Friday, August 30, 2013

Changes on the Blog

Happy Friday, everyone! If you take a gander around the blog, you'll notice some major changes. I've moved the link list everyone knows and loves to the top of the page, under my banner. You'll find all the links you need to get to your favorite goodies right there. No need to bounce all over the blog.

Yes, I'm OCD. No, you can't have any of my cookies.

I do hope you all have followed me in some way. Come on, don't be sore about the cookies! I'd like to take a moment to share some stats with you.
  • I've been blogging for 19 months.
  • I've written almost 400 posts (this one makes 384).
  • My blog didn't find direction for almost 12 months.
  • I didn't start blogging every weekday for almost 1 year.
  • I have 2 blogs with identical content.
  • One has 13 subscribers via e-mail.
  • One has 60 followers.
  • One has 101 followers.
  • I average 5-10 RTs a day.
  • I only update via my social networks 3 times a day.
  • Links that I send out only drive folks to the blog with 60 followers.
  • I average 6500 views a month between the two blogs (For those of you counting, that's more than 100 page views for each blog per day. While that's a drop in the bucket, consider most of those views didn't start until I'd been blogging for almost a year. If I use those stats, I average 355 per day per blog or, 10k+ views per month).
  • One of my posts has 142 likes and 52 shares.
  • I've enjoyed over 600 comments.
  • I read and respond to every single one (not right away, but every week) so I've left at least 600 comments as well.

I bet you're all wondering why in the hell I'm going into all this, huh?

Well, it's because it just wouldn't be possible without all of you. I wanted you to see what you've helped me achieve and send a great big:


out into the void.

I changed up this blog so it's easier to find the follow buttons, the meaty part has more real-estate, and it doesn't take so dang long to load. Here's hoping you all like the new layout and that it gives you a more enjoyable reading experience. I do what I can to make visiting my blog and finding the content you want as easy as possible.

So, thank you, dearest fans and followers. Without you, this would all be an exercise in futility!

What's your favorite post on this blog?

Monday, we're back to our regularly scheduled program!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, August 29, 2013

Shocking News - Both Literary and Actionary

Happy Thursday, everyone! Today, I'm talking about some things I ran across on Flipboard yesterday. Lots to talk about so let's get going!

First of all, you should all be aware of how I feel about people talking. If people are talking, good or bad, you at least know you're on their minds. It could become big news if you're controversial and folks will flock to your wares to find out what all the fuss is about. Getting people to notice us is a huge hurdle for Indie authors.

Stop and think for a moment. J.K. Rowling enjoyed a lot of front page time because of Harry Potter. How many people were outraged that she was writing about, and *gasp* encouraging, people, children even, to believe in witches and wizards? How many of her books were purchased for the express purpose of being burned? What did this do for her? It made people sit up and take notice of her books. Whether they agreed with what she was writing or not, she was on their minds. And think of all the royalties she earned from the sales of those books they torched!

Why was this brought to mind? Well, because of dear little Miley Cyrus and her antics at the VMA awards. MTV said, "2013 MTV VMA’s Shatters Records Across Web, Mobile and Social." All because she twerked (more on this word in a moment, I just threw up in my mouth a little) Robin Thicke on stage - in underwear the color of her skin.

It's not that I give two nickles about what she did; it's that it worked. People are talking. Think about that.

I'm not telling you to go find a pop star to twerk on in your underwear. I'm saying that you need to write a book so good or so shocking that folks clamor over one another in an attempt to get a copy.

Just sayin'.

Moving on!

I also saw an article yesterday about words that were recently added to the Oxford English Dictionary (that link will take you to a whole page of add-ins). Take a look at this list:
  1. Stressy - Adj - displaying or characterized by anxiety, tension, or stress
  2. Boyf - Noun - a person’s boyfriend
  3. Bezzie - Noun - denoting a person’s best or closest friend
  4. Jumping the shark - Idiom - a particular scene, episode, or aspect of a show in which the writers use some type of "gimmick" in a desperate attempt to keep viewers' interest
  5. Cruft - Noun - badly designed, unnecessarily complicated, or unwanted code or software
  6. Dumbphone - Noun - a basic mobile phone that lacks the advanced functionality characteristic of a smartphone
  7. Phablet - Noun - a smartphone having a screen which is intermediate in size between that of a typical smartphone and a tablet computer
  8. Digital detox - Noun - a period of time during which a person refrains from using electronic devices such as smartphones or computers, regarded as an opportunity to reduce stress or focus on social interaction in the physical world
  9. Twerk - Verb - dance to popular music in a sexually provocative manner involving thrusting hip movements and a low, squatting stance (pop, drop, and lock, anyone?)

Here's a whole list of the updates for August, 2013: Buzzworthy Words Added to Oxford

Can I just say, "Holy crapballs, Batman!" *note, as of this post, "crapballs" is not a word* I wear black today to mourn the loss of intelligence in my world.

Please, take me out and shoot me. Is this really where we're headed? As a word-nerd, I'm a little bit offended, especially at the addition of: srsly.

SERIOUSLY?

What do you think of these new additions?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo 

Wednesday, August 28, 2013

Checklists for Novels - Part 3 of 3 - Scenes, Dialogue, Complexity, and Character

Happy Wednesday, good people of the blogosphere! Halfway through the week, we are. Wow, the volume of that cheer blew my hair back. Guess you're all looking forward to the three day weekend, huh? Well, I hope you all have a novel you're editing right now and can print these little checklists and make good use of them with your *ahem* time off. Today, you get checklists for scenes, dialogue, complexity (in one), and character (there are three of these). At the end, you'll find a link to a PDF you can download, print, keep, and share! All I ask is that you don't alter it in any way. Thanks! Let's get going!

Scenes
  • Do your scenes ebb and flow well?
  • Are the four basic happenings taking place?
  1. Action - This is the objective of the scene.
  2. Reaction - What the emotional state of the protagonist is.
  3. More Action - What they do about it.
  4. Deepening - This happens only in the most dramatic scenes.
  • Do you have a great hook, intensity, and a good setup for the next scene?

Complexity
  • What value are you supplying to your reader (values can be life lessons or new opinions)?
  • Is there a sub-plot that could be added that would give your protagonist (or antagonist) more depth?
  • How will any sub-plots assist you in changing the values of your character?

Dialogue
  • Have you used a lot of he said, she said?
  • Can you turn any of the dialogue tags into action tags?
  • Are you using the proper dialect?
  • Contractions. Do you use them?

Characters (this is broken out in the checklists)
  • Full Name - First, middle, and last along with any other names they've had along the way.
  • Location - Where they live, where they were born, if different, why it changed.
  • Age - Includes birthday, zodiac sign, and recent celebrations.
  • Physical Description - Height, weight, hair color, eye color, shoe size, skin color, manicure?, pedicure?, hair length, eyebrows (V shaped, bushy, pencil thin, etc...), identifying marks, for women: bra size.
  • Mental Description - Self centered, egotistical, timid, brash, vengeful, etc...
  • Reasons for Mental Description - What happened in life to make them that way.
  • Friends - Other characters. Are they major? Minor? Plot changing?
  • Relationships - Spouse, kids, parents - with names and nature of relationship.
  • Goals - What their ultimate life goal is.
  • Career - What they do or want to do.
  • Skills - Any skills they may have.
  • Magical Powers - For fantasy or paranormal. Can they shoot fire from their asses? Lightning bolts from their eyes? Levitate? See through peoples' clothing?
  • Sexual Orientation - Straight, gay, bisexual, etc...
  • Fun - What they do to let their hair down.

Here's the link to the full PDF that has tweaks and little boxes to put checks in: GIMMIE MY FREEBIE!

Enjoy and share!

Have these changed the way you look at your novels?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Tuesday, August 27, 2013

Checklists for Novels - Part 2 of 3 - Deepening Plot and Structure

Happy Tuesday, good people of the blogosphere! And isn't it a grand day! The sun is shining and words are everywhere for the grasping. Today, I'm continuing my printable checklists and taking the plot and structure lists from yesterday a bit further. No pens and notebooks. Just bring your mouse and printer, please. Let's get going!

Deepening Plot:
  • Does my protagonist have a goal?
  • What is that goal and why does it matter (who cares scenario)?
  • When do I introduce the doorway of no return (should be in the first 1/4 of the novel)?
  • Is my antagonist evil/bad enough?
  • What's the relationship between my protagonist and my antagonist?
  • Is it strong enough to warrant their continued angst? Why?
  • What does my protagonist believe in deeply?
  • How does that change?
  • Did I make the change believable?
  • What opinions did I alter to garner a change of core beliefs?
  • Is there a sub-plot?
  • If yes, could the sub-plot stand on its own?
  • What was the reason for it?
  • Can I take it out and keep the suspense/action going just as well?
  • When I lay my plot out, does it flow in a linear fashion?

Deepening Structure:
  • The Beginning
  1. Have I shown the protagonist's world in enough detail so the reader understands the rules?
  2. How did I do that?
  3. Is the protagonist directly involved in creating or upholding those rules?
  4. How so?
  5. Do I have a dynamite opening line?
  6. Is my prologue necessary?
  7. Action first?
  8. If no, how can I rearrange the story so explanation comes later?
  • The Middle
  1. Is there a sense of death hanging over my protagonist's head (physical, emotional, professional, or psychological)?
  2. Could my protagonist simply walk away from the conflict and lose nothing (this should be a no)?
  3. Why?
  4. Is there plenty of action, reaction, and more action going on?
  5. Are my stakes high enough?
  6. What can I (or did I) do to raise them?
  7. How did I set up the final battle or show that it's coming?
  • The End
  1. Did I answer all the questions I brought up in my reader's mind during the tale?
  2. Is my ending a knockout, that'll leave my reader breathless or scratching their head?
  3. Was my ending predictable?
  4. What kind of ending do I have (objective reached, objective lost, or dangling)?
  5. How did I set that up?

If you can answer all these questions without a second thought, your novel is very well built. These aren't checklists for when you're starting to write. They're for the final product. It'll help you spot holes you need to fill.

Remember, feel free to print these out or save them as you wish. If you want to share them, I'll be putting up a PDF tomorrow of all six together. All I ask is that you don't alter them in any way if you redistribute on your own site.

Tomorrow, a checklist for scenes, dialogue, and complexity and one on character. Be sure and come on back for those!

Are these lists something you've done in the past; or, is this all new to you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Monday, August 26, 2013

Checklists for Novels - Part 1 of 3 - Plot and Structure

Happy Monday, good people of the blogosphere! I hope you all had a great weekend and are looking forward to the week ahead. On an awesome note, I managed to land exhibitor space at UtopYAcon 2014 and will be sharing a table with a writer I greatly admire, Ms. Tia Silverthorne Bach. I'll pass on more news to you about this awesomeness as it becomes available. For the next few days, I'm giving you all checklists you can run down and tick items off of that'll help you with the construction of your novel. I'm creating images out of the lists so you can save them and print them out. Today will be plot and structure. No pens and notebooks needed; just bring your printer and mouse. **NOTE** You may save and print these as you wish!** Let's get going!

Plot:
  • Critical Elements - Do you know what they are?
  • Strong Lead - Is your protagonist deeply layered?
  • LOTE - Do you have the following: Lead, Objective, Trouble, and Enticing Ending?
  • Identification - Can readers identify with your protagonist in one of these ways: Sympathy, Likeability, Inner-Conflict, or Power?
  • Objective - Is it strong and will people care? Ask yourself, "So what?" It must be something the protagonist must have to live a happy life.
  • Ending - Does it make your reader feel satisfied that all loose ends were tied up?

Structure (3 Act):
  • Beginning - Does it introduce your protagonist and the world they live in? Have you had the reader shake hands with the antagonist? Is the threat eminent? Has your character passed through the doorway of no return?
  • Middle - Have you deepened the relationships and character of the protagonist? What will the antagonist do to make life more complicated? This is where the action happens. Do battles rage? Have you set everything up for the final bang? Is there a revelation?
  • End - Have you wrapped everything up? Was the final battle full of enough tension? Do readers believe the ending could've happened?
Tomorrow's checklists will go into elements of the plot and structure.

Make sure you come on back for that!

Do you use any kind of checklists once your novel is done?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, August 23, 2013

Showing vs. Telling - When Telling is Okay

Happy Friday, good people of the blogosphere! I hope you're all looking forward to the weekend as much as I am. I see so much in reviews about showing vs telling. Today, I'm going to explain why telling is okay now and then, how to gauge when to do it, and when not to. So, grab those pens and notebooks and let's get going!


I wrote a post a while back on tension. This is the meat and potatoes of my discussion today. If you haven't read it, do that now so you understand what I mean when I say 5 or 1.

Every chapter of your book should hit at least a 2 or 3 on the tension scale. A 5 should be reserved for those special chapters where you want your reader to bite their nails. Never should you fall below a 1. So what does this have to do with showing and telling?

When you want your reader to feel what's happening on the page, show them everything about the scene: Lay of the land, emotions of the MC, action taking place, what could happen, what is happening, and actions/reactions of other characters.

But to get to that place, sometimes it's okay to tell. While you don't want long passages of filler, you may want to move things along without bogging your reader down in excessive description. I've discussed this before; here's the link: Descriptions - How Much is Too Much?

When the tension is high, launch into those descriptions in vivid detail. Every scene should be rated on the tension scale and adjusted accordingly. A reader won't tolerate scenes with a rating of 0; so, if you find such a scene, either cut it or re-write it.

But, when getting to those moments that bring your scene to the most tense point, you can tell rather than show. The ebb and flow of your story is natural, and should be allowed to happen.

Remember! You can please some of the people, some of the time; but you can't please all of the people, all of the time. In a group of ten, some will love it, others will hate it. Don't let opinions drag you down. After all, there will be people who loathe even the most popular books.

I hope this helps you in some tiny way.

What book gave you too much description or plodded along with chapters ranking 0?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, August 22, 2013

Things I've Unintentionally Learned From Books

Happy Thursday, good people of the blogosphere! Today, we take a little break from writing to discuss reading. If you're a writer, you're a voracious reader (or you should be, because one cannot write without reading). I'm going to share a few things I've learned over the years through reading books, research when editing books, and proofreading jobs. Buckle in and let's go!

As any of you who've followed my blog for any length of time know, one of my favorite authors, who's now deceased, is Alice Bordchart. She's the author of The Night of the Wolf trilogy and a series she never got to finish (that ties in with the others) called The Dragon Queen. Because I love book covers, here's one of them:

What I learned from this series: Caesar was a vile man. His wife, Calpurnia, was a psychic. Why Greeks were sent to the Colosseum to fight. How Romans and Greeks interacted. What the land looked like back then. And oh, so much more!

From the other series, I learned: Guinevere was the one Arthur needed to save him from his mother. How wolves in the wild interact with one another. Much history about wars that erupted over Europe.

Now, not only was Alice an expert on Ancient Greece and Rome, she's also the sister of the famous Anne Rice. I didn't realize I was learning at the time. But when asked questions in World History I, I knew the answers because I'd read Ms. Bordchart's books.

Another one of my favorite authors is Rick Riordan. From his Percy Jackson series, I've learned a ton about mythology and Greek and Roman beliefs. A new book comes out in October in that series and I'm super stoked! From his Kane Chronicles series, I've learned about Egyptian gods and goddesses. You wouldn't believe how much of it is discussed even today!

Master of medical suspense Robin Cook has taught me about DNA alteration, how insurance companies are raping the consumer, and how medical professionals sometimes get around claim restrictions. One of my favorites by him is Chromosome 6.

This is one that's never hit the mainstream. He was the genius behind Contagion and Invasion, too!









From Cornelia Funke, I learned a little imagination can take you places you never dreamed, and that most readers actually fall into their stories (and I wasn't alone in this).

An Indie book I'm reading, titled Looping in Limbo, is teaching me so much about golf it's unreal! And I'm loving it!

Now, from some of my own writing, proofreading, and editing.

I learned more about Genghis Khan than you could shake a stick at when writing Yassa. Never one to care much about vicious tyrants, I found him to be extremely intriguing and unearthed a strange truth about his life: He had to fight hard to get what he ended up with, and it may have all been for the love of a woman.

When I edited Canopy, for Crystal Lee, I learned a lot about construction of buildings and what it was like to be in the head of a fifteen-year-old girl.

Inzared: Queen of the Elephant Riders, by Linda Leander, forced me to research the circus, the early 1900's, and Gypsies when I did the edit. I learned a lot about snack food and when it was invented. For example, did you know popcorn wasn't a popular treat until the Great Depression hit in the 1920's? Neither did I!

I've also learned about Japanese culture, what it meant to be a Samurai, and how the mind of men in that country work. Through the edit for Chasing Memories, I did research on Wiccans, Yellowstone park, and Colorado. And when I proofread Sixty Days of Grace, I learned a lot about raising a child with Bi-Polar disorder and how to be thankful for each and every day I'm given.

When I wrote The Bird, I found out there's a cool place in Pennsylvania called Ringing Rocks National Park where, if you hit the stones with a hammer, they ring.

My daddy always told me reading was a waste of my time. But, without books, how would I have had the chance to learn all these wonderful things? Sure, I could sit down and read the dictionary; but learning it through a story is so much better. Either way, I'm reading.

So, when people tell you to put down that book because it's rotting your brain, tell them you're studying and to stay out of it. After all, you never know what gems of knowledge a novel may unearth.

Besides, books like Pride and Prejudice tend to change us into the best versions of ourselves.

What have you unintentionally learned from a book?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo