Is it Wrong to Expect Readers to be Active Participants in the Story?

Happy Thursday! Today, we're gonna talk about description, how it might impact the reader, and what authors might or might not expect from the consumer. Ready? Grab your coffee or tea, and let's get going!

So, I'm on the phone yesterday with an author friend of mine, and we got into talking about what we expect from our readers. Both of us agreed that we write with the assumption that the person picking up the book has a brain and understands the basics of the world they live in.

For example: If you say someone walks into a bedroom, do you need to write out to the reader that there's a bed, or is that something you can expect them to infer by telling them it's a bedroom?

Several writers will go into great detail about the room's furniture, but those machinations are usually reserved for the times that it matters, right? Say, if there's something "off" about the decor, or if the bed is an antique and should be admired for a moment. Even if the scene calls for a description to tell the reader it's a male's room or a sex cave, that's okay. But if the character is just walking into a bedroom, is it really necessary to bog the reader down with minute details right off the bat?

Here are some other ways to work those details into the story without having an information dump--again, unless the character is actively admiring, or scrutinizing, the decor:

• As the person is active in the room, they run their hands over things like the brocade on the chaise lounge.
• When they tell someone else to sit, it could be noted they made the choice of where to place the person based on potential comfort level.
• If the character lies on the bed naked, the satin sheets could feel cool on the skin.
• While they're being made to wait, they can then notice one thing about the room and scrutinize it to give their brain a distraction.

There are several ways of describing a room's contents without going into infodump mode, as you can see above. Unless you're actively trying to slow the story down, is it really necessary to tell the reader everything that's in a common room (bedroom, bathroom, living room, kitchen, etc...)?

I think, perhaps, we should give our readers a little credit and assume they have brains in their heads. If I read that someone is sitting at the bar in the kitchen, I have a pretty good idea of what that room will look like.

I've gone into description and when it's useful in this post, and I went into how to paint the scene in this post. If you're looking to heighten tension with description, here's a post I wrote a while back that breaks it down (this post also compares showing and telling).

What do you think? Do you expect a more active participation from your readers, or do you spoon feed them all the things?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday Funday Part Four

Happy Friday, everyone! So, I used to do this awesome thing called Friday Funday. It's all about authorly word games or writing games you can play alone or with friends and family. If you'd like to check out past posts, click these links: Friday Funday, Friday Funday Part Two, Friday Funday Part Three. Keeping with the theme, I'm gonna do one today! These are all about observation to revise your work in progress. Get your brain ready, and let's get going!

Game #1 - Acting Crazy for Revisions (3+ players)
Use your phone or computer camera. Set it up so it can capture the area and hit record. Pick a scene from your work in progress, and read it aloud while the other people in the room act it out. You now have a live visual to draw description from. Pay attention to facial expressions and movements when you're revising the scene. You can also just do it for fun with a book you've read to see if other people picture it the same way you do. Costumes are optional, but fun.

Game #2 - What Happens Next? (3+ players)
Pick a scene from a book and read the first part. Players in the room act out what they think happens next. Whichever one is correct wins candy (or some other little prize). Who knows? If you're the author, you may revise the scene to make it fit what they acted out rather than what you've written. *grin*

Game #3 - Where am I? (2+ players)
Again, choose a scene (or two) and leave out any location details. Read the scene aloud, and let the other person/people guess where you might be. Have them tell you what they think the location looks like. This one can get pretty fun if you have imaginative friends.

Game #4 - Internet Meme Search (1+ players)
I find this one fun because you can do it yourself. Take a 2-4 word phrase from a book, add the words "meme" and your first name to the end, and type it in the search bar of your favorite engine. Choose image, and have fun laughing. In a group, whoever comes up with the funniest one wins a small prize.

I hope these provide you with a ton of laughs this weekend.

If you try any, come leave me a note to let me know how it goes!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing, Thinking About Writing, and Why Both Matter - A NaNo PSA

Happy Wednesday, everyone! Well, we're in the throes of NaNoWriMo, and I figured you could all use a little pep-talk today. If you're keeping up with the daily word count of 1,667, you should be at 18,337 words by the end of the day.

But what if you're not?

Well, I'm here to tell you that it's going to be okay. What you don't hit today, you can make up for tomorrow. Just don't let it go untended for too long (like, say... December 1), because it'll become impossible to catch up.

Let's look at it this way:
1,667 words per day to hit 50k
BUT
If you're a writer who typically hits 3-4k in a day, you'll only have to do 2,381 every weekday in November.
OR
You can write every other day, and set a goal of 3,334 words to hit that 50k.
AND
If you miss three days, your daily word count goal only goes up to 1,852.

So don't stress if you miss a day or two. It's not going to be the end of the world.

But what about that second part: Thinking About Writing?

When you're not writing, you should be creating your novel in your head, ironing out the kinks, and doing research. Basically, if you're not banging on the keys, you should be spending time with your characters and plot. Get to know them. If you figure out what makes your characters tick, you'll have an easier time creating words that help your readers connect.

Even though I'm not participating in NaNo this year, I'm still writing (as we all are). I still have a deadline I have to meet. So, I'm using the quiet time around the web (because it's rather dead out there this time of year) to do just that.

Yesterday, I took a much needed break to have coffee with other authors, and I ended up working out some of the issues I was having in my MS by talking out my thoughts. It was a 3k word day after that.

Why is thinking about writing important? Because it helps you solidify where your story is going and how your characters are going to get there. This makes anything easier to write.

What's been your biggest NaNoWriMo challenge this year?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo