AI and Writing - A Series of Looks Inside: Part Four - HyperWrite

Happy Monday, everyone! I did end up missing my Friday post, but that's okay because I had a suuuuuper busy day getting back to Georgia. I wanted to sleep all day Saturday. Sadly, I have a hubby that drives me from slumber with promises of coffee. I didn't complain too loudly. Okay, I did, but that's neither here nor there. Let's get on with today's topic, a part of our AI and Writing series. Today, we're looking at HyperWrite, and we'll use the same parameters we used for the others. If you missed the first post (where all other posts are linked), you can check it out here.

That post talks about how AI (Artificial Intelligence) and ML (Machine Learning) works. It's a great read.

Without further gabbing up here, let's get our coffee and blanket and snuggle in for the journey. Ready? Let's do it!

I'm not going to make you wade through screencaps of the signup process. I did it, and when I verified my email, these are the options I got:

We'll choose Create Document. We get this screen:

I'm going with Write It For Me. It gave me these questions:

Now, we'll answer the questions, plug in our prompt/outline, and see what turns up. Again, I'm just asking for Chapter 1. 

Here's what I input:

I need the first chapter of a YA Fantasy novel about two creatures, a vampire and a shape-shifting unicorn, who meet and fall in love after defeating an evil I haven't decided upon yet. I have a rough outline of a few chapters, and I only need chapter one written. It should be about 3000 words in length. My audience is teens between the age of 15 and 19. There are no other restrictions. Here's the outline of the first six chapters:Chapter 1: Elara, a lonely vampire, hunts in the forest. She senses a strange presence.
Chapter 2: A unicorn, Rhys, shifts into human form. He's lost and confused.
Chapter 3: Elara finds Rhys. She's drawn to his innocence, despite her vampire nature.
Chapter 4: Elara takes Rhys to her secluded home. He learns about vampires and her solitary life.
Chapter 5: Rhys reveals his unicorn origins. Elara is shocked but intrigued by his magic.
Chapter 6: A growing attraction sparks between them. A threat from Elara's past emerges.

It output it all in chat, so I had to click Add to Document, but it did so seamlessly. Here's what it looked like:

Here's what we got (all 877 words of it). We'll also dive into the actual writing. :) Italics are mine, as always.

Chapter 1: The Hunt

The moon hung like a broken fang in the violet twilight sky, casting weak shadows through the ancient oaks of the Blackmire Forest. Elara moved between them with the silence of falling snow, her boots barely disturbing the carpet of dead leaves beneath her feet. Three hundred years of hunting had taught her patience, but tonight something was different. Tonight, the forest held its breath.

This part actually isn't terrible, and I do like the way it compared the moon to a broken fang. Nice name for the forest, too. I'd like some mention of death to grab reader attention, but other than that... *shrugs*

She paused, lifting her nose to the wind. The usual scents were there—decomposing leaves, damp earth, the musty fur of small creatures that knew better than to cross her path. But underneath it all lurked something else. Something that made her centuries-old blood sing with curiosity.

"What are you?" she whispered to the darkness, her voice barely a thread of sound in the growing night.

Honestly, I'm not a fan of anything other than an action tag or dialogue tag. Mixing them has always felt off to me. It's like a stutter in the story. Decide. Editing wise: We need to get rid of the em-dash, shorten the second sentence, and combine sentences two and three. Sentence four isn't even a whole sentence. I'll shut up now and let you read. :)

The hunger gnawed at her insides, a constant companion she'd learned to live with but never truly befriended. Elara had sworn long ago that she wouldn't become like the others of her kind—the ones who haunted cities and treated humans like cattle. She chose the forest instead, feeding only on what she needed to survive: deer, wild boar, the occasional wolf that grew too bold.

I can't help it. I never said she didn't feed on humans! Why is every AI doing this?

A twig snapped somewhere to her left, and Elara's head whipped toward the sound. Her enhanced vision cut through the shadows, but whatever had made the noise was already gone. Still, that scent lingered—like summer rain and starlight, if starlight had a smell. It was maddening.

She pressed her palm against the rough bark of an oak tree, its age nothing compared to her own. The forest had changed so many times around her, generations of trees living and dying while she remained. Lonely? Perhaps. But loneliness was safer than the alternative.

The strange scent grew stronger, and with it came a pulse of energy that made her skin tingle. Elara's fangs extended involuntarily, pressing against her lower lip. Not from hunger this time, but from something else. Something that felt almost like... fear?

She almost laughed at the thought. What did a vampire have to fear in these woods? She was the apex predator, the nightmare that kept other nightmares awake. Yet here she was, heart racing like a newborn vampire's, all because of some mysterious presence that danced just beyond her perception.

A flash of silver between the trees caught her eye—too bright to be moonlight, too pure to be natural. Elara moved toward it, her preternatural speed carrying her across the forest floor in silent bounds. But each time she reached the spot where she'd seen the light, it appeared again several trees ahead, leading her deeper into the Blackmire.

"If this is some kind of trap," she muttered, "it's not a very subtle one."

Still, she followed. What choice did she have? Three centuries of the same routine—hunt, feed, retreat to her solitary cabin, repeat—had left her with an insatiable curiosity for anything new. And this? This was definitely new.

The silver light led her to a clearing she'd never seen before, which should have been impossible. Elara knew every inch of the Blackmire Forest, or thought she did. Yet here was this perfectly circular space, where the trees stood guard like silent sentinels around its edge, and in the center...

Nothing. The light was gone, the strange scent faded to almost nothing, and Elara stood alone in a clearing that shouldn't exist, feeling, for the first time in centuries, completely out of her depth.

She circled the clearing slowly, her enhanced senses straining for any clue about what had led her here. The ground at the center was disturbed, as if something large had recently lain there. When she knelt to examine it closer, she found a single hair that gleamed like liquid moonlight between her fingers.

"Curiouser and curiouser," she whispered, tucking the hair into her jacket pocket. The hunger that had driven her out to hunt in the first place was forgotten, replaced by an entirely different kind of appetite—one for answers.

A distant howl echoed through the trees—a normal wolf, nothing supernatural about it—and Elara realized how long she'd spent chasing shadows. The night was half gone, and she still hadn't fed. With one last look at the mysterious clearing, she turned and headed toward the areas where deer usually gathered at this hour.

But as she moved through her familiar hunting grounds, Elara couldn't shake the feeling that everything had changed. That single strange encounter had awakened something in her that she thought had died centuries ago: hope. Hope that perhaps she wasn't destined to spend eternity alone in these woods. Hope that magic still existed in the world that could surprise even a creature as old as she was.

And somewhere in the back of her mind, a small voice whispered that this was only the beginning. The silver light, the impossible clearing, the otherworldly scent—they were all connected to something bigger. Something that would shatter the careful solitude she'd built around herself like a fortress.

For the first time in three hundred years, Elara smiled as she hunted, her fangs gleaming in the darkness. Change was coming to the Blackmire Forest.

And she was ready for it. 

*******************************BREAK BACK TO ME*******************************

For the love of the em-dash. Ten is too many. That's more than one for every 100 words. No. What's up with AI starting sentences with but or AND? Does it realize there's a comma and a lowercase b or a in there in 99% of cases? What writing is it studying to get these ideas?

Also: Now I need someone to tell me what starlight smells like...

If you check this model out, be sure and click over to the tools section. Marvel at the sheer number of tools available. I nearly peed my pants. This is just a few of them (click image to enlarge).

Overall, HyperWrite did an okay job, but so did the others we've looked at so far. It's a start of something. It's wasn't overly flowery, which is good, but it also left a lot to be desired. I asked for 3k words and got 877. That means I have to find places I can insert things. :(

I hope you all enjoyed this post and learned a little! Wednesday, we'll be back on the train with Rytr. 

What do you think? Are these snippets getting better? Worse? Do you have any answers to my questions above? Drop me a comment.

Well, that's all for today, folks!

Until next time, WRITE ON!

Jo

Writing Tips That Don’t Work?

Hello, and happy Wednesday, good people of the blogosphere! Today, we’re going to examine a few writing tips that don’t work, or do they? I ran across a thing where it listed five writing tips that don’t work. Now, the beginning of the thing was the advertisement for a product. Will we be diving into that product to let you know the ins and outs? You bet your ass we will. Today, though, we’re going through the tips the creator of the thing says don’t work. You all know me. You’ll get my unfettered opinions as we trudge forward. :)

I know you’re all excited to get going, so let’s DOOOOOO EEEEEET! Get comfortable, and let’s dive on in.

1. Writing and Reading a Lot Doesn’t Work

I call BS on this one. As you read, you learn, and as you write, you learn. Yeah, you may end up with a ton of words that make no sense, but it’s practice. Period. You have to practice something before you dive in, and as you read, you’re practicing. You’re ingraining in your brain how sentences need to be structured. You learn what words to use in what order to make the most sense. Writing puts those things into practice as well. Doing something more often makes it automatic. This is one of the reasons I always say that no matter where you’re writing—social media, text messages, etc.—it needs to be done properly. Don’t get into the habit of using text shorthand, and don’t think the difference between their, there, and they’re doesn’t matter. Use it right consistently, and you’ll become a better writer.

2. Learning Theory and Tips on Construct Doesn’t Work

This is also BS. You have to understand how the story you’re writing is put together. I’ve said it before: Take the tips you want and leave the others. BUT TAKE THE TIPS. Use those tips. Read all the books you can on craft, and you’ll have a better understanding of how a book is constructed and how characters are developed.

3. Learning from Professional Writers Doesn’t Work

For this one, I’d say yes and no. It goes back to taking the tips that work for you and leaving the rest. This is why writing, writing, writing is so dang important. You’re learning your voice. Is it a good idea to try and emulate the exact style and construct of a wildly popular author? No. Can you gain a lot of really great insight by taking away some of their habits and/or tips? YES. You have to learn HOW to be a writer.

4. Using Writing Groups to Get Feedback Doesn’t Work

100% yes. Writers aren’t your target audience most of the time. Reviewers are readers. Those are the folks you need to go after. READ your reviews! I hear so many authors give others advice to not read reviews. Poppycock. Go read them. If your book sucks, they’ll tell you, and many of them will even tell you WHY. Don’t ask friends or family. Either they’ll lie to you, or your relationship will die because they tell the truth. Let’s be honest! Your mom is going to tell you how great everything is. :)

5. Writing Novels Doesn’t Work

Again, this is BS. It’s literally practice. Please don’t publish the first thing you write. It’s gonna suck. Shove it in a drawer and power on. It was practice. Ten years from now, when you have several novels under your belt, pull it out and look at it again. You’ll probably die from embarrassment, but if you live through that harrowing experience, come on back and let me know. :)

Now, this thing I found went on to talk about what does work.

• Practice First Perform Later (ummmmmmmm… See #1?)
• Practice Deliberately and Get Feedback (see #2?) Most of the tips on this were from a professional writer. Also see #3 and #4. :)
• Focus on Scene Writing to Shorten the Feedback Loop (you learn to do this by reading those craft books)

After we went through all the things, there was a pitch for the product. IMO, everything above in the section about what does work is just twisting those craft tips to suit the pitch. I’m not a fan of companies that use hyperbole and clickbait to get someone on board. If you’re gonna do the thing, do it. If your thing is great, it should sell itself. Telling people what not to do by way of an intro is shady as hell. Again, my opinion.

Below the thing were links to several others that are meant to show the person interacting with the thing that this wasn’t all. You could watch and learn how the creator wrote their masterpiece. This is in direct conflict with the content of the thing. Not only that, but the book that was being referred to is pretty low in its categories on Amazon.

Keep your eyes peeled though. Soon, we’ll be diving into the thing they were selling. :) How’s THAT for a cliffhanger? HA.

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo

Errors, Content, and Making It Work Anyway

Happy Monday, everyone. *big stretch and yawn* That was a tiring weekend, huh? I admit, I could crawl back in bed and sleep the rest of the week away. I’m traveling, and that’s why you’re not getting AI posts right now. My laptop is in another state, and I’ve been working from my iPad. Good times. Needless to say, this keyboard thing has a trackpad, and it’s making my life hell. I disable the trackpad on my laptop because I like to use the wrist rest. You can’t do that if there’s a trackpad in the way. Anywho…

Today, we’ll talk about making your writing work, errors and all (which you’ll see more of this week), no matter where you happen to be. If you’re ready to dive in, grab a blanket and something warm to drink. You deserve it. :) Also, I may not be here Friday. We’ll have to see how travel goes. Moving on!

Remember in Friday’s post when I talked about not going back to your work until your allotted time? That’s directly related to editing. There are a few things you can do to clean up your manuscript before you go looking for an editor. This is a step you really shouldn’t skip. It may end up costing you more in the long run. After you take your MS (manuscript) out of that drawer where you put it for a couple of weeks (or months) so you’d have fresh eyes, you need to red pen the everyloving hell out of it.

Here’s a post on errors that are easy to catch, and you need to be sure you’re also looking at pacing, storyline, and character building (see the next link for a free PDF that will help). If you don’t give a crap about the character(s), your reader won’t either.

Let’s get into content now.

As a writer, your social media presence is going to matter, so it would behoove you to start building a following before you even publish. Get your handle chosen, and get those pages locked down first. I do have a packet on branding that’s free to download and print. You can find it here.

Once you’ve gotten all your ducks in a proverbial row, you can then start to plan your content. Go ahead and make sharable graphics (or find someone to do it for you) for up to three months. You can do this by making yourself a social media schedule. Decide what kind of content you’ll publish on which days. For example:

• Monday Madness
• Tuesday Funnies
• On Wednesdays, we wear pink.
• Throwback Thursdays
• TGIF Fridays
• Weekend Woes

Choose one of those days, twice a month, and make it book related. No one will hang out on your page or give you a follow if you’re always screaming, “BUY MY BOOK! IT’S THE GREATEST BOOK!” So, be sure to share posts from your fellow authors. Trust me, there are plenty of readers to go around. Scatter the balloons so we can all float down here.

Once you have your content plan, create and schedule. Now, you’re free to write. Be sure to set aside a couple days to do this every two months or so.

I’ve been terrible about it lately, but I have a plan to get my ducks back in their rows. You just have to make it work either way (hence the blog post you’re reading right now).

Speaking of…

If you’re a traveler, and you know you’ll be on the road quite a bit, invest in something you can take with you so your work doesn’t suffer. I know one author who wrote an entire novel in Notepad on her phone while she nursed her newborn. She made it work, and if she did it, you can, too. Please, for the love of all that’s holy, plan for these things and know what works and what doesn’t. You don’t want to be stressed about XYZ.

In On Writing by Stephen King, he talks about setting aside time to write every day. While I think that’s a little extreme, I do believe you can fit it in every weekday. Yes, even when you’re traveling.

Make. It. Work. Treat writing like it’s a job, and it’ll pay you back in kind.

10 Ways to Help Yourself Write More

Hello, and happy Friday, y’all. Yay! It’s Friday. I hope everyone has amazing weekend plans, and I hope you all manage to stay warm somehow. If you’re trapped in the house because of the weather, perhaps you can put some of today’s tips into practice and see if they help you. I know these are the things that help me, but I’m also a bit weird…

Anywho, grab a blankie and some hot chocolate, and let’s get into the nitty gritty. Here are TEN tips to help your productivity (with annotations, of course).

1. Use the Damned Planner - I’m sure you all know this one and already have a beautiful, new, 2025 planner sitting on your desk that you haven’t touched. Knowing is separate from doing. Make it a habit to sit down every week on Sunday and fill it out for ONE week. Use stickers or anything else that makes you smile. What we’re after here is something you can look at so you know what to do next. Surprisingly, this helps your brain focus on what you’re doing, which is writing. Right?

2. Have a Start and Stop Time (and stick to it) - This is probably one of the most important things you can do as a writer for productivity and to write better and faster. Your brain will go into writing mode when it knows it’s time to perform. After a certain hour, do NOT go back to your manuscript. Leave that for one day out of your week.

3. Set Aside Time to Learn - You can do this on the weekend. Read freaking books on craft. Read blog posts (like this one). Take away the tips you want and discard the others, but learn as much as you can as often as you can. This will also help you focus when it’s time to write.

4. Treat Time Like It Matters - Your time should be protected. If you went to an actual office every day, no one would even think to ask you if you can do this or that during the day. You can’t unless they pay you to do it. Your time is money, too. Your home office is an office, too. YOU WORK, TOO! If little Timmy’s mom needs you to get him off the bus every day, she can pay you just like she’d pay a sitter.

5. Read and Write a Lot - Even if you’re just scribbling nonsense in a notebook, you’re writing. When you read, you’re learning how to write. Even those novels published by your peers will teach you something about plot, construct, and flow. You can’t write if you’re not a reader. You can’t write WELL if you’re not a reader.

6. Set Aside Time for Marketing - You don’t always have to be on when it comes to marketing. This goes back to #4. Your writing time is precious. Use tools that will help you market your books better. If you have yet to publish, start researching tools now. CRM (Customer Relationship Management) has come a long way. Yes, it will probably cost you money, but if you do the right research ahead of time, you’ll know where to put it for maximum impact. Set aside time to tend to it.

7. Become Your Own Worst Critic - If you write something and read it later only to think, this is trash, delete it and do better. If you think it’s trash, so will your readers. Just delete it. JUST. DELETE. IT.

8. Your Books Aren’t About You - You should be writing what you’re interested in, yes, but you’re not talking about yourself, so go crazy. People may look at you and think you’re unhinged (I mean, have you read the PPSK series?), but that’s the point of all this. Writing should be fun, and you shouldn’t be concerned with what Great Uncle Walter will think of you. Have fun, It’s not about you.

9. Don’t be Afraid to Publish - This goes hand in hand with: PLEASE READ YOUR REVIEWS. Readers will point out things you can do better as far as flow and pacing, even character development, so publish your dang work then read the reviews. Yes, they may be harsh, and yes, you may get discouraged, but take a step back and go again. Rome wasn’t built in a day, y’all.

10. Write Because You Love Writing. Period. - If you’re in it for the money, you may be disappointed. It’s not about the dollars. Don’t make it about the sales. It’s about your need to put words on a page. If you don’t have that drive, that story inside you itching to get out, then you need a different career. This one won’t spark joy.

Yes, I did quote Ms. Kondo. She has a point.

When you’re creating your weekly schedule, be sure and include at least an hour a day for writing. At least. Some days, you can do more, but if you’re consistently writing an hour a day, and you manage 1500 words every time, that’s 390,000 words a year. Read that again. At just 1500 words a day. Once you train your brain to write from X to Y, you’ll be able to do that consistently. I promise. Our writing group would run sprints, and I’d actually manage around 2k words in an hour, sometimes more. You can do it, but you must be consistent.

I hope this helps you start to pump out the words. Remember! A good editor is worth their weight in gold, too. Find one you love.

Well, that’s all for today, folks!

Until nest time, WRITE ON!

Jo

How AI is Changing the Publishing Landscape

Hello, and happy Wednesday, good people of the blogosphere! Today, we’ll be talking about how AI is changing writing and publishing for thousands, or hundreds of thousands, of authors. We’ll take a peek into how writers are using AI, and we’ll discuss what changes have happened (that I know about) through the publishing industry.

That sound good? Excellent. Get comfy, turn up the heater (those of you in the Midwest, BRRRRR!), and grab a drink. Unsure how long this will be, but it’ll be nowhere near the length of the AI trial posts I’ve been doing. :)

Authors are using AI in various different ways. Some are cranking out books by having AI write the whole thing and just clicking publish, even though many publishers now demand you to disclose if AI was used to write the book. Most writers, however, are using it as a helping tool. They don’t just plug in a prompt and get a book. They’re spending hours creating an outline, characters, worlds, and other such things, and then they get a chapter at a time they have to heavily edit. Sometimes, the AI will give them a workable chapter, and sometimes, they’re forced to redo the entire thing because they forgot something.

None of these programs are cheap to use, either. Sure, GPT costs about $20 a month, but as you saw in my previous posts, it needs a ton of rewording before it’s usable. Most good programs cost you per word.

Then why use it?

Well, it makes their writing go faster, helps them past a part where they may be stuck, or gives them ideas they may not have come up with otherwise. For some writers, that’s invaluable. We all still have the same issue though: marketing. How to get a book in front of readers who may enjoy it, right?

There’s also the folks who won’t touch a book written with AI with a ten-foot pole. I think a lot of people don’t realize nearly every word processor has some kind of AI built in now. Even MS Word has the new CoPilot AI running. Avoiding AI books is becoming as difficult as avoiding the sun in SW Florida.

Now, the horrors of AI are those books simply produced 100% by AI and are published without any kind of editing done. It makes every author using the program as a tool to help them write look like a hack. Some books, you’d never know used any kind of AI unless the author tells you. Some, are obviously AI and are obviously terrible from page one. This is why samples are so important, yeah?

Along with Amazon, Ingram Spark had some AI drama not long ago, and if I remember correctly, it had something to do with them wanting to use the content of the books submitted to create audio with AI.

Well, that’s not okay. A lot of authors I know already have an audiobook company, and I imagine the Actor’s Guild had something to say about that…

Another problem I see is the AI editors. Grammarly often corrects incorrectly, and they’ve been in hot water lately because they said they’d use the text they’re editing to train their AI. That was quite a blowback, but I’m positive there are a ton of folks out there who didn’t read the fine print and are using the program without knowing. Are they still doing it? I don’t know. Check the fine print.

That’s something you should be doing anyway if you don’t want your stuff used.

I can’t see any of these things going away anytime soon, but whomever amongst the masses still chooses to 86 any kind of AI, be absolutely sure you’re checking the ToS or ToU for whatever program you use or install.

It won’t be long until AI gets enough input to output pretty convincing books, so in time, we may have no idea what was and wasn’t AI to begin with. Book covers are already generated, and a lot of those are pretty convincing, so you can pretty much count on the content inside to catch up.

There’s no way to stop it. It will happen, but you can just keep doing what you do and keep doing it as well as you can. That’s all you can do. You can boycott, but there are people who just don’t care, and there are enough of them to make a difference. Screaming in the streets and online seems to also make no difference, but as I said, you can keep doing what you do, and there are those who’ll follow you into the depths of Hell because of your choice either way—to AI or not AI.

What do you think? Can you think of any examples? Drop me a comment below.

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo

What

Big Words and Bigger Egos

Hello, and happy Monday, y’all!! Today, we’re discussing something, as an editor, drives me bananas: big words. We’ll take a look at when to use them, how to use them, and when to avoid them like the plague. Even the AI we’ve been discussing tends to drop in big words with no context, so this isn’t a singular issue. Unsure if that program’s developers simply told it to pepper the manuscript with big words for effect or if the papers/training material fed to it influenced it to use words most people don’t know, but it sure is annoying to have to look up every third word.

So, if you’re ready to be inundated by information, grab a cup of coffee or tea, settle in, and let’s learn some shizz.

Definition of Big Words: Things not easily understood by the majority of the population without some context clues for identification as to the meaning of the word. Words which need to be researched for understanding.

Big words are considered any singular word or multi-word phrase a common reader can’t comprehend without a dictionary or internet search. Used too often, they can turn a reader off the book or article you’ve written. Of course, there’s a time and place for everything, as you know.

When should you use big words?

When you can spare the word count to define them, you’re good, and when you’re 99% sure people will understand your meaning, a well-placed big word can enhance the narrative. For example: Gargantuan is a big word, and my pun is totally intended. Most people know what it means. Those who don’t can figure it out if you’ve used excellent context clues to help with definition.

She took a gargantuan bite of the sandwich, her mouth stretching like a python’s around the two slices of bread with all the meat and cheese I could fathom between them. How she managed to chew without choking, I’ll never know.

You get it. It’s a BIG bite. Gigantic. Ginormous. Huge. Gargantuan.

See? You got several words to relate to the one you may not have known the definition of. That’s context. Of course, the majority of people already know what the word means, so the context isn’t as needed, but it’s still helpful.

How should you use big words?

To enhance the narrative. Period. If there’s a simpler way to say something, say it that way.

When should you avoid big words like the plague?

If you’re writing for a young-adult audience, for children, or for the news (which is mass consumed), just say no. Unless you’re really, really good at context definitions, you want to use big words sparingly in these publications.

Why is this a thing which makes me nuts?

Because I read a ton. If I don’t know what a word means, there’s an excellent chance the common reader won’t know it either. We don’t need to be slapped in the face with your presumed intelligence or your overinflated ego because you believe you’re the wordsmith of legend. We simply find you arrogant and repulsive because you can’t pull your head out of your ass long enough to be on our level. If you’re writing for “smart” people, you’re not going to sell that many books; I don’t care how riveting your prose may be. As I said, it’s tiring AF to look up every third word. Yuck. DNF every time.

What books have you read that left you with the nasty aftertaste of dictionary? Did you finish?

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo

AI and Writing - A Series of Looks Inside: Part Four - Squibler

Hello, and happy Friday, everyone! Today, we'll continue our generative AI testing to see how the LLM Squibler performs with our basic input. We're being as vague as possible to see just how well these programs can fill in the blanks. So far, we've tested ChatGPT and Sudowrite. If you missed either of those, just click on the names, and you can check them out for yourself.

As a reminder: These posts aren't geared toward showing you how to write a book with AI. We're focused on finding a tool that may help you when you're stuck. If you can find your flow and rhythm, and learn basic writing errors you can easily avoid, you'll be able to write for yourself in less time than it would take to craft a proper prompt and then edit an AI manuscript.

I can already think of at least one reason a new writer may want to shy away from using these tools: You'll never have a chance to discover your unique voice. You like reading these articles? They're in my voice. If I had a program write them, they simply wouldn't sound the same. I wrote for about three years before I found my voice. Give it time.

If you happen to be a seasoned author, sprinkle yourself with a bit of sugar and cinnamon, and let's get going. We already know this post will be long, so let's not waste any more time up here. Ready? :)

Okay, so, I started by navigating to the Squibler home page and clicked the Get Started for Free button. Like Sudowrite, it asked me a couple of questions. Hey! What do you want to write today? Book. Then I was taken to a page that asked if I needed an outline or wanted to jump into a manuscript. Neither. I see, at the bottom of the page: Already have an outline or a draft? Continue here. YES.

I clicked it.

I was then taken to a page that asked me to upload a draft? That's not what I clicked on... 

Being the jokester I am, I put my outline for chapter 1 into a document and uploaded THAT.

I got this: 

Wait. What? I'm backbrowsing. What just happened? I'm not crazy.

Okay... Clicking the first option then. I get this: 

Whatever. I have no title. I'll just put something in. Book length? What? I don't freaking know yet! I'll make something up. A Tale of Two Monsters will be the title, and I'll drop in my outline. I chose 116 pages. Jeeze.

I then had to sign up for an account to read the "whole book." Okay. Done.

Then I hit a paywall.

So I backbrowsed because I'm not giving out my CC information. Period. Sorry, y'all, but if it ain't free to test, we ain't doin' it. That took me to a page with all my projects on it that was processing my "book." By the way, check out the cover it generated:

Cheeky, considering it doesn't even know the characters or context. It never asked. 

From my account page, I noticed a notification. I clicked it. It had been a while (I dropped in all the pics above on this post), and I was starting to wonder what the heck was going on. I see this:

Seven minutes already. Let's see how long this takes. I'm not even sure what it's processing. My first chapter was written (apologies for not copying it from there, y'all), so what gives?

*taps fingers on desk impatiently*

I'm not a person who likes to sit around and wait. We'll go back later to see if it ever finishes. It seems to be stuck on 34%. In the meantime, I click account settings and see this:

It appears there is a free plan, but it fully led me to believe I couldn't see the rest of what it wrote without a paid account. Don't like that. Not one bit.

It's now been 20 minutes and is still at 34%. Time is money, people!

Half an hour in, and there was no progress. I'll check back this afternoon, and if it's still stuck, I'll be deleting my account and issuing mad apologies to y'all for not copying the snippet it let me see. UGH. Disappointed panda.

I got a message that said, "manuscript generation failed," and everything was just gone. Oh well. I tried. Sorry, people.

Well, I guess that's all for today, folks!

Until next time, WRITE ON!

Jo