Being Put in Impossible Situations

Happy Tuesday, everyone! Well, the kidlings here in Ga are back in school, and that means Mommy can finally concentrate on things she needs to do without interruptions. While my child is good about not coming into my office when she knows I'm working, she's still a kid. Sometimes, she just can't help herself. But yay to being back on track. This post isn't about all that, however. Today, I'm going to talk about something I hate: being put in an impossible situation. Ready? Let's get going.

My definition of an impossible situation, for purposes of this post, is one where if I do one thing, I look like an ass, and if I do the other, I compromise my core values, allow myself to be deeply hurt or disappointed, or let people take advantage of me. Either way, as you can see, it's lose/lose. As you read, keep that in mind.

I've had sessions with counselors in which I'm told I have a very good sense of self-awareness, but that I need to be firmer with people. I should tell them when they hurt or disappoint me. For example: I know what it was that hurt me and why, but I can't bring myself to address it with someone else because I'm afraid of hurting them even though they've hurt me already. Oftentimes, I find myself commiserating with characters I see in movies that do stupid stuff, those folks that no one but me seems to understand, and I end up feeling badly for them.

Why is this?

Well, while talking out a situation one time, it was pointed out that I'm a giver with a very high core value of integrity, and while I never believed I expected anything in return, that wasn't quite the case.

I believed that if I gave and was honest, I would get loyalty in return. Now, loyalty isn't friendship. A true friend is there because they genuinely like the person you are and respect you. Loyalty, however, can be earned and independent of friendship. Someone who is loyal doesn't necessarily have to like you.

I hold people to a very high standard of behavior that includes respect of me and my time along with a few other things I have a hard time compromising on.

Let me clarify: I don't do things so people do things in return for me. That's not what I'm saying. I'm saying I give, and what I want in return is respect, thoughtfulness, and to not be put in impossible situations.

Here's one:
My son tells a friend they can stay over before asking me. I just took the kid all over town for school shopping, and I have three other kids in the house besides him. I'm just not in the mood to deal with someone else's child. I say no. He stands there and begs me, says he already invited the kid, and begs me some more. For every no, he has a reason it will work out, and he refuses to call the kid and tell them they can't come.

Okay, now I'm in an impossible situation. 1. ) I can either call the kid's parents and tell them the kid can't come, or 2. ) I can give in and be miserable all night. Several things eat at me about both of those options (please know I realize we'll all react differently to these things--these are my opinions and feelings--they may not make sense to you): 1. ) This option makes me look like a terrible parent (an ass) who can't keep their kids under control and it disappoints another child who might have been looking forward to something. It also has the likelihood of ruining the other set of parents plans they may have made with the expectation their child would be gone for the night. 2. ) If I give in to my kid, I reinforce that he can beg and get his way. Worse, I allow him to have control over me. I would be tired and grumpy, and I'd have yet another mouth to feed, another kid to clean up after, and another someone in my house (this alone causes me stress).

There are so many of these examples that I could throw down here, but I'm not going into all that. Today, I'm trying to get you to think about yourself and maybe even your characters' situations. It can be cathartic to write about people who behave in a different manner than you, but be careful to dig deeply and show why the character is the way they are to your reader. If you'd just read the beginning, without understanding why I reacted the way I did, you probably would've said that you'd stick to your no and be done with it. Hell, maybe you'd still say that. But this is showing you what it might be like via the inner turmoil of another.

I hate disappointing people or making them feel badly about something they've done. I also can't stand being selfish. It eats at me. So, when it comes to me standing up for myself, oftentimes, folks have no idea they've hurt me--even when it's deeply--because I move forward and pretend like everything is okay (this is especially true if they can't see me--if they can, they'll see the tears, but I'll insist everything is fine unless pushed, and then I tend to explode because I'm trying really hard to keep it under control--lose/lose) or I end up just ignoring them because I know I'll hurt their feelings if I say something.

My issue is that I expect other people to be as careful with my feelings as I am with theirs. This is what I refer to as loyalty.

I'm working on it.

What are yours? What do you think of the above? Do you have this issue? Do any of your characters? How did you show it?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Character Posts

Happy Friday, everyone! Because I'm running around like a crazy person, trying to get caught up on things today, I'm giving you an awesome list of all the character posts I've written since starting this blog. Yeah, there are a lot! Get your clicking fingers ready, and let's get going!!

From the archives:
Characters, You Say? - A breakdown of characterization
Writing as the Opposite Sex - Getting into the mind of your character
Character Flaws - Why perfect characters, aren't
What's in a Character? - Character bios and what they should include
Flipping the Switch - Good guys, bad guys, and where the lines blur
Knights in Shining Armor - Causing your hero to have a fatal flaw
Is Your Character Sexy or Beautiful? - Know the difference, use it to your advantage
Character Arcs - More on creating great characters that feel real
Bringing Truth to Fiction - All about being true to your character even when writing BS
Your Supporting Cast of Characters - Talking about minor characters and how to keep them from taking over
Complex Villains - How to keep reader empathy in check when crafting a super villain
What's in a Name - Why the names you choose matter
3D Characters - More on making rounded characters
Coffee and Writing - How to use coffee to add dimension to your characters
Female Protagonists - Why Women Love Them - How to connect with women
EnneaApp - One way you can give your characters depth by clicking a couple of buttons
Being Emo - Emotional Triggers for Creating Rich Characters - Exactly what is says
Stealing Characters - How to use a character from life and other places
Character Bios - Visually - How to keep up with all the stuff about your characters with ease

I hope you enjoy the heck out of these :)

Which one is your favorite?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Being Emo - Emotional Triggers for Creating Rich Characters

Happy Tuesday! As the title of the post implies, today I'll be talking about emotional triggers you can (and should) use for your characters. As a writer, you're a student of human nature. Let's put those studies to use in your writing so people can identify with your MC. Ready? Grab those pens and notebooks and let's get going!

I often wonder why writers of an older generation have books that scream at readers with such truthiness. Now, I'm not saying younger folks can't write deep novels (because they can, and do), but those little sparks of talent are rare and have likely been cultivated. Many people tend to take up writing when they're in their late twenties or early thirties.

Why?

Because they've lived it. They have a greater well of life stuff to draw precious words and experiences from. Don't you love sitting and talking with older people? Listening to their stories is like reading a really great book that answers questions you want to ask. A teenager who's lived a normal life (no abuse or bullying or anything like that--you get my point) will find this more difficult.

So why am I bringing all this up?

Today is about emotional triggers. Older folk have more of these to draw on simply because they've been in the world longer and experienced more. Reading about something and feeling/living it are two different things. No matter how engrossed in a book you are, you never really know everything that was going on around the character or in their past. That novel would be like War and Peace. When you live it, you can draw on it more readily.

Don't get me wrong, I'm not saying only older people can do this exercise; I'm saying their lists will be longer--and probably easier--and that's okay. I just don't want you to be daunted or frustrated if you have nothing for a particular item. This could open up an opportunity for you to talk to someone else and listen to what they have to say about the emotion.

Exploring your character in depth like this can lead to a more rounded individual on the page. Heck, this may help a younger generation of writers hit that ever-elusive personified character we all strive for. Either way, it'll help you get to know your MC.

There will probably be more than one answer for each of these, but try to think of just one the first time through.

Here's the list:

• Shame - When did the character feel shame? Why? How has it shaped them?
• Joy - Yup, that moment when they felt they could fly without wings. What happened afterward?
• Fear - This is a big one because it fuels a lot of the ways we perceive ourselves. Insecurities can arise from fear. What change did it cause in your character?
• Guilt - Another big one. Carrying around guilt can cause your character to react a certain way in a specific situation. How heavy is the burden? Will they ever admit it?
• Love - When did they feel it the first time? How did it shape their perception?
• Failure - Will your character give up after a huge let down? What was it and how did they push through?
• Courage - What were they facing when they showed courage? Did they succeed or fail? How did that shape them?
• Forgiveness - There's always that one screwup. Who was the forgiver? Did it make the character stop and think about holding a grudge with someone else later on?
• Rage - How did they internalize it? Did they? What were the repercussions if they acted out?
• Indignation - Someone pushing the character to do something they refuse to do? What prompted it? Why didn't the character take part? Moral code?
• Sorrow - Profoundly. Stemming from death of a loved one. How did they deal with it?

I know that's a long list, but it'll give you some fodder to draw on as you write your story. You don't have to reveal all of them (remember that comment above about a book being different from a life?), but you'll have a better grasp of who your character truly is if you give them all the emotional baggage.

Have you ever done an exercise like this? How did you fare with this one?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stealing Characters

Happy, happy Monday, good people of the blogosphere! Wow. I'm totally late again. But at least I got something written and posted today, right? So, we're gonna talk about this lovely thing I like to call imagination. Basically, I'm going to tell you where you can steal characters and it be on the up and up, and how anyone that tells you otherwise is full of mahoney. Grab those pens and notebooks and let's get going!

Where do characters come from, anyway? You can say they're all figments of the author's imagination. You can say they're everyone and no one at all. Heck, you can even say they're people the author knew/know.

And you know what? You'd be right on every count.

There's no such thing as an original character.

Are you ready to rip my face off yet? Good. Now, let me explain.

Your characters will all have an inherent piece of you. Yes, all of them. When you have to write anger, you draw on your own experiences with anger. In this way, it's impossible to write what you don't know. If you happen to come upon a feeling you've never had, chances are you'd have to ask someone else what it's like. Therefore, your character takes on a few basic traits of that person.

Writing that woman you watched in the airport who was oozing emotion through the phone at what you could only guess was a man? She's totally unique and not you, right?

Sorry. No.

Because what you've seen of her brings you to certain conclusions of your own about who she is. You draw upon experiences you've had in the past to fill in the rest of the proverbial sketch of her life.

But what about that character that came from nowhere? You just sat down, chose a name, created an identity, and drew them from thin air, right?

Let's think about that for a moment.

While that character in the book may have purple hair, pointy ears, and a forked tongue, you have to create a personality from somewhere. If you don't use your resources: yourself, a friend, a stranger you spoke to, a family member, a character you once read about that stuck with you in personality, an old classmate you hated/loved, etc..., you're setting yourself up for failure and flat characters.

There's no such thing as an original character. Even if the man or woman in your book has one small piece of you, it's not 100% unique. They must have some part of someone to be real.

But characters aren't real, Jo!

Aren't they? Don't they talk to you when you're writing them, telling you how to write their story so the world sings along? Don't they force your hand sometimes?

I don't know a writer anywhere who says, "My characters do exactly what I tell them, and my story doesn't suffer for it." Yeah, that's not the way it works.

We create these people, and they go with us everywhere. I'm almost convinced those crazy people who walk around mumbling things to themselves aren't crazy at all; they're retired authors talking to the characters that refuse to leave.

They're in your head. You formed them. You breathed life into them. They're all going to have a piece of you, no matter how miniscule.

Guess what that means? If you're a lot like author ABC over there, and the two of you have had similar experiences/pasts, your characters might just act and sound alike.

Nothing wrong with that.

So, the next time friend A asks you if they're in your book, smile at them and nod your head. Chances are, there are enough pieces there to make it the truth.

But never, ever be afraid to steal bits and pieces of those folks you meet on the street or watch on the sly. They'll inject your characters with new traits.

What do you think? Have you written a character who acts/sounds like someone you know (accidentally)?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Stereotypical Stuffed Shirts - Changing Cliché Characters

Happy Tuesday, good people of the blogosphere! Excuse me. I seem to have alliterated. *grin* Okay, all grammar nerd jokes aside, I bet you're all knee deep in the work week and looking forward to a little break, eh? Well, today I'm bringing you a post all about using stereotypes to your advantage. People tell you never to use a typical character, but I think using common folk as a base is a fantastic place to start. This is gonna be another work with me post, so grab those pens and notebooks and let's get going!

First, let's list some stereotypes:

• Crazy aunt who pinches cheeks and laughs too much.
• Shy, smart, eager to please teen who's bullied in high school.
• Bad boy who smokes, drinks, and gets in fights all the time who turns good with love.
• Good girl who has no one and nothing, but does everything right (perhaps even playing nursemaid to a sick parent or other relative).
• Southern idiot with a drawl, a gun, and a coon hound.

Okay, that should be enough to get us through this exercise. Now, stories with these characters are abundant. You can find at least one in every three books you read.

They make great secondary/forgettable characters, because there's nothing about them that stands out from the fray. People forget them easily (especially if you don't name them).

That being said, you don't want to slap this kind of person into a tale and put the spotlight on them.

Unless...

You add a little something to make them twisty to the reader. Take the stereotype and flip him/her on their heads. Throw in a surprise for your reader that's like a nugget of gold hidden in the pages. After all, riches kept miners going to the deadly land of Alaska looking, right?

Reward your reader; they'll come back for more.

How can you do that? Well, let's use the characters from above (yeah, you knew that was coming) and work out how we can make them more than they seem. I'll give typical traits, then how you might be able to give that character a twist.

Crazy Aunt - Now, this cliché lady crochets, makes jam, and probably has a fruit pattern on her plastic dining room tablecloth. But the twisty lady might keep kids in cages in the basement, men tied up in the barn to torture (perhaps she was a victim of abuse and this is her revenge on the male species), or she's a spy for a foreign government.
Bullied Teen - Typically quiet, excellent students (because no social life), and usually dress down so as not to draw attention to themselves. If you gave them a twist they could bully others anonymously, enter beauty pageants in other states, or run for class president (now that would be a shocker).
Bad Boy - Women are drawn to him, he's crazy sexy, and he has some sort of tortured past. Flip him and make him rich with great parents and un-saveable, someone who's doing a social experiment by acting like a bad boy (your reader will gasp), or have him be really bad and kidnap girls who fawn over him because he was always fascinated by the way women look.
Good Girl - She goes to her job every day like clockwork, never gets in fights, and makes perfect grades. Change her by giving her a twisted fetish she has to hide, visions of dead people she shakes when she sees but hides because she's actually crazy, or let her go on a murder rampage and kill everyone who ever expected her to be perfect.
Southern Imbecile - Hunts, fishes, not playing with a full deck of cards, drives a dirty pickup truck. Make him different by giving him a secret lab and off the charts IQ he hides, making him an alien, or let him be an over the top wealthy guy who's a brilliant artist in hiding.

Now you try. List each one on a piece of paper and try to come up with three things you could do to make them different. After that, come up with your own cliché characters, and change them, too!

No matter how you accomplish the twist, keep it fresh, keep your reader guessing, and do something folks don't see all the time.

I hope this gives you some ideas on how to change characters up and make them more.

What do you think? Ever used a stereotype in a different setting? Tell me about it!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Female Protagonists - Why Women Love Them

Happy, happy Friday, everyone! I'm thinking maybe the title of this post should be Strong Female Protagonists - Why Women Love Them; because I'm speaking from a female point of view, and I read a LOT of book reviews by women that cite that very thing as what makes the character great. Either way, let's get on to the discussion. I think this post may help female writers, but it might help some of the guys, too. Grab your pens and notebooks and let's get going!

I suppose you all remember the post about your characters being too perfect. Well, that also plays into this discussion. Since all characters are on a journey from page one to page five hundred, we'll assume you're starting out with a flawed female who thinks she needs one thing, but will find out that what she's looking for isn't what she needs.

Being flawed is what makes us human. Remember: To err is human, to forgive is divine.

So, why do women love female protagonists?

It's not just any old protagonist with a vagina we ladies love to read about. It's the ones we want to be more like that move us emotionally (and women are driven by emotions). We have to connect with them on a deeper level. Here's a quick list of things that make a strong female lead (and some of the females that rock):

• She doesn't know she's awesome and doesn't preen like a peacock (Jane Bennet-P&P).
• In a fight, she'll always come out on top. Maybe not because of her brute strength, but because of her brains (Hermione - Harry Potter).
• There should always be self-doubt as to whether she can do what she's about to attempt (Katniss - The Hunger Games).
• These ladies don't need a man, and they don't whimper in a corner when things get hard (Millie - The Help).
• Hard times or abuse have fallen on them in the past, and they grew from the experience (Kate - First Visions).
• Many of these women are completely selfless and put others first (every lady listed above).

Now, that's not everything that makes a great female protagonist; but it's a good list to start with. Add to that some skill with a sword or bow, a successful line of self-employment (all of Fern Michaels's leading ladies), some serious self-doubt that's overcome, or a hidden power, and you have a winner.

But she must also be the underdog. We must have some reason to root for her to succeed and the fear that she won't. A girl whose never seen the other side of the tracks is difficult to get behind. Let's face it, life isn't easy or fair for 99% of the population. If you make it fair, 99% of the population won't connect with your character.

If you do these things well, your readers will fall in love with your characters, identify with them, and want to be more like them. That's the key.

I bet you've heard of most of those women. Guess why? Yup, they were strong. If you haven't read Kate's story in First Visions, you should. It's free. Forever. On Amazon.

I'm going to let you in on a little secret: If your female lead is weak, annoying, leans on a man all the time, or acts childish, female reviewers will ding you for it. Give us someone we can really root for.

Who's your favorite leading lady?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

EnneaApp - Awesome New Tool

Happy Hump-Day, everyone! Today I'm gonna share an awesome app with you that'll have you lurking in your characters' heads in no time. The best part is, it's free right now! Bonus: You can tweet or post to facebook about it and unlock the full version for a limited time. Sit back, grab your iDevice, and let's get rolling!

You can find out more about it via this link which will take you to their website.

But let's move on to why I'm mentioning it and how it can help you as a writer, shall we?

If you're a long-time follower of the blog, you may remember these posts I did on using the Enneagram to type your characters. That link will take you to the conclusion post which has links to all the others for each type of person.

Now comes the fun part.

If you use the app as your character, and answer the questions from their POV, you're gonna have a wealth of knowledge on how to anger them, please them, or incite them to action. This is an extremely valuable tool to have in your writing arsenal.

When you're filling out the character bio section of this PDF, you'll have answers to the questions asked when you type your character with this app.

I've been keeping an eye out for something that would help authors get to know their characters on a deeper level. I'm so glad I found this so I could share with you all.

Give them a follow over on Twitter to keep up with awesome news. @EnneaApp

What are you waiting for? Go get it!

Have you used the Enneagram to type your characters? What insight did it give you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

5 Ways to Bond Readers and Characters

Happy hump-day, good people of the blogosphere! Today, we'll be talking about ways to get your reader to really give a crap about your character. In reality, that bond is the most important. Forget plot, structure, and tension for a minute and think about your favorite book. What do you remember most? The Journey? The Problems? Or was it a character that made you say, "I want to be like them."? Grab your pens and notebooks and let's get this party started!

Here are five ways to create a tie between your reader and your character without resorting to handcuffs:

1. Likability
I'm sure you've all come across characters you didn't really like very much. Stop and ask yourself why. Were they cruel? Did they have too big of an ego? You want a character who can laugh at themselves. One who is kind or commits random acts of heroism. They need to care more about others than they do about themselves. There is one caveat to this: Power. If you make a character who's vile, give them obscene amounts of power. Above all else, you have to make them interesting enough to hold attention.

2. Inner Conflict
A character who has their mind made up, and one who doesn't struggle in some way, is boring as hell. Yes, this goes back to the doorway of change. Someone who has it all figured out and has no reservations will turn your reader off in a nanosecond. Show the inner conflict of your character, and let them come alive on the page. They'll seem much more real. Check out some of the entries in my Human Nature series of posts. That leads us to...

3. Identification
Here, I'm sure you're saying, "Well, duh, Jo!" But this is something a lot of people miss. Create a human that lives and breathes and your reader will identify with your lead. When we read about people that we can visualize, we tend to care about them. I've talked before about creating perfect characters and why it's never a good idea. Make your reader love the character (for all their flaws). This means...

4. Create Sympathy
There are four ways to do this:

• Give your character hardship. Some kind of hurdle in their life that wasn't self-imposed. If you make it so the character put themselves in that situation, they'll come off as whiny.
• Put them in jeopardy. Trouble is coming and there's no way out of it (or so it seems). Emotional jeopardy is just as heart-rendering as physical.
• Show their vulnerable side. If your lead could lose at any moment, your reader will care. Make them nervous for the protagonist and you'll win.
• Create an underdog. This is the long-shot. Know that horse who was slated to come in last in every race because of a prior hoof injury? What if it wins against all odds? There, you have your underdog. It's the same with characters that are humans.

5. The World and the Rules
Show the reader what life is like for the character. A character could be working or playing, but use this to create a bond and show the rules of their world. Perhaps a humorous mayor or a tough aristocracy is what your world will have. Portray the character in their setting and make one of the rules something they don't like or feel strongly about. It will help it feel like a reality to the reader. They'll inevitably compare it to their own if they believe it; and, bam! you have that special link.

Think about this post from last year: Writers that Cannot Feel, Cannot Write and ask yourself why that holds true. It's the same for readers. They have to feel something when they read your story.

Which of your characters do you love the most? Why?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Is Your Character Sexy or Beautiful?

Happy Friday, good people of the blogosphere! Today, let's talk about sexy vs beautiful. There is a difference! You need to consider how your character is going to be portrayed to the world because each of these gives them different characteristics. So, grab your pens and notebooks and let's get going, shall we?

First, a couple of definitions:
Sexy: sex·y /ˈseksē/  Adjective 1. Sexually attractive or exciting. 2. Sexually aroused.
Beautiful: beau·ti·ful  /ˈbyo͞otəfəl/  Adjective 1. Pleasing the senses or mind aesthetically. 2. Of a very high standard; excellent.

As you can see, they have different meanings. One can be sexy and not beautiful; or, one can be beautiful and not sexy. As we interpret language, we often confuse the two or use them interchangeably. But your character can be one or the other, or both. It's a difficult decision sometimes. You want to avoid the 'I'm perfect in every way' character because they're boring.

Examples:
I read Pride and Prejudice and thought of Elizabeth as beautiful but not sexy. Her sister, Jane, was both. Why? Well, Elizabeth held herself well but put off an 'I'm better than you' vibe toward men. It wasn't sexually exciting but her face was pleasing to look upon and her mind could stimulate another of the same caliber. Jane, on the other hand, was pretty, carried herself well, and excited men in a bashful, shy way. She was mysterious, sexy, and beautiful.
When I read Beautiful Disaster, I saw Abby as sexy, but not beautiful, because she had confidence. Her looks, as described by the author, were middling to fair.

Think about yourself for a moment. Do you wear pretty undergarments to make yourself feel beautiful or so you look sexually attractive in the mirror? One thing I do, to make myself feel beautiful, is keep my toenails painted. Always. Even in the winter, if you see me without shoes, my toenails are cute. These are things you have to consider when building a character because it's part of who they are. It gives you opportunities for discovery throughout the book. Like fairy dust sprinkled in to make magic, details like these make your character feel more real to the reader and allows a connection to be formed.

What character have you developed that was one or the other? What did you use as discovery tools?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Past, Present, and Future

Happy Friday, good people of the blogosphere! Today, I'm gonna talk about time. I know, I know, we don't have enough of it in a day! On one hand, I wish the days were forty-eight hours! On the other, I kinna don't. You know?

There are so many novels in the world! Where do all the ideas come from? I can't answer for everyone but a lot of my characters and stories come from people I've known and things I've heard. Some of my stories grow from things I read online: News stories, blog posts, Facebook, etc... Just snippets of things here and there, really.

But here's the thing: Your past, present, and future all shape your stories. You may think they don't; but every good character is three-dimensional and every experience you have shapes the way your mind works.

Don't run from it; embrace it.

So what if your main character has attributes of three of your friends from school? That's the way great characters are made. Always consider time because your character didn't just pop into being when you began to write their story down. Okay, they did, but you get what I'm saying.

I've started thinking about this one lady I knew when I wrote the title for today's post. She was thirty-twoish and her husband was a year or two older than she was. We'll call her Remmy. I was blown away by what a kindhearted, sweet individual she was. I could see the love for her husband when she talked about him. They'd been married almost ten years and she was happy as a pig in mud. One day, she comes to work in tears and tells us all her husband suffered a massive heart-attack and died three days before - hence the reason she wasn't at work. He just dropped dead. All I could think was: If something that horrible could happen to her, what chance do I have to be spared? Remmy's attitude didn't change, she didn't grow bitter, and she still smiled every now and then. Those actions showed me who she was down inside. I have since endeavored to be more like her.

Remmy would make a great character because of that flaw and her story. She's a character from my past.

In my present, I've already used someone I know and their story as a basis for a book. Stormy, from The Bird, isn't a character from my past; she's in my present.

When I think about the future, the past and the present shapes it. I remember things that were done to me, by me, and for me. All of the things above are from my time on the planet. I have thirty plus years of characters and experiences and stories told to me to draw from.

There's no such thing as a totally original idea. We're all inspired by something.

Next week, my posts will be inspired by Typography. Join me to learn a little about letterforms!

What have you read or written that was inspired? How did it change you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Knights in Shining Armor

Happy Thursday, good people of the blogosphere! Today we're gonna talk about white knights on bleached chargers and what causes the little fiends to fall off. So, grab your pens and notebooks and let's get going!

Everyone loves a good hero. But what is the main quality of the heroes you remember the most? I bet it's that they have a flaw. Not a minor flaw, but a fatal one.

Shakespeare did this well. His tragic heroes all had a fatal flaw. One that led to their doom. Now, I'm not saying everyone in your novel must die, just that your hero (and heroine) must have flaws of some kind. This goes back to an earlier post I did on making your characters feel real to your reader. Aristotle wrote about tragedies in his book Poetics.

If you're a writer and you've never googled this, it's time you did. He wasn't a stupid man.

Basically, his idea says that you can't have a tragic hero unless that hero has a fatal flaw. Otherwise, nothing makes sense. But let's get off that and into non-tragedy.

If your hero is to be believable, he needs to commit some act that makes his flaw leap to the forefront. No one is infallible unless they're a saint. Let's face it, saints don't make for good fiction. You want your reader to want the girl to end up with the guy of your choosing but you can't make it easy for her. She needs to struggle with the decision a little. Every real relationship has things that must be overcome in order for it to work. If they fight like cats and dogs, use it to your advantage. If both your main characters have flaws, they can seem incompatible and you can use that to heighten tension.

Of course, a third character acting against the first two can also give your characters much needed tension. But it doesn't have to be a love-triangle scenario. That character can be a girl who doesn't want to lose her BFF or a guy who doesn't want to lose his football game buddy. It can even be a god or a ghost!

But your hero must also have some deep redeeming quality that allows him to rise above everyone else. It's a fine line to walk.

When you're writing a character bio, keep these tension points in mind. Heck, after reading Aristotle's writings, you may decide you want to pen a tragedy! For the love of all that's good, google Poetics and have a read.

Who was your favorite hero? Why?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Flipping the Switch

Happy Tuesday! Hi, good people of the blogosphere! I hope you all had a good Monday. Nothing like a great Monday to preclude a fabulous Tuesday, eh? Today we'll be talking about twisted characters; or, the switch, if you prefer. So, grab those pens and notebooks and let's get going!

What's in a switch? Well, you have to first think about who's in your novel. You've filled out your character bios and given everyone a role, thought about your plot and where your main character will go from the beginning to the end (the journey), and considered who's going to be good, bad, or just a pain in the arse, right?

That's where the switch can come in. Look closely at your characters and their lives, then go read my human nature series of posts (found under the first heading - Writing) and think about your characters' lives, habits, personalities, and experiences. What can you bring to the front to make them false friends? Consider carefully because if your character doesn't surprise you with what they're doing, they won't surprise your reader.

Switches aren't always foregone conclusions. Sometimes, a switch can come in the form of someone leaping out from around a corner and yelling, "Boo!" They surprise you. Just keep in mind: Their proclivity was bent that way to begin with. It can't come out of nowhere. There should be some vein of something you show a peep of through your story to make the character's switch believable. But don't ruin it for your reader by foreshadowing too much.

Now, this can be a good guy who turns bad, a hidden society that the reader doesn't know existed until that moment, or a person lost from the character's past that comes back seeking revenge, love, or acknowledgement. Your choice! Yet another reason a character bio is so damned important.

Anyone have an example of a character switch that worked well? If so, please share with the rest of the class!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

What's in a Character?

It's Thursday, oh my! One more day until the weekend and you can all relax into your planned debauchery for two days. Today's post will be about character bios. So, grab those pens and notebooks and let's get going!

What is a character bio?

Basically, it's a white paper on each of your characters that tells basic information. In order to portray a rounded character on the page, you need to understand why they'll react in a specific way in any given situation. To prevent screwing up things like age, height, or description, you need something you can reference quickly without having to scroll through your whole manuscript to see what you said about this or that. It helps you keep your story straight.

That's all well and good, but what should you include in a character bio?

Some of the same items on your Timeline should be included in your characters' bios. Here's a list of what I include - you may want to add to this.

• Full Name - First, middle, and last along with any other names they've had along the way.
• Location - Where they live, where they were born, if different, why it changed.
• Age - Includes birthday, zodiac sign, and recent celebrations.
• Physical Description - Height, weight, hair color, eye color, shoe size, skin color, manicure?, pedicure?, hair length, eyebrows (V shaped, bushy, pencil thin, etc...), identifying marks, for women: bra size.
• Mental Description - Self centered, egotistical, timid, brash, vengeful, etc...
• Reasons for Mental Description - What happened in life to make them that way.
• Friends - Other characters. Are they major? Minor? Plot changing?
• Relationships - Spouse, kids, parents - with names and nature of relationship.
• Goals - What their ultimate life goal is.
• Career - What they do or want to do.
• Skills - Any skills they may have.
• Magical Powers - For fantasy or paranormal. Can they shoot fire from their asses? Lightning bolts from their eyes? Levitate? See through peoples' clothing?
• Sexual Orientation - Straight, gay, bisexual, etc...
• Fun - What they do to let their hair down.

Again, feel free to add to this list. But if you fill out all of the above for each of your characters, major and minor, you'll have characters that feel real on the page because they're real to you. Fully developed and fleshed out completely.

I hope this helps in some small way.

Is there anything you include that's not on my list? Care to share?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Character Flaws

Happy Hump Day, good people of the blogosphere! After today, just two more days until the weekend. I heard that cheer! I'd like to talk about flaws today and why your characters need them. So, grab those pens and notebooks and let's get going!

Your character can't be perfect. Perfect people are boring and no one wants to read about them. Strife, problems, personality flaws, disfigurement, etc... are necessary to make your characters memorable. But more than being memorable, they need to be identifiable. People need to be able to pick up your book and understand the struggle your character is going through; maybe even see a little of themselves.

Every character is on a journey. Whether it's a journey to learn something, do something, or change something, they all must have a direction to travel in. If you've made them flawless, what can they learn? If they're doing something, why? What about their personality flaws makes them want to do it? If they want to change something, what is it? How can you give your character the two-punch they need?

Some flaws I love:

• Headstrong - These characters believe they're never wrong.
• Conceit - They love themselves so much, they feel they're perfect when they aren't.
• Mistakes of the Past - Oh man, these characters get themselves in so much trouble become they often become:
• Chronic Liars - Folks who lie to cover up a past they deem shameful.
• Revenge Seekers - Those people who can never ever just let it go.
• Addicts - The list of things people can be addicted to is long. Sometimes they know it, sometimes they don't.

There's so many to list I can't think of them all! Use your imagination; that's why you're a writer.

Just remember, when you're writing that character bio, be sure you go into flaws. If you don't use a character bio, I beg you to start. Aren't familiar with character bios? Come back tomorrow and I'll give you a list of things you need to include.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo