Stealing Plots

Happy Friday, good people of the blogosphere! I hope you all had a fantastic week and are looking forward to the long weekend. Perhaps you want to use that time to craft new book ideas. Well, you've come to the right place! Today, I'm going over how you can steal plots from real life to craft novels. Intrigued? Then grab those pens and notebooks and let's get going!

If you remember the posts I did on plot ideas (part one and part two), you'll know I'm a huge advocate of using things you see/read/hear to inspire you. Well, let's look at life for some inspiration and see exactly how that works.

Situation one: You're sitting, watching the news, and a story comes on about terrorists on a train and three heroes who leap in and save the day (anyone remember this?). That's an awesome story, right? Those men have been talked about often since that day.

Situation two: Friend one calls you, sobbing. Her husband was part of the Ashley Madison scandal, and your friend has discovered he's had multiple affairs. Her life is ruined, and she tells you all the warning signs she saw but ignored as you try to make her feel better.

Let's break down and re-work both situations for awesome plot ideas, shall we?

Situation one: What if the terrorists were vampires and the heroes were slayers? Or, what if they were all women instead of men? What would've happened if it were some kind of plot to get rid of a different terrorist who was planning to bomb the train, and the men sent to stop it were thwarted by the "heroes" who thought they were doing something good?

Situation two: What if the husband wasn't cheating, but he'd been doing some kind of recon mission for the CIA or some secret organization? All the "warning" signs weren't what they seemed, but the wife has no way of knowing because she doesn't know he's a spy/assassin. That's a whole different story.

It's not the situation that matters; it's the details you want to store away in your brain for the book you can write with these ideas that are important.

What caused those men to react? What were they thinking? What did they see?

What were those "warning" signs your friend is talking about? How did her husband act? What excuses did he use to get out of the house and meet up with those women?

All these questions can be answered by watching interviews or asking questions. Be the sleuth. Be creative. Bend the world to fit the story you want to read, and write it.

Whether you're a paranormal, contemporary, fantasy, dystopian, contemporary, murder mystery, or other genre author, you can make your story and characters feel more real to your reader when you use real-life situations as the basis.

So, this weekend, my challenge to you is to take something you see on television or hear on the news and turn it into a plot for a novel in your genre.

Post them below! Let's see how creative you can be!

Well, that's all for today, folks. Until next time, WRITE ON!

Jo

Improving Your Writing with a Journal

Happy Monday, good people of the blogosphere! I hope you all had a super fabulous weekend and are ready to kick the week off with a bang. Today, I'm gonna talk to you all about keeping a journal and discuss how it may help you in your writing life. So, grab those pens and notebooks and let's get going!

Journal
/ˈjərnl/
noun
1. A newspaper or magazine that deals with a particular subject or professional activity.
2. A daily record of news and events of a personal nature; a diary.

As you can imagine, I'm talking about the second definition of the word. But we'll take it a step further and add to that definition. Now, it'll read: A daily record of news, events, and emotions from a singular individual of a personal nature; a diary.

If you take five to ten minutes a day and write down your feelings or news topics that piqued your interest, you'll end up with an invaluable resource for your novels. I've talked about creating a feelings bible before, but this is something different.

Because you'll be writing in it every day, those emotions will be fresh. Feelings you had will still be on the tip of your fingers and ready to be slapped down on the page.

How does one journal feelings?

Think about a particular incident where you were taken aback by the reaction you had, or consider how something might have made you over-the-top happy. Write down what happened, then go on to describe your feelings about it in vivid detail.

Engage all five senses when you write these things down: Smell, Taste, Sight, Touch, Sound.

Go bananas. If you were angry, let it all out. Be real because you'll only be lying to yourself if you aren't.

What you'll find, after a month or so, is that you have a wonderful record of situational impact on a human being's emotional state. You'll know the situation, the players, and the results. Not only that, but you'll be able to recall things that interest you as a person.

You can also go sit in a cafe or coffee shop and journal other people. Yes, you'll have to guess about their feelings; but, chances are, you've been in a similar situation and can get pretty close to the physical fallout of a given situation. If you're an outgoing type (most authors aren't haha), go ask the person how they're feeling and write it all down. Take note of their facial expressions, posture, and vernacular.

Once you have this gem of a written record, put it somewhere you can get to it when you're stuck on a particularly emotional scene in a novel. If you already have a feelings bible, add some of the content from the journal.

I promise, it's never a waste of your time to get in touch with Human Nature (that's a link to another blog post series I did on the Jo Michaels blog that will give you some awesome insight into what makes us tick).

What do you think? Do you already have a feelings bible or journal? How has it helped?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday Funday - Part 3

Happy Friday, everyone! Because these posts have gone over so well, I'm bringing you another awesome post about things you can do with your family to keep your writer brain engaged and still have a ton of fun. I enjoy weekends with my husband and kids, and I love anything that lets me do that while keeping my creative side going. My first post was about free games you can play, the second was about word board games, and this one will be about getting to know those around you while creating new storylines or characters. Ready? Grab your pens and notebooks and let's get going!

Game #1 - Whodoneit? For four players (if more, increase the numbers accordingly)
Write down three personality types on tiny pieces of paper and put them in a hat. Write down killer, not killer, and not killer on three more. Put those in a hat. Have each person write down a motive for murder and put those in a hat. Have each person choose one slip of paper from each pile. Play detective and interview each participant. Make notes of their quirks, how they speak, and their body language while you try to solve the crime. Not only will this keep you all rolling on the floor laughing, you're getting some great research done!

Game #2 - Interview with the...? For two or more players
Dress up like an interviewer. Grab a clipboard, paper, and pen. Have the other player(s) write down on a sliver of paper one paranormal creature. They'll need to keep these slips in their pocket, so make sure they're small pieces of paper. Don't cheat and look. Now, you have to ask questions of the person to try and determine what paranormal creature they are. When you win, swap places. Reason for the piece of paper? So they can't change their mind halfway through and mislead you. *grin* This game can also be played with super powers. On your notepad, be sure you're writing down how vague you can be when identifying a creature. This will help you in your writing. You'll learn quirks, habits, and body language.

Game #3 - Fear This! For four or more players
Grab some paper and pens. Sit down with the other players in a circle. Round 1: Have each person tell about a scary incident that happened to them. Write down the key phrases they use as description. Try and psychoanalyze what's on the page. Ask questions about how things could've been done differently and what the possible outcome of those actions may have been. You can use fictional situations, but you won't get as visceral a reaction. Whoever comes up with the most alternative directions for the scenario, wins round 1. That person gets to throw out a scenario first in round 2. Now, for round 2: All players close their eyes except the winner of round 1. That person asks the others, one by one, to describe an encounter with something (spider, cockroach, creepy zombie, etc...). When they're done, everyone but the asker rates the story from 1-5. Tallys are kept by the asker. Winner of this round moves into sudden death with winner of round 1. Sudden Death: Round 1 winner must step out of the room. Round 2 winner will then spin a tale of what they believe it would be like to die. Answer is rated by remaining players (1-10) and round 1 winner is then allowed to return and do the same. Person with the highest score wins. I'm sure you can guess how this helps your writing.

Game #4 - Make Me Laugh! For two or more players
You're all familiar with the old game show, right? Same idea. Only you need to have a tape recorder or video recorder on. This will give you funny sayings, facial expressions, and other fodder to use in your books.

What do you think? Will you use any of these?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing What You Don't Know

Happy Thursday, good people of the blogosphere! Wow, what a busy couple of weeks here on the blog, eh? For the next few posts, I'll be talking about some of the things suggested on day ten of the twelve days. If you missed that post, just click the name and you'll be able to see what I'm talking about. So, today we're gonna discuss writing what you don't know. I have some posts on writing what you know and using a memory bible to keep track of places you've visited and things you've seen. But what about when you want to put your characters in a fantasy land or have them visit a place you've never been? I'll give you some tips and tricks on how to keep that straight. Grab your pens and notebooks and let's get going!

I've said it a lot here on the blog: The best fiction is based in fact.

That will be a constant. No matter if you're writing science fiction, fantasy, or anything that requires you to think outside the box.

Rules:
In most works of fiction, the same rules that apply to the world around us hold true. Gravity, human survival (we need food, air, and water), human nature (reactions to things, love, betrayal, etc...) hold pretty constant, and other such things that are seen as everyday (sky is blue, leaves are green, etc...).

But what if you're writing about a world you've made up where the sky is pink, leaves are silver, and people no longer need air to breathe?

Well, you're gonna have to explain why those things are possible. What changed? How did it change? When did it change?

Here are a few tips that will help you when you're writing about something that isn't:

• Use your imagination to get an idea of the rules that will be broken in this world and make copious notes. If the sky is pink, write that down and say why.
• Google is your friend. Do research on why the sky is blue and what might change to make it perma-pink.
• Hunt down fantasy images that fit your vision of your world. If you can't find any, sketch out a few (don't try and be Rembrandt, no one is gonna see them but you). Keep them where you can see them as you write.

To give you an example, one of my works in progress is called M. In that not-so-distant future (2024ish), my characters get around their city on sidewalks that move at incredible speeds and are powered by the sun. Before I wrote that little bit of information, I did a lot of research. It seems there have been a number of attempts at making these fast moving sidewalks and detailed descriptions of just how they would work. Score! I could explain to my reader exactly how people would use it because I had a full grasp myself.

Make sense?

If you're going to break a "rule," be sure you have a reason and an understanding of how your fantasy idea could happen. Even if on another planet, be sure and explain why the world is the way it is or how we can survive there.

Now, if you're writing about a place that actually exists, you need to do some of the same research with a little modification here and there. Try these tips on for size:

• Pull up photos of the place you want to write about and curate them to a word document.
• List common temperatures of the area during the day and at night.
• See what other people are saying about the location and copy/paste those tid-bits into your document with the photos.
• Close your eyes and imagine yourself in the midst of the place. Without looking, type everything you see, hear, smell, taste, and feel into your word document. What do you think would be fun to do there? Write that down.

In The Bird, Stormy visits a place called Ringing Rocks National Park in Pennsylvania. I'd never been there, but I did a massive amount of research about the area and imagined how I would act if I were in her shoes. Turns out, I'm kind of a big ole kid. And she has that playful, whimsical attitude as well. I had her click the nails in her boots on the rocks to make them ring out.

Even though I'd never been there, I made it seem like I had. I was writing what I didn't know, but learned about.

What it all boils down to is this: If you're writing what you don't know, you must make it something you know before you can write about it.

It's all kind of an oxymoron.

You have to immerse yourself in the world and know every possible outcome of every action. If someone jumps and your world has light gravity, how much further will they go? Things like that. Be sure and keep a word or notepad document on every book. Yeah, even those that are based in fact. Dates and descriptions are important, too!

You don't want to say the sky is pink because there was an increase in dust and pollution in the atmosphere that causes the light of the sun to refract differently, only to contradict yourself in the next chapter.

What have you written that you didn't know?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Jonathan Swift and The Bird

Happy Tuesday, good people of the blogosphere! Today, I'm going over a little something I used when writing The Bird: Writers of the past and their books. Most notably of the many tales I interweave is that of Gulliver's Travels, written by Jonathan Swift. Grab your pens and notebooks and let's get going!

First, some interesting facts about Jonathan Swift from Wikipedia:

• Born: November 30, 1667 in Dublin, Ireland
• Writer of: Novels and Poetry
• Originally published everything under various pen names.
• Became Dean of St. Patrick's Cathedral and was entombed there upon his death in 1745.

He looked like this:
Photo courtesy of Wikipedia.




Interesting...





Now, if you've read The Bird, you'll know my heroine, Stormy, visits the grave of Mr. Swift at St. Patrick's Cathedral where she finds some rather tiny people. When I considered her quest and the golden apple she needed to procure for the witch, I thought how lovely it would be if Stormy had to face some Lilliputians. Seeing as the author of Gulliver's Travels was from Ireland, it made sense in my head to morph the little boogers into the gold-hungry, top-hat-wearing, shillelagh-carrying meanies we know as leprechauns.

Elves get a makeover, too.

I took a number of fairy tales I love and selected elements from them to weave a new-age story. To add to the realism, I also used a number of locations around the world to place scenes in the book. Did you know there's actually a place in Pennsylvania called Ringing Rocks?

It's these things that one must use to bring the element of believability to a fantasy novel. A world, changed ever-so-slightly, that reeks of truth. This is what I mean when I say you should write from life.

If you create another world, you're still using elements of something you've read about or experienced. Try using them in new ways. Step out of the box for a moment and reconsider everything you've been told. Put a new twist on something you know. Writers have awesome imaginations. Give them a workout.

Last, but not least, remember to always have truthiness in your tales. Never be afraid to take that extra step or go that extra mile. Use that word or phrase you've been wanting to. Speak your mind. Indies rock because there's no one lording over them, telling them what they can and can't say.

Is there something you've used from experience or prior readings? How did it spin your novel?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Romancing the Slug

Happy Friday, good people of the blogosphere! Today, we're gonna talk about romance. You know, those scenes you write where things happening on the page steam up the glasses of the person reading. So grab a pen and notebook and let's get going.

First off, let me say I'm not talking about erotica or sex scenes yet. I believe you can do more by hinting and letting the reader's imagination work a bit than you can by laying it out for them blow-by-blow (pun intended). What I'm talking about is romance. Those scenes that make your heart pound and cause you to fall in love with the words on the page just a little more.

On sex after romance: An allusion to an act and the building up of getting there can be more fun to write (and is far more challenging) than spelling out exactly what the reader should see in their mind's eye. There are a few steps to go through before you can have that climactic moment. What are they?

• Introduction: Boy meets girl.
• Connection: Girl likes boy because of something boy says/does or a common connection is made. Boy likes girl for some reason as well.
• Discovery: They get to know one another.
• Feelings: They begin to tingle when they touch, catch a smile or a glance, or realize this is the person for them.

Only after you build them up, can you hope to achieve that moment where their lips touch for the first time and have your reader sigh and clutch the book to their chest because everything they were hoping would happen, did.

But how to write a scene like that?

Remember your senses:

• Touch
• Smell
• Taste
• Sound
• Vision

Include those and you'll be well on your way. You never even have to write that steamy bedroom scene. If you build up to it well and then have your characters go beyond closed doors, your reader will feel it.

Don't forget to use your Thesaurus! Not every sigh has to be the same. Change up the language you use. Heavily-lidded eyes can become sexy, bedroom eyes. Tingles can become charges of electricity that shoot through the body just under the surface of the skin and make every hair come to attention.

Use your imagination. And don't forget your feelings bible! If you have a great lovemaking night, record everything you felt, saw, heard, tasted, and smelled. Use it! These kinds of records will help put you in the action and allow you to write the story as though you were there. After all, being there yourself is the only way you're going to put your reader there.

There's another facet to romance besides sex: Those little things your characters do to/for one another that show they care. Flowers for no reason, a random kiss, afternoon picnics, the grand gesture, etc... Don't forget to include those things; because they matter. That's the real romance, right? If you don't have it, your steamy scenes won't feel real.

Have you written a romantic scene that fell flat? What could you have done differently?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Ethics Part One

Happy Monday! Did I just hear a collective groan rise from my audience? Comeon, guys and gals, don't be like that! It's a new week and a chance to flex those creative muscles. I've chosen a heavy topic for today: Ethics. So, read along and join in the fun!

This is going to be a two part series. The first part will be about writing from life and how to keep from going too far and the second will be about writing from a story someone else wrote (commonly called fan fiction). Both have their own challenges and own group of people who believe strongly one way or the other. Please try and keep in mind this is only my opinion and should be taken with a grain of salt. If you believe otherwise, that's your prerogative. Keep the comments nice, please.

I always say you should write from life. Many of my characters and the situations they find themselves in come from life. I do believe there's a fine line that, when crossed, says you went too far.

But how to know when/if it was too far?

Here's my quick checklist to know if you've taken too many liberties:

• If someone can read your story and know who you're talking about (not the individual the character was based on).
• If many people could read your story and know a deep secret and who it belongs to.
• If you use the name of the person you're writing about.
• If the situations are exactly as you remember them and someone was humiliated or harmed in any way.

If any of the above are true, you may want to reconsider what you wrote.
Here's the way I do it:

• I never ever describe the person my writing is based on exactly. I make changes to their appearance (brunettes may become blonde, shorter folks may become taller, etc...) and their personalities.
• If it's a deep secret you were told in confidence, change the setting and the descriptions drastically (if it happened in a hotel - make it happen in a house, if it had two people - add a third person, if the situation included a discovery - change it so something similar but different was discovered, etc...).
• I never use the names of the people involved. Ever.
• I never expose someone else if they were humiliated or harmed in any way; even if the story is out of this world.

I have a great example of believable fiction writing! When people began reading Shelia, they asked me if that happened to me. It didn't; but I was able to make them believe I'd experienced it by the way I described the situations. I'm a student of human nature and am familiar with the reactions of those who have been put in tough positions. I listen when people talk. I empathize with them and try to walk in their shoes. Those situations in Shelia were pure fiction. No one ever told me a story like that. I've heard stories that were similar, but I would never have written those down. Because they weren't mine to tell.

Never talk to people; talk with them. Be a listener as well as a participant. In the age of Facebook and Twitter, it becomes all about me, me, me. Make it about them. This is a difficult skill to hone but, once you have it down, the world becomes your Google.

I once read an article about a photographer who had some great photographs of refugee women that had been beaten and raped. They were getting off a boat at the rescue mission where he was. He took their photos as they stepped from the boat but never published a single one. That photographer went on to win a Pulitzer for other photography work he did. Most likely, he could've gotten one with one of those images of the women. When he was asked why he never published them, his answer was: "Because the pain on their faces was so raw. They didn't need to be humiliated further by having those photographs published for the world to see." Ahhhh ethics at their finest.

Carry that with you as you write. Be like a doctor: Pledge first to do no harm.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo