Ode to Jammies

Happy Tuesday, good people of the blogosphere! A break from the traditional helpful post, today is all about fun and flannel pajamas. Join me and have a laugh, a cry, or a sigh of nostalgia.

First, a poem:
Dear flannel jammies with feet,
To wear you feels so neat.
You warm up my bod,
make my head nod,
and turned my winter so sweet.

Then, a haiku:
Is it winter, dear?
'Tis warm warm winter now, love.
I don these jammies.

Don't forget the photo:

Now, a short story:
Maggie took her flannel jammies with feet off the hanger and admired the colorful prints. Nuzzling the soft fabric against her cheek, she sighed as she remembered winters from her childhood. Christmas mornings opening gifts around the tree, waking up and scrubbing the Sandman's remnants from her eyes, and school called off for snow days all played through her forty-two year old mind. She slid her feet into the soft interior and fell into the deep pool of warmth waiting for her like a parent with open arms.
Nicholas walked in just as she was fastening the last button. "Hey, baby, those look great!"
A smile spread over her face as she twirled in a circle; arms extended to either side. "They're so warm, and they bring back so many memories."
He moved across the room and caught her in his arms. "And they're soft - like you." His hands were touching the fabric at her back and it sent little tendrils of electricity through her that wound around her heart.
As their eyes met, she saw the love there and it made her pulse quicken its already speedy pace. "I love you, Nicky. I don't know that I ever said thank you for the last few months."
"You don't need to thank me. You're the glue that holds me together, and I'd be lost without you." Eyes boring into her soul, he continued. "As I live and breathe, you're the only thing that matters to me."
Images of the funeral ran through her memory like an eight millimeter black and white film and her eyes grew teary.
"Don't cry," he whispered.
Allowing him to pull her closer, she nuzzled into his chest. When she was finally able to catch her breath, she mumbled, "At least they're in a better place. Free from pain and worry now."
"Yes, they are. And you have your flannel jammies to remind you how wonderful they were in life." His smile infected her with its warmth and she allowed the feeling to spread through her body, helping her to forget the pain of her loss.
"Hey, let's go make popcorn and watch a movie by the fire!" At least they could do that. It would give her the chance to feel closer to them while providing a distraction at the same time.
"Perfect! I'll go make it. See you in a minute." He brushed his lips over hers before he released her.
As she walked from the room, she touched the portrait of her parents on the bureau. "I miss you both," she whispered.

Flannel pajamas with or without feet can bring back some of the best memories. Now that they're available in adult sizes, we can all remember those special moments from our childhoods even as we stay warm!

While you're here, don't forget to enter the rafflecopter drawing for your chance at some great prizes!
LINKY FOR YOU!

This concludes my ode to jammies! I hope you all enjoyed it.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Radio Show Interview

Happy Monday, good people of the blogosphere! Today, I have an interview on Ms. Sandi Tuttle's radio show. She's from the An Average Woman in a Superwoman World blog and is so much fun on the air! I invite you all to come listen, call in if you want to ask me a question, and share the lovely link with your friends.

You can listen here:
http://www.blogtalkradio.com/sandi-tuttle/2013/01/28/authors-corner-with-jo-michaels

Don't forget to enter the rafflecopter giveaway for your chance at an interior book design or digital identity package designed by me, if you're an indie author, and for a copy of The Bird and a bunch of book swag if you're a reader!


a Rafflecopter giveaway

Also, don't forget The Abigale Chronicles - Book Three is available for free until midnight tonight on Amazon!

Synopsis:
Abigale Fontenot is turning thirteen. Just when she thinks her birthday couldn't possibly get any worse, a new adventure takes hold. Abigale and Emmett are whisked away to a world of fantasy where knights, dragons, and princesses are the order of the day. Abigale is kidnapped by an evil prince in a nearby kingdom, and it's up to Emmett to rescue her. But Abigale finds that escape is not the most important thing; restoring the evil prince's kindness that has been locked away in a magical book by a wicked sorceress must come first. While Emmett is trying to rescue Abigale, she is trying to free the prince from his curse. Will she succeed in her quest before the evil prince kills Emmett, or will she fail and lose her new best friend? Will death matter if the whole thing is a dream, or are the adventures real and truly dangerous?




Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Hiring a Book or Cover Designer

Happy Friday! It's time for the weekend! I can hear you cheering. Today, I'm going to give you some tips on what to look for when hiring a designer for your manuscript and cover. I'll give you a list of questions you should ask, what you can expect from your designer, and what you should prepare in advance. So grab those pens and notebooks and let's get going!

First and foremost, you should prepare a creative brief. Your brief should include:

• Your name and pen name
• Your address and billing information
• The book's title
• Genre
• Blurb
• Any review matter you'd like included
• Cover copy (the text that appears on the back or inside flap)
• Your vision for your book
• Other books in your genre (for reference)
• Headshots, logos, or any other imagery that must be included (like awards the book has won)

Now that you have your brief, you should approach a designer. Before handing over your brief, you need to ask some questions to make sure you're hiring someone that knows their stuff. Ask things like:

• Have you ever formatted for XYZ company's specs before?
• Do you have a design degree? (While this isn't necessary, it doesn't hurt to know going in.)
• What software do you use for design?
• Can I see some of the other work you've done?
• Explain bleed to me. Bleed is the area of the image that hangs over the edge and is cut away during production.
• What is kerning? Kerning is adjusting the space between letters.
• What is tracking? Tracking is adjusting the space between a whole line of letters.
• What's the standard safety margin for live elements? Standard safety is .25" from the edge for books. Some production houses call for .125". Either answer is correct. However, CreateSpace wants .25".

If your designer nails all these questions, you've got someone that most likely knows their stuff.

What you can expect from your designer:
A good designer will give you three very different choices to start with. They'll ask you to narrow it down to one and give you up to two revisions on that one design. Once you decide on a cover, the interior should compliment fonts used and look and feel of the book. Again, I'll use The Bird as an example:

Note the font on the cover of the book and the design elements around the border.

Now note the font on the chapter heading and number and the design elements around the edges of the page.











Watch out for the designers that mix two script fonts, two serif fonts, or two sans serif fonts in their design. This is a basic Typography no-no because it always comes off looking like a mistake.

Your designer should provide you with all files:

• Thumbnails
• Cover sized and formatted for digital uploads
• Cover sized and formatted for display on a website
• Entire cover for production house, formatted properly and in proper color space (CMYK ONLY)
• Cover in black & white
• List of fonts used

They won't give you the original files they built. Don't ask. This is like you writing a story and someone else wanting to tinker with it and release it with your name on it without you approving the changes.

Your contract should include:

• Statements saying the artwork is yours once the work is done and that you're free to use it in any way you see fit at no extra compensation for the designer or any third party.
• Deadlines and penalties for not meeting them.
• A guarantee clause stating all work is original and designed by them.
• A clause stating all artwork contained in the design is free from copyright by third-party entities.
• Number of revisions allowed at no extra charge.
• Payment arrangements in detail.
• Your name, their name, and all addresses associated with you both.
• Number of files you'll receive and sizes/specs.

This is protection for both you and your designer. They should never ever balk at signing a contract.

I hope this helps many indie authors get the quality and professionalism they deserve in a designer. Over on Joel Friedlander's blog today, there's an interesting post about judging a book by it's cover. I beg you to go give it a read.

Any questions? Leave a comment and I'll get back with you ASAP.

Don't forget to enter the giveaway while you're here!
a Rafflecopter giveaway
Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Formatting Your Manuscript for Print

Happy Thursday, good people of the blogosphere! Since it's so close to Friday and Valentine's Day, I thought I'd give you all a little something to look forward to! Let's first discuss that all important thing I like to call formatting a print book then we'll get into the awesome rafflecopter prizes I have up for the winning. So, grab your pens and notebooks and let's get going!

When you format your manuscript for print, there are a lot of things you need to take into account. Just slapping some text into your book works, but it won't wow your readers and make them want to pick up your book for keeping.

In my book, The Indie Author's Guide to: Building a Great Book, I go into how to format your manuscript in MS Word. Why? Because it's a standard item on most computers. I give you the bare bones on how you can produce a legible document for print. Best of all, I made it just $2.99 on Amazon and Smashwords. But what about getting creative?

If I went into designing a book for print in InDesign, many of you would be scratching your heads. I tried to keep it simple and easy to understand. But there's a lot to be said for either hiring someone who knows InDesign to format your book or buying the program and learning how to do it yourself.

Here are a couple of examples of things that can be done using a program like InDesign to format:

 Chapter 1 Page 1 of The Bird

Chapter 1 Page 6 & 7 of Yassa













I've applied stylized formatting to the Copyright page and the front matter as well. The interior of The Bird is full bleed so the page you see there will be trimmed .125" all the way around. It'll be beautiful and give my book that little something extra.

A good book designer will know odd pages are always on the right, even pages are always on the left, and front matter gets no numbers (unless roman numerals are used - often for a forward or introduction). Ask these questions of your designer before you hire them!

I talk about all these things and SO much more in my book. I designed the print edition small so you can carry it with you or keep it on your desk and it not take up a ton of space. My first printed edition of Yassa is in a larger typeface for those who would like to read without their glasses. I've gotten a ton of thanks for that. In the Mystic series, every book looks the same. The interior is simple because the subject matter is serious. Above all else, it's consistent.

This all leads me to my point: Think long and hard about your print books. If necessary, talk to a graphic designer or reader and ask them what the most alluring covers and interiors entail. Take copious notes and implement them when designing your book.

Now, on to the giveaway! In keeping with the ideas presented in The Indie Author's Guide, I'm giving one lucky winner either a digital identity package OR a book cover design OR a book formatted for print. Another lucky winner will get an advance printed, signed copy of The Bird, a huge Mystic~Bronya cover poster, three postcards featuring Mystic and Yassa, and a Mystic bookmark.

Without further ado, here's the entry form:
a Rafflecopter giveaway
GOOD LUCK!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Using Your Thesaurus

Happy Wednesday, good people of the blogosphere! I'd like to talk a little today about using your thesaurus and why you should. So, grab those pens and notebooks and let's get going!

Thesaurus: the·sau·rus  /THəˈsôrəs/ Noun 1. A book that lists words in groups of synonyms and related concepts. 2. A dictionary or encyclopedia.

Have you ever been stuck in a rut trying to come up with new words for the same descriptions? Do you find yourself using a word too often and aren't sure how to find a new one? Are you unsure if you're using a word too often? There are two tools that can help you out of this conundrum: MS Word's built in thesaurus and the Word Frequency Counter (free) online.

First, copy and paste your text into the box on the Word Frequency Counter website and look at the numbers it returns. Scan down the list and keep your eyes on the larger numbers. You don't want to see too many instances of words other than a, the, and, then, etc... If you find a word you've used 77 times (or even 25 times) that's not a common word, check for variances (ing, ed, etc...). Copy and paste it/them to a notepad note.

Now open MS Word and have your find feature activated. Type in the word and click Find Next. The first instance of the offending word should be highlighted. Click off the find window (NOT off the word) and put your cursor over the highlighted word. Now, right click and hover the mouse over synonyms. A fly out menu will appear with word suggestions. HINT: If your word has ing, ed, or any other modifier, change the word back to its most basic form and try again. Choose a word from the list and change it. Do the same thing with other instances of the word.

Examples:
breathing heavily = sucking in air intensely
longing = craving, hankering, hungering
sad = depressed, gloomy, cheerless, poignant

Using a thesaurus can give your writing that extra two-punch it needs. Become familiar with this feature of word and bookmark the Word Frequency Counter so you can reference it often.

I'm going to be starting a giveaway tomorrow. It's gonna be BIG! Make sure you come on back to enter for your chance to win. It'll be a little something for readers and a little something for writers.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Flipping the Switch

Happy Tuesday! Hi, good people of the blogosphere! I hope you all had a good Monday. Nothing like a great Monday to preclude a fabulous Tuesday, eh? Today we'll be talking about twisted characters; or, the switch, if you prefer. So, grab those pens and notebooks and let's get going!

What's in a switch? Well, you have to first think about who's in your novel. You've filled out your character bios and given everyone a role, thought about your plot and where your main character will go from the beginning to the end (the journey), and considered who's going to be good, bad, or just a pain in the arse, right?

That's where the switch can come in. Look closely at your characters and their lives, then go read my human nature series of posts (found under the first heading - Writing) and think about your characters' lives, habits, personalities, and experiences. What can you bring to the front to make them false friends? Consider carefully because if your character doesn't surprise you with what they're doing, they won't surprise your reader.

Switches aren't always foregone conclusions. Sometimes, a switch can come in the form of someone leaping out from around a corner and yelling, "Boo!" They surprise you. Just keep in mind: Their proclivity was bent that way to begin with. It can't come out of nowhere. There should be some vein of something you show a peep of through your story to make the character's switch believable. But don't ruin it for your reader by foreshadowing too much.

Now, this can be a good guy who turns bad, a hidden society that the reader doesn't know existed until that moment, or a person lost from the character's past that comes back seeking revenge, love, or acknowledgement. Your choice! Yet another reason a character bio is so damned important.

Anyone have an example of a character switch that worked well? If so, please share with the rest of the class!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing a Twist

Happy Monday, good people of the blogosphere! It's the start of a brand new week and I'd like to take this time to talk about excitement and twists when writing a novel. Today, we'll be talking about writing a twist. Tomorrow, who knows? Perhaps I'll go into The Switch and how to do it. We'll see. Get your pens and notebooks ready, it promises to be an interesting few days.

Writing a twist is surprising your reader with something unexpected. There can be little foreshadowing when writing a proper twist in a story. Your readers need to say, "I did not see that coming!" Whether it makes them laugh, gasp, or drop their jaw in horror, the reveal of your twist needs to be the two punch. If you can make it come out at the end of a chapter that's even better! It makes your reader turn the page.

Now, for you readers out there: Have you come across a book that slapped you with the two punch when you least expected it? Did it leave you satisfied?

I read three books like that last year. Two of them were part of the Canopy series by Crystal Lee. When I wrote that just now I realized I mentioned her last week, too. Funny how some authors stick in your head, eh? Anywho, the third was by Robert Chazz Chute titled Bigger Than Jesus. I gave it five stars on Amazon and Goodreads because it was funny, fun, well written, and had twists and turns I never saw coming. The perspective was unusual (2nd person) but I found it kept me engaged in the story and was a perfect choice.

Notice these books stayed with me because of the twists. Others stayed for other reasons but we're talking about twisty novels here. Let's not digress, mkay? Think of only those novels that surprised you with a turn in the plot you didn't see coming and I'll do the same. Yes, this was me catching myself.

In the first chapter of Bigger Than Jesus, I got the first twist. It came at me like a Mike Tyson right hook, was perfectly placed in the storyline, and kept me going on to chapter 2 to see what happened next. It wasn't until the last chapter of Canopy book 1 that Ms. Lee gave me the twist and I was left with my jaw on the floor when I realized the truth and waiting anxiously for book 2. It wasn't just a cliffhanger; it was a shove off the damned cliff and I was left hurtling toward the ground at breakneck speeds. Good thing she writes fast! I now await book 3 because book 2 did the same freaking thing! Arghhhhhhh!

A plot twist must be planned as you think out your novel in order for it to work well. Writing in a plot twist on the fly rarely works. I'm not saying it never works; don't get in a tizzy. I'm saying it rarely works. When it's inserted on the fly, you usually end up needing to go back and change other things for it to work properly in your story line. If that's okay with you, no biggie. If you're one of those that can't change things to make a super awesome plot twist make sense later, don't do it.

Remember, a plot twist isn't the same thing as a character twist. A plot twist changes the whole plot of the book. Character twists only change who done it.

Have you written a most excellent plot twist lately? Read one? Let's hear about it!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo