Wednesday, February 26, 2025

Writing Tips That Don’t Work?

Hello, and happy Wednesday, good people of the blogosphere! Today, we’re going to examine a few writing tips that don’t work, or do they? I ran across a thing where it listed five writing tips that don’t work. Now, the beginning of the thing was the advertisement for a product. Will we be diving into that product to let you know the ins and outs? You bet your ass we will. Today, though, we’re going through the tips the creator of the thing says don’t work. You all know me. You’ll get my unfettered opinions as we trudge forward. :)

I know you’re all excited to get going, so let’s DOOOOOO EEEEEET! Get comfortable, and let’s dive on in.

1. Writing and Reading a Lot Doesn’t Work

I call BS on this one. As you read, you learn, and as you write, you learn. Yeah, you may end up with a ton of words that make no sense, but it’s practice. Period. You have to practice something before you dive in, and as you read, you’re practicing. You’re ingraining in your brain how sentences need to be structured. You learn what words to use in what order to make the most sense. Writing puts those things into practice as well. Doing something more often makes it automatic. This is one of the reasons I always say that no matter where you’re writing—social media, text messages, etc.—it needs to be done properly. Don’t get into the habit of using text shorthand, and don’t think the difference between their, there, and they’re doesn’t matter. Use it right consistently, and you’ll become a better writer.

2. Learning Theory and Tips on Construct Doesn’t Work

This is also BS. You have to understand how the story you’re writing is put together. I’ve said it before: Take the tips you want and leave the others. BUT TAKE THE TIPS. Use those tips. Read all the books you can on craft, and you’ll have a better understanding of how a book is constructed and how characters are developed.

3. Learning from Professional Writers Doesn’t Work

For this one, I’d say yes and no. It goes back to taking the tips that work for you and leaving the rest. This is why writing, writing, writing is so dang important. You’re learning your voice. Is it a good idea to try and emulate the exact style and construct of a wildly popular author? No. Can you gain a lot of really great insight by taking away some of their habits and/or tips? YES. You have to learn HOW to be a writer.

4. Using Writing Groups to Get Feedback Doesn’t Work

100% yes. Writers aren’t your target audience most of the time. Reviewers are readers. Those are the folks you need to go after. READ your reviews! I hear so many authors give others advice to not read reviews. Poppycock. Go read them. If your book sucks, they’ll tell you, and many of them will even tell you WHY. Don’t ask friends or family. Either they’ll lie to you, or your relationship will die because they tell the truth. Let’s be honest! Your mom is going to tell you how great everything is. :)

5. Writing Novels Doesn’t Work

Again, this is BS. It’s literally practice. Please don’t publish the first thing you write. It’s gonna suck. Shove it in a drawer and power on. It was practice. Ten years from now, when you have several novels under your belt, pull it out and look at it again. You’ll probably die from embarrassment, but if you live through that harrowing experience, come on back and let me know. :)

Now, this thing I found went on to talk about what does work.

  • Practice First Perform Later (ummmmmmmm… See #1?)
  • Practice Deliberately and Get Feedback (see #2?) Most of the tips on this were from a professional writer. Also see #3 and #4. :)
  • Focus on Scene Writing to Shorten the Feedback Loop (you learn to do this by reading those craft books)

After we went through all the things, there was a pitch for the product. IMO, everything above in the section about what does work is just twisting those craft tips to suit the pitch. I’m not a fan of companies that use hyperbole and clickbait to get someone on board. If you’re gonna do the thing, do it. If your thing is great, it should sell itself. Telling people what not to do by way of an intro is shady as hell. Again, my opinion.

Below the thing were links to several others that are meant to show the person interacting with the thing that this wasn’t all. You could watch and learn how the creator wrote their masterpiece. This is in direct conflict with the content of the thing. Not only that, but the book that was being referred to is pretty low in its categories on Amazon.

Keep your eyes peeled though. Soon, we’ll be diving into the thing they were selling. :) How’s THAT for a cliffhanger? HA.

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo


Monday, February 24, 2025

Errors, Content, and Making It Work Anyway

Happy Monday, everyone. *big stretch and yawn* That was a tiring weekend, huh? I admit, I could crawl back in bed and sleep the rest of the week away. I’m traveling, and that’s why you’re not getting AI posts right now. My laptop is in another state, and I’ve been working from my iPad. Good times. Needless to say, this keyboard thing has a trackpad, and it’s making my life hell. I disable the trackpad on my laptop because I like to use the wrist rest. You can’t do that if there’s a trackpad in the way. Anywho…

Today, we’ll talk about making your writing work, errors and all (which you’ll see more of this week), no matter where you happen to be. If you’re ready to dive in, grab a blanket and something warm to drink. You deserve it. :) Also, I may not be here Friday. We’ll have to see how travel goes. Moving on!

Remember in Friday’s post when I talked about not going back to your work until your allotted time? That’s directly related to editing. There are a few things you can do to clean up your manuscript before you go looking for an editor. This is a step you really shouldn’t skip. It may end up costing you more in the long run. After you take your MS (manuscript) out of that drawer where you put it for a couple of weeks (or months) so you’d have fresh eyes, you need to red pen the everyloving hell out of it.

Here’s a post on errors that are easy to catch, and you need to be sure you’re also looking at pacing, storyline, and character building (see the next link for a free PDF that will help). If you don’t give a crap about the character(s), your reader won’t either.

Let’s get into content now.

As a writer, your social media presence is going to matter, so it would behoove you to start building a following before you even publish. Get your handle chosen, and get those pages locked down first. I do have a packet on branding that’s free to download and print. You can find it here.

Once you’ve gotten all your ducks in a proverbial row, you can then start to plan your content. Go ahead and make sharable graphics (or find someone to do it for you) for up to three months. You can do this by making yourself a social media schedule. Decide what kind of content you’ll publish on which days. For example:

  • Monday Madness
  • Tuesday Funnies
  • On Wednesdays, we wear pink.
  • Throwback Thursdays
  • TGIF Fridays
  • Weekend Woes

Choose one of those days, twice a month, and make it book related. No one will hang out on your page or give you a follow if you’re always screaming, “BUY MY BOOK! IT’S THE GREATEST BOOK!” So, be sure to share posts from your fellow authors. Trust me, there are plenty of readers to go around. Scatter the balloons so we can all float down here.

Once you have your content plan, create and schedule. Now, you’re free to write. Be sure to set aside a couple days to do this every two months or so.

I’ve been terrible about it lately, but I have a plan to get my ducks back in their rows. You just have to make it work either way (hence the blog post you’re reading right now).

Speaking of…

If you’re a traveler, and you know you’ll be on the road quite a bit, invest in something you can take with you so your work doesn’t suffer. I know one author who wrote an entire novel in Notepad on her phone while she nursed her newborn. She made it work, and if she did it, you can, too. Please, for the love of all that’s holy, plan for these things and know what works and what doesn’t. You don’t want to be stressed about XYZ.

In On Writing by Stephen King, he talks about setting aside time to write every day. While I think that’s a little extreme, I do believe you can fit it in every weekday. Yes, even when you’re traveling.

Make. It. Work. Treat writing like it’s a job, and it’ll pay you back in kind.


Friday, February 21, 2025

10 Ways to Help Yourself Write More

Hello, and happy Friday, y’all. Yay! It’s Friday. I hope everyone has amazing weekend plans, and I hope you all manage to stay warm somehow. If you’re trapped in the house because of the weather, perhaps you can put some of today’s tips into practice and see if they help you. I know these are the things that help me, but I’m also a bit weird…

Anywho, grab a blankie and some hot chocolate, and let’s get into the nitty gritty. Here are TEN tips to help your productivity (with annotations, of course).

1. Use the Damned Planner - I’m sure you all know this one and already have a beautiful, new, 2025 planner sitting on your desk that you haven’t touched. Knowing is separate from doing. Make it a habit to sit down every week on Sunday and fill it out for ONE week. Use stickers or anything else that makes you smile. What we’re after here is something you can look at so you know what to do next. Surprisingly, this helps your brain focus on what you’re doing, which is writing. Right?

2. Have a Start and Stop Time (and stick to it) - This is probably one of the most important things you can do as a writer for productivity and to write better and faster. Your brain will go into writing mode when it knows it’s time to perform. After a certain hour, do NOT go back to your manuscript. Leave that for one day out of your week.

3. Set Aside Time to Learn - You can do this on the weekend. Read freaking books on craft. Read blog posts (like this one). Take away the tips you want and discard the others, but learn as much as you can as often as you can. This will also help you focus when it’s time to write.

4. Treat Time Like It Matters - Your time should be protected. If you went to an actual office every day, no one would even think to ask you if you can do this or that during the day. You can’t unless they pay you to do it. Your time is money, too. Your home office is an office, too. YOU WORK, TOO! If little Timmy’s mom needs you to get him off the bus every day, she can pay you just like she’d pay a sitter.

5. Read and Write a Lot - Even if you’re just scribbling nonsense in a notebook, you’re writing. When you read, you’re learning how to write. Even those novels published by your peers will teach you something about plot, construct, and flow. You can’t write if you’re not a reader. You can’t write WELL if you’re not a reader.

6. Set Aside Time for Marketing - You don’t always have to be on when it comes to marketing. This goes back to #4. Your writing time is precious. Use tools that will help you market your books better. If you have yet to publish, start researching tools now. CRM (Customer Relationship Management) has come a long way. Yes, it will probably cost you money, but if you do the right research ahead of time, you’ll know where to put it for maximum impact. Set aside time to tend to it.

7. Become Your Own Worst Critic - If you write something and read it later only to think, this is trash, delete it and do better. If you think it’s trash, so will your readers. Just delete it. JUST. DELETE. IT.

8. Your Books Aren’t About You - You should be writing what you’re interested in, yes, but you’re not talking about yourself, so go crazy. People may look at you and think you’re unhinged (I mean, have you read the PPSK series?), but that’s the point of all this. Writing should be fun, and you shouldn’t be concerned with what Great Uncle Walter will think of you. Have fun, It’s not about you.

9. Don’t be Afraid to Publish - This goes hand in hand with: PLEASE READ YOUR REVIEWS. Readers will point out things you can do better as far as flow and pacing, even character development, so publish your dang work then read the reviews. Yes, they may be harsh, and yes, you may get discouraged, but take a step back and go again. Rome wasn’t built in a day, y’all.

10. Write Because You Love Writing. Period. - If you’re in it for the money, you may be disappointed. It’s not about the dollars. Don’t make it about the sales. It’s about your need to put words on a page. If you don’t have that drive, that story inside you itching to get out, then you need a different career. This one won’t spark joy.

Yes, I did quote Ms. Kondo. She has a point.

When you’re creating your weekly schedule, be sure and include at least an hour a day for writing. At least. Some days, you can do more, but if you’re consistently writing an hour a day, and you manage 1500 words every time, that’s 390,000 words a year. Read that again. At just 1500 words a day. Once you train your brain to write from X to Y, you’ll be able to do that consistently. I promise. Our writing group would run sprints, and I’d actually manage around 2k words in an hour, sometimes more. You can do it, but you must be consistent.

I hope this helps you start to pump out the words. Remember! A good editor is worth their weight in gold, too. Find one you love.

Well, that’s all for today, folks!

Until nest time, WRITE ON!

Jo

Wednesday, February 19, 2025

How AI is Changing the Publishing Landscape

Hello, and happy Wednesday, good people of the blogosphere! Today, we’ll be talking about how AI is changing writing and publishing for thousands, or hundreds of thousands, of authors. We’ll take a peek into how writers are using AI, and we’ll discuss what changes have happened (that I know about) through the publishing industry.

That sound good? Excellent. Get comfy, turn up the heater (those of you in the Midwest, BRRRRR!), and grab a drink. Unsure how long this will be, but it’ll be nowhere near the length of the AI trial posts I’ve been doing. :)

Authors are using AI in various different ways. Some are cranking out books by having AI write the whole thing and just clicking publish, even though many publishers now demand you to disclose if AI was used to write the book. Most writers, however, are using it as a helping tool. They don’t just plug in a prompt and get a book. They’re spending hours creating an outline, characters, worlds, and other such things, and then they get a chapter at a time they have to heavily edit. Sometimes, the AI will give them a workable chapter, and sometimes, they’re forced to redo the entire thing because they forgot something.

None of these programs are cheap to use, either. Sure, GPT costs about $20 a month, but as you saw in my previous posts, it needs a ton of rewording before it’s usable. Most good programs cost you per word.

Then why use it?

Well, it makes their writing go faster, helps them past a part where they may be stuck, or gives them ideas they may not have come up with otherwise. For some writers, that’s invaluable. We all still have the same issue though: marketing. How to get a book in front of readers who may enjoy it, right?

There’s also the folks who won’t touch a book written with AI with a ten-foot pole. I think a lot of people don’t realize nearly every word processor has some kind of AI built in now. Even MS Word has the new CoPilot AI running. Avoiding AI books is becoming as difficult as avoiding the sun in SW Florida.

Now, the horrors of AI are those books simply produced 100% by AI and are published without any kind of editing done. It makes every author using the program as a tool to help them write look like a hack. Some books, you’d never know used any kind of AI unless the author tells you. Some, are obviously AI and are obviously terrible from page one. This is why samples are so important, yeah?

Along with Amazon, Ingram Spark had some AI drama not long ago, and if I remember correctly, it had something to do with them wanting to use the content of the books submitted to create audio with AI.

Well, that’s not okay. A lot of authors I know already have an audiobook company, and I imagine the Actor’s Guild had something to say about that…

Another problem I see is the AI editors. Grammarly often corrects incorrectly, and they’ve been in hot water lately because they said they’d use the text they’re editing to train their AI. That was quite a blowback, but I’m positive there are a ton of folks out there who didn’t read the fine print and are using the program without knowing. Are they still doing it? I don’t know. Check the fine print.

That’s something you should be doing anyway if you don’t want your stuff used.

I can’t see any of these things going away anytime soon, but whomever amongst the masses still chooses to 86 any kind of AI, be absolutely sure you’re checking the ToS or ToU for whatever program you use or install.

It won’t be long until AI gets enough input to output pretty convincing books, so in time, we may have no idea what was and wasn’t AI to begin with. Book covers are already generated, and a lot of those are pretty convincing, so you can pretty much count on the content inside to catch up.

There’s no way to stop it. It will happen, but you can just keep doing what you do and keep doing it as well as you can. That’s all you can do. You can boycott, but there are people who just don’t care, and there are enough of them to make a difference. Screaming in the streets and online seems to also make no difference, but as I said, you can keep doing what you do, and there are those who’ll follow you into the depths of Hell because of your choice either way—to AI or not AI.

What do you think? Can you think of any examples? Drop me a comment below.

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo

What

Monday, February 17, 2025

Big Words and Bigger Egos

Hello, and happy Monday, y’all!! Today, we’re discussing something, as an editor, drives me bananas: big words. We’ll take a look at when to use them, how to use them, and when to avoid them like the plague. Even the AI we’ve been discussing tends to drop in big words with no context, so this isn’t a singular issue. Unsure if that program’s developers simply told it to pepper the manuscript with big words for effect or if the papers/training material fed to it influenced it to use words most people don’t know, but it sure is annoying to have to look up every third word.


So, if you’re ready to be inundated by information, grab a cup of coffee or tea, settle in, and let’s learn some shizz.

Definition of Big Words: Things not easily understood by the majority of the population without some context clues for identification as to the meaning of the word. Words which need to be researched for understanding.

Big words are considered any singular word or multi-word phrase a common reader can’t comprehend without a dictionary or internet search. Used too often, they can turn a reader off the book or article you’ve written. Of course, there’s a time and place for everything, as you know.

When should you use big words?

When you can spare the word count to define them, you’re good, and when you’re 99% sure people will understand your meaning, a well-placed big word can enhance the narrative. For example: Gargantuan is a big word, and my pun is totally intended. Most people know what it means. Those who don’t can figure it out if you’ve used excellent context clues to help with definition.

She took a gargantuan bite of the sandwich, her mouth stretching like a python’s around the two slices of bread with all the meat and cheese I could fathom between them. How she managed to chew without choking, I’ll never know.

You get it. It’s a BIG bite. Gigantic. Ginormous. Huge. Gargantuan.

See? You got several words to relate to the one you may not have known the definition of. That’s context. Of course, the majority of people already know what the word means, so the context isn’t as needed, but it’s still helpful.

How should you use big words?

To enhance the narrative. Period. If there’s a simpler way to say something, say it that way.

When should you avoid big words like the plague?

If you’re writing for a young-adult audience, for children, or for the news (which is mass consumed), just say no. Unless you’re really, really good at context definitions, you want to use big words sparingly in these publications.

Why is this a thing which makes me nuts?

Because I read a ton. If I don’t know what a word means, there’s an excellent chance the common reader won’t know it either. We don’t need to be slapped in the face with your presumed intelligence or your overinflated ego because you believe you’re the wordsmith of legend. We simply find you arrogant and repulsive because you can’t pull your head out of your ass long enough to be on our level. If you’re writing for “smart” people, you’re not going to sell that many books; I don’t care how riveting your prose may be. As I said, it’s tiring AF to look up every third word. Yuck. DNF every time.

What books have you read that left you with the nasty aftertaste of dictionary? Did you finish?

Well, that’s all for today, folks!

Until next time, WRITE ON!

Jo

Friday, February 14, 2025

AI and Writing - A Series of Looks Inside: Part Four - Squibler

Hello, and happy Friday, everyone! Today, we'll continue our generative AI testing to see how the LLM Squibler performs with our basic input. We're being as vague as possible to see just how well these programs can fill in the blanks. So far, we've tested ChatGPT and Sudowrite. If you missed either of those, just click on the names, and you can check them out for yourself.

As a reminder: These posts aren't geared toward showing you how to write a book with AI. We're focused on finding a tool that may help you when you're stuck. If you can find your flow and rhythm, and learn basic writing errors you can easily avoid, you'll be able to write for yourself in less time than it would take to craft a proper prompt and then edit an AI manuscript.

I can already think of at least one reason a new writer may want to shy away from using these tools: You'll never have a chance to discover your unique voice. You like reading these articles? They're in my voice. If I had a program write them, they simply wouldn't sound the same. I wrote for about three years before I found my voice. Give it time.

If you happen to be a seasoned author, sprinkle yourself with a bit of sugar and cinnamon, and let's get going. We already know this post will be long, so let's not waste any more time up here. Ready? :)

Okay, so, I started by navigating to the Squibler home page and clicked the Get Started for Free button. Like Sudowrite, it asked me a couple of questions. Hey! What do you want to write today? Book. Then I was taken to a page that asked if I needed an outline or wanted to jump into a manuscript. Neither. I see, at the bottom of the page: Already have an outline or a draft? Continue here. YES.

I clicked it.

I was then taken to a page that asked me to upload a draft? That's not what I clicked on... 

Being the jokester I am, I put my outline for chapter 1 into a document and uploaded THAT.

I got this: 

Wait. What? I'm backbrowsing. What just happened? I'm not crazy.

Okay... Clicking the first option then. I get this: 

Whatever. I have no title. I'll just put something in. Book length? What? I don't freaking know yet! I'll make something up. A Tale of Two Monsters will be the title, and I'll drop in my outline. I chose 116 pages. Jeeze.

I then had to sign up for an account to read the "whole book." Okay. Done.

Then I hit a paywall.

So I backbrowsed because I'm not giving out my CC information. Period. Sorry, y'all, but if it ain't free to test, we ain't doin' it. That took me to a page with all my projects on it that was processing my "book." By the way, check out the cover it generated:

Cheeky, considering it doesn't even know the characters or context. It never asked. 

From my account page, I noticed a notification. I clicked it. It had been a while (I dropped in all the pics above on this post), and I was starting to wonder what the heck was going on. I see this:

Seven minutes already. Let's see how long this takes. I'm not even sure what it's processing. My first chapter was written (apologies for not copying it from there, y'all), so what gives?

*taps fingers on desk impatiently*

I'm not a person who likes to sit around and wait. We'll go back later to see if it ever finishes. It seems to be stuck on 34%. In the meantime, I click account settings and see this:

It appears there is a free plan, but it fully led me to believe I couldn't see the rest of what it wrote without a paid account. Don't like that. Not one bit.

It's now been 20 minutes and is still at 34%. Time is money, people!

Half an hour in, and there was no progress. I'll check back this afternoon, and if it's still stuck, I'll be deleting my account and issuing mad apologies to y'all for not copying the snippet it let me see. UGH. Disappointed panda.

I got a message that said, "manuscript generation failed," and everything was just gone. Oh well. I tried. Sorry, people.

Well, I guess that's all for today, folks!

Until next time, WRITE ON!

Jo

Wednesday, February 12, 2025

AI and Writing - A Series of Looks Inside: Part Three - Sudowrite

Hello, and happy Wednesday, everyone! Today, we're continuing our look inside AI series and examining Sudowrite. As before, I'll use the same prompt I gave ChatGPT, do no editing, and insert comments here and there as we trudge along.

Ready? Grab a drink, and get ready to rumble!

So, when I first started the free trial over at Sudowrite, it asked me a bunch of questions like:

  • What genre(s) do you write?
  • What level of writer are you (pro, starting, etc.)?
  • What are you looking to accomplish (first draft, plot, etc.)?
  • Have you ever made money from writing?
  • And other questions like that.

I found it super easy to login and get going, but it was a lot more detailed in what it wanted you to input: 

It's pretty! So, I used the basic stuff from my vague outline (Elara, vampire, and Rhys, shape-shifting unicorn) to fill out the fields and had it generate character info by simply putting in a name of a character and a race:


As you can see, that worked pretty well, even if it is kinda generic...

Now, I gave it the loose outline for Chapter 1 ONLY (reminder: Chapter 1: Elara, a lonely vampire, hunts in the forest. She senses a strange presence), and clicked Create Chapter One: 

It made me click to generate beats before it would output (at least it's thorough). It output this:

  1. Begin with Elara moving silently through the dense forest, her senses heightened as she searches for prey. Describe her movements as fluid and deliberate, emphasizing her predatory nature.
  2. As she navigates the underbrush, have Elara reflect briefly on the solitude of her existence, hinting at her internal conflict between her instincts and her desire for connection.
  3. Introduce the forest setting through Elara's perspective, using her acute senses to convey the oppressive darkness and the whisper of leaves underfoot, creating an atmosphere of dread.
  4. Have Elara pause, sensing a shift in the air that signals the presence of something unfamiliar. Describe her reaction as a mix of curiosity and wariness, her instincts alerting her to potential danger.
  5. As she continues her hunt, weave in subtle hints of her age and experience through her thoughts, perhaps recalling similar moments from her past that have left an indelible mark on her psyche.
  6. Allow Elara to catch a fleeting glimpse of movement in the shadows, something that defies her understanding. Use this moment to heighten the tension, her mind racing with possibilities.
  7. Have her follow the elusive presence, her steps careful and calculated, as if she is both hunter and hunted. Convey her determination to uncover the source of this disturbance.
  8. As she draws closer, let Elara's thoughts drift to the network of allies she maintains, pondering whether this presence could be a threat to her carefully constructed world.
  9. Introduce a moment of unexpected warmth as Elara recalls a past encounter with a trusted ally, a rare connection that briefly softens her guarded demeanor.
  10. Bring her focus back to the present as the strange presence seems to vanish, leaving only an unsettling silence in its wake. Describe her frustration and the lingering sense of unease.
  11. Have Elara pause to consider her next move, weighing the risks of pursuing this mystery further against the safety of retreating to familiar territory.
  12. As she makes her decision, allow a moment of introspection where Elara acknowledges the psychological torment of her existence, the constant balancing act between predator and seeker of connection.
  13. Conclude the chapter with Elara retreating deeper into the forest, her mind still haunted by the strange presence and the questions it raises. Leave the reader with a sense of foreboding and anticipation for what lies ahead.

Finally, I was able to click for it to do the writing (a new writer would be overwhelmed by now). Here's what we got (it decided on first person, unlike GPT, which gave me third without me asking):

It labeled the beats, by the way.

1 - 2

I threaded through the forest, a silent wraith among the ancient trees. My movements were fluid, deliberate—a dance perfected over countless years of necessity. The hunt was second nature to me; my every sense honed for this singular purpose. The evening's chill caressed my pale skin as I glided beneath the gnarled boughs, eyes scanning the darkness for the telltale signs of life.

Okay. Why are we using words like boughs? This is YA. Just say limbs. Still, not terrible.

The solitude of these woods mirrored the desolation within me. I was a solitary creature by design, yet at times, the silence that surrounded me seemed almost deafening. I longed for a connection, a tether to another soul that might understand the depth of my being. But such thoughts were fleeting shadows, whisked away by the ever-present instincts that steered me back to the hunger that drove me.

When is it silent for a vampire? They have super hearing... Plus, that sentence starting with but is making me want to get stabby.

With each step, I brushed against the underbrush, leaves whispering secrets to the night as I passed. The forest was my confidant, my silent partner in this endless waltz of survival. Yet, in its depths, I perceived my own reflection—an echo of the predator that stalked within, always lurking beneath the veneer of civility I presented to the world.

As I moved, I pondered the tenuous balance of my existence—the ceaseless tug-of-war between predator and yearning spirit. The forest knew me as both, and in its embrace, I allowed myself the rare indulgence of introspection. I was a creature of the dark, bound to it, even as I sought the faintest glimmer of something more within the enigmatic shadows.

But for now, the hunt called, and I answered.

Again with the but...

3 - 4

The forest, with its gnarled trees and dense canopy, swallowed the light of the moon, casting everything in a monochrome palette of shadows. The air was thick with the scent of decay, an undercurrent of life returning to the earth from which it sprang. I trod lightly over the damp carpet of leaves, their whispers trailing my every step like cautious specters wary of revealing too much. Here, in this sylvan labyrinth, the darkness was a tangible thing, a shroud that draped over my shoulders and clung to my skin.

More obscure words. Sylvan? Okay, but I'd edit that out. You're writing for teens, and you don't have to use words they need to look up in every third paragraph. We get it. You're smarter than we are.

A weight lay upon the world here, oppressive as if the very atmosphere sought to suffocate any spark of light or hope. Yet, I navigated this gloom with ease, for it was an old friend, a companion as familiar to me as my own shadow. My senses, ever attuned to the subtlest of changes, registered each rustle, each muted heartbeat of the nocturnal creatures that hid just out of sight.

But then, without warning, the forest held its breath. I stilled, my steps halting amidst the tangled roots. A ripple ran through the air, a current that disturbed the stagnant heaviness around me. My eyes narrowed, searching the impenetrable blackness for the source of this aberration. It was not fear that quickened my pulse but rather a keen interest sharpened by the potential threat this unknown element represented.

How would a forest warn you? Okay, last comment. Read on and LMK what you think.

My instincts were seldom wrong, and they screamed at me now—warning of unseen eyes, perhaps, or the faintest brush of another's presence encroaching upon my solitary domain. Curiosity pricked at me, a thorn that drew forth the smallest droplet of trepidation. I remained motionless, allowing only the minute twitch of an ear or the slow, controlled exhale of breath to betray my vigilance.

The forest seemed to close in around me, the ancient trees whispering among themselves, their branches creaking like arthritic fingers. Something had shifted, a mere wisp of change in the otherwise static tableau of night, yet enough to set my mind racing down dark corridors of possibility. What phantom or foe might dare to traverse my hunting grounds? Who—or what—could be so brazen or so foolish?

A blend of wariness and wonder settled over me, the predator within alert and ready, even as the specter of loneliness that haunted my heart stirred. This disturbance, whatever its nature, was a deviation from the solitude that both comforted and cursed me. I stood there, caught between the urge to seek out this enigma and the wisdom that bade me tread with care.

For in the oppressive embrace of the forest, one could never be certain whether they were the hunter or the hunted.

5 - 6

I slunk forward, the damp earth yielding silently beneath my feet. The forest was a crypt of shadows, old as time itself, each tree a testament to the countless seasons I had weathered. There was a rhythm to the hunt, a dance I had learned and perfected over centuries, each step a measured beat in an endless nocturne.

Memories flickered through my mind—faces and voices of a distant past—shadows that danced at the edge of my consciousness, much like the game I tracked now. I'd seen empires rise and fall, witnessed humanity's relentless march, all while cloaked in the anonymity of the night. Each era deposited another layer upon my soul, the weight of history a constant companion.

A wraithlike movement caught the corner of my eye, elusive as a whisper on the wind. I halted, every sinew taut with anticipation. Such occurrences were rare, beyond the normal cadence of the forest’s nocturnal symphony. It was a silent discordance, a note struck off-key in the otherwise harmonious dark.

What phantom had found its way into this secluded theater? What being could dance upon the edges of my perception, a mere silhouette brushed against the canvas of night? My heart, though it beat a slow, eternal pulse, quickened just so, thrumming with the thrill of the unknown.

WHAT? Okay. I promise I'm done now. Ugh.

I scanned the darkness, my eyes adept at piercing through its cloak. A fleeting shadow slipped between the trees, formless and soundless, defying my understanding. Tension laced through me, a symphony of dread played out along the strings of my nerves. For a moment, the forest held its breath, and I with it, as if waiting for some fell crescendo.

The possibility of such a presence, one that hovered just beyond the grasp of my senses, ignited a spark of fear—a feeling I both revered and despised. Millennia had taught me much, but the unknown remained my most formidable adversary, a foe that whispered promises of both enlightenment and despair.

I longed to confront it, to understand it, even as the echoes of bygone transgressions murmured cautionary tales. With each encounter, I danced ever closer to revelations I feared yet coveted, the line between predator and prey blurring into obscurity.

7 - 8

I stalked forward, each step a deliberate echo of silence. The forest seemed to recoil from my passage, the trees sentinel-like in their silent judgement. The presence I pursued was as elusive as it was silent; it flitted from shadow to shadow, a ghost upon the wind.

My mind churned with possibilities, with every sinew taut, ready to spring forth or retreat. Was I the predator here, or had I become prey to some unknown specter? This conundrum gnawed at me, its teeth sharp against the fabric of my understanding. In this hunt, I was both maestro and marionette, directing a dance macabre that might well lead to my own undoing.

The notion of an unseen adversary lurking in the opaque woods sent a shiver through my being. It was not fear—no, for what could truly frighten one such as I? It was the anticipation, the thrill of potential discovery. For centuries have I roamed this earth, and yet, still, there are shadows that slip beyond my grasp, secrets that taunt me with their reticence.

Could this presence be a harbinger of threat to the fragile tapestry of alliances I've woven through time? My thoughts drifted to those few I dare call allies, their faces flickering like candlelight in my mind's eye. If danger lurked, it would find not just me but all who dwelled within my sphere of influence. Such responsibility weighed heavily, though I bore it as if it were but a wisp of cobweb.

And so, I moved with purpose, driven by the need to unveil this mystery. There was power in knowledge, and I intended to claim it. Whether this entity was friend or foe, it mattered little—it had pierced the veil of my solitude, and for that alone, it owed me an audience.

I resolved then, in the brooding heart of the forest, that I would not rest until this enigma unfurled before me, naked and unadorned. Whatever darkness it might herald, I would face it head-on, for I was Elara: ageless, inscrutable, and forever bound to the pursuit of truths hidden in the gloom.

9 - 10

I threaded through the undergrowth, the sharp scent of pine needling at my senses. The forest was a living thing, whispering secrets in a language only I seemed to fathom. As I pressed on, the memory of another night—a kinder night—flickered through my thoughts unbidden.

It had been a rare evening, under a moon so full and luminous it seemed a ghostly coin flipped by fate itself. There, amidst the looming shadows, I had met with Myra, an ally whose loyalty was as unfaltering as the stars. We had exchanged no promises, yet her gaze held an understanding deeper than the abyss that yawned between mortals and my kind. That night, she had gifted me a smile, a fleeting warmth that stirred something within this ancient, icy heart.

The recollection lingered, a phantom touch upon my soul, but the moment's solace was ephemeral. For now, the strange presence that had pulled me into this nocturnal waltz had vanished as if it were nothing more than mist. A silence descended, thick and suffocating, devoid even of the sighs of nocturnal creatures.

My pulse quickened, a sense of violation creeping over me, as though some sacred rite had been interrupted. The darkness around me seemed to press closer, a shroud that threatened to smother. Frustration knotted in my chest, for not since the earliest days of my existence had I encountered such enigmatic vexation.

I stood, motionless, the air stagnant and heavy. Where had the presence gone? What game did it play at, darting in and out of perception, eluding even me? Disquiet gnawed at my resolve like vermin, leaving behind a trail of doubt.

An unsettling thought wormed its way into my consciousness: perhaps this was no mere interloper. Perhaps it was a harbinger of things even I dared not contemplate. The vast tapestry of my life, spun over countless years, felt suddenly fragile, vulnerable to the whims of an unseen player.

I moved again, a shadow among shadows, while the forest watched in mute complicity. The echo of my own footsteps seemed too loud in the hush that followed, and I wondered whether I was truly alone or if eyes unseen continued to track my every move. A chill slithered down my spine, the familiar embrace of dread wrapping around me like a cloak.

"Elara," I whispered my name to the night, a talisman against the encroaching fear. "Remember who you are."

Yet as I retreated further into the heart of the woods, the questions persisted, unrelenting as the tide. What was this presence, and why did it haunt me so? The answers lay hidden within the darkness, cloaked in enigma, and I knew my search was far from over. The forest held its breath, and somewhere in its depths, truth waited, patient and insidious.

11 - 12

I halted at the edge of a clearing, the ghostly moonlight painting the world in monochrome. The whisper of wind through the leaves was my only companion as I considered the path before me. To push forward into the unknown, to unravel this mystery that stirred the stagnant waters of my existence, or to retreat into the comfort of familiar shadows?

The forest loomed, indifferent to my plight, its tangled branches like the threads of destiny I had deftly navigated for centuries. Yet, now, hesitation clawed at my insides. Every instinct screamed of peril, yet the siren call of discovery beckoned with equal fervor.

"Prudence," I murmured to myself, the word tasting of age and regret. "But at what cost?"

In the stillness of decision, memories unbidden swirled around me—a masquerade of faces and whispers from lives long past. Each fleeting connection was a jewel I treasured and mourned, a reminder of what I both sought and sacrificed.

With each step I'd taken through time's relentless march, the divide within me yawned wider—the predator honing her instincts, the soul yearning for a touch that wouldn't recoil in horror. In my heart, a graveyard of moments too delicate to survive in the cold light of my reality.

"Am I to be forever caught in this web I've woven?" My voice was but a breath, a ripple across the silence that had fallen like a shroud. "A creature of the hunt, yet haunted by the specter of solitude."

It was a torment that scratched at the confines of my being, a slow dance with madness under the watchful gaze of an ancient moon. A balance precarious as the flight of a raven against a storm-swept sky.

"Enough," I resolved with a quiet defiance that belied the tremor in my core. To chase this enigma might court destruction, but to ignore it would be to deny the very essence of my cursed immortality. The choice was made, the die cast upon fate's indifferent altar.

With the grace of one who has weathered countless tempests, I turned away from the safety of known darkness and stepped toward the beckoning abyss. The night held its breath; I could feel the weight of watching stars. And within me, the eternal struggle raged on—predator and seeker entwined, bound by chains of their own making.

13 - 13

I retreated deeper into the forest, each step a silent testament to the unresolved enigma that lingered in the shadowed boughs above. The strange presence had dissolved as if it were but a wisp of fog in the chill air, yet its memory clung to me like the remnants of a haunting dream. My heart, a reluctant drumbeat in the oppressive stillness, echoed the rhythm of unanswered questions.

The forest, an ancient witness to my centuries of solitude, closed around me with an intimacy that bordered on suffocating. I moved through the undergrowth, parting the darkness with my passage, a specter drifting through a world where light dared not follow. The whispers of leaves underfoot seemed to murmur secrets meant only for the damned.

"Who—or what—were you?" I mused aloud, my voice threading through the trees with a deceptive calm. The words hung suspended, a thin veil against the gnawing void that hungered for certainty. Yet there was none to be found, only the unsettling silence that answered my call.

My mind, a labyrinth wherein every thought led back to the impenetrable mystery of that fleeting vision, turned upon itself with a predator's cunning. It was a torment, this endless pursuit of truths that slip through fingers like sand, leaving one grasping at shadows and the bitter taste of what might never be known.

A shiver danced along my spine, not from the creeping chill of the night, but from the foreboding that settled upon my soul. Something primal within me recoiled, sensing a change in the fabric of this nocturnal tapestry—a thread pulled loose, unraveling destinies yet unwritten.

"Am I the hunter still, or has the game turned upon me?" The question was a whisper lost to the sighing wind, a secret shared with the ghosts of ancient oaks. Their gnarled forms bore silent witness to my turmoil, branches reaching toward a sky bereft of stars, as if in supplication for deliverance from the encroaching gloom.

With each measured stride, I felt the pull of the abyss, its siren call a melody woven from the darkest strands of my being. Yet I resisted, for now. There would be time enough to plumb the depths of this fresh hell; tonight, caution was my closest ally in the dance with the unknown.

And so, I vanished into the heart of the forest, the echo of my passage a fading note in the symphony of the night. Behind me, the questions persisted, their weight a shroud draped across my shoulders as I moved through the velvet darkness.

"Tomorrow," I promised the silence, "your answers will be mine." But even as I spoke, doubt gnawed at the edges of my resolve. For what new horrors awaited discovery beneath the cloak of daylight's return?

The night stretched before me, a canvas painted with dread and anticipation, and I—the enigmatic wanderer—its most reluctant artist. 

*******************************BREAK BACK TO ME*******************************

It's very descriptive, but not a lot happened. She wandered through the woods and thought she was near something. I don't know about you, but we're now close to 2800 words, and nothing is happening. Why would I read on?

ChatGPT was a bit fast through the narrative, and this is a bit slow. Wonder if I'll find anything in my research that paces just right? Again, I could "train" it to write more like me if I fed it a bunch of my stuff, but that's not what we're doing here. New writers don't have a voice yet, ya know?

I also noticed this when I went to close the page:

Alrighty then...

Another long post down. Thanks for sticking with me. Off to update the first post with the link.

Let me know what you think down in the comments.

Well, that's all for today, folks! 

Until next time, WRITE ON!

Jo