That Ah Ha! Moment When Writing and Utterances Excerpt

Happy Wednesday, everyone! Yes, I missed two days this week, but it was for good reason. I'm not only getting ready to leave for London and the awesome Chapter.Con, but I've also been writing Utterances! Today, I'm going to share the details of the book once again and a little snippet from further on. Grab your coffee (or tea), and let's get going!

PSA: This blog will be mostly silent until August 28th. I have a big surprise for you all on 8/24. Keep your eyes open for that post.

Yesterday, I had an ah ha! moment with my WIP. Here I was, struggling with the next big step in the book, and I hit upon the idea to just let the characters go with the flow of the story. I discovered they're smart and resourceful.

My characters are also pretty funny.  

Favorite quote:  "If crazies come a knockin’, guns come out a cockin’."

I started the day at 37k words, and I ended with 42.5k. Win!

Do you ever have that moment in your novel writing where you're just like I'VE GOT IT! and things flow?

Title: Utterances
Author: Jo Michaels
Genre: New Adult Paranormal
Length: TBD
Release Date: 2017

Blurb:
Simone spent the last two years by her cancer-ridden mother’s bedside. Taking care of her was the number one priority. When Mom suddenly goes into full remission, Simone is left bobbing in an unfamiliar ocean with a young man named Tristan. What happens next is the stuff of fairy tales—and nightmares.

Shocking, heart-wrenching, and insightful, Utterances will make you question everything you thought you knew about self-sacrifice. Award-winning author Jo Michaels pulls reality and the paranormal together in a way never before seen, intensely examining what we call the human condition by diving into the innermost workings of one young lady’s mind.

~~~~~~~~~

Excerpt (unedited) Chapter 14:

When the doc finally left, he was as white as his coat and moving fast.
Simone sat on the floor and watched as the fabric billowed in the breeze.
“Alexandra, honey?”
“Yes ma’am! Coming!”
Mrs. Shandy smiled. “Oh, good. I thought you’d done gone and left me!”
“No way, no how. We have a story to finish.” Simone dropped back in the chair, opened the book to where she’d left off, and continued.
That afternoon, she left a little early, with three chapters done, and decided to go to Tristan’s house to surprise him. On her way to Shady Pines, she’d texted him, but hadn’t said she had the evening off. After checking her makeup in the mirror—a new addition to her wardrobe thanks to Mom saying how tired and old her daughter looked, she started the engine and shifted into reverse.
It was twenty minutes before she got to his house, and she started to second-guess herself on the way up the driveway. He’d been off school that day, and she hadn’t pestered him to hang out. If he found out she’d been off work…
His truck was in the driveway, so she parked behind it and got out, suddenly nervous.
As she moved toward the door, she kicked herself for being impulsive. He was sure to ask questions she didn’t have answers to. She knocked three times and waited, a cold sweat breaking out on her forehead and palms.
He opened the door, his eyes got wide, and he stepped out, keeping hold of the handle. “Hey. What are you doing here? I thought you had to work.”
“Well, I knew you were out of school and had the day off work today, so I thought I’d drop by and surprise you.” She smiled, but her hackles rose. Something about the situation wasn’t quite right, yet she couldn’t put her finger on what.
Rather than pull her into a hug, he closed the door and grabbed her arm, guiding her off the porch toward her car. “How about I come to your house in a little while?”
“Um, why can’t we hang out here?” It was getting weirder, and he was being pretty obvious about wanting her to leave.
“My, uh, mom isn’t feeling well, and I wasn’t expecting company.”
She jerked her arm out of his grasp, turned, and sprinted toward the house, throwing open the front door and rushing in, looking everywhere.
He was half a step behind her, yelling at her to stop.
A gorgeous, long-legged brunette with barely any clothes on was passed out on the couch, whisky bottle still in her hand. There was only one word to describe her: flawless.
Simone stared, her mouth dropping open. Every fiber of her being went into shock then flew into blind rage. Her world tinted blood red. She rounded on Tristan, spit at him, and bolted.
Words were being shouted at her, but all she could hear was the fury screaming at her to leave and not come back. Ever. Once in the car, she jammed the key into the ignition, turned, shoved the car in reverse, and spun around in a perfect one-eighty. Tears gathering in her eyes made the driveway blurry, but she managed, somehow, to make it to the base of the hill before she had to pull over.
There was another driveway about fifty feet up the road on the opposite side, covered with a lush growth of leafy branches that would hide her car, so she gunned the accelerator and pulled up far enough to avoid being seen. Once sure no one had followed or seen her, she shut off the engine and curled into herself, letting the tears loose. She cried, she screamed, and she beat the steering wheel with her palms until they hurt.

~~~~~~~

Uh oh. Looks like our couple is in a bit of a pickle, huh?

Hope you enjoyed that!

My fingers are crossed I find the time to give you all a post tomorrow about something I discovered while browsing Facebook. It's interesting, and it's infuriating. Ha! Way to be vague, Jo!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Book that Went Askew

Happy Monday, everyone! I hope you all had a fantastic weekend. It's back to the grind today, but no worries! This post is lighthearted and fun. I'm gonna talk about some characters that pushed me around and took my story in a different direction than I'd planned. Ready? Grab your coffee or tea, and let's get going!

I spent the weekend revising the first half of Utterances (you can read an excerpt here). I'm at 30k words now, and I have about 30k more to write. I like to take a pause at this point in a novel and re-read to make sure everything is flowing as it should, details aren't regurgitated, and my timeline works. Also, I check to make sure my loose outline is moving forward as it should.

Needless to say, I found a few holes.

Once I'd gotten them filled in, I took a minute to build a timeline I'll be able to send to my editor so she can double check me. Everything was flowing smoothly, and then I whipped out my suggested chapter outline that I wrote at the beginning of May.

It was off by nearly six chapters! Several of the things I'd planned never happened, and many more have yet to happen. My characters dictated where the story was going, and they took it over, making it their own.

Why?

Because there are things I can't outline--like how a character will show who they are and what their core values (those things they refuse to bend on) are. Sometimes, a character needs a moment to overreact to something, and I hadn't planned it in advance. That's when my books take on a life of their own.

So, I threw my original plan out and jotted down a new one. Still the same ending, I'm just taking a different path to get there.

Right now, I'm figuring I'll introduce you to my MC and her supporting cast. SURPRISE! Check it out! Images are how I picture them in my head.

Name: Simone Alice Bookhart
Age: 18
Height: 5' 7"
Career: Cashier at grocery store
Great quote: “I know, and I love you for trying. But I had to be my own grownup around here, and I’ve changed in ways I can’t explain.”

Name: Tristan Joseph Cardre

Age: 22

Height: 5' 11"

Career: Runs one of the family restaurants & college student studying business management

Great quote: “I didn’t do anything! I just asked her if she wanted to order, and she went all cavewoman on me.”

These two have a lot of hurdles to leap over, but I think y'all are gonna like Tristan. He's as much of a hot mess as Simone is. Together, I think they're incredible.

What do you think? Looking forward to getting to know them?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Character Posts

Happy Friday, everyone! Because I'm running around like a crazy person, trying to get caught up on things today, I'm giving you an awesome list of all the character posts I've written since starting this blog. Yeah, there are a lot! Get your clicking fingers ready, and let's get going!!

From the archives:
Characters, You Say? - A breakdown of characterization
Writing as the Opposite Sex - Getting into the mind of your character
Character Flaws - Why perfect characters, aren't
What's in a Character? - Character bios and what they should include
Flipping the Switch - Good guys, bad guys, and where the lines blur
Knights in Shining Armor - Causing your hero to have a fatal flaw
Is Your Character Sexy or Beautiful? - Know the difference, use it to your advantage
Character Arcs - More on creating great characters that feel real
Bringing Truth to Fiction - All about being true to your character even when writing BS
Your Supporting Cast of Characters - Talking about minor characters and how to keep them from taking over
Complex Villains - How to keep reader empathy in check when crafting a super villain
What's in a Name - Why the names you choose matter
3D Characters - More on making rounded characters
Coffee and Writing - How to use coffee to add dimension to your characters
Female Protagonists - Why Women Love Them - How to connect with women
EnneaApp - One way you can give your characters depth by clicking a couple of buttons
Being Emo - Emotional Triggers for Creating Rich Characters - Exactly what is says
Stealing Characters - How to use a character from life and other places
Character Bios - Visually - How to keep up with all the stuff about your characters with ease

I hope you enjoy the heck out of these :)

Which one is your favorite?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Character Bios - Visually

Happy Thursday, everyone! Today, I'm going to give you a tip to help you keep those characters you're writing about straight (and maybe even the places they live). This is gonna change the way you write forever
—I hope. It's a way to keep your characters (and their details) visible so you never have to stop writing and look something up. Ready? Grab those pens and notebooks and let's get going!

If you've been here before, I'm going to assume you've downloaded my free PDF on Novel creation. If you haven't, get it here. There's a wonderful section in the back that'll help you create a character bio. This is what you need right now. My PDF is free to download, print, and redistribute as you see fit, but please, do not sell it. It's meant to be a free tool for authors.

I tend to write character-driven fiction, so my buddies in the story are key to making things feel real to my readers. There's a requirement that I know those folks inside and out.

So, once I've decided on some details, how do I keep them straight without going back to that document every single time I want to give some goodies to the reader?

Well, this is where Google and a color printer are your friend! Do a search for your character (brown haired male with blue eyes, for example), and put it in a Word document. Size the image so it takes up most of the top. Beneath it, type out the character's height, weight, birthday, location, parents' names, and any other nuggets of fun you think you'll want to reference. Make those details BIG and BOLD.

Click print.

Create one for each character, and print those reference sheets out.

Tack them on the wall behind your desk so you can see them!

Now, go do the same for locations (these can be general or scene-specific).

Boom! All that pretty info is right there for you. All you have to do is look up!

Here's an example of one of mine (for the upcoming novel I'm writing with the Fractured Glass ladies):

Doesn't that make it so freaking easy?

Because you aren't redistributing the images, you don't have to purchase them. These are for YOU, not the world. Even if they have a watermark on them, you can see the details well enough. If you decide to use the photo for something else, please, PLEASE be sure and purchase the full sized image and correct rights.

Same goes for location scenes.

If you take the time to do this, you'll never have an inconsistency issue, and your work will gain a ton of momentum!

Have you ever done anything like this? What do you use? Discuss!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Being Emo - Emotional Triggers for Creating Rich Characters

Happy Tuesday! As the title of the post implies, today I'll be talking about emotional triggers you can (and should) use for your characters. As a writer, you're a student of human nature. Let's put those studies to use in your writing so people can identify with your MC. Ready? Grab those pens and notebooks and let's get going!

I often wonder why writers of an older generation have books that scream at readers with such truthiness. Now, I'm not saying younger folks can't write deep novels (because they can, and do), but those little sparks of talent are rare and have likely been cultivated. Many people tend to take up writing when they're in their late twenties or early thirties.

Why?

Because they've lived it. They have a greater well of life stuff to draw precious words and experiences from. Don't you love sitting and talking with older people? Listening to their stories is like reading a really great book that answers questions you want to ask. A teenager who's lived a normal life (no abuse or bullying or anything like that--you get my point) will find this more difficult.

So why am I bringing all this up?

Today is about emotional triggers. Older folk have more of these to draw on simply because they've been in the world longer and experienced more. Reading about something and feeling/living it are two different things. No matter how engrossed in a book you are, you never really know everything that was going on around the character or in their past. That novel would be like War and Peace. When you live it, you can draw on it more readily.

Don't get me wrong, I'm not saying only older people can do this exercise; I'm saying their lists will be longer--and probably easier--and that's okay. I just don't want you to be daunted or frustrated if you have nothing for a particular item. This could open up an opportunity for you to talk to someone else and listen to what they have to say about the emotion.

Exploring your character in depth like this can lead to a more rounded individual on the page. Heck, this may help a younger generation of writers hit that ever-elusive personified character we all strive for. Either way, it'll help you get to know your MC.

There will probably be more than one answer for each of these, but try to think of just one the first time through.

Here's the list:

• Shame - When did the character feel shame? Why? How has it shaped them?
• Joy - Yup, that moment when they felt they could fly without wings. What happened afterward?
• Fear - This is a big one because it fuels a lot of the ways we perceive ourselves. Insecurities can arise from fear. What change did it cause in your character?
• Guilt - Another big one. Carrying around guilt can cause your character to react a certain way in a specific situation. How heavy is the burden? Will they ever admit it?
• Love - When did they feel it the first time? How did it shape their perception?
• Failure - Will your character give up after a huge let down? What was it and how did they push through?
• Courage - What were they facing when they showed courage? Did they succeed or fail? How did that shape them?
• Forgiveness - There's always that one screwup. Who was the forgiver? Did it make the character stop and think about holding a grudge with someone else later on?
• Rage - How did they internalize it? Did they? What were the repercussions if they acted out?
• Indignation - Someone pushing the character to do something they refuse to do? What prompted it? Why didn't the character take part? Moral code?
• Sorrow - Profoundly. Stemming from death of a loved one. How did they deal with it?

I know that's a long list, but it'll give you some fodder to draw on as you write your story. You don't have to reveal all of them (remember that comment above about a book being different from a life?), but you'll have a better grasp of who your character truly is if you give them all the emotional baggage.

Have you ever done an exercise like this? How did you fare with this one?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stealing Characters

Happy, happy Monday, good people of the blogosphere! Wow. I'm totally late again. But at least I got something written and posted today, right? So, we're gonna talk about this lovely thing I like to call imagination. Basically, I'm going to tell you where you can steal characters and it be on the up and up, and how anyone that tells you otherwise is full of mahoney. Grab those pens and notebooks and let's get going!

Where do characters come from, anyway? You can say they're all figments of the author's imagination. You can say they're everyone and no one at all. Heck, you can even say they're people the author knew/know.

And you know what? You'd be right on every count.

There's no such thing as an original character.

Are you ready to rip my face off yet? Good. Now, let me explain.

Your characters will all have an inherent piece of you. Yes, all of them. When you have to write anger, you draw on your own experiences with anger. In this way, it's impossible to write what you don't know. If you happen to come upon a feeling you've never had, chances are you'd have to ask someone else what it's like. Therefore, your character takes on a few basic traits of that person.

Writing that woman you watched in the airport who was oozing emotion through the phone at what you could only guess was a man? She's totally unique and not you, right?

Sorry. No.

Because what you've seen of her brings you to certain conclusions of your own about who she is. You draw upon experiences you've had in the past to fill in the rest of the proverbial sketch of her life.

But what about that character that came from nowhere? You just sat down, chose a name, created an identity, and drew them from thin air, right?

Let's think about that for a moment.

While that character in the book may have purple hair, pointy ears, and a forked tongue, you have to create a personality from somewhere. If you don't use your resources: yourself, a friend, a stranger you spoke to, a family member, a character you once read about that stuck with you in personality, an old classmate you hated/loved, etc..., you're setting yourself up for failure and flat characters.

There's no such thing as an original character. Even if the man or woman in your book has one small piece of you, it's not 100% unique. They must have some part of someone to be real.

But characters aren't real, Jo!

Aren't they? Don't they talk to you when you're writing them, telling you how to write their story so the world sings along? Don't they force your hand sometimes?

I don't know a writer anywhere who says, "My characters do exactly what I tell them, and my story doesn't suffer for it." Yeah, that's not the way it works.

We create these people, and they go with us everywhere. I'm almost convinced those crazy people who walk around mumbling things to themselves aren't crazy at all; they're retired authors talking to the characters that refuse to leave.

They're in your head. You formed them. You breathed life into them. They're all going to have a piece of you, no matter how miniscule.

Guess what that means? If you're a lot like author ABC over there, and the two of you have had similar experiences/pasts, your characters might just act and sound alike.

Nothing wrong with that.

So, the next time friend A asks you if they're in your book, smile at them and nod your head. Chances are, there are enough pieces there to make it the truth.

But never, ever be afraid to steal bits and pieces of those folks you meet on the street or watch on the sly. They'll inject your characters with new traits.

What do you think? Have you written a character who acts/sounds like someone you know (accidentally)?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stereotypical Stuffed Shirts - Changing Cliché Characters

Happy Tuesday, good people of the blogosphere! Excuse me. I seem to have alliterated. *grin* Okay, all grammar nerd jokes aside, I bet you're all knee deep in the work week and looking forward to a little break, eh? Well, today I'm bringing you a post all about using stereotypes to your advantage. People tell you never to use a typical character, but I think using common folk as a base is a fantastic place to start. This is gonna be another work with me post, so grab those pens and notebooks and let's get going!

First, let's list some stereotypes:

• Crazy aunt who pinches cheeks and laughs too much.
• Shy, smart, eager to please teen who's bullied in high school.
• Bad boy who smokes, drinks, and gets in fights all the time who turns good with love.
• Good girl who has no one and nothing, but does everything right (perhaps even playing nursemaid to a sick parent or other relative).
• Southern idiot with a drawl, a gun, and a coon hound.

Okay, that should be enough to get us through this exercise. Now, stories with these characters are abundant. You can find at least one in every three books you read.

They make great secondary/forgettable characters, because there's nothing about them that stands out from the fray. People forget them easily (especially if you don't name them).

That being said, you don't want to slap this kind of person into a tale and put the spotlight on them.

Unless...

You add a little something to make them twisty to the reader. Take the stereotype and flip him/her on their heads. Throw in a surprise for your reader that's like a nugget of gold hidden in the pages. After all, riches kept miners going to the deadly land of Alaska looking, right?

Reward your reader; they'll come back for more.

How can you do that? Well, let's use the characters from above (yeah, you knew that was coming) and work out how we can make them more than they seem. I'll give typical traits, then how you might be able to give that character a twist.

Crazy Aunt - Now, this cliché lady crochets, makes jam, and probably has a fruit pattern on her plastic dining room tablecloth. But the twisty lady might keep kids in cages in the basement, men tied up in the barn to torture (perhaps she was a victim of abuse and this is her revenge on the male species), or she's a spy for a foreign government.
Bullied Teen - Typically quiet, excellent students (because no social life), and usually dress down so as not to draw attention to themselves. If you gave them a twist they could bully others anonymously, enter beauty pageants in other states, or run for class president (now that would be a shocker).
Bad Boy - Women are drawn to him, he's crazy sexy, and he has some sort of tortured past. Flip him and make him rich with great parents and un-saveable, someone who's doing a social experiment by acting like a bad boy (your reader will gasp), or have him be really bad and kidnap girls who fawn over him because he was always fascinated by the way women look.
Good Girl - She goes to her job every day like clockwork, never gets in fights, and makes perfect grades. Change her by giving her a twisted fetish she has to hide, visions of dead people she shakes when she sees but hides because she's actually crazy, or let her go on a murder rampage and kill everyone who ever expected her to be perfect.
Southern Imbecile - Hunts, fishes, not playing with a full deck of cards, drives a dirty pickup truck. Make him different by giving him a secret lab and off the charts IQ he hides, making him an alien, or let him be an over the top wealthy guy who's a brilliant artist in hiding.

Now you try. List each one on a piece of paper and try to come up with three things you could do to make them different. After that, come up with your own cliché characters, and change them, too!

No matter how you accomplish the twist, keep it fresh, keep your reader guessing, and do something folks don't see all the time.

I hope this gives you some ideas on how to change characters up and make them more.

What do you think? Ever used a stereotype in a different setting? Tell me about it!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Female Protagonists - Why Women Love Them

Happy, happy Friday, everyone! I'm thinking maybe the title of this post should be Strong Female Protagonists - Why Women Love Them; because I'm speaking from a female point of view, and I read a LOT of book reviews by women that cite that very thing as what makes the character great. Either way, let's get on to the discussion. I think this post may help female writers, but it might help some of the guys, too. Grab your pens and notebooks and let's get going!

I suppose you all remember the post about your characters being too perfect. Well, that also plays into this discussion. Since all characters are on a journey from page one to page five hundred, we'll assume you're starting out with a flawed female who thinks she needs one thing, but will find out that what she's looking for isn't what she needs.

Being flawed is what makes us human. Remember: To err is human, to forgive is divine.

So, why do women love female protagonists?

It's not just any old protagonist with a vagina we ladies love to read about. It's the ones we want to be more like that move us emotionally (and women are driven by emotions). We have to connect with them on a deeper level. Here's a quick list of things that make a strong female lead (and some of the females that rock):

• She doesn't know she's awesome and doesn't preen like a peacock (Jane Bennet-P&P).
• In a fight, she'll always come out on top. Maybe not because of her brute strength, but because of her brains (Hermione - Harry Potter).
• There should always be self-doubt as to whether she can do what she's about to attempt (Katniss - The Hunger Games).
• These ladies don't need a man, and they don't whimper in a corner when things get hard (Millie - The Help).
• Hard times or abuse have fallen on them in the past, and they grew from the experience (Kate - First Visions).
• Many of these women are completely selfless and put others first (every lady listed above).

Now, that's not everything that makes a great female protagonist; but it's a good list to start with. Add to that some skill with a sword or bow, a successful line of self-employment (all of Fern Michaels's leading ladies), some serious self-doubt that's overcome, or a hidden power, and you have a winner.

But she must also be the underdog. We must have some reason to root for her to succeed and the fear that she won't. A girl whose never seen the other side of the tracks is difficult to get behind. Let's face it, life isn't easy or fair for 99% of the population. If you make it fair, 99% of the population won't connect with your character.

If you do these things well, your readers will fall in love with your characters, identify with them, and want to be more like them. That's the key.

I bet you've heard of most of those women. Guess why? Yup, they were strong. If you haven't read Kate's story in First Visions, you should. It's free. Forever. On Amazon.

I'm going to let you in on a little secret: If your female lead is weak, annoying, leans on a man all the time, or acts childish, female reviewers will ding you for it. Give us someone we can really root for.

Who's your favorite leading lady?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

What's in a Name?

Happy Friday, good people of the blogosphere! Oh, man, the weekend is right around the corner. I know you can smell it. Here's hoping everyone has a wonderful Saturday and Sunday! Today, I'm going to talk with you a little about naming your characters and why any old name won't (and shouldn't) do. So, grab your pens and notebooks and let's get going!

When naming characters, there are a few things you should always be mindful of:

• Is the name difficult to say/read?
• Does the name have more than two syllables?
• What does the name mean?
• Do any of the names sound too similar?
• How many of the names begin with the same letter?
• What does the last name say about the heritage of the character?

A lot of authors make a name swipe list for minor characters that run from A-Z. Time is spent gathering names that sound different from one another and those are organized in alphabetical order. When the author needs a new name, they simply pull out the list, choose one of the names, and mark it off. That way, they're guaranteed not to have too many characters whose names sound alike. This is a great plan! Do it! However...

In my humble opinion, you should also look into what every one of them means and write it next to the name in your swipe file. For example, the meaning of the name Trixie (MC in I, Zombie) is "bringer of joy," Bronya (Mystic, book one) means "strength," and Stormy (MC in The Bird) means "impetuous nature." Those names fit the personalities of my characters because I took the time to do the research. Guess what? It didn't take me long at all.

How did I discover that information and think to use those names in my books?

Well, there's a super secret website that I'm gonna share with you in a moment where you can search by name, meaning, number of syllables, gender, or first letter.

Yes! I'm actually telling you someone took the time to help authors out and give us a place where we can find hundreds of thousands of names at the click of a mouse.

What is it? BabyNames.com

Click on advanced search and get your happy on.

I know, you all just groaned inwardly. But this is one of the best resources I've found for character names. I wouldn't want a meek, confused girl to be named Bronya or Stormy. Just like I wouldn't want either of those characters to have a name like Naomi, which means "gentle."

Yes, readers will pick up on that. Even if they don't know it right away, they'll feel something is off if they're reading about Naomi kicking butt and shooting bad guys.

Thought I'd share!

Did any of you know about this site before today? Did you use it? What gems did you find?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

EnneaApp - Awesome New Tool

Happy Hump-Day, everyone! Today I'm gonna share an awesome app with you that'll have you lurking in your characters' heads in no time. The best part is, it's free right now! Bonus: You can tweet or post to facebook about it and unlock the full version for a limited time. Sit back, grab your iDevice, and let's get rolling!

You can find out more about it via this link which will take you to their website.

But let's move on to why I'm mentioning it and how it can help you as a writer, shall we?

If you're a long-time follower of the blog, you may remember these posts I did on using the Enneagram to type your characters. That link will take you to the conclusion post which has links to all the others for each type of person.

Now comes the fun part.

If you use the app as your character, and answer the questions from their POV, you're gonna have a wealth of knowledge on how to anger them, please them, or incite them to action. This is an extremely valuable tool to have in your writing arsenal.

When you're filling out the character bio section of this PDF, you'll have answers to the questions asked when you type your character with this app.

I've been keeping an eye out for something that would help authors get to know their characters on a deeper level. I'm so glad I found this so I could share with you all.

Give them a follow over on Twitter to keep up with awesome news. @EnneaApp

What are you waiting for? Go get it!

Have you used the Enneagram to type your characters? What insight did it give you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Your Supporting Cast of Characters

Happy Thursday, good people of the blogosphere! Just two more work days until the weekend! I hope you all have something awesome to look forward to. Today, I'm talking about your supporting cast of characters. These are the folks that make your world seem real, the ones your character will interact with on a limited bases, and/or minor characters we aren't supposed to give two shakes about. If any of you have downloaded my free PDF, A Novel Checklist, you'll know there's a whole section, printable on its own, to assist you in creating dynamic characters. But you can, and should, also use it for minor characters. Before I digress too far, grab your pens and notebooks and let's get going!

There are three basic character types:

Major Characters are the ones your story is about. I'm sure, if you've been around the blog a while, you have a good idea of how to create awesome characters that your reader can connect with. So, I'm not going to spend any more of your time on those. If you haven't been around a while, you can catch up on all the posts on characterization HERE.

Moving on...

Minor Characters are the ones that support the major characters, but people your reader isn't supposed to care too much about. These folks may help move the plot along or be assistants to the big action, but they're always disposable. Now, I've had minor characters assert themselves and become major characters, but they didn't start out "life" that way. These entities show up, perform one or two things in the plot, then disappear. We don't expect them to come back later and take over the spotlight.

Just in case they do, you should have a character bio on them.

Now, these characters can jump out of the story and yell, "Ta-da!" to announce themselves; but they should do what they came to do and get out. Make them eccentric, bigger than life, or obsessive. Readers will notice the person, expect action, and be glad when they leave.

Walk-Ons and Placeholder Characters are exactly what their name implies: temporary. They're background noise that allow you to create a realistic world. If you want them to be forgotten, don't give them a name and don't make them anything other than a stereotype. These will be clerks in stores, delivery drivers, mailmen/women, doctors, nurses, etc... Every person you'd find in the real world, that lives in the background and goes unnoticed, are your walk-ons and placeholders. Don't give them traits that make them stand out.

If one of your placeholders starts to make themselves a nuisance, cut them from your text altogether or change what it is about them that's making them like glue. Perhaps it's wardrobe choices, maybe it's a larger-than-life personality. No matter what it is, find it and eradicate the character. Don't give your reader unnecessary distractions.

I hope this gives you all something to work with. I'll be back tomorrow with some prompts to help your brain along.

What story have you read lately where a walk-on was overdone or a minor character stole the spotlight?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Choosing a Viewpoint

Happy Tuesday, good people of the blogosphere! Everyone back to work, kids back to school, and writing time abounds. I wish your muse upon you today. May your words be plentiful and your key strokes be numerous. Today, I'm talking about one of the most important aspects of writing: viewpoint. I haven't really touched on this subject before, but I think it bears talking about. Grab those pens and notebooks and let's get going!

First and foremost, you must grasp the difference between the different viewpoints. Here's a little image to refresh your memories of English class:

First person gives you the ability to see inside the character's head, convey their thoughts directly, and see the world through their eyes.
Second person puts you in the character's shoes, tells you what you should be feeling and thinking, and shows you the world from your vantage point.
Third person is from an outsider's point of view, and they can be either omniscient or limited in what they see.

Most stories are set in first or third person, though I have read fiction written in second that was very well done.

Example of first person (excerpt from Yassa):
     My father and I were already outside, preparing our horses for travel, when the sun decided to lift her sleepy head over the horizon to reveal a clear sky and a day that would be perfect for our journey over the grassy steppes. It was a cool spring morning and the light reflecting off the mountain near our home, Burkhan Khaldun, made pretty patterns of light on the ground near my feet. In the dim light, my nervousness seemed amplified and even the soft sound of mice scurrying across the ground to store the grain they were stealing set my nerves on edge. My mind kept wandering off repeatedly as I asked myself a million questions about the girl I was to marry. Was she pretty? Was she a hard worker? Was she stout and able to bear many sons? What if I’m not attracted to her?
     I squelched those thoughts when my father stared at me with his stern face. He looked different that day, angry and a bit sad, almost as though he could read my mind and feel what I was thinking. It was very unsettling for my tender, young conscience and only amplified the problem of my twanging nerves.
***

As you can see, it's written from Temujin's POV. What's good about this option is that you know everything there is to know about the main character. You're put in their shoes directly and can be pulled into what they feel as they plod through life or their journey. What's limiting is that you can never see into any other character's head; only have conjecture via actions/expressions.

Example of third person limited (excerpt from The Bird):
     As the sun began its journey into the sky, Stormy watched it with intensity. Somehow it seemed brighter, like it knew that day would be different. She sighed and lifted her coffee to her lips, blowing the steam away. A tentative sip later, she relaxed into the chair as the warm liquid made its way down her throat and made her feel at home.
     Her thoughts turned to the reason she was there and a great wave of sadness passed over her. Mom only had about two months of life left, and Stormy wasn’t sure she’d be able to stand it when the family matriarch died. They’d been through so much together and butted heads so many times it was ridiculous. But the love was there, and that’s what mattered. Stormy’s eyes misted up as the memories of chilly Christmas mornings and pushes on the old tire swing played through her head.
     A bright red cardinal, with a very black mask, perched in a bush nearby and cocked his head to the side as if to say, “Hello. What are you doing sitting on my porch?”
     She laughed softly and spoke to it. “Hi, yourself. Your porch, eh? I bet you’re a happy bird this morning. It looks like it’s gonna be a beautiful day. Why are you up so early? Oh, right,” she snorted, “the early bird gets the worm, huh?” Another chuckle escaped her lips and she wondered if she was losing it. After all, who in their right mind would talk to an animal?
***

This is written from an outside observer's POV. I choose to write in third person limited for almost everything I do. One of the strengths of this style is being able to change characters as you flow through the story, giving greater depth to a scene. But, if you've read The Bird, you know there has to be a break indicator when you switch. This allows you to show the story through two sets of eyes as it moves along. One of the weaknesses of this style is the inability to change viewpoints without some kind of break, after which you must clearly explain what's going on and who's POV you've changed to.

When writing from an omniscient POV, you can move around, over, and through time and space with your reader, jumping into any character's head at any time without any break indications. You can also give overviews of the collective actions or thoughts of the characters. But omniscient is difficult to pull off without the story jumping into what we know as a "head hop." This is when you've written most of the story from one character's POV, only to jump to another character occasionally. If writing in this way, you must remember to stay true to the all-knowing being all the way through the book. A difficult task, at best.

So, how to choose between POVs? Answer these questions:

• How deeply do I want/need my reader to connect with my character?
• Will I need to show the POV of many different characters later on?
• Does there need to be an air of mystery in my novel?
• Do I want to make my reader feel as though they're the MC?
• Is it absolutely necessary to know all and see all? 
• What narrative style fits my story best?

Once you answer those, you can decide how to proceed. Most often, your story will be told in either first or third person. Once you decide between the two, you'll probably have a good idea of how you want to tell your tale.

Your second consideration is tense. This is what we'll go into tomorrow.

What's your favorite POV to read/write? Are they the same?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Checklists for Novels - Part 3 of 3 - Scenes, Dialogue, Complexity, and Character

Happy Wednesday, good people of the blogosphere! Halfway through the week, we are. Wow, the volume of that cheer blew my hair back. Guess you're all looking forward to the three day weekend, huh? Well, I hope you all have a novel you're editing right now and can print these little checklists and make good use of them with your *ahem* time off. Today, you get checklists for scenes, dialogue, complexity (in one), and character (there are three of these). At the end, you'll find a link to a PDF you can download, print, keep, and share! All I ask is that you don't alter it in any way. Thanks! Let's get going!

Scenes

• Do your scenes ebb and flow well?
• Are the four basic happenings taking place?

1. Action - This is the objective of the scene.
2. Reaction - What the emotional state of the protagonist is.
3. More Action - What they do about it.
4. Deepening - This happens only in the most dramatic scenes.

• Do you have a great hook, intensity, and a good setup for the next scene?

Complexity

• What value are you supplying to your reader (values can be life lessons or new opinions)?
• Is there a sub-plot that could be added that would give your protagonist (or antagonist) more depth?
• How will any sub-plots assist you in changing the values of your character?

Dialogue

• Have you used a lot of he said, she said?
• Can you turn any of the dialogue tags into action tags?
• Are you using the proper dialect?
• Contractions. Do you use them?

Characters (this is broken out in the checklists)

• Full Name - First, middle, and last along with any other names they've had along the way.
• Location - Where they live, where they were born, if different, why it changed.
• Age - Includes birthday, zodiac sign, and recent celebrations.
• Physical Description - Height, weight, hair color, eye color, shoe size, skin color, manicure?, pedicure?, hair length, eyebrows (V shaped, bushy, pencil thin, etc...), identifying marks, for women: bra size.
• Mental Description - Self centered, egotistical, timid, brash, vengeful, etc...
• Reasons for Mental Description - What happened in life to make them that way.
• Friends - Other characters. Are they major? Minor? Plot changing?
• Relationships - Spouse, kids, parents - with names and nature of relationship.
• Goals - What their ultimate life goal is.
• Career - What they do or want to do.
• Skills - Any skills they may have.
• Magical Powers - For fantasy or paranormal. Can they shoot fire from their asses? Lightning bolts from their eyes? Levitate? See through peoples' clothing?
• Sexual Orientation - Straight, gay, bisexual, etc...
• Fun - What they do to let their hair down.

Here's the link to the full PDF that has tweaks and little boxes to put checks in: GIMMIE MY FREEBIE!

Enjoy and share!

Have these changed the way you look at your novels?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Checklists for Novels - Part 1 of 3 - Plot and Structure

Happy Monday, good people of the blogosphere! I hope you all had a great weekend and are looking forward to the week ahead. On an awesome note, I managed to land exhibitor space at UtopYAcon 2014 and will be sharing a table with a writer I greatly admire, Ms. Tia Silverthorne Bach. I'll pass on more news to you about this awesomeness as it becomes available. For the next few days, I'm giving you all checklists you can run down and tick items off of that'll help you with the construction of your novel. I'm creating images out of the lists so you can save them and print them out. Today will be plot and structure. No pens and notebooks needed; just bring your printer and mouse. **NOTE** You may save and print these as you wish!** Let's get going!

Plot:

• Critical Elements - Do you know what they are?
• Strong Lead - Is your protagonist deeply layered?
• LOTE - Do you have the following: Lead, Objective, Trouble, and Enticing Ending?
• Identification - Can readers identify with your protagonist in one of these ways: Sympathy, Likeability, Inner-Conflict, or Power?
• Objective - Is it strong and will people care? Ask yourself, "So what?" It must be something the protagonist must have to live a happy life.
• Ending - Does it make your reader feel satisfied that all loose ends were tied up?

Structure (3 Act):

• Beginning - Does it introduce your protagonist and the world they live in? Have you had the reader shake hands with the antagonist? Is the threat eminent? Has your character passed through the doorway of no return?
• Middle - Have you deepened the relationships and character of the protagonist? What will the antagonist do to make life more complicated? This is where the action happens. Do battles rage? Have you set everything up for the final bang? Is there a revelation?
• End - Have you wrapped everything up? Was the final battle full of enough tension? Do readers believe the ending could've happened?

Tomorrow's checklists will go into elements of the plot and structure.

Make sure you come on back for that!

Do you use any kind of checklists once your novel is done?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo