Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Tuesday, September 26, 2017

What the Hell is an Author Platform, Anyway?

Happy Tuesday, everyone! Today, we're gonna talk about that little thing called an author platform. Everyone uses the term, but few take the time to tell you exactly what it is and how to build it. Well, I'll rectify that! Get your coffee or tea, and let's get going!

When you think of a platform, you think of something you can stand on, right? Either to get a better look or to boost you up, support you. It's the same when referring to an author platform; only for authors, this also entails reach, or how loud your voice is in the social sphere.

Your platform is that which you may climb upon and scream a message to the masses that gets heard. Obscure sites don't really count when you're calculating reach--unless those obscure sites have rabid book fans that belong to you and you alone.

Social media sites, personal websites, blogs, and newsletters all add up to author platform, but a couple have more impact for you personally. Here's an example:
  1. Twitter--4k followers
  2. IG--13k followers
  3. Blog--2k subscribers
  4. Website--200 visitors per day
  5. Newsletter--20k subscribers
  6. Quora--2k followers
  7. Facebook Page (public)--4k likes
  8. Facebook Page (personal)--3k friends
  9. LinkedIN--300 connections
  10. Google Plus--2k connections
  11. YouTube Channel--150 subscribers
Now, you're probably looking at that and saying, "Wow. That's an amazing catch of numbers at around 105k!" You'd be right, but let's break it down further. Out of those followers, subscribers, and connections, how many people actually engage with your content?
  1. Twitter--5 to 10
  2. IG--50-60
  3. Blog--20-30
  4. Website--2-4
  5. Newsletter--100-200
  6. Quora--2-4
  7. Facebook Page (public)--2-5
  8. Facebook Page (personal)--20-30
  9. LinkedIN--1-3
  10. Google Plus--2-5
  11. YouTube Channel--50-70
That hit pretty hard, huh? On the lowest number, that took you to 254. Out of 105k. Well, you can break that down even further when you look at sales generated from each method. IG has high likes, but how many true sales?

Your bottom line number is your true platform. For every comment, click through to buy, share, plus one, like, or question asked, that's an engagement, but not a sale. You can't simply count opens of a newsletter--it needs to produce clicks. That's where the value of your platform lies.

As you can see, you need a HUGE platform to get enough sales to make a difference. This is why cross-author promotion is so helpful--but it only helps if your base platform and theirs are interested in the same genre. Imagine doubling or quadrupling those numbers above.

I know, right?

Anyway, I hope this helps to clear some of the fog off that vague "platform" term. When an agent asks about your platform, they wanna know how loud your voice is--they're looking for that second set of numbers.

What number would you say your platform is at?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, September 22, 2017

Barnes and Noble Yanks Books - Smashwords Offers Solution

Happy Thursday, everyone! Well, what an interesting month it's been, eh? Let's get to the publishing news, just in case you haven't seen it. Strap in, grab your coffee, and let's get going!

Over the last month or so, B&N has pulled several Indie erotica titles off their platform. Authors who were hybrid experienced an interesting effect when their Indie titles dropped off, but their publisher titles stayed up. What are they worried about? Well, if you caught my post from a while back that tackled the subject of what content would be allowed in books, you'll know. If you missed it, take a look here.

So, it seems the taboo topics are under fire. Namely:  Age play, bestiality, dubious consent, incest or pseudo-incest, non-consensual sexual slavery, rape for titillation, underage, snuff, scat, necrophilia.

Some of those have "never" been allowed.

Or have they?

According to the Smashwords blog, few retailers will take incest or pseudo-incest, and iBooks won't take them at all.

I beg to differ. After a quick search on B&N, I found the time-honored (even made into a movie) Flowers in the Attic series. I read that series. Not only do the children locked in the attic (the elder brother and sister) experience a coming-of-age sexual happening, but their mother slept with her uncle to conceive said children (which is why the grandmother wanted the kiddos to disappear). Sorry for the spoiler for those of you that haven't read it and had planned to.

Once I checked that out, I went over to iBooks. Guess what?






Yeah. There it is, but iBooks doesn't take books with incest in them?


By the way, it's also available on Amazon.

Doesn't it seem an awful lot like it's just Indie published books that are being targeted? Why not yank V. C. Andrews' books from those same platforms? If there's a taboo topic, she covered it. I've read several of her series, and MANY of them have incest happening across all arms of the family.

Guess what else? There are no "warnings" of sensitive material on ANY of those.

But JO! Those are referring to EROTICA titles.

Are they? Now, since the Great Blocking of Indies, if your book is erotica or not, you have to say whether you used one of those taboo topics. Yeah, even for sci-fi or paranormal.

HOW IS THAT OKAY? 

Do the publishers get to skirt all that? They do. It's obvious by what I've shown above. I'm positive there are others.

Smashwords is trying to provide a solution for Indies and restore trust with their retailers. Read about it on their latest blog post here, which is where the list of taboo topics above came from.

But, the bottom line is, Smashwords shouldn't have to. It's getting out of hand, and something needs to change.

If you publish fiction with one of the taboo topics listed above, please go update your books on Smashwords. It's now part of their ToS, and if you're caught not labeling them, you'll be banned from using them as a distributor.

*facepalm*

Can you name a trad pubbed book with one of the above topics?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, August 11, 2017

Readers, Sensitivity, and Mob Mentality - How Much is Too Much?

Happy Friday, good people of the blogosphere! Today, I'm on yet another discussion. There are several things that have popped up over the last few weeks about right and wrong things to put in a book. Get your coffee or tea in hand, your typing fingers ready to respond, and let's get going!

We all have opinions, right? I plan to open discussion on both sides of the board with this post, and I won't be standing on either side of the fence. You all know me too well if you've been around here a while. I like to hear what you think, I'm going to try my best not to influence you with my own words, and I enjoy the verbal exchange of ideas and viewpoints.

*****That being said, please be nice when you comment. This is my blog, and I won't tolerate hatred, calling-out, or vitriol here. Got it? Okay. Let's move on.

There are a number of books that have been released lately that have spurred some pretty serious reader blowback. To be 100% transparent, I haven't read any of them. My work has revolved around writing my own book, and it's been emotional enough.

But I've seen posts and discussions on Facebook, and I know the titles of the books under fire. No, I'm not going to share those, either. If you want to know, you'll have to do your own research. This post isn't about that.

For centuries, books have been the catalyst to change in many countries. If you don't know the history, do a quick search. There isn't enough space here to discuss them all, and you should be informed. But what I'm seeing now deals directly with what the authors write.

Incest, racism, hate.

Those are the topics under fire.

From my reading experience, either an author is trying to change your way of thinking, trying to bring to light something that's horrible that needs to have light shed on it, or they're trying to tell a story that has nothing to do with their own thoughts or beliefs (a true escape).

It's difficult to tell the difference sometimes, but that doesn't stop me from reading books I don't know what's inside of. This thing where authors have to disclaim horrifying details of their books in the blurb is unsettling.

Why?

Because the things that bother one person, won't bother another. We see this with all the reviews from all the books everywhere. Some people loved the Harry Potter series, and some folks wanted to burn all the books for promoting witchcraft.

See what I'm saying?

I can see labeling it 18 and up, but I'm talking about all the other things. It's worrisome that someone might just grab a book and "read" it only so they can trash it in the review later on and have that little verified purchase ribbon to back their words. But I'm backsliding.

Anyway, the problem here isn't just that labels are being applied, because I know at least one of the novels under fire was labeled, but that it's expected in the first place.

Who are we to know what someone else is going to feel when they read our books? How are we the authorities on how something we've written will be comprehended by the reader? 

Authors may be the worst people to add warnings to their books, but then, so might readers. What some find intense, others will merely scoff at.

Let's discuss by the three topics above then.

Incest.
This isn't a new trope used in books. It goes way, wayyyyy back to novels published in the 70s even. Before you go bananas, let me say, I can see both sides of the issue here. 1) It's something that happens in real life, ergo, it can be applied to a book for real-world additions. 2) It's disturbing to read about, and the fear is there that it'll incite someone to do something they hadn't considered before. It's a touchy subject, to be sure. If an author writes about it, does that mean they're encouraging it, bringing light to an ugly, or merely writing a story?

Racism.
This also isn't a new topic. I could list several books that were racist in nature, but they've become literary classics all the same. I can, again, see both sides of the issue. Do you want to see through a racist's eyes? Get their viewpoint on things? How their brains work? Maybe. Maybe not. 1) Racism is something that's real. It's a serious problem, but it can be used as a mechanism to show what might be in a racist's mind, giving others a unique insight. 2) It's bothersome to read, and it may fuel the already present racist heart of another, making them think of doing something they'd only considered before reading it. Again, what was the point of the author writing it?

Hate.
This applies to genders, races, siblings, government, etc... An older than time topic. Dystopian worlds were borne from hate of a ruling class or laws. You could also say hate applies to books with rape in them. Both sides have weight. 1) Hate is a true problem in our society, and shining a spotlight on it can be used as an effective fuel for the proverbial fire in a novel plotline. 2) Reading about a character hating on people from any walk of life is hard, and it may, again, reinforce that the reader's mindset is the correct one. Do we care about the point if the book makes us uncomfortable?

Historically, we're strongly influenced by books (again with the search recommended above), but does that mean if we read about it, we're going to act on it?

Has the fine line between reality and fiction blurred, or are we just more attuned to the crossovers now? Do the disclaimers even matter at that point?

What bothers me most about all of this is the mob mentality that's taken hold of the world. When someone writes something that's not considered PC, they're attacked by backers of the antis. While I believe in having an opinion and stating it, isn't that what reviews are for? Why do we feel the need to attack the person (in public, no less) behind the words without understanding (or caring) what it was they were trying to say? Is that really the case, or is something else going on here?

Is this censorship?

I'd love to hear your thoughts and opinions on the matter. Remember to be nice and don't name authors or books directly. This isn't a bash-fest.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Wednesday, July 12, 2017

The Metamorphosis of Indie and Trad Pubbed Books in 2017

Happy Wednesday, everyone! Today, my curious side has hold of me, and it's led me to ask of you something I've noticed myself. If you're ready for some thought-provoking, grab some coffee (or tea or whatever), and let's get going.

As you may know, I've been doing a lot of tangible book reading lately. Simply put, they were easy for me to read and not be distracted by texts or any manner of other things work related coming through. Silence is, in fact, golden. Plus, my MS crazy eyes seem to like print more than digital. Go figure.

Anyway, in preparation for that trip I went on, I moseyed into a bookstore and bought a couple of trad pubbed reads. Okay, it was a bunch, but that's neither here nor there. Now, I also snagged an Indie book while I was on my buying tear. Here's a shot of the trad pubbed books I snagged (my Indie title hadn't come in yet):

Also in my big pile was The Circle, but I bought it on the previous trip, so it wasn't pictured in my haul for that day. I read Keeper of Crows by Casey L. Bond when it first released, and I ordered Keeper of Souls from her because I was invested in the story and wanted more. First book was amazing. Second one was scheduled to be read while I was traveling. It DID come in before I left, so that was awesome.

Before I started thinking about what books I'd bring, I'd blazed through Red Queen and the little novella from that series, Cruel Crown, so I got (what I thought were) the last two in that series as well.

I took my pile of books and hit the road (yay)!

First up was Vitro. I was super interested in the premise of the story, but put it down several times because the editing was so very bad.

While waiting on the courage to pick it back up and try again, I read some of Glass Sword. I bumped into a couple of inconsistencies in that book that had me rolling my eyes, so I went back to Vitro and finished it.

Then, I moved on to Keeper of Souls (which I read in about 8 hours and ADORED).

Because I was annoyed with the Red Queen series, I went on to try The Circle. That title was abandoned for.e.ver after just fifty pages or so. Back to Glass Sword I went, and I finished it and King's Cage (laborious reading right there), and that ending had me throwing the book on the damned floor. I found out only later there's another one in the works (I mean, REALLY?).

I'm nervous to even crack the cover on The Diabolic because of the quality of the other trad pubbed books I've gotten hold of. I love the cover so much...

Anyway, all this reading caused me to stop and ponder. Why did the Indie book breeze by while I plodded and struggled through the trad pubbed options?

While on the phone with my bestie and writing/business partner, Tia, today, she mentioned that she thought trad pubbed books have declined in quality because they're rushing to press. Why? In order to keep up with the Indie market.

Indie authors are publishing books at an astronomical rate, and their quality has jumped ahead by leaps and bounds over the last few years. Meanwhile, trad pubbed books seem to be getting worse (if you MUST have an example of the kinds of things I found, I'll dig them up, but this isn't me being nitpicky, I swear).

Are Indies getting better because we've become more educated about what we should and shouldn't publish? Or, perhaps it's the rise of Indie run and Indie focused editing houses (like IBGW) that are making the difference?

This leads me to open the floor to you all.

Have you noticed the change? What book(s) did it for you? What do you think is causing the shift?

If you think I'm just crazy, feel free to tell me that, too.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, August 12, 2016

5 Reasons Authors are Divas

Happy Friday, everyone! Wowzers, what a crazy week, huh? Hope you all have big plans for the weekend and have a ton of fun. Today, I'm gonna talk a little bit about authors. If you're ready, get comfy, grab a cup of Jo, and let's get going!

5 Reasons Authors are Divas!

Number 1
No one ever told us how much marketing we'd have to do when we published our book. Seriously, that shit wasn't laid out there in the beginning. We had no idea we'd need a degree in human psychology and social media interaction to make anything of ourselves in the book world. Now that we've found out, we lament the loss of our writing time. It makes us grouchy on the best of days (no matter how many cups of coffee we imbibe). We're tired, frustrated, and downright pissed off most of the time because we don't have the magic formula, and when we find something that works, it's suddenly inundated with 5k other people doing the exact same thing. What happens then? We have to go back to the drawing board and pray whatever we try next works, and then wash, rinse, and repeat.

Number 2
It's literally all about us. All the time. We have to be our own biggest cheerleaders, and that makes our heads swell whether we want them to or not. When a person spends all day talking about themselves on social media, it's hard to step out of that mindset and remember how to focus on other people. Just know that most of us don't do it intentionally. Narcissism is a byproduct of marketing yourself.

Number 3
When a person sacrifices so much of themselves, both physically and mentally, to accomplish a task with the magnitude of publishing and marketing a book, they feel like they deserve some kind of reward or acknowledgement for all that they gave up to make it work. To put it simply: This shit ain't easy. Authors give up time with their families, time they'd spend on themselves, and even time to pause and eat something, for the cause. Do we want to take the time to go get mani-pedis? Hell yeah we do! But unless the nail person can come to our office and do our toes under the desk as we write (I still haven't figured out how the manicure would even occur--Dragon?), we're shit out of luck. I hear people say there need to be more hours in a day. That statement makes me laugh. We'd still use those hours to write or market. It's a dog-eat-dog world out there, and if we're not producing books, or talking about our stuff, we're screwed.

Number 4
We give a lot of stuff away. Why? Because this is what we've been told will make loyal readers. For every few dollars we make, we're probably spending ninety percent of it on giveaways and marketing. Hours are spent setting things up so readers have the most fun at our parties. Then, we find our books on pirate sites, posted by someone we gave an advance review copy to, or we get a one star review from someone we gave several prizes to, only to have them say they'll never read anything by us again. I mean, holy shit, Batman! Do you have any idea what that can do to a non-diva mindset? Yeah... So, we have to hold our heads up and say it doesn't bother us, put on a brave face, and forge ahead. Otherwise, we go down in all-consuming flames of depression and give up.

Number 5
We're tired of hearing how easy it is to write and publish a book. Seriously. So damned tired of it. We're also sick of people shunning us because we're not worldwide bestsellers with a million bucks in the bank. We freaking work hard, and we have to have an attitude about it because we know we've done something all those mouthing bastards who talk about how easy it is haven't done. If they had, they'd never spout all that bullshit to begin with. Rather than berate or negate us or our work, they'd genuflect. Regularly.

Writing is a job. When someone works for themselves, they don't have 9-5 like regular folks. Authors usually work 10-18 hours a day. So do small business owners. Guess why? Yep, because being an author is the same thing as owning a small business.

At this point, are you wondering why we do it? If you are, just know it's because we love what we do. Writing books is what our insides tell us we must keep doing in order to stay sane.
So, if there's a writer in your life, and you wonder why they're so consumed with themselves, take a moment to consider what it is they do every day. Think about what kind of pressure they may be facing. Ask how you can help (if you can), and be sure and tell them what an amazing job you think they're doing. It matters.

Are you an author? Do you know one? What are your thoughts on the above?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Tuesday, March 3, 2015

Publishing News Hubs

Happy Tuesday, good people of the blogosphere! I'm stepping outside the box a little today and giving you all some insight to where people go to find their publishing news. Perhaps you'll want to check them out! Grab your pens and notebooks and let's get going!

I got the following numbers by running a little poll on Facebook. Sixteen people answered (myself included), so the data isn't great, but it's something to go on. These results might surprise you.

First and foremost, with a whopping twelve votes:


Now, this isn't limited to the newsfeed, though that was specified by one person. It's author groups, pages, and whatnot that top the list.

Second, we have printed or digital publications such as:

InD'tale Magazine (1)
Publisher's Weekly (2)
USA Today BOOKS section/Thursday edition (1)
Writer's Digest (2)
The Writer magazine (1)
Digital Book World (1)

Amazon Newsletter (1)
Galleycat (1)

Coming in third, there's blog subscriptions.

Five people said they get their publishing news from blogs they found on Google, subscriptions, or the ones on popular sites like Writer's Digest.com.

With two votes each, e-mail and Twitter come in fourth.

Lastly, there were three items with singular votes:

word-of-mouth
forums like Absolutewrite
Createspace's page

So, what does this tell you?

For me, it says I might be marketing wrong. I do plenty on Facebook, but I need to branch out into printed publications.

Where do you get your publishing news? Are these numbers a surprise?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, January 29, 2015

Submission to Publishers? A List of Eleven

Happy Thursday, everyone! I know how difficult it is sometimes to take the leap to traditional publishing and/or finding that perfect agent. Many of the folks I know are Indie and love it. They wouldn't change a thing. However, if you're interested in finding a publisher, here are ten that are taking submissions now (and aren't Author Solutions). As always, remember to read over ANY contract offered to you. When in doubt, CONSULT AN ATTORNEY. With those things in the back of your mind, let's get to the list!

I'm not putting my stamp of approval on any of these publishers because I don't know them from a hole in the ground. This is only meant to be a list for your perusal. As always, keep your babies (books) safe from predators.

You do NOT need an agent to submit to these houses right now.

Winter Solstice - Solstice Publishing
They're taking New Adult (and all sub-genres) submissions.
See the guidelines here.

Ichthus Publications
They want Christian fiction only.
Guidelines (their website) here.

Harper Collins Christian
Theology, biblical studies, and so forth.
See the whole list here.

Crossbooks
Another seeking Christian fiction, biblical studies, and children's bible stories.
Check it out here.

Tinder Press
Fiction. Seems like all genres. Must not be published.
Guidelines can be found here.

Forest Avenue Press
Looking to publish two literary fiction novels (no short story collections).
Submit by following these guidelines.

JMS Books
Gay, lesbian, bisexual, transgender, all of that (LGBT). These fiction genres: romance, YA (must be over 10k words), erotica, erotic romance.
See their guidelines here.

Leap Books
They want novellas for their SHINE line! Commercial YA with romantic elements.
Guidelines are here.

Bibliomotion
Trade business novels with high commercial appeal. Yeah, that means non-fiction.
Submit using guides here.

Vinspire Publishing
Ethnic Romance, Historical Romance, Amish Romance, Romantic Suspense. That's the whole list.
See their guide for submission here.

Sinful Press
You have very limited time here. Erotic novels 60-100k words in length.
Check it out here.

There you have it! If you're gonna take the leap, good luck!

Do any of these appeal to you? Are you planning to submit? Tell me about it.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, May 2, 2014

UtopYA Con 2014 Fan Invasion Author Signing Event

Happy Friday, everyone! Well, it's time for the weekend and two days off. I heard that sigh of relief from you all! *grin* Today, I'm gonna take a moment to tell you about a very special event happening at UtopYA in June. An Explorer Package (general admission) is currently $75.00, a Superstar Package (VIP access) is currently $95.00, and a ticket to get into the Awards only is currently $55.00. But, on Friday, June 20, 2014, from 6pm-9pm, UtopYA Con is holding a Fan Invasion event. Price of admission? Free if you bring a new or gently used children's book to donate to Book 'Em; otherwise, it's just $5. All proceeds from this event will go to Book 'Em.

I know! They've lost their minds! How awesome is that?

You can find out more here.

However, there will be a ton of great authors to meet and greet, and get your copies of their books signed!

Which authors are participating? These:


See anyone you know on there? *grin* Yes, I'm up there; but so are a ton of the authors you've gotten to know right here on the blog through the awesome author interviews I've been doing. Still to come: Amy Evans, Eva Pohler, and Elizabeth Kirke! Yup, meet them here, then meet them there.

Heck yeah! You can come say hello to me and get your copy of any (or all) of my books signed! Share the banner with your friends, grab a children's book, and come meet us all!

Join us for a ton of fun! I look forward to seeing you at the event.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Tuesday, February 18, 2014

Contract Considerations

Happy Tuesday, good people of the blogosphere! Well, the kids are back in school and not a moment too soon. While I enjoy having the little nose-miners at home, it's not productive to have them pulling at my skirts while I'm trying to work. I've been busier than a one-armed paper-hanger! Anywho, today we're gonna talk about contracts! I know you're all super excited about that. I'll tell you what to expect, what to avoid, and what you should be looking for. Grab those pens and notebooks and let's get going!


Yesterday, I talked about finding a good editor and what you should be looking for when you vet them. If you missed that post, take a look at it here. Tomorrow, we'll talk a little about the different kinds of editors. But, for today, let's discuss the contract. This applies to proofreading, editing, and any other service you have done by an outside source (book design, cover design, etc...).

What you should expect:
  • A contract outlining exactly what your editor will do for you.
  • Dates things are due back to you.
  • The ability to read over the contract before you're expected to sign it.
  • Clauses that prevent you from defaming your editor (and your editor from defaming you).
  • A very straightforward clause that releases your editor from any claim to your work.
  • Something that says your editor is allowed to refuse your work at any time.
  • An out clause for you that states the contract is allowed to be terminated if you choose to do so and at what point it becomes null and void.
  • An informational page that details the book to be worked on.
  • Something stating when payments are due and when the contract is settled.
  • A clause that states you're required to display the editor's name on the copyright page (this is pretty standard).

What you should avoid:
  • Anything stating the editor has claim to any part of your manuscript once work is completed.
  • An editor who doesn't use a contract (this is HUGE).
  • A feeling of unease. If your editor seems shady, listen to your gut.
  • Anyone who doesn't answer you in a timely manner.
  • Someone who changes the price on you EVER. Once you get the job quote, that's what should be on the contract.
  • An editor who's known to slander other authors.
  • Someone who doesn't give you a final, signed copy of your contract.

What you should be looking for:
  • Someone who has lots of references and is well spoken of.
  • An editor who has a backlog of books they've worked on you can check out/read.
  • A person you feel you can trust once you've talked with them.
  • Someone with a good knowledge of the English language (yeah, go read their blog).
  • A copy of the contract as soon as your inquiry is responded to so you have time to look it over.
  • Everything should be spelled out in black and white on your contract. It should include:
  1. Prices (fees section)
  2. Dates things are due (goes in the services section)
  3. Termination details
  4. A detailed list of what you're going to get for your money (services section)
  5. Slander clauses that go both ways
  6. A release of claim by the editor to any part of the work's copyright (ownership of work)
  7. Your editor's full name and address
  8. Details about the book (title, genre, word count, author, format)
  9. A spelling out of all prices (watch out for editing contracts that only contain numbers - these can be changed)
  10. Something that releases the editor of guarantees (sales, etc...)
  11. A clause detailing how the editor won't talk about your work to any third party
  12. Non-transfer clause (this is so the editor can't send the work to anyone else to be completed)
  13. Something detailing how additional changes will be handled (outside what's agreed upon in this contract)

If you read your contract and it's full of legalese, be sure your editor/proofreader/designer answers all your questions in full before you sign. Don't go into anything not understanding exactly what it is you're getting (or signing).

If you find an editor who doesn't use a contract, run away. Please.

I hope this helps you all in some way.

If you have contract questions, pop them into the comments or shoot me an e-mail. I'll be happy to answer anything.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo