Worth by Numbers and Stars

Happy Wednesday, everyone! Today, I'm just talking. No need for pen and paper, but you might want to bring your inner-voices to the party. If you're ready, let's get going!

So, I saw this image floating around on Facebook this morning, and I shared it because the message was so powerful (see it here).

But, as everything in life, it got me thinking about the author world and how we use numbers to measure our worth. When our books are selling well, we think: Wow, I must be a great author. So many people want to read what I've written!

Then comes the dreaded drop in sales or the horrific one star review.

Just like that, our worth seems to fly out the window on the wings of a fiery demon. We fall into a pit of despair, wondering who we were kidding when we thought we could write a book.

Now, I want you to look at those last five words in the sentence above: "We could write a book."

Rethink your stance right now.

You did write a book. Countless hours of your life were spent writing, editing, re-editing, editing again, formatting, and marketing that book.

Countless hours.

There are so many people in the world who say, "I have a book in me."

Do you know the difference between you and them?

You didn't talk about how you can write a book; you did it. Blood, sweat, and tears flowed from you to the page. Not once did you stop, throw down your pen/close your laptop, and give up.

No. You kept going, pushing through the doubt demons and naysayers. You published that book.

Fast-forward fifty years into the future. Your children are grown and have a couple of kids. Out there, in the book world, your words are still going strong. Even if no one is buying them, they're still existing.

It's your legacy. You've made yourself a little bit immortal. Even if people hate your story, they haven't written a book, and they won't live through the pages forever. Take every opinion with a grain of salt.

So, I leave you with this:

Don't measure yourself against your sales numbers or star ratings. Put it all in a new perspective, and remember, you did it when others wouldn't. Even if you feel like crap about it today, it will still be there tomorrow, ready to carry your words through the millenniums. Be proud (it's okay to celebrate your own accomplishments--that doesn't mean you're narcissistic).

Scream into the ether just once today:

"I am f*ck*ng AWESOME! I wrote a book!"

If you're feeling froggy, I also encourage you to jump like the woman in the image above.

Huge thanks to Chelsea Starling for giving me the first part of that battle cry!

How do you get over the measuring of yourself? Plan to scream today? Tell me about it.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Set Your Story!

Happy Monday, everyone! Hope you all had a fabulous weekend and are ready to start the awesome week ahead. No? Well, grab that coffee and let's talk about setting. You know, that place in your story where your characters dwell.

There are two ways to go about giving setting:
1. The old way of bogging people down with pages and pages of "what the character sees."
2. The more interesting way of putting the character IN the setting and letting the reader know how it feels.

We're, obviously, focusing on the second way.

Why? Because it's more interesting to read and keeps folks from paging through your book really fast.

So, what's the difference? If you aren't sure, I ask you to recall a book you read in some time and space where your eyes glazed over as the author described the trees, flowers, and sun.

Now do you know what I mean?

Let's get the hell on with examples, shall we?

Example of style 1:
     Juniper sat on the stone bench and stared at the water after her breakup with Harold. Red roses bloomed in abundance, their thorny stems intertwining. Next to them were pansies in every color of the rainbow. On the water floated boats with giant, white sails billowing in the wind. Across the water stood the poor houses. She used to live there. People were standing outside or sitting in chairs, doing nothing. A couple of children were playing in the many puddles on the street. Broken down cars with weeds growing out of them were scattered here and there.

And so on, and so forth.

Now, let's give style 2 a try:
     Juniper sat on the bench, the cold of the stone seeping through her shorts as she stared at the water, wishing it would bring calm with its lapping sounds. Red roses bloomed near the shoreline in abundance, their thorny stems intertwining like lovers in a secret embrace. She couldn't help but think how, just hours before, she was in a similar embrace. While the roses would be strong, her love was broken.
     Why did it have to be that way?
     Through the ship sails, she could just make out the poor houses on the other side of the river where her family lived. Once upon a time, she was one of the dirty children playing in the puddles and around the abandoned cars--those weeds growing out the windows and doors gave her hay fever more times than she cared to mention. But she'd gotten out of there.
     What about that didn't Harold understand?

This isn't a vice I suggest you use often. Page after page of anything like that will get old. However, if you're in a key scene, you should get your reader invested in the story by pulling out all the feels.

In the first example, you're looking at the scenery as an outsider; in the second, you're feeling how it might impact someone.

There's the key to engaging the reader in a show, don't tell, situation. Again, telling is for the parts where not a lot is happening and you don't want the reader to slow down and pay attention. More on showing vs. telling in this post.

Care to give it a try? Revamp a scene and share with us!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Dialogue Pitfalls and How to Fix Them

Happy Thursday, everyone! Oh my, tomorrow is FRIDAYYYY! Who's excited? I can't believe it was just a four day workweek. I'm exhausted already. Ha! Today, I'm taking you all through an exercise to help with your dialogue. I'll start by outlining a few pitfalls, then explain how to correct in your first edit. Ready? Grab those pens and notebooks and let's get going!

We'll start with labels to keep it easy.

#1: Group Conversations

A common issue in creating group dialogue is when the author wants everyone to speak at once. Now, this can work if done properly, but line after line of Bob said, Marley said, Jane said, and Duke said gets tiresome.

Here's a tip:
Seek out scenes where folks are talking and examine them. If you have to, put people in a room and assign them all part of your dialogue. Have them read their lines (in character). Make notes of their facial expressions, movements, and tone. Work it in.

Example #1:

"I didn't think I had anything to be worried about," Bob said.
"Seriously? What didn't you see there?" Marley said.
"Right? I could've picked up on the subtle clues if I were blind," Jane said.
"Bob, your wife hasn't touched you in months. Wasn't that clue number one?" Duke said.
"But it's always been like that," Bob said. "Ever since we were first married."
"Really?" Jane said.
"Yes, really," Bob said.
"Well, why did you stay married ten years then?" Marley said.

Fix #1:

Mouth turned down, hand clutching a tumbler of bourbon on the rocks, Bob shrugged. "I didn't think I had anything to be worried about." Added action tag.
"Seriously? What didn't you see there?" Marley asked. Changed said to asked.
Jane snorted and curled her lip. "Right? I could've picked up on the subtle clues if I were blind." Another action tag.
"Your wife hasn't touched you in months. Wasn't that clue number one?" Duke asked. Changed said to asked.
Bob sighed and leaned back in the chair, studying his friends. They were all coiled and tensed up, like a snake ready to strike. There was no way they'd understand, but he figured he'd try. "But it's always been like that. Ever since we were first married." Applied exposition and action.
"Really?" Jane's head snapped up. Changed to action tag.
"Yes, really." We know it's Bob. Deleted dialogue tag.
Marley asked. "Well, why did you stay married ten years then?" Moved dialogue tag to front.

If you add a little action and thought in with the dialogue, you show the reader more about the situation, and you avoid overusing said.

#2 Invisible Dialogue Tags

It's a common misconception to believe you have to change up the dialogue tags every time. While "said" gets tiring to read, you've seen one way to avoid having to use it on every line. But what about invisible dialogue tags? How many are there? Why should you use them?

Here's a tip:
Seek out those scenes where you're using something other than said to denote dialogue. Ask yourself why. Is it an action tag? That's a good thing unless it's pulling the reader out of the story. There are a handful of invisible tags you can use; just make sure they're relevant to the tone/situation.

Invisible dialogue tags are words readers don't have to process as they move through the story. They exist to avoid confusion only. They speed up the flow of your story (pacing).

Example #2:

• Asked
• Said
• Answered
• Responded
• Whispered
• Shouted
• Yelled
• Screamed

A common error is to use an action tag as if it were a dialogue tag. More on these here. Unless the word is denoting speech of some kind, it's an action tag. List:

• Ordered
• Commanded
• Howled
• Growled
• Slurred
• Hissed
• And so on.

Use invisible tags whenever possible, but you don't need one every line. Hang on, that's next!

#3: Mixing Action Tags and Dialogue Tags

If you have a person doing something, you don't need a dialogue tag to tell the reader who it is that's speaking.

Here's a tip:
Find those places where you have action and dialogue together, and remove the dialogue tags.

Example #3:

Bob shrugged and panned his eyes over the faded wallpaper. He said, "I never thought Martha was the kind to do something like that."
"She's hitting the prime of her life, Bob. She's also a good looking woman," Jane said.
He slammed the glass on the coffee table, sloshing bourbon over the antique wood. "I know she's good looking. Hell, I'm the one who married her!" He yelled.
"All women go through a phase," Jane said as she shrunk back in the couch.
"Phase! Phase?" Bob screamed. "This is so much more than a phase!"
Jane nodded and said, "I understand."

Fix #3:

Bob shrugged and panned his eyes over the faded wallpaper.  "I never thought Martha was the kind to do something like that." Removed He said.
"She's hitting the prime of her life, Bob. She's also a good looking woman," Jane said. Left alone.
He slammed the glass on the coffee table, sloshing bourbon over the antique wood. "I know she's good looking. Hell, I'm the one who married her!" Removed He yelled.
"All women go through a phase." Jane shrunk back in the couch. Removed said as she.
"Phase! Phase? This is so much more than a phase!" Removed Bob screamed.
Jane nodded. "I understand." Removed and said.

Again, if you know who it is that's speaking, there's no need for a tag. But removing all those tags cleaned up the prose.

#4: Using a Dialogue or Action Tag on Every Line

You don't have to go bananas with action and dialogue tags. When two people are having a conversation, you can delete most of the tags and still be okay.

Here's a tip:
Find places where there are just two folks talking. See how much you can remove without getting confusing.

Example #4:

"My wife has drained my bank accounts, done things behind my back, and she wants to know why I'm upset." Bob dragged his free hand down his face and slurped his drink.
Marley sat forward. "She probably hit her mid-life crisis and didn't want to worry you. You're aware of how she treats her body. It was bound to happen."
Bob snorted. "Yeah, I just didn't think she'd do something this crazy at thirty-one."
"It's that milestone, brother. Hang in there. At least she's not cheating on you," Marley said, putting a hand on Bob's back.
He sighed. "You're right. I guess I should be grateful she wants to look good for me. What's a little face-lift in the grand scheme of things, right?" A choked laugh escaped. "But she lied. Plain and simple. Who knows, she might be cheating, too."
"I doubt that. She loves you." Marley leaned back.
"She loves my money," Bob said.

Fix #4:

"My wife has drained my bank accounts, done things behind my back, and she wants to know why I'm upset." Bob dragged his free hand down his face and slurped his drink. Left alone.
Marley said, "She probably hit her mid-life crisis and didn't want to worry you. You're aware of how she treats her body. It was bound to happen." Changed action tag to dialogue tag.
"Yeah, I just didn't think she'd do something this crazy at thirty-one." Removed all tags.
"It's that milestone, brother. Hang in there. At least she's not cheating on you." Marley put a hand on Bob's back. Removed dialogue tag.
"You're right. I guess I should be grateful she wants to look good for me. What's a little face-lift in the grand scheme of things, right?" A choked laugh escaped. "But she lied. Plain and simple. Who knows, she might be cheating, too." Removed action tag.
"I doubt that. She loves you." Removed action tag.
"She loves my money." Removed dialogue tag.

And, you still know who it is that's speaking! Amazing, right?

These are some of the most common dialogue errors I come across. If you do your homework, you'll come out the other side a better writer. For another trap post, check out this one.

I hope this helps in some small way.

What are the things that annoy you most in dialogue? Discuss!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stealing Plots

Happy Friday, good people of the blogosphere! I hope you all had a fantastic week and are looking forward to the long weekend. Perhaps you want to use that time to craft new book ideas. Well, you've come to the right place! Today, I'm going over how you can steal plots from real life to craft novels. Intrigued? Then grab those pens and notebooks and let's get going!

If you remember the posts I did on plot ideas (part one and part two), you'll know I'm a huge advocate of using things you see/read/hear to inspire you. Well, let's look at life for some inspiration and see exactly how that works.

Situation one: You're sitting, watching the news, and a story comes on about terrorists on a train and three heroes who leap in and save the day (anyone remember this?). That's an awesome story, right? Those men have been talked about often since that day.

Situation two: Friend one calls you, sobbing. Her husband was part of the Ashley Madison scandal, and your friend has discovered he's had multiple affairs. Her life is ruined, and she tells you all the warning signs she saw but ignored as you try to make her feel better.

Let's break down and re-work both situations for awesome plot ideas, shall we?

Situation one: What if the terrorists were vampires and the heroes were slayers? Or, what if they were all women instead of men? What would've happened if it were some kind of plot to get rid of a different terrorist who was planning to bomb the train, and the men sent to stop it were thwarted by the "heroes" who thought they were doing something good?

Situation two: What if the husband wasn't cheating, but he'd been doing some kind of recon mission for the CIA or some secret organization? All the "warning" signs weren't what they seemed, but the wife has no way of knowing because she doesn't know he's a spy/assassin. That's a whole different story.

It's not the situation that matters; it's the details you want to store away in your brain for the book you can write with these ideas that are important.

What caused those men to react? What were they thinking? What did they see?

What were those "warning" signs your friend is talking about? How did her husband act? What excuses did he use to get out of the house and meet up with those women?

All these questions can be answered by watching interviews or asking questions. Be the sleuth. Be creative. Bend the world to fit the story you want to read, and write it.

Whether you're a paranormal, contemporary, fantasy, dystopian, contemporary, murder mystery, or other genre author, you can make your story and characters feel more real to your reader when you use real-life situations as the basis.

So, this weekend, my challenge to you is to take something you see on television or hear on the news and turn it into a plot for a novel in your genre.

Post them below! Let's see how creative you can be!

Well, that's all for today, folks. Until next time, WRITE ON!

Jo

Character Bios - Visually

Happy Thursday, everyone! Today, I'm going to give you a tip to help you keep those characters you're writing about straight (and maybe even the places they live). This is gonna change the way you write forever
—I hope. It's a way to keep your characters (and their details) visible so you never have to stop writing and look something up. Ready? Grab those pens and notebooks and let's get going!

If you've been here before, I'm going to assume you've downloaded my free PDF on Novel creation. If you haven't, get it here. There's a wonderful section in the back that'll help you create a character bio. This is what you need right now. My PDF is free to download, print, and redistribute as you see fit, but please, do not sell it. It's meant to be a free tool for authors.

I tend to write character-driven fiction, so my buddies in the story are key to making things feel real to my readers. There's a requirement that I know those folks inside and out.

So, once I've decided on some details, how do I keep them straight without going back to that document every single time I want to give some goodies to the reader?

Well, this is where Google and a color printer are your friend! Do a search for your character (brown haired male with blue eyes, for example), and put it in a Word document. Size the image so it takes up most of the top. Beneath it, type out the character's height, weight, birthday, location, parents' names, and any other nuggets of fun you think you'll want to reference. Make those details BIG and BOLD.

Click print.

Create one for each character, and print those reference sheets out.

Tack them on the wall behind your desk so you can see them!

Now, go do the same for locations (these can be general or scene-specific).

Boom! All that pretty info is right there for you. All you have to do is look up!

Here's an example of one of mine (for the upcoming novel I'm writing with the Fractured Glass ladies):

Doesn't that make it so freaking easy?

Because you aren't redistributing the images, you don't have to purchase them. These are for YOU, not the world. Even if they have a watermark on them, you can see the details well enough. If you decide to use the photo for something else, please, PLEASE be sure and purchase the full sized image and correct rights.

Same goes for location scenes.

If you take the time to do this, you'll never have an inconsistency issue, and your work will gain a ton of momentum!

Have you ever done anything like this? What do you use? Discuss!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Novel Research - How Much is Too Much?

Happy Monday, good people of the blogosphere! Welcome to another week of fun. Yeah, it's Monday, but you now have five whole days to get in your writing groove. Today, I'm talking about research. You know, that stuff that makes your book seem plausible to your reader. Ready? Grab those pens and notebooks and let's get going!

As you all are probably aware, when I was writing M, I had to do a lot of research for a few topics and scenes included in the novel. Here are a few:

Buying explosives online (yes, you can!).
What the range on a GPS tracker is.
Best sniper rifle.
What genes are responsible for reproduction.
What genes/chromosome strands are associated with malformations of the heart.
How to pick a lock (actually picked a lock to learn what this was like).
Self-contained cities (how they work).
Moving sidewalks and how one steps onto them.
What genes are responsible for "giantism."

And those are just a few. I've asked other sci-fi writers, and they have pretty much the same experience. You have to learn as much as possible so your story can ring true. Sure, you can ask an expert or read an article about how to pick a lock, but until you do it, you don't know what pitfalls may happen or how it feels.

I've talked about this before on my post Writing What You Don't Know, but sometimes you need to get into the meat of your story by heading out and experiencing things for yourself.

Don't leave your words to someone else. The way I describe something might not be the way you describe that same thing.

As a bonus, the next time you want to write about what it feels like to walk over hot coals, you'll already know. Those little tidbits will be stored in your memory bank or feelings workbook.

It's not just sci-fi that demands research. If you're planning a book where you deal with legal issues or historical facts, you have to look that up, too. Writers are born researchers, and we usually have a thirst for first-hand knowledge of topics.

What's been the most fun/interesting thing you've ever had to research for a book? What book was it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Avoiding the Backstory Infodump by Using Layers

Happy Tuesday, good people of the blogosphere! Today, we're talking about backstory. Every character has one, but no one wants it shoved in their face in huge chunks. I'll be giving you some ways to work the yummy goodness in as your story progresses so you can avoid the dreaded infodump. Ready? Grab those pens and notebooks and let's get going!

#1: Throw out tidbits in dialogue

This one can be fun. Say you have two characters arguing. One friend screams at the main character about an embarrassing or revealing thing that happened in the past that shaped the MC's personality. Boom. Backstory. One character can also be talking to another and reveal something about the MC's past to explain why he/she reacted the way they did in a situation. There's no need for a whole conversation about it; just throw things in here or there.

#2: First person thoughts

I have an excellent example of this one! In Fractured Glass Kelly Risser lets Sloan remember a time when she and Diego rode an amusement park ride and he yakked afterward. This reveal came when he groaned through her earpiece after she flipped around and around, and she needed to recall his motion sickness issue. It flowed right into the story, but gave the reader a better understanding of Diego.

#3: Memories

This one can be a bit tricky. Some people go into memories as a whole separate scene, but they don't have to be set apart. You can add a snatch of them here and there like sprinkles, rather than dredging the entire cupcake and leaving the reader with a mouth full of pasty yuck. When the character sees a rose, he/she can have three lines of memory that recalls the funeral of a good friend. Don't get bogged down in details.

#4: Third person narrative

While it isn't the best way to work in a lot of drama, you can have the narrator recall a situation where the MC changed or did something amazing/horrid. "This one time, at band camp, Harry and Joe..." You get my point.

#5: Long flashbacks or dreams

This is where you cut out a chunk of story and lend it to the character's drama. It becomes a whole separate scene in the chapter where you go into feelings, who, what, when, and where. Long flashbacks should be used sparingly (italics are hard on the eyes). If in a dream sequence, try offsetting it with asterisks rather than setting in italics. Be sure you're setting time and space in there somewhere so you don't lose the reader.

#6: Paperwork

Exactly what it says. Maybe the character finds an old newspaper article stuffed in a photo album that was locked in a trunk in the attic for fifty years. Perhaps it's birth certificates. If you're V. C. Andrews, it would most certainly be the latter, and the document revealing Mom and Dad as brother and sister won't be discovered by the child until the last page of the last book. Yikes.

Something important to remember: Don't use these items until your story has been well established. Readers need some mystery as they dive into the prose, and most don't want to be dumped on early in the novel. When there's nothing left to discover, why keep reading?

I hope you found these tips useful.

Any you hadn't thought of?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Cook Your Novel Low and Slow

Happy Tuesday, good people of the blogosphere! If you remember my post from yesterday, where I gave you some tips and tricks on how to speed up the pace of your novel, you'll know what's coming today. If you missed that one, be sure and check it out here. We're talking about how to slow down the pace today. So, grab those pens and notebooks and let's get going!

Sometimes, a novel needs to slow down a bit to let the reader catch their breath. Unless you're Dean Koontz, or your idea is similar to Intensity, where the reader is on the edge of their seat the whole time. Ha! Readers need a break in the action or they get overwhelmed.

Here's how you can slow things up a bit:

• Have your character make a mistake. Success constantly moves a story forward, and it increases the pace. If you want to slow down a bit, introduce a misstep they have to reverse and correct before proceeding.

• Distract the character. This move can also distract the reader, so use with care. You can engage the reader's emotions rather than starting a mundane task though. Maybe John and Marsha are arguing, and the intensity of the scene is up there. She's getting ready to go on a date with him, so she stops yelling and turns to apply her makeup (which is difficult with the tears in her eyes). You get the point.

• Change the structure. Longer sentences take more time to read and digest. Be wordy, use description, and use words like flugelbinder (kidding - that's not a word). On a serious note, pay attention to the length of paragraphs or placement of soft sounding words.

• Insert inner-monologue or memories. These are an excellent device to halt the flow of the story by bringing the reader back in time or into the character's head. It stilts flow, and that's good when trying to slow things down.

• Insert action scene followup. Your character just committed his or her first murder. Give them a moment to reflect on what they've done and think about the consequences. Not all action scenes need this, but use it when you need to cook something to a tender state.

• Use more description. I'm terrible at this (just ask my editor), but it has it's place in a novel. Sometimes, talking about the scenery or what the little dog's fur color pattern looks like is just what a scene needs to add a little molasses.

I hope you found these tips helpful. Are there any I missed?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stealing Characters

Happy, happy Monday, good people of the blogosphere! Wow. I'm totally late again. But at least I got something written and posted today, right? So, we're gonna talk about this lovely thing I like to call imagination. Basically, I'm going to tell you where you can steal characters and it be on the up and up, and how anyone that tells you otherwise is full of mahoney. Grab those pens and notebooks and let's get going!

Where do characters come from, anyway? You can say they're all figments of the author's imagination. You can say they're everyone and no one at all. Heck, you can even say they're people the author knew/know.

And you know what? You'd be right on every count.

There's no such thing as an original character.

Are you ready to rip my face off yet? Good. Now, let me explain.

Your characters will all have an inherent piece of you. Yes, all of them. When you have to write anger, you draw on your own experiences with anger. In this way, it's impossible to write what you don't know. If you happen to come upon a feeling you've never had, chances are you'd have to ask someone else what it's like. Therefore, your character takes on a few basic traits of that person.

Writing that woman you watched in the airport who was oozing emotion through the phone at what you could only guess was a man? She's totally unique and not you, right?

Sorry. No.

Because what you've seen of her brings you to certain conclusions of your own about who she is. You draw upon experiences you've had in the past to fill in the rest of the proverbial sketch of her life.

But what about that character that came from nowhere? You just sat down, chose a name, created an identity, and drew them from thin air, right?

Let's think about that for a moment.

While that character in the book may have purple hair, pointy ears, and a forked tongue, you have to create a personality from somewhere. If you don't use your resources: yourself, a friend, a stranger you spoke to, a family member, a character you once read about that stuck with you in personality, an old classmate you hated/loved, etc..., you're setting yourself up for failure and flat characters.

There's no such thing as an original character. Even if the man or woman in your book has one small piece of you, it's not 100% unique. They must have some part of someone to be real.

But characters aren't real, Jo!

Aren't they? Don't they talk to you when you're writing them, telling you how to write their story so the world sings along? Don't they force your hand sometimes?

I don't know a writer anywhere who says, "My characters do exactly what I tell them, and my story doesn't suffer for it." Yeah, that's not the way it works.

We create these people, and they go with us everywhere. I'm almost convinced those crazy people who walk around mumbling things to themselves aren't crazy at all; they're retired authors talking to the characters that refuse to leave.

They're in your head. You formed them. You breathed life into them. They're all going to have a piece of you, no matter how miniscule.

Guess what that means? If you're a lot like author ABC over there, and the two of you have had similar experiences/pasts, your characters might just act and sound alike.

Nothing wrong with that.

So, the next time friend A asks you if they're in your book, smile at them and nod your head. Chances are, there are enough pieces there to make it the truth.

But never, ever be afraid to steal bits and pieces of those folks you meet on the street or watch on the sly. They'll inject your characters with new traits.

What do you think? Have you written a character who acts/sounds like someone you know (accidentally)?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Creating Feelings Workbooks

Happy Thursday, good people of the blogosphere! It's writing tip day, and I've got some great exercises that'll keep you on the edge of your seat, and they'll keep you writing; that's the most important thing. If you've read my post titled "Indescribable, and Why it Cannot Work for a Writer," you'll be one step into this process already. So, grab those pens and notebooks and let's get going!

Have you ever been in a rut? One of the ones that have you pulling your hair out and wishing you could meet that deadline with great words instead of mediocre ones you slapped on the page out of haste?

Sometimes, all you need is a little muse push. This exercise can help you frame your writing for drawing on later.

What the heck do I mean?

Stay with me.

If you're feeling something, anything, that's a great place for any novel to grow. Even if you're overwhelmed by the size and pressure of the task ahead.

Here's what I want you to do:

• Open a new document
• Center your cursor at the top
• Think about how you're feeling in the moment
• Type that word in
• Hit enter
• Left flush your cursor and use a cliche (angry = mad as a mashed cat)
• Now hit enter again
• Highlight those two lines (the one with the cliche and the blank one) and click numbered list
• Create more than twenty-five sentences that tell how angry feels
• Save the document as: Feelings_YourEmotionHere so you can find it when you need it later

I know what you're thinking. Twenty-five, Jo? Twenty-frikkin-five! You must be smoking crack.

But I'm not. Plus, I asked for more than twenty-five. *grin* If you stick with it, expand upon your few word descriptions to great phrases. I'll get to when and where this will come in handy in a few minutes. I think it goes without saying that I don't want you to worry about being grammatically correct. Just let it flow.

Let me go with depressed as an example.

1. Empty nest
2. Wrapped in a shroud
3. In a dark place
4. If the world explodes, I'll be one lucky bastard
5. Rocks in my stomach
6. Lead weights on my shoulders
7. Fog obscuring my every thought
8. Windows blackened so I can't see daylight
9. As though a bat has wrapped me in leathery wings, stealing my breath
10. Tiny and insignificant
11. If I weren't around, no one would notice or care
12. Numb all over
13. Brain in a cloud that prevents me from thinking happy thoughts, as though I'll never find joy again
14. Everyone is out to get me because I'm like the buzzing fly puking my acid on their food so I can slurp it up in my misery of short life
15. Desire to step out of my mortal shell and walk where I might get a glimpse of the light my heart craves but has been denied for so long
16. Scum on the top of a pond that only exists to be feasted on by parasitic insects determined to suck every ounce of nourishment out of me to feed themselves
17. Hands shaking, brain racing, heart dead and unfeeling
18. Life sucked out of me through a hole in my heart made, ripped, and gaping because of the cruelty of the people in my life
19. A dark cloak descending from the sky, fluttering down delicately, inviting me in, promising me warmth and safety, only to choke me when I accepted its black embrace that siphoned the will to live
20. Blank stares filled with thoughts of everything lost throughout the years is all my mind can focus on
21. Tingles rushing through my fingers, up my arms, twining around my heart as they beg me to let go of my own soul; to free my spirit so it can glide away through the ether, leaving me in peaceful nothingness
22. Weight pressing down on me, and a twenty-ton monkey on my back who insists on dragging me the wrong way--away from the success, happiness, and assurance I crave
23. Back cramps that slowly make their way around my ribs, creating pressure on my abdomen I can't release, suffocating me as my breath is stolen and my lung capacity closing down inch by inch
24. Heat in my head threatening to burst forth from my eyes in the form of tears I'm convinced will be crimson if allowed to flow
25. No desire to move, breathe, or think as my senses shut down, one by one, leaving me bereft
26. Every reflection of myself making me want to lash out at the person on the other side, because I know she's worth nothing

You don't have to stop there. Keep going until you can't. This is just to show you it can be done. It only took me about twenty minutes, so it's not a terribly time-consuming exercise. Yeah, I'm feeling a little depressed right now. Why? Because I had to step into it to make it come out. What I'm asking you to do is write about it when you're feeling it. You can probably see the progression above, yeah?

Now, I bet you're wondering how this can help you in your writing, huh?

This is the awesome part. If you ever need a way to describe how a depressed character is feeling, you just created more than twenty-five descriptions of depression you can copy and paste into your manuscript. Never just say your character was feeling depressed. Use what you know to bring that feeling to life on the page for your reader.

It can also help you by becoming an outlet, like a journal, where you know you can write stuff down honestly. If you get it out, it'll help you deal with those feelings in a positive manner.

Don't just write about being sad, depressed, or overwhelmed. Be sure you're sitting down to fill out pages for happiness, excitement, or curiosity. You need everything in your writing arsenal.

What do you think? Do you use methods like this to help your writing? Tell me, and other readers, how you do it and how it helps!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing Caves or Coffee Shops - Writer Groove

Happy Tuesday, good people of the blogosphere! Today, I'm gonna chat about the different ways writers get their novel creating groove on. Similar to NaNoWriMo, but when every day should be about words. So, grab those pens and notebooks and let's get going!

What's a writing cave?

Well, a writing cave is your zen space. Think of it as the place you go when you need to bang words out on the keys of your laptop, bringing yourself to a place of complete relaxation and creativity. When you enter your writing cave, it should feel like it's begging you to create.

Many writers have a bookshelf in their writing cave. What's on those tall, dark, handsome slabs of wood varies depending on what tasks the wordsmith takes on when in the room. For example: Mine is a short table with design how-to and editing books stacked on it. My issue of the CMoS is right on top, staring at me. It inspires me to do more and be more, and it's a handy reference shelf I access often.

Some writers have novels lining their shelves. Others have mementos, photographs, or other items to spark their creativity. It depends on the mood you're trying to set.

What else should be in your writing cave?

• A visible schedule
• Nail clippers (yeah, ever tried to write with a hangnail?)
• Notebooks (for those ideas you get)
• Pens 

You might also want to have a printer for those scenes you need to work out. Trust me, stepping out of the writing cave with scene in hand can make a huge difference.

I know one writer who prints images of her characters and a snatch of their bios, then hangs them on the wall where she can see them as she writes. When I asked why, her answer was: Because they speak better when I'm looking them in the face.

If you write romance, light a candle or two. Paranormal? Try some posters of otherworldly things.

Or, maybe you prefer to write at a coffee shop. Does the hustle and bustle, or conversations of other people, get your spark moving? Here are a few things to watch out for when choosing to write in public:

• Fluffy chairs (they tend to make typing difficult and staying awake even more of a challenge)
• High-traffic areas (you don't want to get bumped a lot)
• Wi-fi (if you don't need it, turn it off so you aren't distracted by social media or e-mails)
• Bad coffee (yeah...)
• Chatty people

Regardless of where you choose to write, make it your zen space.

Whatever you do, be sure the mood is right for you and your process.  It's your book, and you need to make sure your surroundings are conducive to the creative side of your brain.

Where do you write?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

#UtopYA2015 Time Warp Tuesday

Happy Time Warp Tuesday, everyone! Today's post is all about #WriteYourOwnFuture and talking about your past. Because I love the heart and soul of UtopYA Con, I'm gonna share some things about the event and give some advice to those wanting to write or the writers that are thinking of giving up. I'll also include some of my pictures from UtopYA 2014. Ready? Let's get rolling!

First off, let me pop in a reminder that tickets to the most awesome author conference on the planet go on sale NOVEMBER 28, 2014. That's right, Black Friday.

GET YOURS HERE

There are so many things I could say about UtopYA, but that would be a huge blog post. Now that I've gone, I know I won't be able to stay away. It'll take wild horses (and maybe chains) to keep me from returning to experience the camaraderie and spirit I found in Nashville.

Once a city I thought of as the Country music hub, it's now morphed into something magical and bookish in my mind. Readers lurking around every corner, mystical creatures peering from behind drapes, and a certain something that lights a fire in my writer self.

I'll get into Nashville and the Millennium Maxwell House more next month, for my UtopYA post in tandem with the other three bloggers: Shana, Maria, and Ashley. Watch out for those.

If you want to read about my experience at the con, I have a post here on my blog and a resolutions post here on The Paisley Reader that'll tell you what my goals are/were.

For fun, I'm including a couple of awesome photos from the con! Misty Provencher is with me in the first one, and Tia Silverthorne Bach and Toni Lesatz are in the second :)

Because those two posts are in place, I'd like to focus on the up and coming writer, or the one with serious doubts, in this one. I'm going with two of the prompts provided by Janet Wallace.

Q1: What would you say to someone who wants to write a book, but has doubts and fears?

"This one's easy: keep writing. No matter what, if you have the fire burning inside you to put words on a page in a cohesive manner, keep going. Never stop. Not even when that last word hits the page and you declare your first novel finished. Write another one. Put them out there for the world to see. Most people don't write 30k words in their lifetime. You're doing something awesome. Why would you ever let that go? WRITE ON! It's not just a meme."

Q2: What would you say to someone who's written a bunch of books, but haven't had the success they thought they would, and are thinking of giving up?

"Define success. First of all, you have to know what your idea of success is before you ever publish that first book. Are you after fame? Fortune? Notoriety? Supplying readers with great books? It's imperative you understand what you're trying to accomplish before you set out to get 'er done.

For example: My success is when someone leaves a review on something I've written that says how much they loved the story, or when someone comments on my blog saying how much they learned or appreciate the information I put here. I get all gooey inside knowing I entertained someone, moved them, made them feel something they might not have before, or brought them a little knowledge. I have pride in educating people. There's not one of my novels that doesn't teach the reader something. Even if it's just where Ringing Rocks Park in Pennsylvania is, and why it's such an interesting place to visit.

After you've given success your personal definition, move on to how you've achieved those goals.

If you're still feeling like you haven't done what you set out to do, try a different angle. Do something new. Keep going. To give up on yourself is worse than others giving up on you. Always drive forward with a goal in mind."

I hope that helps someone, somewhere, who's either thinking of writing a novel or giving up writing to forge ahead.

Did you post for Time Warp Tuesday? Leave us your link to check out!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Your First 100 Words

Good Tuesday to you all! Today, we're gonna talk about the first 100 words of your novel, why they matter, and what you can do to help them out. No jabbering today on my part; grab those pens and notebooks and let's get going!

I know you've heard it a million (billion?) times: Your first 100 words are everything.

No, they aren't, but they're a crucial part of the whole.

Think about it. When a reader picks up your book on the shelf, the first thing they read is the back, right? Before they pick up a sample digitally, your synopsis is what they read. Once they're past that hurdle, they'll flip the book over, open the front flap, and read a couple of paragraphs. Or, in the case of a digital book, they'll download the sample, open it, and read the first couple of paragraphs.

If they enjoy it, they'll buy. Look at caviar. People like it, they pay a LOT for it.

So, your first 100 words are important, yes, because they're what will get you the sale.

I guess you could say they're one third of your most important elements. Yeah, the other two are your synopsis and last 1k words (I'll go into the last 1k sometime soon).

So how do you beef up those first few paragraphs to make them something readers are dying to get more of?

Move the reader. Give them a wow moment.

Engage the five senses, and use powerful words.

Let's try a little exercise. In this, I'll try to set the tone, hint at the genre, give a great example of my writing style, set the POV, and give a bit of a setting.

My eyes opened to find total darkness.
All my limbs began to tingle, and my breath came in ragged gasps. There was no light for my pupils to adjust to.
Not one tiny speck of illumination.
Those nightmares I had when I was younger were in my face; all too suddenly a grim reality.
I tried to sit up, to get away from the oppressive inkiness, but my head hit something that felt like wood.
Automatically, my hand moved to touch the spot, and I scraped my knuckles across the timber, making them itch with a thousand splinters.

~98 words~

Okay, now we'll have to edit this to read a little more powerfully. Ready?

My eyelids lifted, and darkness assaulted me. Oppressive, thick, suffocating. Even after a moment of lying still, not one speck of illumination could be harvested to penetrate my pupils and assist my sight.
Nightmares I'd had slammed into me full force, and I tried to rise. Something wooden smacked my head, forcing me to remain supine. My hand moved to comfort my battered forehead, only to end up itching with a thousand splinters as my knuckles scraped the timber.
I shook, wondering what I'd done to deserve my mother's punishment again, aware of the tears that were ruining my mascara.

~100 words~

Notice I got more description and feeling into the second pass. If I went over it again, it would probably remain pretty close to what I have here.

Things you know or can safely assume:

• This is a young person in a dark place (some kind of box?), with at least a piece of wood that's so close she can't sit up.
• She's lying on her back.
• This isn't the first time she's been there.
• She's afraid of creatures from nightmares or total darkness.
• First person, past tense.
• There is zero light to be had, which conveys the person is buried somehow, and it leaves the reader wondering.
• This is a punishment for misbehavior - But what?
• She's old enough to wear makeup.
• She's crying
• Probably a contemporary thriller or horror story.

From the first attempt to the second, I condensed passages, used better (stronger) words, and gave you more lead-in.

Read them again and see if you can pick up on the things I changed while conveying the same tale.

Flow wasn't sacrificed, and the sentences are more varied in the second part.

Would you want to read more?

That's the idea. You must convey to the reader many things, but it has to sound natural and leave them wanting to turn the page for more.

So, your first 100 words aren't everything, but they're crucial.

Try this exercise on your own, then go here and copy/paste your text to see if your word count hits the mark.

Post your results below! I'd love to see what you come up with.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo