Stealing Plots

Happy Friday, good people of the blogosphere! I hope you all had a fantastic week and are looking forward to the long weekend. Perhaps you want to use that time to craft new book ideas. Well, you've come to the right place! Today, I'm going over how you can steal plots from real life to craft novels. Intrigued? Then grab those pens and notebooks and let's get going!

If you remember the posts I did on plot ideas (part one and part two), you'll know I'm a huge advocate of using things you see/read/hear to inspire you. Well, let's look at life for some inspiration and see exactly how that works.

Situation one: You're sitting, watching the news, and a story comes on about terrorists on a train and three heroes who leap in and save the day (anyone remember this?). That's an awesome story, right? Those men have been talked about often since that day.

Situation two: Friend one calls you, sobbing. Her husband was part of the Ashley Madison scandal, and your friend has discovered he's had multiple affairs. Her life is ruined, and she tells you all the warning signs she saw but ignored as you try to make her feel better.

Let's break down and re-work both situations for awesome plot ideas, shall we?

Situation one: What if the terrorists were vampires and the heroes were slayers? Or, what if they were all women instead of men? What would've happened if it were some kind of plot to get rid of a different terrorist who was planning to bomb the train, and the men sent to stop it were thwarted by the "heroes" who thought they were doing something good?

Situation two: What if the husband wasn't cheating, but he'd been doing some kind of recon mission for the CIA or some secret organization? All the "warning" signs weren't what they seemed, but the wife has no way of knowing because she doesn't know he's a spy/assassin. That's a whole different story.

It's not the situation that matters; it's the details you want to store away in your brain for the book you can write with these ideas that are important.

What caused those men to react? What were they thinking? What did they see?

What were those "warning" signs your friend is talking about? How did her husband act? What excuses did he use to get out of the house and meet up with those women?

All these questions can be answered by watching interviews or asking questions. Be the sleuth. Be creative. Bend the world to fit the story you want to read, and write it.

Whether you're a paranormal, contemporary, fantasy, dystopian, contemporary, murder mystery, or other genre author, you can make your story and characters feel more real to your reader when you use real-life situations as the basis.

So, this weekend, my challenge to you is to take something you see on television or hear on the news and turn it into a plot for a novel in your genre.

Post them below! Let's see how creative you can be!

Well, that's all for today, folks. Until next time, WRITE ON!

Jo

Healing Plot Wounds

Happy FRIDAY, good people of the blogosphere! What a week! Here comes the the weekend, though. I hope you all have wonderful plans. Today, we're gonna talk about some common plot wounds and how you can heal them. So, grab your pens and notebooks and let's get going!

Problem 1: Your flashback is all mucked up.
Make sure you need it. Remember, a flashback will disrupt the flow of the story and pull the reader into the past for some reveal. It should never be an information dump, but a high-energy scene. If you keep your flashbacks short, all the better. Try working the information into dialogue instead. That way, the story keeps moving forward, but your readers get the information you've deemed necessary.

Problem 2: Your scene has no two-punch.
You know that height of the scene where exciting things happen? Find it in your story and highlight it. See how much you can dump before it happens so there's less drag getting there. You'll likely find a lot of the wordy things before the action can be removed and it still work. Then, give it a two-punch. You know, that little something extra. Some emotion or reaction as the action occurs.

Problem 3: You're holding back your characters because they're off plot.
Suddenly, your characters are trying to go left but you force them to turn right. That wasn't what you had in mind and no-way no-how are you letting them go there. This will hinder your story. Try opening a new document and let the character go the way you think they would. Have a conversation, run a scene in your movie-projector mind, or type a quick scene out where your character faces something out of the ordinary. Don't force them to react a certain way. Let the character decide. Then, return to your story and let them play it out the way they want to. It works. As a bonus, the outcome might surprise you. I didn't intend the twist in The Bird, the characters did that on their own.

Problem 4: Mind-system shutdown.
Overload. Your mind shuts off, your imagination takes a break, or a head cloud invades. How do you turn it back on? Writers don't have switches on the side of their heads. If this happens, try one of these tricks: Act out a scene. Don't imagine it, get your booty out of your chair and act it out. Take a walk and have a conversation with your protagonist. No, I'm not kidding. Sometimes, this is just what you need to understand their vision and/or motive. Maybe those crazies on the street, walking along, mumbling to themselves, are actually writers trying to get back in touch, eh? Write down what your novel means to you. What's the underlying message?

These are just a few of the problems we all run in to. I hope the suggestions above help in some small way.

What do you do when problems smack you between the eyes?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Flipping the Switch

Happy Tuesday! Hi, good people of the blogosphere! I hope you all had a good Monday. Nothing like a great Monday to preclude a fabulous Tuesday, eh? Today we'll be talking about twisted characters; or, the switch, if you prefer. So, grab those pens and notebooks and let's get going!

What's in a switch? Well, you have to first think about who's in your novel. You've filled out your character bios and given everyone a role, thought about your plot and where your main character will go from the beginning to the end (the journey), and considered who's going to be good, bad, or just a pain in the arse, right?

That's where the switch can come in. Look closely at your characters and their lives, then go read my human nature series of posts (found under the first heading - Writing) and think about your characters' lives, habits, personalities, and experiences. What can you bring to the front to make them false friends? Consider carefully because if your character doesn't surprise you with what they're doing, they won't surprise your reader.

Switches aren't always foregone conclusions. Sometimes, a switch can come in the form of someone leaping out from around a corner and yelling, "Boo!" They surprise you. Just keep in mind: Their proclivity was bent that way to begin with. It can't come out of nowhere. There should be some vein of something you show a peep of through your story to make the character's switch believable. But don't ruin it for your reader by foreshadowing too much.

Now, this can be a good guy who turns bad, a hidden society that the reader doesn't know existed until that moment, or a person lost from the character's past that comes back seeking revenge, love, or acknowledgement. Your choice! Yet another reason a character bio is so damned important.

Anyone have an example of a character switch that worked well? If so, please share with the rest of the class!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing a Twist

Happy Monday, good people of the blogosphere! It's the start of a brand new week and I'd like to take this time to talk about excitement and twists when writing a novel. Today, we'll be talking about writing a twist. Tomorrow, who knows? Perhaps I'll go into The Switch and how to do it. We'll see. Get your pens and notebooks ready, it promises to be an interesting few days.

Writing a twist is surprising your reader with something unexpected. There can be little foreshadowing when writing a proper twist in a story. Your readers need to say, "I did not see that coming!" Whether it makes them laugh, gasp, or drop their jaw in horror, the reveal of your twist needs to be the two punch. If you can make it come out at the end of a chapter that's even better! It makes your reader turn the page.

Now, for you readers out there: Have you come across a book that slapped you with the two punch when you least expected it? Did it leave you satisfied?

I read three books like that last year. Two of them were part of the Canopy series by Crystal Lee. When I wrote that just now I realized I mentioned her last week, too. Funny how some authors stick in your head, eh? Anywho, the third was by Robert Chazz Chute titled Bigger Than Jesus. I gave it five stars on Amazon and Goodreads because it was funny, fun, well written, and had twists and turns I never saw coming. The perspective was unusual (2nd person) but I found it kept me engaged in the story and was a perfect choice.

Notice these books stayed with me because of the twists. Others stayed for other reasons but we're talking about twisty novels here. Let's not digress, mkay? Think of only those novels that surprised you with a turn in the plot you didn't see coming and I'll do the same. Yes, this was me catching myself.

In the first chapter of Bigger Than Jesus, I got the first twist. It came at me like a Mike Tyson right hook, was perfectly placed in the storyline, and kept me going on to chapter 2 to see what happened next. It wasn't until the last chapter of Canopy book 1 that Ms. Lee gave me the twist and I was left with my jaw on the floor when I realized the truth and waiting anxiously for book 2. It wasn't just a cliffhanger; it was a shove off the damned cliff and I was left hurtling toward the ground at breakneck speeds. Good thing she writes fast! I now await book 3 because book 2 did the same freaking thing! Arghhhhhhh!

A plot twist must be planned as you think out your novel in order for it to work well. Writing in a plot twist on the fly rarely works. I'm not saying it never works; don't get in a tizzy. I'm saying it rarely works. When it's inserted on the fly, you usually end up needing to go back and change other things for it to work properly in your story line. If that's okay with you, no biggie. If you're one of those that can't change things to make a super awesome plot twist make sense later, don't do it.

Remember, a plot twist isn't the same thing as a character twist. A plot twist changes the whole plot of the book. Character twists only change who done it.

Have you written a most excellent plot twist lately? Read one? Let's hear about it!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo