Barnes and Noble Yanks Books - Smashwords Offers Solution

Happy Thursday, everyone! Well, what an interesting month it's been, eh? Let's get to the publishing news, just in case you haven't seen it. Strap in, grab your coffee, and let's get going!

Over the last month or so, B&N has pulled several Indie erotica titles off their platform. Authors who were hybrid experienced an interesting effect when their Indie titles dropped off, but their publisher titles stayed up. What are they worried about? Well, if you caught my post from a while back that tackled the subject of what content would be allowed in books, you'll know. If you missed it, take a look here.

So, it seems the taboo topics are under fire. Namely:  Age play, bestiality, dubious consent, incest or pseudo-incest, non-consensual sexual slavery, rape for titillation, underage, snuff, scat, necrophilia.

Some of those have "never" been allowed.

Or have they?

According to the Smashwords blog, few retailers will take incest or pseudo-incest, and iBooks won't take them at all.

I beg to differ. After a quick search on B&N, I found the time-honored (even made into a movie) Flowers in the Attic series. I read that series. Not only do the children locked in the attic (the elder brother and sister) experience a coming-of-age sexual happening, but their mother slept with her uncle to conceive said children (which is why the grandmother wanted the kiddos to disappear). Sorry for the spoiler for those of you that haven't read it and had planned to.

Once I checked that out, I went over to iBooks. Guess what?

Yeah. There it is, but iBooks doesn't take books with incest in them?


By the way, it's also available on Amazon.

Doesn't it seem an awful lot like it's just Indie published books that are being targeted? Why not yank V. C. Andrews' books from those same platforms? If there's a taboo topic, she covered it. I've read several of her series, and MANY of them have incest happening across all arms of the family.

Guess what else? There are no "warnings" of sensitive material on ANY of those.

But JO! Those are referring to EROTICA titles.

Are they? Now, since the Great Blocking of Indies, if your book is erotica or not, you have to say whether you used one of those taboo topics. Yeah, even for sci-fi or paranormal.

HOW IS THAT OKAY? 

Do the publishers get to skirt all that? They do. It's obvious by what I've shown above. I'm positive there are others.

Smashwords is trying to provide a solution for Indies and restore trust with their retailers. Read about it on their latest blog post here, which is where the list of taboo topics above came from.

But, the bottom line is, Smashwords shouldn't have to. It's getting out of hand, and something needs to change.

If you publish fiction with one of the taboo topics listed above, please go update your books on Smashwords. It's now part of their ToS, and if you're caught not labeling them, you'll be banned from using them as a distributor.

*facepalm*

Can you name a trad pubbed book with one of the above topics?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Beware the Distribution Arms if You're in KU

Happy Wednesday, everyone! I know I'm late, but I'm HERE, and that's what matters. My schedule fell on its head today. haha! But still managing to make time to get in here and blog. Today, I'm going to talk about something that happened to a friend of mine. We can all learn from it, so get your coffee and let's get going!

So, for a long while, my friend had her books wide (being distributed to all vendors everywhere). She decided to pull her books from wide and go all in with Amazon KDP Select. This enrolled her stories in Kindle Unlimited automatically, and she started getting paid by the Global Fund pot for pages read.

Everything was going fine for a good, long time, until one day, she discovered her titles had been pulled from Select. There was no email telling her why. Nothing.

She freaked out (wouldn't you?).

You see, this friend of mine is always on the up and up. She's done everything by the book and to the letter of the rules. So, when this happened, she was completely taken aback.

After a LOT of digging around, she discovered those titles that had been pulled to go into Select were available via one of the distribution arms of a popular distributor.

No, I'm not going to say which one. That's not what this post is about. I'm just issuing a warning here and showing you how you might want to delve more deeply if you're pulling from wide distro to go into Select.

Let's move on.

These books weren't pirated. Amazon doesn't yank your books for that. They were legitimate arms of distributors that simply neglected to remove a title that was no longer available.

Needless to say, she's still fighting it. No one at Amazon will get back in touch with her, and last I heard, she was planning to reach out to the distributor to see if they could help.

But the damage is, sadly, done. Her royalties for pages read have come to a screeching halt, and she doesn't know when or if she'll be able to get back into Select. When Amazon bans you, it's usually for at least a year.

So, there's one situation to be hyper aware of. If you pull your books from wide, be sure you check everywhere before clicking the "Enroll this book in KDP Select" button. She thought she did, and it's really messing up her money right now.

Have you heard of something like this? Anything strange happen to you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

The Metamorphosis of Indie and Trad Pubbed Books in 2017

Happy Wednesday, everyone! Today, my curious side has hold of me, and it's led me to ask of you something I've noticed myself. If you're ready for some thought-provoking, grab some coffee (or tea or whatever), and let's get going.

As you may know, I've been doing a lot of tangible book reading lately. Simply put, they were easy for me to read and not be distracted by texts or any manner of other things work related coming through. Silence is, in fact, golden. Plus, my MS crazy eyes seem to like print more than digital. Go figure.

Anyway, in preparation for that trip I went on, I moseyed into a bookstore and bought a couple of trad pubbed reads. Okay, it was a bunch, but that's neither here nor there. Now, I also snagged an Indie book while I was on my buying tear. Here's a shot of the trad pubbed books I snagged (my Indie title hadn't come in yet):

Also in my big pile was The Circle, but I bought it on the previous trip, so it wasn't pictured in my haul for that day. I read Keeper of Crows by Casey L. Bond when it first released, and I ordered Keeper of Souls from her because I was invested in the story and wanted more. First book was amazing. Second one was scheduled to be read while I was traveling. It DID come in before I left, so that was awesome.

Before I started thinking about what books I'd bring, I'd blazed through Red Queen and the little novella from that series, Cruel Crown, so I got (what I thought were) the last two in that series as well.

I took my pile of books and hit the road (yay)!

First up was Vitro. I was super interested in the premise of the story, but put it down several times because the editing was so very bad.

While waiting on the courage to pick it back up and try again, I read some of Glass Sword. I bumped into a couple of inconsistencies in that book that had me rolling my eyes, so I went back to Vitro and finished it.

Then, I moved on to Keeper of Souls (which I read in about 8 hours and ADORED).

Because I was annoyed with the Red Queen series, I went on to try The Circle. That title was abandoned for.e.ver after just fifty pages or so. Back to Glass Sword I went, and I finished it and King's Cage (laborious reading right there), and that ending had me throwing the book on the damned floor. I found out only later there's another one in the works (I mean, REALLY?).

I'm nervous to even crack the cover on The Diabolic because of the quality of the other trad pubbed books I've gotten hold of. I love the cover so much...

Anyway, all this reading caused me to stop and ponder. Why did the Indie book breeze by while I plodded and struggled through the trad pubbed options?

While on the phone with my bestie and writing/business partner, Tia, today, she mentioned that she thought trad pubbed books have declined in quality because they're rushing to press. Why? In order to keep up with the Indie market.

Indie authors are publishing books at an astronomical rate, and their quality has jumped ahead by leaps and bounds over the last few years. Meanwhile, trad pubbed books seem to be getting worse (if you MUST have an example of the kinds of things I found, I'll dig them up, but this isn't me being nitpicky, I swear).

Are Indies getting better because we've become more educated about what we should and shouldn't publish? Or, perhaps it's the rise of Indie run and Indie focused editing houses (like IBGW) that are making the difference?

This leads me to open the floor to you all.

Have you noticed the change? What book(s) did it for you? What do you think is causing the shift?

If you think I'm just crazy, feel free to tell me that, too.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Publishing News Hubs

Happy Tuesday, good people of the blogosphere! I'm stepping outside the box a little today and giving you all some insight to where people go to find their publishing news. Perhaps you'll want to check them out! Grab your pens and notebooks and let's get going!

I got the following numbers by running a little poll on Facebook. Sixteen people answered (myself included), so the data isn't great, but it's something to go on. These results might surprise you.

First and foremost, with a whopping twelve votes:

Now, this isn't limited to the newsfeed, though that was specified by one person. It's author groups, pages, and whatnot that top the list.

Second, we have printed or digital publications such as:

InD'tale Magazine (1)
Publisher's Weekly (2)
USA Today BOOKS section/Thursday edition (1)
Writer's Digest (2)
The Writer magazine (1)
Digital Book World (1)

Amazon Newsletter (1)
Galleycat (1)

Coming in third, there's blog subscriptions.

Five people said they get their publishing news from blogs they found on Google, subscriptions, or the ones on popular sites like Writer's Digest.com.

With two votes each, e-mail and Twitter come in fourth.

Lastly, there were three items with singular votes:

word-of-mouth
forums like Absolutewrite
Createspace's page

So, what does this tell you?

For me, it says I might be marketing wrong. I do plenty on Facebook, but I need to branch out into printed publications.

Where do you get your publishing news? Are these numbers a surprise?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Submission to Publishers? A List of Eleven

Happy Thursday, everyone! I know how difficult it is sometimes to take the leap to traditional publishing and/or finding that perfect agent. Many of the folks I know are Indie and love it. They wouldn't change a thing. However, if you're interested in finding a publisher, here are ten that are taking submissions now (and aren't Author Solutions). As always, remember to read over ANY contract offered to you. When in doubt, CONSULT AN ATTORNEY. With those things in the back of your mind, let's get to the list!

I'm not putting my stamp of approval on any of these publishers because I don't know them from a hole in the ground. This is only meant to be a list for your perusal. As always, keep your babies (books) safe from predators.

You do NOT need an agent to submit to these houses right now.

Winter Solstice - Solstice Publishing
They're taking New Adult (and all sub-genres) submissions.
See the guidelines here.

Ichthus Publications
They want Christian fiction only.
Guidelines (their website) here.

Harper Collins Christian
Theology, biblical studies, and so forth.
See the whole list here.

Crossbooks
Another seeking Christian fiction, biblical studies, and children's bible stories.
Check it out here.

Tinder Press
Fiction. Seems like all genres. Must not be published.
Guidelines can be found here.

Forest Avenue Press
Looking to publish two literary fiction novels (no short story collections).
Submit by following these guidelines.

JMS Books
Gay, lesbian, bisexual, transgender, all of that (LGBT). These fiction genres: romance, YA (must be over 10k words), erotica, erotic romance.
See their guidelines here.

Leap Books
They want novellas for their SHINE line! Commercial YA with romantic elements.
Guidelines are here.

Bibliomotion
Trade business novels with high commercial appeal. Yeah, that means non-fiction.
Submit using guides here.

Vinspire Publishing
Ethnic Romance, Historical Romance, Amish Romance, Romantic Suspense. That's the whole list.
See their guide for submission here.

Sinful Press
You have very limited time here. Erotic novels 60-100k words in length.
Check it out here.

There you have it! If you're gonna take the leap, good luck!

Do any of these appeal to you? Are you planning to submit? Tell me about it.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Marketing Advice via Bella Roccaforte

Happy Thursday, good people of the blogosphere! Today, I'm continuing my post about what I learned from UtopYA Con 2014. I started it yesterday, but I'm interviewing for new editors over at INDIE Books Gone Wild and it's time-consuming. Apologies! First, a little bit of information about how I met Bella Roccaforte and what I learned from her. Put down your coffee (Gasp! Did I just say that?), grab your pens and notebooks, and let's get going; because this is going to be epic.

I met Bella at UtopYA Con and we quickly realized we're from the same area in Georgia (North Atlanta). Because I am who I am, I talked about everything marketing. Getting off the elevator, she turns and says, "You should go to the Amazon marketing panel tomorrow. I'll be there."

After all she told me over the previous hour, I would've broken an ankle to get to that panel. So, I went. It wasn't long before Bella found herself ushered to the front table by the moderator.

Things I learned:

• Stay off your book's Amazon splash page. Every click that doesn't equal a sale, gets put into the algorithms (not in a good way).
• Don't make the first book in a series free until you've written at least three. This gives you a loss-leader that starts your sales funnel.
• Keywords matter. Don't hunt for your Amazon keywords in Google (not the same search engine, ya know?).

Pretty cool, right?

Now, most Indie authors have day jobs or other things they do besides writing. Bella happens to be an SEO analyst. After the con was over, she shared the following post with us:

Links that Every Indie Author Should Know

You must go check out that post. You can thank me later.

What was the last thing you learned from someone when you weren't intending to?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Contract Considerations

Happy Tuesday, good people of the blogosphere! Well, the kids are back in school and not a moment too soon. While I enjoy having the little nose-miners at home, it's not productive to have them pulling at my skirts while I'm trying to work. I've been busier than a one-armed paper-hanger! Anywho, today we're gonna talk about contracts! I know you're all super excited about that. I'll tell you what to expect, what to avoid, and what you should be looking for. Grab those pens and notebooks and let's get going!


Yesterday, I talked about finding a good editor and what you should be looking for when you vet them. If you missed that post, take a look at it here. Tomorrow, we'll talk a little about the different kinds of editors. But, for today, let's discuss the contract. This applies to proofreading, editing, and any other service you have done by an outside source (book design, cover design, etc...).

What you should expect:

• A contract outlining exactly what your editor will do for you.
• Dates things are due back to you.
• The ability to read over the contract before you're expected to sign it.
• Clauses that prevent you from defaming your editor (and your editor from defaming you).
• A very straightforward clause that releases your editor from any claim to your work.
• Something that says your editor is allowed to refuse your work at any time.
• An out clause for you that states the contract is allowed to be terminated if you choose to do so and at what point it becomes null and void.
• An informational page that details the book to be worked on.
• Something stating when payments are due and when the contract is settled.
• A clause that states you're required to display the editor's name on the copyright page (this is pretty standard).

What you should avoid:

• Anything stating the editor has claim to any part of your manuscript once work is completed.
• An editor who doesn't use a contract (this is HUGE).
• A feeling of unease. If your editor seems shady, listen to your gut.
• Anyone who doesn't answer you in a timely manner.
• Someone who changes the price on you EVER. Once you get the job quote, that's what should be on the contract.
• An editor who's known to slander other authors.
• Someone who doesn't give you a final, signed copy of your contract.

What you should be looking for:

• Someone who has lots of references and is well spoken of.
• An editor who has a backlog of books they've worked on you can check out/read.
• A person you feel you can trust once you've talked with them.
• Someone with a good knowledge of the English language (yeah, go read their blog).
• A copy of the contract as soon as your inquiry is responded to so you have time to look it over.
• Everything should be spelled out in black and white on your contract. It should include:

1. Prices (fees section)
2. Dates things are due (goes in the services section)
3. Termination details
4. A detailed list of what you're going to get for your money (services section)
5. Slander clauses that go both ways
6. A release of claim by the editor to any part of the work's copyright (ownership of work)
7. Your editor's full name and address
8. Details about the book (title, genre, word count, author, format)
9. A spelling out of all prices (watch out for editing contracts that only contain numbers - these can be changed)
10. Something that releases the editor of guarantees (sales, etc...)
11. A clause detailing how the editor won't talk about your work to any third party
12. Non-transfer clause (this is so the editor can't send the work to anyone else to be completed)
13. Something detailing how additional changes will be handled (outside what's agreed upon in this contract)

If you read your contract and it's full of legalese, be sure your editor/proofreader/designer answers all your questions in full before you sign. Don't go into anything not understanding exactly what it is you're getting (or signing).

If you find an editor who doesn't use a contract, run away. Please.

I hope this helps you all in some way.

If you have contract questions, pop them into the comments or shoot me an e-mail. I'll be happy to answer anything.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Rough Drafts to Completed MS - 10 Step List

Happy Tuesday, good people of the blogosphere! Today, I'd like to talk about rough drafts and how many steps there are between that and a completed book. I'm elbow-deep in Melody and nearly finished with the last chapter. But that's my rough draft. So, how long will it be until the book is finished? That all depends on how busy my editor is when I'm done with my first two rounds of edits. Here's what goes into polishing up that rough draft:

Step one: Read for content and slash/add.
This is where I re-read all the books in the series and make sure things are matching up the way they should be. Yes, I have copious notes about facts, dates, events, and visions. But I still goof up now and then, as we all do. I just have to make sure those oopsies don't make it into print. I also cut scenes, add scenes, and re-write scenes.

Step two: Check for tension.
I read each chapter and grade it on a tension scale of 1-5. If it's ho-hum or boring, I add and cut until it has the punch I'm looking for.

Step three: Grammar/Spelling/Punctuation checking.
This is where I dissect every sentence and make sure there are no dropped words, errant commas, misspellings, or pronoun confusions. I also check each sentence and paragraph for repeated words; changing them when necessary.

Step four: He said, she said.
While this is okay to use now and then, many of them can be changed to action tags to move the story along, rather than letting it all go stoic and be bland on the page by two people just gabbing at one another.

Step five: Off to the editor.
This is when I send my work over to my editor. She goes through steps 2-4 and tells me if I missed something important or used the wrong word.

Step six: Application of suggestions.
I put her suggestions and changes to good use.

Step seven: Resting period/cover design.
I let the MS sit for a week while I design the cover, then proofread.

Step eight: Off to the proofreader.
My proofreader catches the little things (because that's what she's focused on).

Step nine: Formatting.
This is where I format the book for print and prepare it for digital distribution across all channels. I don't want to have to mess with formatting it ever again.

Step ten: Publication.
I upload and hit the publish button.

A lot goes into any novel before it's put out there for public consumption. If you're skipping one of these steps, I have to ask why. Are your reviewers commenting about it?

How many steps do you take?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

It Takes a Team

Happy Monday, good people of the blogosphere! Today, I'm talking about the people it takes to bring a book from rough manuscript to published work of brilliance. Yup, that's right, your publishing team.

We all have folks we love to use for certain things. But how many people does it take to create a book? Let's have some fun and take a look inside this publishing madhouse, shall we?

• Writer. Without the writer, what's the point? They're the real powerhouses behind all that wonderful literature you consume. Their imaginations open up and drag you, kicking and screaming, into a whole new world.
• Editor. This is the person the writer should be buddies with. Not cappuccino drinking, dress shopping, book swapping buddies; but someone you get along with that you know has a staunch work ethic along with a firm grasp of the English language and the building blocks that make an excellent book. Like the ladies over at INDIE Books Gone Wild, eh?
• Proofreader. Someone else who can catch all those niggling little errors that throw readers out of the story. A misplaced comma, period, misused word, or errant thought thrown into a paragraph where it doesn't belong.
• Cover Designer. Your brilliance in art. Someone who can bring your story into an image that's compelling. They should also have a strong grasp of the art of Typography. This is your book's face. It should be clean and have the makeup applied properly.
• Book Formatting Guru. We all need one of these hanging around. Someone who makes us look good in print or on an e-reader.
• Sales Platform. This is the company that sells copies of your book and keeps part of the profit. We don't like them much, but they're a necessary evil and we all have a favorite one.

Yes, it takes a team to publish a book. Who's on your team?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo