Complex Villains

Happy Thursday, everyone! Welcome back to another post on the blog. Today, we're gonna talk about villains and how to make them complex without making them kitschy or accidentally turning them into loveable people. Are you ready? Grab your pens and notebooks and let's get going!

In order to properly discuss bad guys (and gals) we're gonna take a look at some of the nastiest villains ever created and break them down. Who creates the best ones? Well, that's up in the air. But to be sure most of you have heard of the villains I'm discussing, I'll use a couple from Disney films.

First up, we have Jafar from Aladdin:

You all know he was a greedy magician who was after one thing: power.

But let's break him down, shall we?

First off, he couldn't be very bright. Things couldn't always work out exactly as he had them planned in his head. There had to be snafus to overcome and hurdles to jump along the way to ultimate power. Why? Because we had to be able to hold on to hope that he could eventually be defeated. If everything he tried worked perfectly, Aladdin would've had no shot and we would've lost interest in the story, being able to predict the outcome way before the tale got us there.

Second, he had to have a weakness that wasn't endearing. Jafar's weakness was in his greed. His fervent desire for the three wishes the genie of the lamp could provide. He believed, with every fiber of his being, those wishes would give him what he wanted: power. But never could this power be simply the ability to make a bouquet of flowers appear. No, it had to be the strongest, best, most all encompassing power in the world. Greed is not endearing.

Third, he had to be blind to everything but what he desired. Not once did Jafar consider the ramifications of having the same power of the genie who granted the wish. Once it was brought to Jafar's attention that the genie could take that power away (by our clever - keep that in mind - protagonist), there was no doubt what would happen next. We knew Jafar would go for the ultimate, never seeing or stopping to think about the consequences.

There was nothing to love about Jafar. He was mean, nasty, and greedy. No way could he have been mistaken as a good guy.

Second, let's look at Maleficent from Sleeping Beauty:

As I'm sure you're all aware, she was a vain fairy who was bent on revenge for what she perceived to be a slight against her by Aurora's parents.

Like we did before, let's break her down:

First, she had to believe herself wiser and more powerful than any other fairy. Because of this, she neglected to take the time to be sure Aurora had been blessed by everyone else at the birthday celebration. Like Jafar, Maleficent was eager and a bit blinded by her need for revenge. But, without that fatal error, we would've had no hope. Again, our villain had to have things that went wrong during the course of their plan(s). There needed to be a seed of hope.

Second, her weakness wasn't endearing. Vanity is something many of us hold as a sin (like greed - seeing a trend?). No matter how you twisted it, her high opinion of herself and the belief no one was smarter or more powerful couldn't make her likeable. She had no remorse, and no empathy. Humans don't generally like those who can make plans to kill someone who's still in infancy. We had to see how evil she was in her core from the very beginning.

Third, her fatal flaw was her thirst for revenge. Also not endearing. With every fiber of her being, she wanted to see that princess destroyed because of hurt feelings. Maleficent felt she was the most powerful fairy, therefore should be shown the highest regard. Because she was slighted, she never considered there may be something more powerful (true love) and gave her life in her attempt to strike out at those who neglected to recognize her authority.

Like Jafar, no matter which way you twisted it, Maleficent was a villain; never to be accepted into the realm of heroes or good guys.

You have to be careful when writing a villain. Even the slightest hint of goodness inside them will cause your readers to latch on and feel sorry for the baddy. Why? Well, it all goes back to human nature. We naturally look for the good in people, whether we mean to or not. If there's one redeeming quality, we tend to point it out and say, "Ah ha! I knew there must've been something." It's because of our desire to make sense out of things. Because we couldn't behave in such a manner, we search out a reason for the behavior to be present.

Even the best laid plans can go awry. Look at The Bird. I never intended for what happened in that story to occur. I won't go further than that, you'll have to read the book to find out what I'm talking about. But the twist took me by surprise. Be very careful when letting your readers know your villain's past. It's better for them to be shallow than endearing. Consider keeping some details to yourself.

What villain have you written or read about that turned out differently than you thought? Why do you think that is?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing What You Don't Know

Happy Thursday, good people of the blogosphere! Wow, what a busy couple of weeks here on the blog, eh? For the next few posts, I'll be talking about some of the things suggested on day ten of the twelve days. If you missed that post, just click the name and you'll be able to see what I'm talking about. So, today we're gonna discuss writing what you don't know. I have some posts on writing what you know and using a memory bible to keep track of places you've visited and things you've seen. But what about when you want to put your characters in a fantasy land or have them visit a place you've never been? I'll give you some tips and tricks on how to keep that straight. Grab your pens and notebooks and let's get going!

I've said it a lot here on the blog: The best fiction is based in fact.

That will be a constant. No matter if you're writing science fiction, fantasy, or anything that requires you to think outside the box.

Rules:
In most works of fiction, the same rules that apply to the world around us hold true. Gravity, human survival (we need food, air, and water), human nature (reactions to things, love, betrayal, etc...) hold pretty constant, and other such things that are seen as everyday (sky is blue, leaves are green, etc...).

But what if you're writing about a world you've made up where the sky is pink, leaves are silver, and people no longer need air to breathe?

Well, you're gonna have to explain why those things are possible. What changed? How did it change? When did it change?

Here are a few tips that will help you when you're writing about something that isn't:

• Use your imagination to get an idea of the rules that will be broken in this world and make copious notes. If the sky is pink, write that down and say why.
• Google is your friend. Do research on why the sky is blue and what might change to make it perma-pink.
• Hunt down fantasy images that fit your vision of your world. If you can't find any, sketch out a few (don't try and be Rembrandt, no one is gonna see them but you). Keep them where you can see them as you write.

To give you an example, one of my works in progress is called M. In that not-so-distant future (2024ish), my characters get around their city on sidewalks that move at incredible speeds and are powered by the sun. Before I wrote that little bit of information, I did a lot of research. It seems there have been a number of attempts at making these fast moving sidewalks and detailed descriptions of just how they would work. Score! I could explain to my reader exactly how people would use it because I had a full grasp myself.

Make sense?

If you're going to break a "rule," be sure you have a reason and an understanding of how your fantasy idea could happen. Even if on another planet, be sure and explain why the world is the way it is or how we can survive there.

Now, if you're writing about a place that actually exists, you need to do some of the same research with a little modification here and there. Try these tips on for size:

• Pull up photos of the place you want to write about and curate them to a word document.
• List common temperatures of the area during the day and at night.
• See what other people are saying about the location and copy/paste those tid-bits into your document with the photos.
• Close your eyes and imagine yourself in the midst of the place. Without looking, type everything you see, hear, smell, taste, and feel into your word document. What do you think would be fun to do there? Write that down.

In The Bird, Stormy visits a place called Ringing Rocks National Park in Pennsylvania. I'd never been there, but I did a massive amount of research about the area and imagined how I would act if I were in her shoes. Turns out, I'm kind of a big ole kid. And she has that playful, whimsical attitude as well. I had her click the nails in her boots on the rocks to make them ring out.

Even though I'd never been there, I made it seem like I had. I was writing what I didn't know, but learned about.

What it all boils down to is this: If you're writing what you don't know, you must make it something you know before you can write about it.

It's all kind of an oxymoron.

You have to immerse yourself in the world and know every possible outcome of every action. If someone jumps and your world has light gravity, how much further will they go? Things like that. Be sure and keep a word or notepad document on every book. Yeah, even those that are based in fact. Dates and descriptions are important, too!

You don't want to say the sky is pink because there was an increase in dust and pollution in the atmosphere that causes the light of the sun to refract differently, only to contradict yourself in the next chapter.

What have you written that you didn't know?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Guest Post by Megan Curd

Happy Tuesday, good people of the blogosphere! Today, I bring you a guest post by Megan Curd, my featured author for the last two weeks and one of the ladies attending UtopYA Con 2014. If you don't have tickets to that event yet, you should! You can get them by clicking the name. If you missed my awesome interview with Megan, you can check that out by clicking here. Don't forget to come on back next Monday and meet the awesomeness that is Bethany Lopez!

In other news, I, Zombie is sitting with a beta-reader and my lovely editor, Tia Silverthorne Bach of INDIE Books Gone Wild. I'm not setting an official release date just yet, but I'm shooting for early January. How exciting is that? Enough of my babbling, on to the post!

PROCESS OF GETTING READY TO WRITE

by Megan Curd

Hey Jo! I Thanks so much for having me on your blog today. It’s an absolute honor!

Okay…so, onto the topic of the day: getting ready to write. I think every author has a different process, but I think we all have quirks. Hopefully mine aren’t too weird or terrifying, haha!

I’m not a big plotter, so generally when I sit and write, I know the beginning, and I know the end. What happens in between is usually very organic and the characters dictate a lot. When I tried to explain to my husband’s aunt, who’s a psychologist, that my characters are the boss and I just let them tell the story, I think she might have thought I needed help, lol! But it’s very much the truth for me. My characters are bossy!

As for my process for sitting down to write, I’m a creature of habit. My preference is to go to a café to write (getting out of the house helps me focus. Otherwise I’ll always end up doing something besides working. It’s like the procrastinator’s Murphy’s Law.). I have this closet addiction to collecting Starbucks coffee mugs from all over the world, so each night I take a different mug with me to the café. This is a BIG deal to me, lol. I have to pick the right one for the night. Sometimes my son helps me pick, and every night my husband rolls his eyes. But I love those darn mugs, and they’re like my writing mojo provider.

Besides the café and the coffee mug, I HAVE to have music. I love music all the time, but when I’m writing, it’s an absolute must. Steel Lily was written almost exclusively to Muse’s album, “The 2nd Law.” I swear the album was written FOR Steel Lily. Now I’m writing the sequel, Iron Pendulum, and it’s been more of an Imagine Dragons, Lindsey Stirling, and Placebo type playlist. It’s interesting, because each book takes on a personality of its own.

One other thing I do is a fairly new habit, but I had the honor of going to UtopYA this year in Nashville, TN, and C.J. Redwine was there as a panelist. She said she kept a log of how much she wrote each day, and challenged herself by crossing off every 500 words she wrote. I’m very much a challenge-driven person, so I immediately started implementing that as well, and I’ve seen how much it’s helped. Seeing the progress happen is a huge boost, and it makes me want to push for “just another 500.” I’m really glad I heard her speak.

I think those are the things that make up my writing process. I’d like to think I’m not crazy, but I suppose that’s up for interpretation. I’d love to hear from other writers what their process is, and if they have any rituals or “must-haves.” Thanks for having me on the blog today, and I hope everyone loves Steel Lily! :-)

~ Megan

I have to say, telling people you're an author is a valid excuse for Multiple Personality Disorder. If you write stories for a living and don't have characters in your head, talking to you 24-7, you're weird in this world. So, Megan, know we all suffer from the same illness and just embrace it! Viva la Creativity!

Now, a little about Steel Lily, Megan's featured book of the week:

Title: Steel Lily
Author: Megan Curd
Genre: Dystopian with hints of Steampunk
Length (print): 314 pages
Links to Purchase: Amazon—$2.99 Kindle  B&N—$2.99 Nook  Kobo—$2.99 

Synopsis:
AVERY PIKE is a commodity. No, more than a commodity. Her existence is guarded at all costs.

She's a water Elementalist, the strongest of her dwindling kind. She creates steam to provide energy to fuel Dome Four: the only thing standing between humanity and an earth ravaged by World War III. No steam, no Dome. No Dome, no life.

Or so she thinks.

That is, until a mysterious man offers her a way out of having to donate steam. A way to escape the corrupt government of Dome Four. While the offer seems too good to be true, Avery is intrigued. But when she arrives to her new home, she realizes the grass isn't any less dead on this side of the fence. Instead, the lies are just hidden better.

...Which means digging deeper.

When Avery enlists the help of her friends to uncover the truth, she learns that while some secrets are better left concealed, humankind was never meant to live in a cage. And when you can control the most sought after resource, you can learn to control anything...including the fate of your world.

While you're here, why not check out some of Megan's links?

Website
Goodreads
Amazon Author Page

I've read Steel Lily and will be posting a review later this week. Surprise, Megan! Wow, that never gets old! *evil grin*

And don't forget to enter the FANTASTIC giveaways here. You could win a $500 shopping spree over at Amazon, a Kindle Fire HDX, or a ton of awesome books!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Painting with Words

Happy Wednesday, everyone! Today, I'm gonna be talking about art. Not with colors on canvas, but with words on paper. I know you've all heard me go on and on about too much description. Well, today I'm gonna talk about imagery. You can still give great description without going into minute details. Wanna know how? Grab your pens and notebooks and let's get going!

Look at the image above. See how it's all over the place? What works for art, doesn't necessarily work for a book. You could write long passages about the image, but what will your reader see in their mind? How do you describe something so chaotic so the person devouring your text gets a good idea of what the scene looks like? You don't. They can decide for themselves. I bet you're scratching your head, huh? Keep reading!

Let's go for an example or two, shall we?

Using description:
On white canvas that covered an entire 8'x14' wall, splatters and thin lines of black, pink, magenta, yellow, orange, green, purple, blue, brown, peach, teal, cerulean, hunter, and ocher overlapped. In the top left corner, pink, hunter, and magenta were deeply concentrated, set off by large spatters of black. In the center, only thin lines were present, drawing the eye in and allowing for a central concentration of the viewer's mind.

Now, I took an art class (okay, I took many art classes) in college, and that's what they want you to write when you're describing a painting. Note that word: "describe."

If I came across a passage like this in a book, I'd become bored as the writer went into every detail of the scenery. Did you read every color word? Probably not. Rather than tell your reader what to see, leave it to their imagination. Books are good at activating that little node in the back of your brain that paints its own pictures. Let's try again.

Using imagery:
It was a riot of every color in the rainbow covering the whole wall. Colors danced together in thick and thin lines, overlapping like freshly fallen leaves on a snowy lawn. I became lost in the chaos of it all as I tried to ascertain what the empty space in the middle was trying to tell me. Reminiscent of a Pollock painting on steroids, it drew me in and left me breathless.

Now, your reader's brain is activated. They paint the image in their head as they read. You aren't telling them what to see, you're letting them decide for themselves. Is it exactly what you see? Probably not. But, that's what's beautiful about it.

Paint vivid pictures with strong verbiage and allow the reader to feel the scene, rather than just be a bored onlooker.

• Riot
• Chaos
• Reminiscent
• Breathless

Those are all words that make the second passage much stronger than the first. Needless to say, I got fussed at a lot in design school for my creative briefs. I would launch into something like the second passage and not be succinct enough. They wanted straight and to the point. Blah. Bland. Phooey!

Let's not be bland. How about we strive to be artists of a different kind: Authors.

What about you? What do you prefer when reading?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Guest Post by N.L. Greene

Happy Monday, blogospherians! In keeping with our regularly scheduled program with the authors of UtopYA Con 2014 here on the blog, I bring you a guest post from N.L. Greene. If you read her author interview from last week, you'll know she's part of a writing team! Today, she's going to tell us a little about that. I love this post and I think she brings a unique perspective to the process of writing. Now, coffee, pen, and notebook in hand, I open the floor to Ms. Greene.

Co-writing VS. Solo-writing

by N.L. Greene

Hi Everyone! I want to start off by saying thanks so much for stopping by and taking the time to read my post. I also wanted to say a huge THANK YOU to Jo for not only having me but also for putting this whole UtopYA Author feature together!!

So I’m going to be totally honest here and tell you all that this is the first guest post I’ve ever written. I usually just do interviews where all I have to do is answer the questions and then I’m done. I know it’s lame but safe. *winks* I not only hope I don’t totally fail, but that you actually find my post helpful. So here goes...I wanted to talk a little bit about Co-writing and Solo-writing, since I’ve done both and learned that just like everything else in life, they both have their pros and cons but both can be successful.

I started my writing career about three years ago and did it as a co-author. My best friend and I both wanted to write but were terrified of doing it alone. We were scared that after spending months of pouring our heart and soul onto paper, we would be told that we weren’t good enough or that people would make fun of what we wrote. The fear of being vulnerable and exposed and then to be rejected was just too much, so neither of us tried. But then we came up with the idea of doing it together, under a pen name, and suddenly it didn’t seem so terrifying. From then on, it seemed much easier. We were each other’s cheerleader and support team, both equally emotionally involved in the book and both understanding the importance of what we were doing. On top of that, there was someone that could take over when the other was stumped, there were two people giving out ideas that, even if they weren’t great, sparked a new ones, and there was someone always there that just wanted to help you.

Like I said before though, everything has its pros and its cons. Though we didn’t have many issues, there were some that we had to work through. Being BFF’s for so long gave us an advantage over some other writing teams. Neither one of us had a problem being blunt or honest. In my opinion, that can make or break a writing duo. If you want your book to be good, you have to be willing to listen to someone when they tell you it isn’t as good as it can be and be willing to change it. The work load can also be an issue. Undoubtedly, at times, someone will do more than the other. The key is recognizing this as it happens and dealing with it accordingly. Everyone has different strengths and weakness and sometimes one will have to do a little more than the other if it means better success of the book. You have to push your pride away and do what is best for the team.

In the end, I think if the writing team is good and they work well together, the pros will always outweigh the cons and they will prove to be successful. I also think sometimes, writing as a team will give that push to someone that may not have ever put their words and thoughts to paper had they not had that other person to lean on, like we did.

All that being said, I also decided to become a solo-author. Why, you ask, since I seemed to be just fine co-writing? Well one other con to co-writing is that sometimes you aren’t both interested in actually writing the same thing. Angela is YA Paranormal all the way. It’s the only thing she reads, therefore the only thing she is interested in writing. Which is totally understandable, but not true for myself. I love all genres of books and really wanted to try writing in something other from what we had already done. It wasn’t easy though. Writing by myself made me realize a whole new set of pressure. Everything was on me. If I got stuck or lost, there wasn’t really anyone to pick up the story and run with it or straighten it out for me. I had to be creative and come up with ideas all on my own. And the vulnerability that I felt when the book came out was double because everyone knew that I wrote the whole book and if they didn’t’ like something, that was on me.

However, the sense of accomplishment and the pride I felt when I published my very own book was different than before. I had done something all by myself and it felt so good to know that I had set my mind to it and finished it. I also realized that I worked much faster by myself. Not having to rely on someone else to go back and check your work or having to rewrite a portion of the story because you both didn’t agree with what was happening gave me a freedom I hadn’t had before. The lack of pressure of having to hurry because someone wasn't waiting on me made me more relaxed and since I wasn’t so stressed, the story flowed much quicker.

So now that I have completely contradicted every statement I made throughout this post, I’ll say this. All of the above were my personal experiences and every individual is different. But my main point is this: If you enjoy writing or have someone in your head whispering stories that are just awesome, figure out how to get them on paper. I gave you two different examples of how to do that and what my experiences were, but there are tons of ways to achieve your goal, you just have to find what way works for you. And in some ways, like with me, more than one will work.

Well…I think that about covers it! I hope you found something helpful in what I had to say and that I didn’t completely bore you! Thanks for taking the time to read my post! Bye!!

~ N.L. Greene

Wow! I hope you all enjoyed that! Just in case you missed it last week, here's the information for Ms. Greene's book, Twisted, that'll be featured on the sidebar of the blog for the next week:

Synopsis:
Growing up isn’t always easy. But for most teenage girls, they can rely on their best friend to help them get through the process. A BFF is something that is truly treasured and completely irreplaceable. You share all of your secrets, and are loyal and honest with each other, even when you’re acting just a little bit crazy. You have each other’s backs no matter what and you form a bond that is virtually unbreakable.

At least that’s what normal teenage girls experience.

Nat and Mel have been bestie’s since childhood and Nat has followed her blindly ever since. But as Nat’s friendship with Mel begins to lead her down the wrong path, she starts to question the sincerity of their relationship. Nat starts to see Mel’s manipulative, deceitful ways become more focused on her. Will Natalie hold on tight to the friendship she’s had her entire life, no matter what it cost her? Or will she let her heart lead her to a relationship that’s not so twisted.

Buy it on

Amazon B&N Smashwords

for $2.99

Author Bio:
N.L. Greene, who is 1/2 of the author duo Riana Lucas, has decided to venture outside of the Fantasy world that she and her best friend created with Poppy and The Deadly Flowers Series to write a few books on her own. While she loves working with her best friend, writing solo has allowed her to explore interest that had solely been her own. She spends a lot of time reading her favorite authors which range all over the place and in every genre, but spends just as much time with her husband and two daughters, traveling, shopping, and playing video games. Nichole was born in Pennsylvania but grew up in Florida, where she and her high school sweetheart live with their two children.

Give N.L. Greene a follow on Goodreads or her Author Blog

I hope you all enjoyed this post and learned a little bit, too! Do you think you'll ever co-author a book?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

On Writing Scenes

Happy Friday, good people of the blogosphere! Today I'm gonna talk about writing scenes. If you remember, a while back I wrote a post on Showing vs Telling, When Telling is Okay. If you haven't checked that post out, I invite you to do so now. One of the comments that popped up on that post was a question by another writer about specific examples of how to use this technique. Well, grab your pens and notebooks and let's get going!

A collection of scenes in a novel are what bring the story together. Image a spiderweb where each thread is heading toward a central location (your epic ending). Choose one or two of those threads and follow them inward. Now, everywhere they meet at a cross-thread is where a scene occurs. Notice how those scenes gain in number as they reach the central core.

As your characters meander toward that center, there are what I'll call sections of Getting There Prose. These sections aren't intense and the reader gets a good sense of who your character is by what they're doing between scene A and scene B. Sitting and drinking coffee, for example. In these scenes, you're giving your reader a little break from the tension and action. They're also commonly used to lead into the next rise in momentum.

Here's the key: Leave out description. Dull down the five senses ever so slightly.

If Joan is sitting and drinking coffee with her bud Lisa, Joan can look over and notice the girl appears tired without going into a long description of how she looks tired.

Example of telling:
Joan blew the steam off her coffee and looked at Lisa, noticing the dark circles under her eyes. "Girl, you look exhausted."
"I am." She nodded and slumped.

That's dialogue to cut out description and give a coasting feeling to the scene. Your reader expects light conversation to follow and friendly terms.

Let's go the other way. Say this coffee scene isn't what it appears to be. Joan is poisoning Lisa.

Example of showing:
Joan blew the steam off her coffee, inhaling the heady scent of the special Colombian beans she ordered for this encounter, hoping it was strong enough to cover the distinctive almond of the arsenic. She tilted her head up slowly, peering over the rim at her adversary, noting the dark circles under Lisa's eyes and the way she gripped her cup with both hands. "Girl, you look exhausted." It was difficult for Joan to keep her tone light because of the nervous energy radiating through her limbs. Blinking rapidly, she gave a wan smile.
"I am," Lisa croaked out, slumping in her chair and letting out a huge breath in a whoosh. She pushed her too-hot ceramic cup back and stood.

Now, you've engaged all the senses. Smell: coffee, Sight: Lisa's dark circles, Sound: light tone and whoosh, Taste: almond, Touch: too-hot and nervous energy. This is also a place where you don't want to describe the room around them. You should've already put that picture in the reader's head before the ladies ever sat down. When you use description leading up to a tense scene like this, use short sentences. It indicates something's coming.

You've pumped up the scene and the reader expects what?

Either A) For Joan to go bananas because Lisa didn't drink the poisoned coffee, or B) For Joan to pretend to be friendly and hide her anger while trying to get Lisa to drink the coffee.

Either way, it's gonna be a tense situation. We've made it so. Can you cut a lot of that description and get to the same place? Yeah, but the tension is lost.

Example:
Joan blew on her coffee, waiting for Lisa to take a sip of the arsenic-laced concoction. "Girl, you look exhausted."
"I am." Lisa slumped and let out a breath before pushing her cup away and standing.

Same outcome. You know something should happen afterward but the resulting action won't have the same punchy effect on your reader. You haven't built up the tension quite enough.

To fill your novel with scenes that show everything all the time, you're reader will either get too hyped up or they'll start skimming. Skimming is bad. It means your reader has disengaged from your story. Very few writers can pull off a book like Dean Koontz's Intensity.

Remember to vary your sentences and your word usage. Not sure how to do that? I wrote a post on Variation, too. If you missed it, check it out.

Don't forget to pay my featured author of the week a visit! N.L. Greene, author of the highly rated book Twisted, graced me with an interview. You can find that post here.

Thanks so much for stopping by.

Are you familiar with this writing technique?

Next week, I'm going into how to use MS Word to rate your book's tension. Betcha didn't know you could do that, huh? So, come on back for that.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Being an Indie Author - Why I Love it

Happy Wednesday, good people of the blogosphere! I do hope you all enjoyed N.L. Greene's author interview from Monday. If you missed it, click here and take a look. She's an awesome Indie you should all get to know! Today, I'm going to point out a few things I love about being an Indie author and a few things that drive me batty. Strap in and sit back, this may get hairy!

Things I love about being Indie:

• No sick days needed! I don't have to take sick days if I need a break
• I can write whatever I want, whenever I want
• There's no boss breathing down my neck because my deadlines are self-imposed
• My covers are exactly the way I want them because I have the freedom of choice
• Friends I've made via the Indie network (you know who you are)
• Being able to take every weekend off and have time to spend with my family or coming up with new ideas
• Dust bunnies tremble in fear of my weekdays off (I call them mental health days), and my house is clean as hell
• My office, where I can do whatever I want and post stuff on the wall at my leisure
• Changing up what I'm doing on any particular day just because I feel like it
• Having promotional freedom
• Keeping more of the money from my sales for myself

Now, with all that said...

Things that drive me batty about being Indie:

• No signings or fabulous book stores that know my name
• Not having a team of people to do things when I just don't have enough hours in a day

As you can see, my pros far outweigh my cons. Does that mean if a traditional publisher approached me about my MS I'd turn them down? I don't know. But I do know it would have to be a major press to even tempt me. I can say with 100% assurance I'd have to keep one foot in the Indie doorway no matter what. It's being able to write what I want that would keep me self-publishing.

My Mystic series has an agenda. Probably one no publisher would touch with a fifty-foot pole. I wrote it because I hoped people would read it and understand things aren't always binary. They need to walk in someone else's shoes to truly understand what those people go through. If just one person tells me someday that one of my books changed the way they looked at the world and the people in it, I'll be happy as a lark.

Riches aren't my goal with my books. Telling a great story that moves someone is what I'm after.

VIVA LA INDIE AUTHORS! I love you all so much!

Why do you love being Indie?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Nom De Plumes

Happy Hump-Day, good people of the blogosphere! I can't believe it's Wednesday already. Time sure does fly when you're working your tuckus off. Today, I'd like to talk to you guys about pen names; also known as a Nom De Plume. Without beating around the bush, let's get going!

Why in the world would an author use a pen name?

Well, in my case, I use one because I don't want crazy people beating down my door if they don't like what I have to say. A couple of my books (the Mystic series, for one) teeter on the edge of calling people out for their crap and show what it's like to live on the other side of judgment. Another one has violence (and a lot of it) that a lot of folks say left them gasping for air as they read (Yassa). But, there are authors throughout history that used pen names to meet other goals. Here are a few:

• Dr. Seuss.
• Stephen King (aka Richard Bachmann)
• J.K. Rowling
• Jonathan Swift (aka Isaac Bickerstaff, Esq.)
• Charlotte, Emily, and Anne Bronte (aka Currer, Ellis, and Acton Bell)
• Charles Dickens (aka Boz)
• Benjamin Franklin (lots of akas - mostly female names!)
• Anne Rice (aka A.N. Roquelaure)

So why did these authors choose their pen names?

For publishing reasons, of course. One was chosen because the publisher thought the author's books wouldn't sell as well if people knew it was a woman who wrote them. Back in the days of the Bronte sisters, women didn't write and they felt they had no choice but to submit as men. Sometimes pen names were chosen to allow the author to publish more frequently or even to get published at all (their real name may have been damaged in some way). Anne Rice said she didn't want anyone to know she'd written a naughty book. But, beyond that, she wanted to see if it was her name making her sales or her excellent writing. Makes sense to me.

So, if you're an author, and you use a pen name, why? Is it to hide who you really are, to break into a genre only (usually) written by a certain gender, or is it something simpler like a state of separation?

Inquiring minds are dying to know.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Checklists for Novels - Part 1 of 3 - Plot and Structure

Happy Monday, good people of the blogosphere! I hope you all had a great weekend and are looking forward to the week ahead. On an awesome note, I managed to land exhibitor space at UtopYAcon 2014 and will be sharing a table with a writer I greatly admire, Ms. Tia Silverthorne Bach. I'll pass on more news to you about this awesomeness as it becomes available. For the next few days, I'm giving you all checklists you can run down and tick items off of that'll help you with the construction of your novel. I'm creating images out of the lists so you can save them and print them out. Today will be plot and structure. No pens and notebooks needed; just bring your printer and mouse. **NOTE** You may save and print these as you wish!** Let's get going!

Plot:

• Critical Elements - Do you know what they are?
• Strong Lead - Is your protagonist deeply layered?
• LOTE - Do you have the following: Lead, Objective, Trouble, and Enticing Ending?
• Identification - Can readers identify with your protagonist in one of these ways: Sympathy, Likeability, Inner-Conflict, or Power?
• Objective - Is it strong and will people care? Ask yourself, "So what?" It must be something the protagonist must have to live a happy life.
• Ending - Does it make your reader feel satisfied that all loose ends were tied up?

Structure (3 Act):

• Beginning - Does it introduce your protagonist and the world they live in? Have you had the reader shake hands with the antagonist? Is the threat eminent? Has your character passed through the doorway of no return?
• Middle - Have you deepened the relationships and character of the protagonist? What will the antagonist do to make life more complicated? This is where the action happens. Do battles rage? Have you set everything up for the final bang? Is there a revelation?
• End - Have you wrapped everything up? Was the final battle full of enough tension? Do readers believe the ending could've happened?

Tomorrow's checklists will go into elements of the plot and structure.

Make sure you come on back for that!

Do you use any kind of checklists once your novel is done?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Showing vs. Telling - When Telling is Okay

Happy Friday, good people of the blogosphere! I hope you're all looking forward to the weekend as much as I am. I see so much in reviews about showing vs telling. Today, I'm going to explain why telling is okay now and then, how to gauge when to do it, and when not to. So, grab those pens and notebooks and let's get going!

I wrote a post a while back on tension. This is the meat and potatoes of my discussion today. If you haven't read it, do that now so you understand what I mean when I say 5 or 1.

Every chapter of your book should hit at least a 2 or 3 on the tension scale. A 5 should be reserved for those special chapters where you want your reader to bite their nails. Never should you fall below a 1. So what does this have to do with showing and telling?

When you want your reader to feel what's happening on the page, show them everything about the scene: Lay of the land, emotions of the MC, action taking place, what could happen, what is happening, and actions/reactions of other characters.

But to get to that place, sometimes it's okay to tell. While you don't want long passages of filler, you may want to move things along without bogging your reader down in excessive description. I've discussed this before; here's the link: Descriptions - How Much is Too Much?

When the tension is high, launch into those descriptions in vivid detail. Every scene should be rated on the tension scale and adjusted accordingly. A reader won't tolerate scenes with a rating of 0; so, if you find such a scene, either cut it or re-write it.

But, when getting to those moments that bring your scene to the most tense point, you can tell rather than show. The ebb and flow of your story is natural, and should be allowed to happen.

Remember! You can please some of the people, some of the time; but you can't please all of the people, all of the time. In a group of ten, some will love it, others will hate it. Don't let opinions drag you down. After all, there will be people who loathe even the most popular books.

I hope this helps you in some tiny way.

What book gave you too much description or plodded along with chapters ranking 0?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Character Arcs

Happy Friday, good people of the blogosphere! I'm looking forward to the weekend SO much. Melody is in round three of edits (see this post for the editing steps I take) and Coralie's story is flying from my fingers. I've been an emotional wreck the last few days because her story is truly terrifying. But, today isn't about those books, though I may use them for reference, it's about Character Arcs. What the heck is a Character Arc? Well, grab your pens and notebooks and let's get going!

If you've been a regular visitor to the blog, you've probably read a lot about doorways and change. I'm always talking about how a character should pass through the doorway of no return and how that moment should end up changing your character in a profound way. But what are the steps from doorway to epiphany?

An excellent character arc has these things:

• Meeting
• The Doorway
• Impact on the Persona
• Moment of Change
• Finale

Meeting is where we're introduced to the character and learn a little about them. This isn't full disclosure, it's a tasting of the character's basic beliefs, values, attitudes, and opinions. Now, the basic beliefs and values a person holds are a direct result of their attitudes and opinions. Change enough of the opinions and you end up changing a core belief.

This is where The Doorway comes into play. Your character must waver on the threshold. Because of their beliefs and values, they won't want to step through that door. Find a way to shove them through. Leave them no choice in the matter. This is the beginning of change.

A few examples: In Mystic ~ Bronya, she has to leave the town she's in and give up on the possibility of love. I shoved her through the door by taking away all she cared about and leaving her no other option. While she answers the letter from WSTW with gusto, she almost turns around at the airport because she's still trying to retain hope that she'll end up with Cecilia. In Mystic ~ Lily, she's made to face the person in the mirror and practice self-love. She fights it because drugs and alcohol have served her well in taking away the pain up to that point. I added Markaza to the mix to shove Lily through the doorway; kicking and screaming.

Impact on the Persona happens throughout the story. These are what lead a person to begin to change their beliefs. Maybe hate is erased or judgment tendencies are quelled. But there are always outside forces at work. People the character interacts with or things they witness will begin to change their opinions, thereby changing their attitudes, values, and beliefs.

There has to be a Moment of Change. From everything that happens to the character from the doorway beyond, it will bring about the epiphany. It's that "ah ha!" moment. And it can't come out of nowhere. Outside forces are always at work on all of us. It's the same with your character.

You don't have to write out the moment. It can be shown via actions during the Finale. New things the character does or says can show the reader just how monumental the change was, and how the values and beliefs of the character were altered.

In a series, the Moment of Change doesn't usually happen in the first book; but in the last. For example: In the Mystic series, none of my ladies have really had that moment yet. Markaza is off collecting the girls,  each book is a sampling of their individual doorways, and some of the Impact that occurs to force the girls to pass through. There's no outside forces changing their belief systems just yet (though there was a hint of it in Mystic ~ Shelia when Aunt Ivy shows up).

Now, how to keep it straight?

Try creating a Character Arc list. Four columns on a sheet of paper, each with a heading. Here's an example:

Temujin begins life believing he's the end-all be-all and has very astute ideals about how things should be. When he breaks his values during the story, he ends up with a lot of humility and understanding about life and love. This can be ramped up with a little bit of tweaking, but it'll give you a map to work from. I didn't show what I have in store for the women of WSTW because that would spoil the last book.

I hope you all have a good grasp of Character Arc and a handy tip that will help you formulate a plan.

Question of the day: Do you plot out your characters beyond page one? How has it helped you/hindered you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo