananas with action and dialogue tags. When two people are having a conversation, you can delete most of the tags and still be okay.

Here's a tip:
Find places where there are just two folks talking. See how much you can remove without getting confusing.

Example #4:

"My wife has drained my bank accounts, done things behind my back, and she wants to know why I'm upset." Bob dragged his free hand down his face and slurped his drink.
Marley sat forward. "She probably hit her mid-life crisis and didn't want to worry you. You're aware of how she treats her body. It was bound to happen."
Bob snorted. "Yeah, I just didn't think she'd do something this crazy at thirty-one."
"It's that milestone, brother. Hang in there. At least she's not cheating on you," Marley said, putting a hand on Bob's back.
He sighed. "You're right. I guess I should be grateful she wants to look good for me. What's a little face-lift in the grand scheme of things, right?" A choked laugh escaped. "But she lied. Plain and simple. Who knows, she might be cheating, too."
"I doubt that. She loves you." Marley leaned back.
"She loves my money," Bob said.

Fix #4:

"My wife has drained my bank accounts, done things behind my back, and she wants to know why I'm upset." Bob dragged his free hand down his face and slurped his drink. Left alone.
Marley said, "She probably hit her mid-life crisis and didn't want to worry you. You're aware of how she treats her body. It was bound to happen." Changed action tag to dialogue tag.
"Yeah, I just didn't think she'd do something this crazy at thirty-one." Removed all tags.
"It's that milestone, brother. Hang in there. At least she's not cheating on you." Marley put a hand on Bob's back. Removed dialogue tag.
"You're right. I guess I should be grateful she wants to look good for me. What's a little face-lift in the grand scheme of things, right?" A choked laugh escaped. "But she lied. Plain and simple. Who knows, she might be cheating, too." Removed action tag.
"I doubt that. She loves you." Removed action tag.
"She loves my money." Removed dialogue tag.

And, you still know who it is that's speaking! Amazing, right?

These are some of the most common dialogue errors I come across. If you do your homework, you'll come out the other side a better writer. For another trap post, check out this one.

I hope this helps in some small way.

What are the things that annoy you most in dialogue? Discuss!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stealing Plots

Happy Friday, good people of the blogosphere! I hope you all had a fantastic week and are looking forward to the long weekend. Perhaps you want to use that time to craft new book ideas. Well, you've come to the right place! Today, I'm going over how you can steal plots from real life to craft novels. Intrigued? Then grab those pens and notebooks and let's get going!

If you remember the posts I did on plot ideas (part one and part two), you'll know I'm a huge advocate of using things you see/read/hear to inspire you. Well, let's look at life for some inspiration and see exactly how that works.

Situation one: You're sitting, watching the news, and a story comes on about terrorists on a train and three heroes who leap in and save the day (anyone remember this?). That's an awesome story, right? Those men have been talked about often since that day.

Situation two: Friend one calls you, sobbing. Her husband was part of the Ashley Madison scandal, and your friend has discovered he's had multiple affairs. Her life is ruined, and she tells you all the warning signs she saw but ignored as you try to make her feel better.

Let's break down and re-work both situations for awesome plot ideas, shall we?

Situation one: What if the terrorists were vampires and the heroes were slayers? Or, what if they were all women instead of men? What would've happened if it were some kind of plot to get rid of a different terrorist who was planning to bomb the train, and the men sent to stop it were thwarted by the "heroes" who thought they were doing something good?

Situation two: What if the husband wasn't cheating, but he'd been doing some kind of recon mission for the CIA or some secret organization? All the "warning" signs weren't what they seemed, but the wife has no way of knowing because she doesn't know he's a spy/assassin. That's a whole different story.

It's not the situation that matters; it's the details you want to store away in your brain for the book you can write with these ideas that are important.

What caused those men to react? What were they thinking? What did they see?

What were those "warning" signs your friend is talking about? How did her husband act? What excuses did he use to get out of the house and meet up with those women?

All these questions can be answered by watching interviews or asking questions. Be the sleuth. Be creative. Bend the world to fit the story you want to read, and write it.

Whether you're a paranormal, contemporary, fantasy, dystopian, contemporary, murder mystery, or other genre author, you can make your story and characters feel more real to your reader when you use real-life situations as the basis.

So, this weekend, my challenge to you is to take something you see on television or hear on the news and turn it into a plot for a novel in your genre.

Post them below! Let's see how creative you can be!

Well, that's all for today, folks. Until next time, WRITE ON!

Jo

Character Posts

Happy Friday, everyone! Because I'm running around like a crazy person, trying to get caught up on things today, I'm giving you an awesome list of all the character posts I've written since starting this blog. Yeah, there are a lot! Get your clicking fingers ready, and let's get going!!

From the archives:
Characters, You Say? - A breakdown of characterization
Writing as the Opposite Sex - Getting into the mind of your character
Character Flaws - Why perfect characters, aren't
What's in a Character? - Character bios and what they should include
Flipping the Switch - Good guys, bad guys, and where the lines blur
Knights in Shining Armor - Causing your hero to have a fatal flaw
Is Your Character Sexy or Beautiful? - Know the difference, use it to your advantage
Character Arcs - More on creating great characters that feel real
Bringing Truth to Fiction - All about being true to your character even when writing BS
Your Supporting Cast of Characters - Talking about minor characters and how to keep them from taking over
Complex Villains - How to keep reader empathy in check when crafting a super villain
What's in a Name - Why the names you choose matter
3D Characters - More on making rounded characters
Coffee and Writing - How to use coffee to add dimension to your characters
Female Protagonists - Why Women Love Them - How to connect with women
EnneaApp - One way you can give your characters depth by clicking a couple of buttons
Being Emo - Emotional Triggers for Creating Rich Characters - Exactly what is says
Stealing Characters - How to use a character from life and other places
Character Bios - Visually - How to keep up with all the stuff about your characters with ease

I hope you enjoy the heck out of these :)

Which one is your favorite?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Novel Research - How Much is Too Much?

Happy Monday, good people of the blogosphere! Welcome to another week of fun. Yeah, it's Monday, but you now have five whole days to get in your writing groove. Today, I'm talking about research. You know, that stuff that makes your book seem plausible to your reader. Ready? Grab those pens and notebooks and let's get going!

As you all are probably aware, when I was writing M, I had to do a lot of research for a few topics and scenes included in the novel. Here are a few:

Buying explosives online (yes, you can!).
What the range on a GPS tracker is.
Best sniper rifle.
What genes are responsible for reproduction.
What genes/chromosome strands are associated with malformations of the heart.
How to pick a lock (actually picked a lock to learn what this was like).
Self-contained cities (how they work).
Moving sidewalks and how one steps onto them.
What genes are responsible for "giantism."

And those are just a few. I've asked other sci-fi writers, and they have pretty much the same experience. You have to learn as much as possible so your story can ring true. Sure, you can ask an expert or read an article about how to pick a lock, but until you do it, you don't know what pitfalls may happen or how it feels.

I've talked about this before on my post Writing What You Don't Know, but sometimes you need to get into the meat of your story by heading out and experiencing things for yourself.

Don't leave your words to someone else. The way I describe something might not be the way you describe that same thing.

As a bonus, the next time you want to write about what it feels like to walk over hot coals, you'll already know. Those little tidbits will be stored in your memory bank or feelings workbook.

It's not just sci-fi that demands research. If you're planning a book where you deal with legal issues or historical facts, you have to look that up, too. Writers are born researchers, and we usually have a thirst for first-hand knowledge of topics.

What's been the most fun/interesting thing you've ever had to research for a book? What book was it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Atmosphere Feels - Helping Readers Feel the Characters and Setting

Happy Friday, everyone! Holy cow, what a week, huh? It's been blazing trails here on my desk. Huge edit, schedules for bloggers, handling the radio show, and blogging every day have me so confuddled, I'm not sure whether to scratch my watch or wind my butt. But! Today, I'm all about the writing tip! I had a discussion with Teal Haviland, creator of the awesome website My Endless Endings (it's like a smashup of Facebook and Goodreads), and she suggested a post on atmosphere and feels. So, we'll be talking atmosphere and all the feels your character can get from their surroundings (and how to communicate that to the reader). Grab those pens and notebooks and let's get going!

So, your character is on their journey, and they walk into a room. Let's do this via examples. My character will be named Teal, and she's going to her grandmother's house.

     Teal stepped into the room and plopped down on a sofa, putting her feet on the coffee table. A teapot was sitting nearby, and she snagged a cup, filling it with the hot liquid. She took a sip, and relaxed as she waited for her grandmother to come downstairs.
     After waiting for half an hour, Teal wondered what was taking Grandma so long. Something felt off. She usually made an appearance within five minutes or so, and Teal was getting worried. Carefully, she put down the cup, rose to her feet, and walked back to the foyer to look up the stairs.

Okay, there's Teal in her environment. You all know I'm not one of those writers that goes into a ton of description. However, there's a time and a place for everything. You need tension in this scene, so description and engagement of the five senses will help. Remember this post. Yeah, only this time we're talking about how the environment impacts the character's feels. If you have your Feelings Workbook, pull it out now. Let's edit!

     Teal stepped over the threshold to a dimly lit foyer. Shivers ran down her spine when she inhaled and the musky scent of the house assaulted her. Moving to the living room, she sat on the flower-print couch, wondering where the plastic cover went, and put her feet on the antique coffee table. A silver tray with a porcelain teapot and cups was nearby, and she tossed a sugar cube in one of the cups before pouring over the liquid. She took a sip, wrinkling her nose at the bitterness of the drink, being careful not to burn her tongue, and sat back as her eyes scanned the room and she waited for her grandmother to come downstairs.
     Time ticked by, increasing the unease Teal felt when she entered. Where was Grandma? She always arrived within five minutes to spread the latest gossip from the other blue-haired ladies in the neighborhood.
     Teal's shoes clicked on the floor when she put her feet down. In the absolute still, it was like a gunshot. She winced, carefully put down the cup, and removed her shoes. Holding the slingbacks by their straps, she rose and tip-toed back to the foyer. Her heart pounded in her chest and echoed in her ears.
     One of the floorboards in the ancient wood creaked, and she paused, ticking back her ears. Dread slammed into her, and she let her gaze float up the stairs, tracking the fresh boot prints on the beige carpet.

In the first passage, you understand something's not quite right at Grandma's house. In the second, you feel like it's something sinister. Smell, sight, sounds, touch, and taste are all engaged.

Why? What's the difference?

In the first passage, there's little to no description of the environment or how it's impacting the character. If the surroundings don't have a feeling, your reader won't feel. Sure, you can tell them, but they want to feel it, too. You have to show in this case. If you noticed, from the content of passage two, we're now aware plastic is missing, the lights are dim, the tea is hot, it's too quiet in the house, and there are fresh boot prints on the carpet.

What do you think Teal will find based on the first passage? How about the second?

What do you feel when you read each one?

We can bring a lot out by describing the atmosphere of the character's environment, and it'll translate to the reader. I do ask that you use this tactic sparingly. Pages and pages of description will bog your reader (and your story) down.

Now you try it. Start with a passive scene, and make it an active scene.

Let's see your results. Don't be scared to share!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo