Barnes and Noble Yanks Books - Smashwords Offers Solution

Happy Thursday, everyone! Well, what an interesting month it's been, eh? Let's get to the publishing news, just in case you haven't seen it. Strap in, grab your coffee, and let's get going!

Over the last month or so, B&N has pulled several Indie erotica titles off their platform. Authors who were hybrid experienced an interesting effect when their Indie titles dropped off, but their publisher titles stayed up. What are they worried about? Well, if you caught my post from a while back that tackled the subject of what content would be allowed in books, you'll know. If you missed it, take a look here.

So, it seems the taboo topics are under fire. Namely:  Age play, bestiality, dubious consent, incest or pseudo-incest, non-consensual sexual slavery, rape for titillation, underage, snuff, scat, necrophilia.

Some of those have "never" been allowed.

Or have they?

According to the Smashwords blog, few retailers will take incest or pseudo-incest, and iBooks won't take them at all.

I beg to differ. After a quick search on B&N, I found the time-honored (even made into a movie) Flowers in the Attic series. I read that series. Not only do the children locked in the attic (the elder brother and sister) experience a coming-of-age sexual happening, but their mother slept with her uncle to conceive said children (which is why the grandmother wanted the kiddos to disappear). Sorry for the spoiler for those of you that haven't read it and had planned to.

Once I checked that out, I went over to iBooks. Guess what?

Yeah. There it is, but iBooks doesn't take books with incest in them?


By the way, it's also available on Amazon.

Doesn't it seem an awful lot like it's just Indie published books that are being targeted? Why not yank V. C. Andrews' books from those same platforms? If there's a taboo topic, she covered it. I've read several of her series, and MANY of them have incest happening across all arms of the family.

Guess what else? There are no "warnings" of sensitive material on ANY of those.

But JO! Those are referring to EROTICA titles.

Are they? Now, since the Great Blocking of Indies, if your book is erotica or not, you have to say whether you used one of those taboo topics. Yeah, even for sci-fi or paranormal.

HOW IS THAT OKAY? 

Do the publishers get to skirt all that? They do. It's obvious by what I've shown above. I'm positive there are others.

Smashwords is trying to provide a solution for Indies and restore trust with their retailers. Read about it on their latest blog post here, which is where the list of taboo topics above came from.

But, the bottom line is, Smashwords shouldn't have to. It's getting out of hand, and something needs to change.

If you publish fiction with one of the taboo topics listed above, please go update your books on Smashwords. It's now part of their ToS, and if you're caught not labeling them, you'll be banned from using them as a distributor.

*facepalm*

Can you name a trad pubbed book with one of the above topics?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Why I LOVE Being Indie - #PoweredByIndie

Happy Tuesday, everyone! An impromptu post today, brought to you by a fantastic event being held over on Amazon. As you know, I love celebrating the Indie author by reviewing, sharing their bookish things, and doing interviews and readings and such. Because I'm also an Indie, I know how difficult it is to find the support you need anywhere in order to get your books out.

Huge shout out to Amazon for doing this: POWERED by Indie

How amazing is that?

So, what they've asked us authors to do is tell everyone why we love being Indie authors and use the hashtag #PoweredByIndie in our social media shares. I'm in. It's a beautiful thing.

You need to get on that right after you read my lovely post below. HA! Seriously, keep reading.

Why I LOVE Being Indie

I published my first book back in 2012. When I started, I didn't know up from down, where to go, or what to do with what I'd written. I've made mistakes along the way, but because I'm Indie published, I learned what to fix and how to fix it. Then, I went on to write a book about those very things, hoping others wouldn't have to struggle as I once did. I pay it forward.

• I don't live under deadlines other than the ones I self impose.

I have the creative freedom to unleash my design prowess on my books (and covers) and make them something unique. Not only in the pretty I put on the interior pages (did you know I was one of the first Indies to add imagery to my print books?), but also in the stories I write.

• I write for myself first. All my books are stories I want to read. If other folks enjoy them, that's the cream on my pudding.

Self-publishing is FUN! Writing, designing, being a leader in so many new ideas that are emerging... It's all rather exciting. I get to try new things, like my Ferocious 5 projects, and watch others follow in those footsteps.

• There's only one rule in this world: Produce the best book you can each and every time you publish. That's it, and that's so amazing!

If I need to take a day off to do something for myself, I can. No one is breathing down my neck to get anything done. When I finish a book, if I don't think it's ready, I can push the publishing date out--unless I've announced it, of course (that would be rude). But it's really and truly up to ME.

I love that freedom.

• My royalties are my own. I don't have to share a darn thing with anyone. Any money I spent getting my book ready to hit the hands of my readers can be recouped more quickly, and I can start making a profit pretty early on.

Self-publishing platforms are amazing. They're the reason I can do what I do without having to jump through gigantic, flaming hoops while riding a one-wheeled bicycle that's also aflame, without sending out a million query letters only to end up cowering under a table in the corner, sucking my thumb, gripping my blankie at the form letters declining my submissions.

But there's one thing I have to say about being Indie that takes the cake over all else. Stay with me here!

I LOVE THE COMMUNITY.

I bet most of you are scratching your heads at that, huh? Well, allow me to explain!

Indie authors, whether best-sellers or those just starting out, understand the struggles of being Indie authors. Several, if not most, of them reach out, offering help when and where they can, helping others avoid the red spot of shame we get from banging our heads into our desks too hard.

They read. They share. They lift you up when you're feeling down. It's an amazing thing to be a part of such a vibrant, creative community.

Dedicated readers of Indie-published works throw themselves into their work, reading, reviewing, and loving the thing that brings us all together: books.

Most Indie folks are just nice people.

I can't begin to tell you about all the amazing people I've met by being Indie. Folks I'm not sure I would've ever had the opportunity to get to meet in real life if I were traditionally published. Authors, readers, bloggers, superfans, booktubers, editors, designers... The list goes on and on! Each one of those people are cherished (probably more than they know), and I wouldn't trade them for the world.

So, there you have it. This is why I love being Indie.

I want to hear YOUR stories! Post them in the comments below so I can read and visit your blogs, and don't forget to share them all over the web with #PoweredByIndie.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

From Old Hands to New Mouths - Authors Helping Authors - Publishing Helping Hands

Happy Tuesday, everyone! I had a typesetting job I needed to work on today, and I've been hemming and hawing about how to approach this topic. I'm gonna warn you now, my opinions are strong, and they're about to be vomited all over my blog. If you're not sure you can handle it, I suggest you get on outta here now. However, if you think maybe, just maybe, you'll be interested in hearing what I have to say, grab a cup of Jo, get comfy, and read on.

*rubs hands together*

Here we go!

I was interacting with a few authors a little while back, and one of them said something that made me pause and think.

Here's what was said (no, you don't need to know who said it): "I usually see big time authors only helping other big time authors. It could be because they have been friends since the beginning, who knows. But I rarely see a best selling author promoting someone new."

How true.

My immediate response was anger, and then I thought about it. Now, I'm beyond pissed.

Why?

Well, once upon a time, we were ALL brand new authors. Yeah, we kicked and clawed our way up the ranks, writing and fighting, promoting and extending hands to help those in the same boat we were in. Ergo, people rose up together. When one person got a piece, they shared it with those who've been by their side from the beginning.

Nothing wrong with that.

Until...

Once you get a big name (or even a semi-big name) and you start to crap on the little guys because they're all "nobodys" or you snub new folks at signings because you can't be bothered. Better yet, you're rude or just don't bother to respond when someone approaches you or asks you a question.

Yeah, those folks are all new to this publishing and marketing stuff, and you know what? They could use a friggin hand. Even if you just take five minutes to share your process or give a tiny piece of advice that isn't "keep writing." Everyone knows they have to keep writing. Duh. That's like telling a painter they need to keep painting or a bricklayer to keep building. That's not the advice they're looking for.

What is there to lose, really? An hour or two of your writing time?

Really?

But stopping to give someone advice isn't all there is. Nope. You can share a Facebook post (or two—gasp!), swap backmatter, or even—dare I say it?—read or buy their book. Holy crap! Now there's a new idea! Actually buying the books of your fellow authors. Who would've thought?

Next time you're on Facebook, head over to a book page and like and share a couple of their posts on your page. Even if you don't know the author. No, especially if you don't know the author.

Because, believe it or not, those new authors of today will be where you are tomorrow, and some of them will rocket past you to the top. How silly will you look when they recall your reaction to their query or request for a handshake when you step up to get your copy of their book signed?

Truth be told, you never know who'll make it in this industry, so be kind to everyone while you can. If all the people you know stay on the bottom rungs forever, that's okay, too.

Know why?

Because you've made new friendships that'll be there forever. And those, folks, are worth more than gold.

So, my call to everyone who's up there now: Get a kid sister or brother author. Help them out when you can. Offer to put a snippet of their book in the back of yours. Put out a call. I guarantee someone will answer.

Be kind. 

Lift as you climb.

Be a mentor.

You can't write enough books to fill all the hungry brains out there. These authors aren't your competition, they're your partners.

Think about this:

What if you offered to swap backmatter with a new author and their book takes off, hitting the top twenty? Guess what? Part of your book is in there! What if your book rockets up the charts? Well, that's a win for them, too!

It WILL work if you work together, but a house divided against itself cannot stand (thank you, Abe, for that sage advice).

Tell me in the comments what you plan to do. Then, go out and do it. Come on back and tell me how it went or how it's going.

Help one another, because there isn't another magic formula that'll do it all for you.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Search for Work/Life Balance Launches Indie Authors Into a Study of Mythology

Happy Thursday, good people of the blogosphere! Today, I'm putting you in the capable hands of author Stormy Smith. She's gonna delve into the myth that's work/life balance. Take it away, Stormy!

The Myth that is Work/Life Balance 

by Stormy Smith

You decided you wanted to be an author. Maybe you got an agent and a book deal. Maybe you self-published. You might be a NYT best seller or someone with two titles just trying to build a following. No matter what, you’ve quickly found that keeping all the balls in the air is getting more and more complicated.

You managed with your first book. It got a little harder as you tried to write another while you marketed the first. It got harder still as you gained popularity and tried to maintain five social channels, a newsletter, your family, maybe a full time job and still writing the books that are really what you love and why you started down this path. And then you start to feel a little down on yourself. You think you’re the only one struggling.

I’m here to tell you that you aren’t. You one hundred percent ARE NOT the only one. And I’ve got a phenomenal group of authors here to tell you what they’ve found to help them stay sane. So, read on, and know that we are all in this together. This is a crazy industry that has high highs and low lows. But no matter what level of success you’ve found, we all have some common ground...the slippery little beast that is balance.

~ ~ ~ ~

Balance is a myth… it’s that adorable white unicorn we all strive for and hold as a standard, then berate and blame ourselves when we can’t find it. The truth is writing is 90% procrastination and 10% bleary-eyed-stay-up-all-night-drink-ten-gallons-of-coffee-a-day-when-the-deadline-looms. We have too many balls in the air and we’re not juggling them, we’re just trying to stop them from hitting us on the head when gravity eventually kicks in. The good news is that we’re in this together. It’s not about balance, it’s about survival. My tricks for weathering this beautiful storm? Write every day. Every single day. Whether it’s one sentence or your illusive word count. Get words on the page and create something. Find a group of people you trust and that will support you in the ups and the downs. And finally, and most importantly, know that Five Hour Energy is your best friend.
~ Rachel Higginson, author of the Star-Crossed Series and Love and Decay

As soon as you can afford it, hire people you trust to do all of those menial tasks that take you away from writing (website updates, formatting, marketing, etc.). In the beginning it will feel like more work, but in the long run it's the only way I know to not completely burn out.
~ Suzanne Rock, hybrid author of the Playboys of Boston series

My advice would be to set out specific writing times each day/week and treat it like the job it is. "Go" to work, focus only on your writing during that time. If it's an hour, two hours, or an entire day, you have to take it as seriously as any other job you have. Let the little things go. So your house only gets vacuumed every other week, or a little dust builds up on a few surfaces. Balance is important, as is the fact that you aren't superman/woman and you can't do everything.
~ Heather C. Leigh, author of the Famous series

Do 20-minute sprint sessions. That's what I learned. It's amazing what you can get done in just 20 minutes. Take your goal for the day and then cut it in half so that you don't feel bad if you didn't reach your lofty goal.
~ Jeff Rivera, author of No Matter What

Remember that every little bit of writing counts. If you write even one page, that counts. If you write for just 20 minutes, that counts too. Even jotting down one idea can make all the difference. Carry a notebook or a handful of index cards everywhere you go. When you're waiting for something, don't check your phone. Write.
~ Laurence MacNaughton, hybrid author of The Spider Thief and Conspiracy of Angels

And, my advice to you is to use the tricks that make you more comfortable. I am a list-making freak, so I use Asana (an online software that’s free) to organize my projects and my to-do lists. It helps me see and keep track of what needs done outside of writing. They send me a list of tasks every morning. I can also assign projects to my PA and easily check in with her. I know that writing every day isn’t feasible for me, but I write for large chunks of time when I can and I schedule those just like I would an appointment. I know how many words I want each week and that’s what I strive for. I also work very hard to be compassionate with myself on the weeks it all goes to hell. Because it will, and that’s okay.

Do you have any tricks to share? Comment, we’d love to hear them!

~~About Stormy Smith~~

Bio: Stormy Smith is the author of the Amazon best seller, Bound by Duty, and Bound by Spells. She calls Iowa’s capital home now, but was raised in a tiny town in the Southeast corner of the state. She grew to love books honestly, having a mom that read voraciously and instilled that same love in her. She knew quickly stories of fantasy were her favorite, and even as an adult gravitates toward paranormal stories in any form.

Writing a book had never been an aspiration, but suddenly the story was there and couldn’t be stopped. When she isn’t working on, or thinking about, her books, Stormy’s favorite places include bar patios, live music shows, her yoga mat or anywhere she can relax with her husband or girlfriends.

Website: StormySmith.com
Facebook: Author Stormy Smith
Twitter: @stormysmith
Instagram: StormySmith
Goodreads: Stormy_Smith

Books:
Bound by Duty (Bound Series, Book One) Release Date: July 24, 2014
Bound by Spells (Bound Series, Book Two) Release Date: March 19, 2014

Genres: New Adult, Fantasy, Young Adult, Romance, and Paranormal

BOTH BOOKS ARE ON SALE FOR $0.99 RIGHT NOW!

Bound by Duty Synopsis: Amelia grew up in a world of half-truths. She knows she's an Elder, but has no idea what that means. Her father reminds her daily that she must maintain control, but he refuses to explain why. Even worse, she's betrothed to the prince of the Immortals and doesn't even know his name.

Finally breaking free to live a few normal years at a community college, the last thing Amelia expects is to find her best friend in a cheeky southern girl, or fall for a self-assured human who sees her for who she is, not what she will become.

As she learns more about herself, Amelia realizes the line between love and duty is a thin one. As her power continues to increase exponentially and her questions are slowly answered, Amelia must make the ultimate choice. The question is, will her head win the battle, or her heart?

Bound by Spells Synopsis: Aidan Montgomery hadn't been prepared for Amelia Bradbury to walk in and then out of his life. He also hadn't expected to find the powerful magic hidden deep within him for the last nineteen years, but he's embracing it -- finding more control and more answers every day. Now, with the help of Amelia's best friend, Bethany, Aidan is on a quest to understand his destiny and find Amelia.

Amelia decided to stand by her duty, which meant walking away from her first chance at love. Trapped in Cresthaven at the Queen's mercy, she spends her days with Micah -- an ally she still holds at arm's length -- struggling to manage her heartbreak while keeping her mind focused on the task at hand. As she continues to unlock the secrets of the Keeper power, Queen Julia's true motives reveal themselves, forcing Amelia to decide, yet again, how much she's willing to sacrifice.

Will Aidan get to Amelia before it's too late, or will the very power that sustains them keep them apart?

Endorsement for Bound by Spells: "Featuring a cast of mages and shapeshifters with unique magical abilities, one destiny-shaping prophecy, a genocidal megalomaniac, and a budding, heated romance (or two!), this book is paranormal gold! Read the first book in the series first, of course, but once you finish this one you're sure to be salivating for the next release in this not-to-be-missed romantic paranormal series."
-- Serena Chase, USA Today's Happy Ever After blog

Be sure and kick in a comment about how you balance (or fail to balance) work and life. What are your struggles?

Well, that's all for today, folks! I hope you enjoyed this little takeover by Stormy!

Until next time, WRITE ON!

Jo

Beta Readers - When, How, and Why

Happy Thursday, everyone! Guess what? Tomorrow is Friday! Woot! One more day until the weekend and kicking your shoes off for some relaxation time. Hope that made you smile. Today, I'm discussing beta readers per a request by my featured author next week, Inger Iverson. Oh, yeah, you're gonna love her to pieces. Yes, you do have to wait until Monday. Enough rambling by me! Grab those pens and notebooks and let's get going!

Whazza Be-ta Reed-er?

Well, to put it simply, a beta reader is someone who reads your novel and sends you feedback about characterization, plot, and structure. They'll tell you what they liked, what they didn't like, and point out any holes in your storytelling.

A good beta reader will take your great novel and make it an awesome one.

A fantastic beta reader (these people are usually paid) will make inline comments, guide you on structure, give you tips on where they feel you can draw out more emotion, and make sure they can nail the plotline by the end of the book. This kind of beta reader will make your great novel into a bestseller.

I know many authors that use more than one beta reader. Those writers feel they need more than one opinion. It's a preference thing.

How do you find a beta reader?

This question comes up more than I can mention. One of the biggest problems plaguing the Indie author community right now is theft. Sadly, it's often someone who's volunteered to be a beta reader that steals. When speaking with a few of my author friends during our coffee meeting, one of them mentioned she had a friend that send a novel to a beta reader. That person uploaded the work to Amazon and sold it as their own. That author was screwed.

It's SCARY.

So, it's really best to use people you know (and I don't mean randomly via Facebook interactions, but in real life) or trust (this level of trust usually includes a contract - with or without pay).

If you aren't passing your novel off to friends or family, USE A FLIPPING CONTRACT! Protect yourself, please! I can't stress that enough. Even if the contract is for zero dollars, sign it; that may be the only proof you have of ownership if your novel gets stolen. 

Why you should use a beta reader.

Like I mentioned above, they can point out weak parts in your storytelling. Yes, you're too close to the story by the time it's written, and you're likely to think things are properly communicated when they might not be.

When someone says, "I got ABC from that." but you meant XYZ, you'll understand.

When do you need a beta reader?

You should seek out betas once your novel has been through at least two edits by your own hand, before it goes to an editor for pricing. Why? Because your word count could change dramatically between points A and B, based off feedback from your beta readers. You may change a character's name, or you could delete or add entire scenes out of necessity.

As an editor, I can say I hate when I've done a round one edit and the author adds five chapters because of beta feedback. Not only does it screw the pooch on my price (based on grade and word count), but I then have a whole section (or sections) needing a round one level edit. Round one is different from round two because the first time through takes more time nit-picking sentence structure and grammar. On a round two check, there should be minor changes to pan through. Make sense?

Can your editor be your beta reader?

YES. However, your editor should beta read and offer fixes before round one of editing begins. They should also work it into your editing contract (with dates). Usually, an editor will charge you for this service.

I've been through this exact scenario. I had an author with a book that read like a draft, and beta read it with a lower score for editing. That person still got the two rounds of edits and the proofread, but there were no major additions once we'd been through the beta read.

Not every editor offers that service. Be sure you ask if you feel it's something you may want to do.

Above all else, be sure you trust the person you're sending your novel to. At the very least, use a contract if you're not sure. CYOA - always.

Do you love your betas? Where did you find them?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Marketing Plans

Happy Tuesday, everyone! I know you've probably heard the term Marketing Plan a billion times, but do you really know what it means to have one? Do you even know what a marketing plan is? Well, today I'm gonna do my best to lay it all out there. Heck, you might even get a handy checklist by the time it's over. Grab those pens and notebooks and let's get going!

Definition of Marketing Plan (from Wikipedia):
Marketing strategy is the goal of increasing sales and achieving a sustainable competitive advantage. Marketing strategy includes all basic and long-term activities in the field of marketing that deal with the analysis of the strategic initial situation of a company and the formulation, evaluation and selection of market-oriented strategies and therefore contribute to the goals of the company and its marketing objectives.

In author layman's terms: Marketing Plans are goals you set for the launch or publication of a novel, and it includes details on how you'll keep it selling long term.

You need a marketing plan so you don't just throw your book out in the world and hope it hits someone who might enjoy it. Yeah, I've done this. I imagine you have, too.

So, let's go over the things you need to think about when you're halfway through your novel and the things you need to answer once it's off to the editor. You can do these things while you work on your book!

Grab a sheet of paper (if you haven't already) and write down the following questions:

1. What's my book about?
2. What genre is my book?
3. What age is my target audience (Don't write all - be specific)?
4. Will more males or females enjoy my book?
5. What other books will they have read?

Now that we have those questions down, let's go into some channel specific stuff. Next:

1. Where does my target audience hang out?
2. What social media do they use most often?
3. What activities do they enjoy?
4. Who would they most likely get a book recommendation from?

Let's say my book is about a young skater boy trying to escape the oppressive dictatorship his family has endured for hundreds of years. Genre is young adult urban fiction. Target audience are males between the age of thirteen and seventeen who've read Outsiders. They hang out at skate parks, hip coffee shops, and restaurants like McDonald's after school. They'll read books suggested by friends or forced by teachers.

Make a list of things you can do to get your book in front of those readers. Be detailed. Examples:

Advertisement:  I'll put an ad on my car that appeals to skateboarders and go to McDonald's every day for an hour to have a coffee and write for an hour. My car will be parked in the lot in a highly visible area. I'll put free bookmarks at every hip coffee shop within a fifty mile radius of my house and replenish them weekly. I'll put an ad on the local teen radio station with my blurb.

Social Media: I'll post images of skateboarders doing cool tricks with a link to my book and a twenty-five word blurb every week on Instagram. I'll use Twitter to increase hits by having my photos auto-tweet.

And so on. Also, write down what you'll do with folks you know. E-mail list, friends and family, etc...

After you've done all of the above, create your launch plan. Start four to six months out. It should look something like this:

24 Weeks out -

• Schedule author interviews with blogs
• Start posting to social media about what's coming
• Blog about writing the book

16 Weeks out -

• Finalize list of bloggers willing to help (yeah, they schedule way ahead of time)
• Add the book to Goodreads with a release date

8 Weeks out -

• Have cover designed
• Order swag and vehicle imagery
• Contact radio station

6 Weeks out -

• Send book to beta readers
• Ask for ARC reviewers

4 Weeks out -

• Send book to editor
• Schedule Facebook party and collect giveaways

and so on.

As you can see, it's a long and arduous process to properly launch a book.

I found a couple of apps that may help you along the way! They're all about creating a business plan.

Get them here for iPad and Android. They're called: MyBizPlan and MarketMyBiz

How do you plan for a launch? Share!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Indie-Visible PubHub Launches

Hey writers!

Did you know you can visit Indie-Visible's PubHub to build your own publishing team?

Indie-Visible is giving extra focus to the PubHub side of things and want to give a big shout out to our AWESOME TEAM OF FREELANCERS.

Indie authors can use this list of highly recommended professionals to "Build Their Publishing Team" and gain assistance in all phases of the publishing process. Propel your next book to the heights of success with expert content editing, copy editing, proofreading, cover art, formatting, interior design, and marketing. PubHub has it ALL! In addition to building your team, PubHub also provides ongoing Expert Articles with tips and advice on all phases of publishing, including the business side of being an author. Indie-Visible's goal is provide a one-stop, interactive site for all indie authors seeking assistance, encouragement, and a team to root for them.  

New to Indie-Visible? Check out the Soft Launch Post for a nice overview of what they do. If you haven't yet familiarized yourself with them, I encourage you to head on over to their site, get to know The Literacy League Crew, and subscribe to the two Hubs for tons of fun and informative posts.

If you've been following their posts, THANK YOU!

If you haven't yet subscribed to BookHub or PubHub, you can subscribe on any of their posts, or sign up here.

 Giveaway Alert!

As an added BONUS, if you subscribe to either or both Hubs, you will be automatically entered to WIN a fantastic prize package giveaway from the PubHub that will fulfill any author's dreams! This package will include a day blitz package from Red Coat PR, website design by Starling Magic, book cover art from MaeIDesign, branding from Whit&Ware, and more!

Next Tuesday, there will be an official Giveaway Post with all the pertinent details coming soon. It is something you will not want to miss.

So, what are you waiting for? Go check out Indie-Visible and join me in bringing LITERARY JUSTICE TO ALL!

Indie Book Quality

Happy Tuesday, good people of the blogosphere! Today is a post about something I've noticed has changed over the last twelve months. No huge advice, nothing to shake a stick at, but something I think you all need to hear. Grab your coffee and a comfy chair and let's get going!

If you happened to see the 12 Days of Review Requests event finale this past Saturday, you'll know there were well over twelve books chosen for review in 2015. I started out the event with the resolute promise I wouldn't go over my twelve book allotment. But, that was short lived.

You see, the samples I was downloading from Amazon were of better quality than many of the ones from books pitched in last year's event. Last year, I believe I went over my allotment by just two. Heck, it might've been just one. My memory fails in this matter.

This year was different. It was overwhelmingly amazing. It seemed each and every book I opened, I had a hard time releasing before I got to the last page. Now, you may think this is no big deal. I beg to differ. What this means is: Indie authors are getting more serious about their craft.

No longer are we seeing the author with only one book in them slapping words on a page and clicking publish. There's an upswing in the care and diligence being taken before a book is put on the market. It may be because of the particular authors who graced me with their presence this year, but it may be that the market is weeding out the, for lack of a better word, crap. Of course, I could be completely wrong and it may just be that those who were publishing before, have realized the need for an editor.

Don't mistake my words, there's still badly written books out there. But I think the sheer volume of it is decreasing by the day. No sales make the author who didn't take the proper time to edit give up more quickly.

Mark Coker says self-published titles are decreasing in volume. I think it's the folks who thought self-publishing would lead to quick bucks leaping off the boat in droves.

For those of you still on board, writing, publishing, and editing, you're to be commended. Let me be the first to say:

GREAT JOB!

I look forward to seeing what you all accomplish with another eleven months!

If you're a book reviewer, do you see the change in the quality of novels? If you're an author, do you find you're taking more time between writing and publishing?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Being Indie

Happy Friday, everyone! Today, I'm gonna talk about something a very dear friend of mine brought up yesterday. I'm hoping it'll give everyone something to think about over the weekend. It's all about being an Indie author and why it doesn't make us crap or mean we're not awesome. So, sit back, relax, and let's get going.

Now, this conversation happened on Facebook, and many authors chimed in to say why they love being Indie (self) published.

I'm gonna start with a paraphrase of the original situation (kindly keep in mind the original poster was only seventeen when she published her first book):

She was sitting and talking with some of her college friends, and they were discussing being traditionally published. Someone mentioned that if you aren't with a big six house, you must not be a good writer (validation and all that). Because of this, my friend began to doubt her Indie ways and wonder if she was selling herself short.

Again, that's a short version of the situation with the same outcome and setting.

So, she asked: "Why do you self-publish? Am I selling myself short?"

Overwhelmingly, the responses were more about the community as a whole, maintaining control over one's work from soup to nuts, and keeping more of the profits from sales. There were also some most excellent points made. Some of the authors shared horror stories from friends who signed with publishers, some folks talked about the lack of publicity by presses both large and small, and others pointed out the aspects of film and big actors in crappy movies.

Everything kinda clicked together, and an epiphany hit me right between the eyes.

Know what I realized?

Indie isn't just about self-publishing.

There. I said it.

Allow me to explain. *grin*

Indie is a badge we wear on our chests with pride. When someone comes at one of us, for some reason or another, we go a little bananas. We're fiercely loyal to the title, love our brethren, and dare anyone to challenge our dreams. Because we're living those dreams. Each and every day, we get out of bed to do something we love. We set our own deadlines, work with editors we choose, and hire cover artists we know will do our work proud.

We have an amazing community around us that's a little like a family. People who get that we're a little strange, introverted, and hermit-like.

And they're okay with it.

As a matter of fact, they embrace us for our differences.

But wait! There's more!

As Indies, we get to know our book bloggers. They aren't just blurry faces in a sea of reviewers. They're a lot like us. Every single one of them has a passion that can't be squelched. Their passion is reading. Books. Literature. And we have the unique market insight to what those people are looking for. It's right there at our fingertips. All we have to do is nurture the connection and envelop them in the fold. They become part of the family and are celebrated.

Only Indies can put out a call to arms and have masses of others knocking over little old ladies with purses to rush to our aid (politely, of course).

Sometimes, an Indie will behave badly and get into a situation that's public and disgraceful.

But the community will punish that author so others don't have to. There's really no need for the public to go crazy and berate the person acting up. We do it for you. In that way, we're a lot like family.

Your mother doesn't hold her tongue when you screw up. Guess what? Neither do your peers. We're not afraid to tell you how wrong you are or how ashamed we are of your behavior. But it's done with the understanding that you're shaming the name we've worked so hard to build up.

Bad review? Someone will listen to you rant or give you a shoulder to cry on.

Writer's block? There are masses willing to talk you out of that corner of fear.

Struggling with a storyline? Ask. Someone will have a great piece of advice.

Got a huge deal? Your peers are gonna celebrate and pop champagne in your honor. Why? Because you'll always be an Indie.

So, yeah, Indie isn't just about self-publishing. It's about community, support, and family.

It's a way of life that lodges itself in your heart and refuses to let you go. Even when you push us away, we're there if you need us later.

Indie is in your blood.

You have been assimilated.

So, the next time someone asks you why you're Indie, the simple answer is:

"Because it's the only way to go."

What's your favorite thing about being Indie?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo