Set Your Story!

Happy Monday, everyone! Hope you all had a fabulous weekend and are ready to start the awesome week ahead. No? Well, grab that coffee and let's talk about setting. You know, that place in your story where your characters dwell.

There are two ways to go about giving setting:
1. The old way of bogging people down with pages and pages of "what the character sees."
2. The more interesting way of putting the character IN the setting and letting the reader know how it feels.

We're, obviously, focusing on the second way.

Why? Because it's more interesting to read and keeps folks from paging through your book really fast.

So, what's the difference? If you aren't sure, I ask you to recall a book you read in some time and space where your eyes glazed over as the author described the trees, flowers, and sun.

Now do you know what I mean?

Let's get the hell on with examples, shall we?

Example of style 1:
     Juniper sat on the stone bench and stared at the water after her breakup with Harold. Red roses bloomed in abundance, their thorny stems intertwining. Next to them were pansies in every color of the rainbow. On the water floated boats with giant, white sails billowing in the wind. Across the water stood the poor houses. She used to live there. People were standing outside or sitting in chairs, doing nothing. A couple of children were playing in the many puddles on the street. Broken down cars with weeds growing out of them were scattered here and there.

And so on, and so forth.

Now, let's give style 2 a try:
     Juniper sat on the bench, the cold of the stone seeping through her shorts as she stared at the water, wishing it would bring calm with its lapping sounds. Red roses bloomed near the shoreline in abundance, their thorny stems intertwining like lovers in a secret embrace. She couldn't help but think how, just hours before, she was in a similar embrace. While the roses would be strong, her love was broken.
     Why did it have to be that way?
     Through the ship sails, she could just make out the poor houses on the other side of the river where her family lived. Once upon a time, she was one of the dirty children playing in the puddles and around the abandoned cars--those weeds growing out the windows and doors gave her hay fever more times than she cared to mention. But she'd gotten out of there.
     What about that didn't Harold understand?

This isn't a vice I suggest you use often. Page after page of anything like that will get old. However, if you're in a key scene, you should get your reader invested in the story by pulling out all the feels.

In the first example, you're looking at the scenery as an outsider; in the second, you're feeling how it might impact someone.

There's the key to engaging the reader in a show, don't tell, situation. Again, telling is for the parts where not a lot is happening and you don't want the reader to slow down and pay attention. More on showing vs. telling in this post.

Care to give it a try? Revamp a scene and share with us!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stealing Plots

Happy Friday, good people of the blogosphere! I hope you all had a fantastic week and are looking forward to the long weekend. Perhaps you want to use that time to craft new book ideas. Well, you've come to the right place! Today, I'm going over how you can steal plots from real life to craft novels. Intrigued? Then grab those pens and notebooks and let's get going!

If you remember the posts I did on plot ideas (part one and part two), you'll know I'm a huge advocate of using things you see/read/hear to inspire you. Well, let's look at life for some inspiration and see exactly how that works.

Situation one: You're sitting, watching the news, and a story comes on about terrorists on a train and three heroes who leap in and save the day (anyone remember this?). That's an awesome story, right? Those men have been talked about often since that day.

Situation two: Friend one calls you, sobbing. Her husband was part of the Ashley Madison scandal, and your friend has discovered he's had multiple affairs. Her life is ruined, and she tells you all the warning signs she saw but ignored as you try to make her feel better.

Let's break down and re-work both situations for awesome plot ideas, shall we?

Situation one: What if the terrorists were vampires and the heroes were slayers? Or, what if they were all women instead of men? What would've happened if it were some kind of plot to get rid of a different terrorist who was planning to bomb the train, and the men sent to stop it were thwarted by the "heroes" who thought they were doing something good?

Situation two: What if the husband wasn't cheating, but he'd been doing some kind of recon mission for the CIA or some secret organization? All the "warning" signs weren't what they seemed, but the wife has no way of knowing because she doesn't know he's a spy/assassin. That's a whole different story.

It's not the situation that matters; it's the details you want to store away in your brain for the book you can write with these ideas that are important.

What caused those men to react? What were they thinking? What did they see?

What were those "warning" signs your friend is talking about? How did her husband act? What excuses did he use to get out of the house and meet up with those women?

All these questions can be answered by watching interviews or asking questions. Be the sleuth. Be creative. Bend the world to fit the story you want to read, and write it.

Whether you're a paranormal, contemporary, fantasy, dystopian, contemporary, murder mystery, or other genre author, you can make your story and characters feel more real to your reader when you use real-life situations as the basis.

So, this weekend, my challenge to you is to take something you see on television or hear on the news and turn it into a plot for a novel in your genre.

Post them below! Let's see how creative you can be!

Well, that's all for today, folks. Until next time, WRITE ON!

Jo

Novel Research - How Much is Too Much?

Happy Monday, good people of the blogosphere! Welcome to another week of fun. Yeah, it's Monday, but you now have five whole days to get in your writing groove. Today, I'm talking about research. You know, that stuff that makes your book seem plausible to your reader. Ready? Grab those pens and notebooks and let's get going!

As you all are probably aware, when I was writing M, I had to do a lot of research for a few topics and scenes included in the novel. Here are a few:

Buying explosives online (yes, you can!).
What the range on a GPS tracker is.
Best sniper rifle.
What genes are responsible for reproduction.
What genes/chromosome strands are associated with malformations of the heart.
How to pick a lock (actually picked a lock to learn what this was like).
Self-contained cities (how they work).
Moving sidewalks and how one steps onto them.
What genes are responsible for "giantism."

And those are just a few. I've asked other sci-fi writers, and they have pretty much the same experience. You have to learn as much as possible so your story can ring true. Sure, you can ask an expert or read an article about how to pick a lock, but until you do it, you don't know what pitfalls may happen or how it feels.

I've talked about this before on my post Writing What You Don't Know, but sometimes you need to get into the meat of your story by heading out and experiencing things for yourself.

Don't leave your words to someone else. The way I describe something might not be the way you describe that same thing.

As a bonus, the next time you want to write about what it feels like to walk over hot coals, you'll already know. Those little tidbits will be stored in your memory bank or feelings workbook.

It's not just sci-fi that demands research. If you're planning a book where you deal with legal issues or historical facts, you have to look that up, too. Writers are born researchers, and we usually have a thirst for first-hand knowledge of topics.

What's been the most fun/interesting thing you've ever had to research for a book? What book was it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Avoiding the Backstory Infodump by Using Layers

Happy Tuesday, good people of the blogosphere! Today, we're talking about backstory. Every character has one, but no one wants it shoved in their face in huge chunks. I'll be giving you some ways to work the yummy goodness in as your story progresses so you can avoid the dreaded infodump. Ready? Grab those pens and notebooks and let's get going!

#1: Throw out tidbits in dialogue

This one can be fun. Say you have two characters arguing. One friend screams at the main character about an embarrassing or revealing thing that happened in the past that shaped the MC's personality. Boom. Backstory. One character can also be talking to another and reveal something about the MC's past to explain why he/she reacted the way they did in a situation. There's no need for a whole conversation about it; just throw things in here or there.

#2: First person thoughts

I have an excellent example of this one! In Fractured Glass Kelly Risser lets Sloan remember a time when she and Diego rode an amusement park ride and he yakked afterward. This reveal came when he groaned through her earpiece after she flipped around and around, and she needed to recall his motion sickness issue. It flowed right into the story, but gave the reader a better understanding of Diego.

#3: Memories

This one can be a bit tricky. Some people go into memories as a whole separate scene, but they don't have to be set apart. You can add a snatch of them here and there like sprinkles, rather than dredging the entire cupcake and leaving the reader with a mouth full of pasty yuck. When the character sees a rose, he/she can have three lines of memory that recalls the funeral of a good friend. Don't get bogged down in details.

#4: Third person narrative

While it isn't the best way to work in a lot of drama, you can have the narrator recall a situation where the MC changed or did something amazing/horrid. "This one time, at band camp, Harry and Joe..." You get my point.

#5: Long flashbacks or dreams

This is where you cut out a chunk of story and lend it to the character's drama. It becomes a whole separate scene in the chapter where you go into feelings, who, what, when, and where. Long flashbacks should be used sparingly (italics are hard on the eyes). If in a dream sequence, try offsetting it with asterisks rather than setting in italics. Be sure you're setting time and space in there somewhere so you don't lose the reader.

#6: Paperwork

Exactly what it says. Maybe the character finds an old newspaper article stuffed in a photo album that was locked in a trunk in the attic for fifty years. Perhaps it's birth certificates. If you're V. C. Andrews, it would most certainly be the latter, and the document revealing Mom and Dad as brother and sister won't be discovered by the child until the last page of the last book. Yikes.

Something important to remember: Don't use these items until your story has been well established. Readers need some mystery as they dive into the prose, and most don't want to be dumped on early in the novel. When there's nothing left to discover, why keep reading?

I hope you found these tips useful.

Any you hadn't thought of?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

#UtopYA2015 Time Warp Tuesday

Happy Time Warp Tuesday, everyone! Today's post is all about #WriteYourOwnFuture and talking about your past. Because I love the heart and soul of UtopYA Con, I'm gonna share some things about the event and give some advice to those wanting to write or the writers that are thinking of giving up. I'll also include some of my pictures from UtopYA 2014. Ready? Let's get rolling!

First off, let me pop in a reminder that tickets to the most awesome author conference on the planet go on sale NOVEMBER 28, 2014. That's right, Black Friday.

GET YOURS HERE

There are so many things I could say about UtopYA, but that would be a huge blog post. Now that I've gone, I know I won't be able to stay away. It'll take wild horses (and maybe chains) to keep me from returning to experience the camaraderie and spirit I found in Nashville.

Once a city I thought of as the Country music hub, it's now morphed into something magical and bookish in my mind. Readers lurking around every corner, mystical creatures peering from behind drapes, and a certain something that lights a fire in my writer self.

I'll get into Nashville and the Millennium Maxwell House more next month, for my UtopYA post in tandem with the other three bloggers: Shana, Maria, and Ashley. Watch out for those.

If you want to read about my experience at the con, I have a post here on my blog and a resolutions post here on The Paisley Reader that'll tell you what my goals are/were.

For fun, I'm including a couple of awesome photos from the con! Misty Provencher is with me in the first one, and Tia Silverthorne Bach and Toni Lesatz are in the second :)

Because those two posts are in place, I'd like to focus on the up and coming writer, or the one with serious doubts, in this one. I'm going with two of the prompts provided by Janet Wallace.

Q1: What would you say to someone who wants to write a book, but has doubts and fears?

"This one's easy: keep writing. No matter what, if you have the fire burning inside you to put words on a page in a cohesive manner, keep going. Never stop. Not even when that last word hits the page and you declare your first novel finished. Write another one. Put them out there for the world to see. Most people don't write 30k words in their lifetime. You're doing something awesome. Why would you ever let that go? WRITE ON! It's not just a meme."

Q2: What would you say to someone who's written a bunch of books, but haven't had the success they thought they would, and are thinking of giving up?

"Define success. First of all, you have to know what your idea of success is before you ever publish that first book. Are you after fame? Fortune? Notoriety? Supplying readers with great books? It's imperative you understand what you're trying to accomplish before you set out to get 'er done.

For example: My success is when someone leaves a review on something I've written that says how much they loved the story, or when someone comments on my blog saying how much they learned or appreciate the information I put here. I get all gooey inside knowing I entertained someone, moved them, made them feel something they might not have before, or brought them a little knowledge. I have pride in educating people. There's not one of my novels that doesn't teach the reader something. Even if it's just where Ringing Rocks Park in Pennsylvania is, and why it's such an interesting place to visit.

After you've given success your personal definition, move on to how you've achieved those goals.

If you're still feeling like you haven't done what you set out to do, try a different angle. Do something new. Keep going. To give up on yourself is worse than others giving up on you. Always drive forward with a goal in mind."

I hope that helps someone, somewhere, who's either thinking of writing a novel or giving up writing to forge ahead.

Did you post for Time Warp Tuesday? Leave us your link to check out!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Blank Canvas and Page Woes

Happy Tuesday, everyone! I hope you all had a fabulous weekend. You're almost halfway to the next one, so chin up! Today, I'm gonna blast my inner musings and thoughts for you to read; maybe you'll take something away from it, maybe you won't. Either way, it's therapeutic to talk it out! So, grab your coffee, get your typing fingers ready, and let's get going on my not philosophical discussion. *grin*

While browsing through Michael's art store the other day, I came upon a 40% off canvas sale. Well, I usually don't spring for the big ones because they aren't cheap. I ended up buying one that's 24" x 36" and giggling the whole way home. If you didn't know I draw and paint, I have to ask how long you've been following my blog, or if you've ever seen one of my book covers (most notably Yassa and The Bird).

Here are a couple of my artworks:

But, anyway, as you can see, I have no lack of skill. Yet, I find myself staring at the blank canvas, wondering what in the world I'm gonna put on it. I don't want to stop once I've started, and I don't want to hate it halfway through and have to gesso it out and start over.

So I find myself planning.

If you know anything about me, you'll know I'm a strict pantser when it comes to my writing.

When the thought of picking up a brush and going at a canvas makes me cringe, how the hell can I craft a story by the seat of my pants?

Truth: I don't.

I think about the book, plan out my characters, and have the plot (at least a beginning and ending) in mind when I sit down to write. I think a true pantser would sit down with no idea what they're going to do and bang out a book.

Like people say a true artist sits down and bangs out a painting.

But is it really that easy? No. Most of the famous artists in the world never sat down and slapped paint around on a canvas. They had direction, and they had a picture in mind before they ever began. This leads me to believe art rarely comes from nowhere. Even color choices made by the artist who attaches balloons to the wall and throws darts at them is a decision. There's never complete freedom in art. Everything has a plan.

Writing novels is an art form. Sure, you can write whatever you want, whenever you want, and throw it out there for the world to consume. But readers will become disenchanted if your novels have no cohesion, plot, or character building. Just like art lovers will spot an amateur painter if the colors on the canvas clash.

On the same note, there must be some freedom in painting like there is in writing. My imagination is my only limitation as far as situations, characters, and plot go; but I'm bound to certain rules of the written word—like artists are bound to rules of composition and color usage. Even Jackson Pollock had a specific idea in mind when he tackled a work. But he got to choose the colors. Note my baby pink oak tree up there.

What I'm saying is: We all have freedom in our writing or art,  but knowing all you can know about your craft—and using that knowledge—never hurts.

I guess buying that canvas did more for my thought process than I realized.

It's still sitting there, completely blank, waiting on me to make a decision.

I'm knee-deep in my section of the Fractured Glass anthology. It's so much fun giving characters free reign to lead me in the direction they choose. I've had a number of epiphanies while writing. Interesting twists and some mighty creepy situations are emerging as I bang the keys. Not long now. Good thing I had a plan, eh?

Time for you to join in the discussion here! Do you think it's possible to write an entire novel from the hip? Or do you think you must know the building blocks on all sides in order to craft something with no idea where it's going or how it'll get there?

Inquiring minds wanna know.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Improving Your Writing with a Journal

Happy Monday, good people of the blogosphere! I hope you all had a super fabulous weekend and are ready to kick the week off with a bang. Today, I'm gonna talk to you all about keeping a journal and discuss how it may help you in your writing life. So, grab those pens and notebooks and let's get going!

Journal
/ˈjərnl/
noun
1. A newspaper or magazine that deals with a particular subject or professional activity.
2. A daily record of news and events of a personal nature; a diary.

As you can imagine, I'm talking about the second definition of the word. But we'll take it a step further and add to that definition. Now, it'll read: A daily record of news, events, and emotions from a singular individual of a personal nature; a diary.

If you take five to ten minutes a day and write down your feelings or news topics that piqued your interest, you'll end up with an invaluable resource for your novels. I've talked about creating a feelings bible before, but this is something different.

Because you'll be writing in it every day, those emotions will be fresh. Feelings you had will still be on the tip of your fingers and ready to be slapped down on the page.

How does one journal feelings?

Think about a particular incident where you were taken aback by the reaction you had, or consider how something might have made you over-the-top happy. Write down what happened, then go on to describe your feelings about it in vivid detail.

Engage all five senses when you write these things down: Smell, Taste, Sight, Touch, Sound.

Go bananas. If you were angry, let it all out. Be real because you'll only be lying to yourself if you aren't.

What you'll find, after a month or so, is that you have a wonderful record of situational impact on a human being's emotional state. You'll know the situation, the players, and the results. Not only that, but you'll be able to recall things that interest you as a person.

You can also go sit in a cafe or coffee shop and journal other people. Yes, you'll have to guess about their feelings; but, chances are, you've been in a similar situation and can get pretty close to the physical fallout of a given situation. If you're an outgoing type (most authors aren't haha), go ask the person how they're feeling and write it all down. Take note of their facial expressions, posture, and vernacular.

Once you have this gem of a written record, put it somewhere you can get to it when you're stuck on a particularly emotional scene in a novel. If you already have a feelings bible, add some of the content from the journal.

I promise, it's never a waste of your time to get in touch with Human Nature (that's a link to another blog post series I did on the Jo Michaels blog that will give you some awesome insight into what makes us tick).

What do you think? Do you already have a feelings bible or journal? How has it helped?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Reversal Word

Happy Thursday, good people of the blogosphere! As you can probably tell, I'm going into word reversal in novels today. What the heck am I talking about? Well, I'm not gonna beat around the bush. Grab your pens and notebooks, slurp up that coffee, and let's get going!

When I say word reversal, what I mean is using the difficult path to convey an idea to your reader. One of the things I do when I'm editing is check readability. Your words should flow for the eyeballs moving over the page. One of the acronyms I love is:

K. I. S. S.

It means: Keep It Simple, Stupid!

Never speak over your reader's head (we know you're smart, but making someone feel stupid isn't a good idea), and try not to reverse your words. If you do, be on the lookout for awkward sentences in your first round of edits.

Time for some examples!

Rob looked at me, and I inwardly cringed.

First off, you don't need that adverb. Taking it out would simplify the sentence and make it more reader friendly. But let's say we want to leave it in there. As an editor, I try to apply a lighter hand when suggesting changes. I'll suggest a blanket change to remove most of the adverbs when I run across the first one. Mentioning it again becomes cumbersome. If the author enjoys adverbs and I leave this sentence alone (thinking it'll be fixed later), I'm doing them a disservice. Why? Because it will read/flow better if the action precedes the modifier. That's my job. There are two possible fixes if we leave in the adverb:

I cringed inwardly when Rob looked at me.
Rob looked at me, and I cringed inwardly.

Put the action first.

Here's another one that needs some rearranging:

I'd heard about the relationship being messed up between them, but I knew it wasn't also damaged on my side.

A small move will make a big difference. Like this:

I'd heard about the relationship being messed up between them, but I also knew it wasn't damaged on my side.

Make sense?

Yes, there's always more than one way to fix a sentence. Remember to KISS your reader, and you'll be fine.

When in doubt, read it out!

Do you ever catch yourself making those kinds of mistakes?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Pronouns - Round Two

Happy Thursday, everyone! I know you're all excited about the approaching weekend, but stay with me today. I'm going over one of the most common errors in writing (again). Why am I bothering to write about it now if I already wrote a post about it last year? Well, because that one got a little buried in the sand (archives) and it's something every author needs to be aware of. Misuse of pronouns is the thing I find most often when editing or reading; and, I'm sorry to admit, the one error I make consistently when writing. Ready? Grab those pens and notebooks and let's get going!

First off: What's a pronoun?

A pronoun is a word that's used to replace a noun. He, his, him, she, her, hers, it, its (no apostrophe), their, they, they're, and theirs are the ones to watch out for.

When should you become hyper-aware of pronouns?

Anytime you're following up naming a person or thing by using a pronoun.

Examples of misplaced pronouns:
Larry looked into his dad's eyes. He noted the sadness there, and wondered if his mind was on the task they were doing. His hands dug into the soft dirt like they had for the last thirty years. Would he ever get used to seeing him this way? Grabbing a handkerchief from the toolbox, Larry used it to wipe his face.

Quickly! How many misplaced pronouns were in that paragraph?

I'll give you a moment to look it over.

Done yet?

Answer: Four out of ten are incorrect.

To find the ones that are wrong, we replace each pronoun with the last person or thing named. I'm going to number the pronouns so we can discuss after, keep the ones that refer to Larry's dad as "Dad," and break it down once I'm done. Errors are bold.

Larry looked into (1.his)Larry's dad's eyes. (2.He)Dad noted the sadness there, and wondered if (3.his)Dad's mind was on the task (4.they)Dad's eyes were doing. (5.His) Dad's hands dug into the soft dirt like (6.they) Dad's hands had for the last thirty years. Would (7.he) Dad ever get used to seeing (8.him) Dad this way? Grabbing a handkerchief from the toolbox, Larry used (9.it)the toolbox to wipe (10.his)Larry's face.

1. His - Right. Because we're talking about Larry's dad. Larry was the last person named.
2. He - Wrong. It's Larry who noted the sadness in his dad's eyes.
3. His - Right. We are referring to Dad, even though Larry should've been the last person named.
4. They - Wrong. Eyes can't dig in the dirt and they were the last plural noun.
5. His - Right. We are talking about Dad's hands.
6. They - Right. Dad's hands had dug in the dirt for the last thirty years.
7. He - Wrong. We should be referring to Larry, not Dad.
8. Him - Right. We do mean Dad.
9. It - Wrong. This should be the handkerchief, not the toolbox. I can't imagine wiping my face with a toolbox.
10. His - Right. We do mean Larry's face.

Ugh! Right?

So, how do we fix it? There are many ways. Here's one:
Larry looked into his dad's eyes, noting the sadness there, and wondered if his mind was on the task at hand. His fingers dug into the soft dirt like they had for the last thirty years. Larry wasn't sure he'd ever get used to seeing the strain staring back at him from those eyes. Grabbing a handkerchief, he used it to wipe his face.

If you have to include the toolbox, do so before the word handkerchief: Reaching into the toolbox, he grabbed a handkerchief and used it to wipe his face.

It's all about wording and construction. I know you probably think pronouns are the least of your worries, but a little bit of attention paid to this tiny thing will help your book tremendously in the long run.

These are rules that can't readily be broken without seriously confusing the crap out of your reader. Now that you know what to look for, scroll back up and read the first paragraph again without the breakdown.

Heck, I know I miss a couple when editing my own work or the work of other people; that's to be expected. I find errors like that in traditionally published books, too (though few and far between). But four in one paragraph?

How about you? Have you become pronoun proficient? Or did this post teach you something new?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Most Popular Posts of 2013

Happy Tuesday, everyone! I know, I know, I'm late. But, I have good reason. This morning, I had a meeting with Ms. Sandi Tuttle, a dentist appointment, and a very sick child to contend with. Onward and upward! Today, I'm going to give you all links to some of the posts on my blog that have had the most traffic. They're probably the most useful posts, too. Strap in, get your fingers ready to do some clicking, and let's get going!

Because all posts are better with a cute baby with cake on his hands and feet.

Up first, I'm gonna give you my two free PDFs. These have been downloaded a lot and are free for you to keep and share, providing you don't change any of the content.

This one is on Branding Yourself.
This one is a A Novel Checklist.

Now, we move on to the posts!

Monkey Wrenches
Dialogue Tags vs Action Tags
Pesky Pronouns
Human Nature Series (last post)
Enneagram Personality Types
Comma Part 3 (links to part 1 and 2 included)
Timeline Tips
Common Editing Errors
Templates for Using MS Word for Print
He Said, She Said, Who Said What?

Love those? Here's a page with them all (plus others that didn't get as much traffic but are still just as useful). I even categorized and summarized them. Yup, all for you readers.

Thanks for making 2013 awesome. I hope to bring just as much great content in 2014!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Complex Villains

Happy Thursday, everyone! Welcome back to another post on the blog. Today, we're gonna talk about villains and how to make them complex without making them kitschy or accidentally turning them into loveable people. Are you ready? Grab your pens and notebooks and let's get going!

In order to properly discuss bad guys (and gals) we're gonna take a look at some of the nastiest villains ever created and break them down. Who creates the best ones? Well, that's up in the air. But to be sure most of you have heard of the villains I'm discussing, I'll use a couple from Disney films.

First up, we have Jafar from Aladdin:

You all know he was a greedy magician who was after one thing: power.

But let's break him down, shall we?

First off, he couldn't be very bright. Things couldn't always work out exactly as he had them planned in his head. There had to be snafus to overcome and hurdles to jump along the way to ultimate power. Why? Because we had to be able to hold on to hope that he could eventually be defeated. If everything he tried worked perfectly, Aladdin would've had no shot and we would've lost interest in the story, being able to predict the outcome way before the tale got us there.

Second, he had to have a weakness that wasn't endearing. Jafar's weakness was in his greed. His fervent desire for the three wishes the genie of the lamp could provide. He believed, with every fiber of his being, those wishes would give him what he wanted: power. But never could this power be simply the ability to make a bouquet of flowers appear. No, it had to be the strongest, best, most all encompassing power in the world. Greed is not endearing.

Third, he had to be blind to everything but what he desired. Not once did Jafar consider the ramifications of having the same power of the genie who granted the wish. Once it was brought to Jafar's attention that the genie could take that power away (by our clever - keep that in mind - protagonist), there was no doubt what would happen next. We knew Jafar would go for the ultimate, never seeing or stopping to think about the consequences.

There was nothing to love about Jafar. He was mean, nasty, and greedy. No way could he have been mistaken as a good guy.

Second, let's look at Maleficent from Sleeping Beauty:

As I'm sure you're all aware, she was a vain fairy who was bent on revenge for what she perceived to be a slight against her by Aurora's parents.

Like we did before, let's break her down:

First, she had to believe herself wiser and more powerful than any other fairy. Because of this, she neglected to take the time to be sure Aurora had been blessed by everyone else at the birthday celebration. Like Jafar, Maleficent was eager and a bit blinded by her need for revenge. But, without that fatal error, we would've had no hope. Again, our villain had to have things that went wrong during the course of their plan(s). There needed to be a seed of hope.

Second, her weakness wasn't endearing. Vanity is something many of us hold as a sin (like greed - seeing a trend?). No matter how you twisted it, her high opinion of herself and the belief no one was smarter or more powerful couldn't make her likeable. She had no remorse, and no empathy. Humans don't generally like those who can make plans to kill someone who's still in infancy. We had to see how evil she was in her core from the very beginning.

Third, her fatal flaw was her thirst for revenge. Also not endearing. With every fiber of her being, she wanted to see that princess destroyed because of hurt feelings. Maleficent felt she was the most powerful fairy, therefore should be shown the highest regard. Because she was slighted, she never considered there may be something more powerful (true love) and gave her life in her attempt to strike out at those who neglected to recognize her authority.

Like Jafar, no matter which way you twisted it, Maleficent was a villain; never to be accepted into the realm of heroes or good guys.

You have to be careful when writing a villain. Even the slightest hint of goodness inside them will cause your readers to latch on and feel sorry for the baddy. Why? Well, it all goes back to human nature. We naturally look for the good in people, whether we mean to or not. If there's one redeeming quality, we tend to point it out and say, "Ah ha! I knew there must've been something." It's because of our desire to make sense out of things. Because we couldn't behave in such a manner, we search out a reason for the behavior to be present.

Even the best laid plans can go awry. Look at The Bird. I never intended for what happened in that story to occur. I won't go further than that, you'll have to read the book to find out what I'm talking about. But the twist took me by surprise. Be very careful when letting your readers know your villain's past. It's better for them to be shallow than endearing. Consider keeping some details to yourself.

What villain have you written or read about that turned out differently than you thought? Why do you think that is?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing What You Don't Know

Happy Thursday, good people of the blogosphere! Wow, what a busy couple of weeks here on the blog, eh? For the next few posts, I'll be talking about some of the things suggested on day ten of the twelve days. If you missed that post, just click the name and you'll be able to see what I'm talking about. So, today we're gonna discuss writing what you don't know. I have some posts on writing what you know and using a memory bible to keep track of places you've visited and things you've seen. But what about when you want to put your characters in a fantasy land or have them visit a place you've never been? I'll give you some tips and tricks on how to keep that straight. Grab your pens and notebooks and let's get going!

I've said it a lot here on the blog: The best fiction is based in fact.

That will be a constant. No matter if you're writing science fiction, fantasy, or anything that requires you to think outside the box.

Rules:
In most works of fiction, the same rules that apply to the world around us hold true. Gravity, human survival (we need food, air, and water), human nature (reactions to things, love, betrayal, etc...) hold pretty constant, and other such things that are seen as everyday (sky is blue, leaves are green, etc...).

But what if you're writing about a world you've made up where the sky is pink, leaves are silver, and people no longer need air to breathe?

Well, you're gonna have to explain why those things are possible. What changed? How did it change? When did it change?

Here are a few tips that will help you when you're writing about something that isn't:

• Use your imagination to get an idea of the rules that will be broken in this world and make copious notes. If the sky is pink, write that down and say why.
• Google is your friend. Do research on why the sky is blue and what might change to make it perma-pink.
• Hunt down fantasy images that fit your vision of your world. If you can't find any, sketch out a few (don't try and be Rembrandt, no one is gonna see them but you). Keep them where you can see them as you write.

To give you an example, one of my works in progress is called M. In that not-so-distant future (2024ish), my characters get around their city on sidewalks that move at incredible speeds and are powered by the sun. Before I wrote that little bit of information, I did a lot of research. It seems there have been a number of attempts at making these fast moving sidewalks and detailed descriptions of just how they would work. Score! I could explain to my reader exactly how people would use it because I had a full grasp myself.

Make sense?

If you're going to break a "rule," be sure you have a reason and an understanding of how your fantasy idea could happen. Even if on another planet, be sure and explain why the world is the way it is or how we can survive there.

Now, if you're writing about a place that actually exists, you need to do some of the same research with a little modification here and there. Try these tips on for size:

• Pull up photos of the place you want to write about and curate them to a word document.
• List common temperatures of the area during the day and at night.
• See what other people are saying about the location and copy/paste those tid-bits into your document with the photos.
• Close your eyes and imagine yourself in the midst of the place. Without looking, type everything you see, hear, smell, taste, and feel into your word document. What do you think would be fun to do there? Write that down.

In The Bird, Stormy visits a place called Ringing Rocks National Park in Pennsylvania. I'd never been there, but I did a massive amount of research about the area and imagined how I would act if I were in her shoes. Turns out, I'm kind of a big ole kid. And she has that playful, whimsical attitude as well. I had her click the nails in her boots on the rocks to make them ring out.

Even though I'd never been there, I made it seem like I had. I was writing what I didn't know, but learned about.

What it all boils down to is this: If you're writing what you don't know, you must make it something you know before you can write about it.

It's all kind of an oxymoron.

You have to immerse yourself in the world and know every possible outcome of every action. If someone jumps and your world has light gravity, how much further will they go? Things like that. Be sure and keep a word or notepad document on every book. Yeah, even those that are based in fact. Dates and descriptions are important, too!

You don't want to say the sky is pink because there was an increase in dust and pollution in the atmosphere that causes the light of the sun to refract differently, only to contradict yourself in the next chapter.

What have you written that you didn't know?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo