Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Thursday, July 10, 2014

Reversal Word

Happy Thursday, good people of the blogosphere! As you can probably tell, I'm going into word reversal in novels today. What the heck am I talking about? Well, I'm not gonna beat around the bush. Grab your pens and notebooks, slurp up that coffee, and let's get going!

When I say word reversal, what I mean is using the difficult path to convey an idea to your reader. One of the things I do when I'm editing is check readability. Your words should flow for the eyeballs moving over the page. One of the acronyms I love is:

K. I. S. S.

It means: Keep It Simple, Stupid!

Never speak over your reader's head (we know you're smart, but making someone feel stupid isn't a good idea), and try not to reverse your words. If you do, be on the lookout for awkward sentences in your first round of edits.

Time for some examples!

Rob looked at me, and I inwardly cringed.

First off, you don't need that adverb. Taking it out would simplify the sentence and make it more reader friendly. But let's say we want to leave it in there. As an editor, I try to apply a lighter hand when suggesting changes. I'll suggest a blanket change to remove most of the adverbs when I run across the first one. Mentioning it again becomes cumbersome. If the author enjoys adverbs and I leave this sentence alone (thinking it'll be fixed later), I'm doing them a disservice. Why? Because it will read/flow better if the action precedes the modifier. That's my job. There are two possible fixes if we leave in the adverb:

I cringed inwardly when Rob looked at me.
Rob looked at me, and I cringed inwardly.

Put the action first.

Here's another one that needs some rearranging:

I'd heard about the relationship being messed up between them, but I knew it wasn't also damaged on my side.

A small move will make a big difference. Like this:

I'd heard about the relationship being messed up between them, but I also knew it wasn't damaged on my side.

Make sense?

Yes, there's always more than one way to fix a sentence. Remember to KISS your reader, and you'll be fine.

When in doubt, read it out!

Do you ever catch yourself making those kinds of mistakes?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Wednesday, April 16, 2014

Shying Away in Your Writing

Happy Wednesday, good people of the blogosphere! Wow! It's hump day. We're halfway to the weekend and have a ton of awesome stuff done already, right? Well, you have just two more days until you get a couple off to lounge around and soak up some sun (don't forget your sunscreen!). Today, I'm gonna be talking about those hard to write scenes and why you should write what you feel; not what you think your readers want to read. Ready? Grab those pens and notebooks and let's get going.

As you probably know, I review a good number of books here on the blog (at least twelve a year by Indies, and that number tends to go up as my favorite authors - both Indie and Traditionals - release new works). One thing I notice in the books I read is the author holding themselves back from writing a scene that may seem too graphic for their audience. No, I'm not talking about sex. I'm talking about violence, gore, and death.

If you're writing Young Adult, you do have to keep it toned down. That's not the genre I'm talking about here. However, you may reconsider your target audience if you come upon a scene you know will launch your story into a whole other realm. You feel me?

Most writers I know see the story take shape in their head as they put the words on the page. Things happen, characters act in their own way, and unexpected situations arise. Remember: A book isn't prime-time television, and you can write what you're seeing in the moment.

Let your fingers communicate what's in your head. If you see it on your inner-movie reel, put it on the page.

I can't stress this enough.

Here's some examples of lead-ups to scenes that you may shy away from writing:
Tiffany spun around the dark room; her eyes searching in the inky blackness for a visual to accompany the sounds her ears were picking up. Shuffling, grunts, and heavy breathing assaulted her most active sense. Arms out, she waves her hands through the air like she's swimming. Her heart is pounding, and she can smell metal. Something hard, cold, and rough is found. A wall. It must be a wall. Feeling her way along, she finds what she hoped for and pushes the switch to the on position. As the light fills the space, and her eyes adjust, her hands fly up to cover her mouth and muffle the scream building behind her lips.

Now, this can be a myriad of things:
  • People being eaten
  • A group of men ready to attack her
  • A group of women ready to attack her
  • Zombies
  • Vampires
  • Rats
  • Giant spiders
  • Clowns
I think you get the idea. Whatever happens next, you've built up that tension for a reason. Readers are waiting for what Tiffany is surprised by. Give it to them, and don't be shy. Go into detail about what she sees, smells, hears, feels, and tastes. If she's murdered, go into how. Torture? Give it raw. Write it exactly as you see it in your head.

Clark walked through the flower field, letting his hands graze the soft tops of the tall blooms. A breeze tickled the back of his neck and caused the tiny hairs there to stand on end. He's lost with thoughts of Delia to pay too much attention to the fact that the sun is setting, but the clearing is getting brighter by the moment. His ears pick up a whisper on the wind, and he freezes in place. Delia fades from his mind as a beautiful woman steps from the treeline and holds out her arms to him. Icy puffs of breath come from his mouth as it falls open. Heat spreads through his body as he takes in her form, and his fingers twitch to touch her alabaster skin--around which long, black hair twists and flows like a silk sheet in the breeze. Red lips that need no lipstick, blue eyes the color of the clear sky, and a Romanesque nose sized to perfection all beckon to him with promises of fantasies come true. If only he'll step into those open arms.

Again, you can take this in a million directions:
  • Death by haunting vixen
  • A quest
  • Ghostly encounters
  • Witches
  • Vampires
  • Myth and Lore
You get the picture, eh? Again, this is a tense scene. You've told your reader something big is coming because you've painted with your words. Bring it on. Don't leave them hanging and frustrated. Go where the wind takes you (hey, there's another idea!).

What I'm trying to get across here is: Don't let the audience dictate what you put on the page. If you end up with a novel geared toward an older, more mature audience, let it go. However, if you think Clark will end up whisked away to a land of fantasy and the story is supposed to start there, let it be so. But if another idea strikes you, let it come out. Write it two ways if you must and choose your favorite.

Whatever you do, don't shy away from the gore, death, or violence if the story calls for it. I'd be willing to bet that your YA brain already went with a quest (if that's what you write). Listen to your inner writer.

Have you ever ended up with a book totally different from the idea you began writing?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Monday, April 14, 2014

Spotty Blog Posts

Happy Monday, good people of the blogosphere! Well, it's another week and another chance to get things accomplished before the weekend rolls around again. We have five days to go. Hang in there. So, today I'm gonna give you all a heads up about something I know is gonna happen soon. Grab your coffee and let's get going.

Besides the Unofficial Interviews with the Ladies of UtopYA series I have running here on the blog, you all know I strive to bring you excellent writing tips, advice on self-publishing, book reviews, and other awesome tidbits I run across on the web. Well, all but the interviews and guest post might be spotty until after that awesome con.

Why?

Because we're getting ready to move. Not the blog (don't worry!). But physically, in real life, my family is relocating. I'm telling you all this so if my blog posts are spotty around that time (it's just before UtopYA), you'll know it's not because I'm slacking or that I abandoned you.

Speaking of UtopYA: Be sure you're checking out the interviews and guest posts by some of the authors attending that event. You can find the special links page here that has dates the posts will go up. C. A. Kunz will be joining me here on the blog tomorrow for an awesome interview (difficult to interview two people in one).

I dislike having missed posts here on the blog, and strive to keep things running smoothly even when I'm away. I'll do my best to keep the great information flowing seamlessly during this difficult transition.

Bear with me, please.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, April 11, 2014

Scrivener Output to EPub and Mobi

Happy Friday, good people of the blogosphere! Well, I'm back (as promised) with a little more information about Scrivener and one of the cool features that program has. I've run across a number of authors lately that didn't know you could upload your book to KDP and then download the .mobi version from the book publishing page. This really neat tool in Scrivener allows you to skip that step and publish your book right out to a .mobi or .epub file. Let me be perfectly frank with you all: I've never tried it. Why? Well, because the learning curve in that program is one I haven't quite hit yet.

But that's not going to stop me from sharing this awesome little video with you all:

Exporting your e-book with Scrivener

In design school, we were taught there's a specific program a designer uses for creation of different things. For example: Photoshop is an image editing program, Illustrator is for logo creation, and InDesign is for layouts of printed material.

Perhaps it's the same for writers. When you have a tool that's as powerful as Scrivener, it's something you should learn, right?

From the comments on my last post Word Processors for Writers - MS Word vs Scrivener, I gather many people gave up on the complexity of Scrivener because of the learning curve. I'm one of those writers. It's not because I don't see the potential of the program; but because I can't seem to carve out the time in my day to sit down and learn how to use it.

Out of curiosity, I popped over to the blog on literatureandlatte.com to find out what the folks behind the scenes are doing to propel the software forward. I found this post, published in April of 2013. It seems that's the last post published on their blog and promises an iOS version of Scrivener soon.

Maybe I'm crazy, but I love streamlined. If I can open a program on my computer, work on a document, save it, close it, head to the DMV to sit for three hours with my iPad in tow, open the same program, and continue my work with no loss of data (because it's in the cloud) or time, that seems like a no-brainer to me. Productivity is everything in this business.

Is the functionality of a program important to me? Yes. So is convenience.

Since I cut my teeth on MS Word, like many of you, I tend to reach for what I know to accomplish my goals. Is that the right thing to do? Hmmm...

I'm not telling you I hate Scrivener or for you not to use it. Quite the opposite, actually. If you know how to use that program and love it, keep going. It's a powerful writer tool.

But, if you use MS Word, don't feel like you're less than those who've taken the plunge. Some of the comments on that other post give you ways to work within MS Word just like you do with Scrivener.

Just like those who love Scrivener for writing because they know it so well, I have a deep love for InDesign for book layout. Can you do most of the same things in Word? Yup. With every program, there's good and bad, like yin and yang.

What's the answer? Only you can decide what's best for your process. Either or, it's always about producing a great book. That's the bottom line.

I hope you enjoyed this post and I hope I answered the question my commenter had a while ago about outputting to .epub and .mobi from Scrivener.

Did you know the program could do that?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, April 10, 2014

Back and Playing Catchup

Happy Thursday, everyone! I know it seems like I've been around, but I've been on vacation since last Wednesday. I'm stunned at the response my post on MS Word and Scrivener got last week. I can see how passionate you all are about the topic. As you probably know, I had a guest post slated to go live today, but it never appeared in my inbox so I'm having to skip it.

That being said, since I've been out for a week, my inbox is overflowing. I'm planning to spend today playing catchup and I'll be back with awesomeness for you all tomorrow. There were some great questions raised on that post last week, and I'm gonna do my best to get them answered tomorrow.

Until then, I'm taking a moment to give you all a huge shout out and a thank you for sharing and discussing my post.


You guys rock!

I'll be back tomorrow with that post and responses to the comments that were left on the last one.

Until next time, WRITE ON!

Jo

Friday, March 14, 2014

Friday Funday

Happy Friday, everyone! The weekend is almost upon us and I figured I'd give you a few things to do in your downtime that will help your writing skills. Just a little weekend fun to keep your writerly brain engaged and on target for the workweek ahead. I know you don't really want to think about Monday, but it behooves us all to be prepared. I'll begin by giving you the name of the exercise, and then move on to how you can accomplish it (and maybe have some fun, too). Grab those pens and notebooks and let's get going.

Exercise #1: Dialogue Dissection
Grab a friend or family member and chat with them. Be sure you have a recorder of some kind running (voice notes on an iPhone work great for this). Give yourself ten to fifteen minutes then shut the recording device off. End the conversation and move to a room where you can be alone. Play back the recording and recall what each of you were doing as you spoke. Mentally add commas and periods where you think they belong. Listen to it again. Pay attention to the words used, pronunciation, and inflection. Think about how you might write the conversation out. If you feel so inclined, you may do so; but, this is more of an exercise to get your brain thinking about dialogue in general.

Exercise #2: Title Trivia
Sit down with a friend or family member and grab a couple of sheets of paper or 3.5"x5" index cards. Cut them into pieces and have everyone write one word on each piece. Fold them up and throw them into a bowl. Take turns picking out two pieces and sticking them together. Pretend it's the title of a book and come up with a synopsis to support it. This is all verbal, so no need to write anything down (unless you hit upon the next great novel idea!).

Exercise #3: What's That Word?
This, again, is a two or more person game. Grab a sheet of paper and write down a sentence with at least ten words in it. Exchange with others. Now, try and come up with as many words as possible in place of the ones written. Whoever has the most variations (accurate ones) wins! Don't cheat and use a thesaurus! I find chocolate is a great motivator as a prize for this game.

Exercise #4: Acting Gone Awry
Take a character from one of your favorite novels and pretend to be them for the day. Respond to other people the way you think the character would, do things you think they would do, and really try to walk in their shoes. Take little notes as you go if you want. At the end of the day, reflect on your actions and try to flesh out the character in your head. Were there circumstances that made you wonder about the character's personality or how they would react or did it all flow very naturally? What part of the book let you know that? Use this knowledge the next time you're building your own characters (or when writing scenes of discovery).

Exercise #5: Cover Collection Craziness
Go online and take a look at other books in your genre. Save images of the covers. Print out a quick copy on regular paper or pull them up in a photo editing program. Make notes about what you like and don't like about each one. If you wanna get crazy, cut them up and glue together a whole new cover with some of the elements. Kids love this one.

These are just a few games you can play with your friends or family members to help you become a better writer. An added bonus is: You get to spend time with your loved ones while sharpening your skills!

Which one of these sounds the most fun to you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Wednesday, March 12, 2014

Writing Your Ending First

Happy Wednesday, good people of the blogosphere! Today we're gonna talk about an interesting way to write a novel that goes out with a bang. All you pantsers out there are probably gonna love this. Those of you who work with a strict outline will most likely cheer. I'll admit to using this trick only once; but, I loved the results so much, I figured I'd share what I did and how I did it. Grab your pens and notebooks and let's get going!

Imagine this:
You have your story idea in your head. All the research has been done and you may or may not have an outline ready and waiting. Cracking your knuckles, you sit at your computer and start banging out your first chapter. Then another flows out. Then another. You take the rest of the day off because writing those nine thousand words really took it out of you.
Day two rolls around and you grab your coffee, determined to crack out as many words as you did on day one. This day you get two chapters written before you push away from your desk, exhausted, but loving the story on the pages.
By day three, you're back to rolling out words like a Lorem Ipsum generator (but yours makes sense, of course).

Fast forward a couple of months.

You stare at the screen. Your energy is drained because you've given your everything to writing this novel you're sure has the stuff of awesomeness. And now it's time to write the ending. Your creative juices are drained and you can't figure out how in the hell you're gonna go out with a bang. *head to desk*
Words begin to meander out of your fingers and you end up with a lackluster finale you know your readers are gonna lift an eyebrow at. But you're so tired of looking at/working on this novel, you don't have it in you to re-write it.

In edits, you may revise that ending. But it'll never have the level of awesome the first eighty or so pages of the novel. Why? Because you were exhausted.

Now, step back in time to day one. You knew exactly where the story was going back then and had a vivid idea about where your characters would end up, right?

Why not write the end and the beginning on that first day?

I heard that gasp.

Let me try and put it another way. If you have a clear path to your character's finale, using your awesome creativity to craft it when you're fresh out of the gate will leave you with something rich and satisfying.

Write the end, then step back and start at the beginning. You'll find you rush less, take the time to choose just the right words, and it may even help give your novel clearer direction.

Try it once. If it doesn't work out for you, I won't take it personally. But this is a cool way to be sure your ending is everything the beginning is.

I used this technique in only one book: I, Zombie. I knew what I wanted to happen by the end and I wrote it, then the beginning. It was one of the most surreal writing experiences of my life. Endings will now always be written first when I start a novel.

Have you ever used this technique? Think you'll try it now?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Monday, March 3, 2014

A Video We Need to See

Happy Monday, everyone! I hope your weekend went well. Today, I'm sharing this cute video from YouTube I think you'll all enjoy. So sit back, grab a cup of Jo (ha!), and watch. Hopefully, this will clear some things up grammatically.

Literally.



Any questions?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, February 13, 2014

Style Guide Per Novel

Happy Thursday, good people of the blogosphere! Well, the snowpocalypse is still going strong and I'm considering writing a collection of fictional short stories about things that happened. But that's for another day! Today, I wanna gab about style guides for your novels and why they're important. So, grab your pens and notebooks and let's get going!


First and foremost, we all get an itch now and then to break a writing rule. This is all well and good until you don't break it consistently. For each of your novels, you should have a short list (in a notebook or separate Word document) which details the rules you're breaking or the particulars of your own style.

What the heck am I talking about?

I'll give you an example:
Character A always uses the word wanna rather than want to when speaking.
Character B not only uses want to and never wanna when speaking, but also never puts an S on the end of toward.
Character C is a mother and never, ever curses as one of her quirks.

So you're writing along and you throw the word wanna into Character B's speech. This is totally fine; write on. You feel the need to have Character C and Character B face off with dialogue. It's a heated argument  which the two almost come to blows over.

Suddenly, Character B is saying something about Character C walking backwards out the door. Add to that, she's suddenly in Character B's face, screaming expletives. Still, all good; write on.

Now it's time for editing. Chances are, you're going to catch those expletives and find tamer ways for Character C to say what's on her mind. During the heat of the battle, will you remember to check for that S on the end of backwards?

This is where your style guide will come in handy. Once you're done writing, you can do a quick find and replace on any phrases you've decided the characters will use or any rules you're breaking to check and make sure they're consistent.

When you send your novel to your editor, be sure an attach your style guide. This will help all those involved because the editor can also be sure you're breaking the rules consistently, and they'll know of any particular quirks your characters have and add or remove things as needed.

It doesn't take long to create a style guide. But the payoff is enormous.

If you have certain writing quirks, keep a running list of those, too. I'm an author who doesn't put the S on the end of backward, toward, forward, etc... so I know to do a search for those words when I'm done and be sure I'm consistent.

Make sense?

Good print book formatters keep style guides on the novels they're working on, too. Again, it's all about maintaining consistency.

For I, Zombie, I had a rather extensive style guide. Folks from Southern Louisiana have a particular way of speaking. They tend to leave the G on the words anything, bring, along, and everything, but drop it from nothing, doing, having, and leaving. Since I wanted to be true to the regional dialect, I had to be sure everyone spoke the same way (except when Tammy was on the air). It's quirky, but it's consistent.

Style guides are especially important for series. You can't have Character A suddenly belting out want to in novel three when he hasn't for the last two books.

What's in your personal style guide? Have you ever made one for a specific novel?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Wednesday, February 12, 2014

PoSSeSSive S

Happy Hump-day, everyone! Snow in Georgia again and all the kiddies are out of school. I have to say, I'm more than ready for spring so I can get back to a normal schedule. This weather and being sick last month has really thrown me off. Anyway, enough about all that. Let's move on to today's post about the possessive S. Grab your pens and notebooks and let's get going!


If you aren't familiar with INDIE Books Gone Wild, allow me to share a bit of information with you. Every now and then, one of us posts on that blog about grammar, punctuation, or other little tidbits we find frequent errors revolving around. Before we get to the good stuff here, pop on over there and check out Tia's post on the Apostrophe. Yeah, it matters. Go read that sucker.

Now, I'm a Chicago Manual of Style lady. I have a copy of the 15th edition, and I follow it to the letter when doing an edit. Of course, this causes some of my clients to have small hernias when they don't agree with my edits or they have a style guide that's different from mine (which is totally fine, they should go with what feels right to them). I try to be very clear on our About Us page over on IBGW and state that I use the book I own as a reference. So, today's discussion will be the rules from that style guide.

When you show possession of a singular noun (not the demonic kind), the rule says you add an apostrophe and an S to the end of the word (section 7.17). Examples:
  • Dora's shoes.
  • Kitten's playground.
  • Lola's necklace.
But what if those words end in S?

Well, here's where we get into a bit of a pickle. When choosing names, one usually avoids the ones ending in S so they don't have this conundrum. If you happen to select one that ends in S, how do you handle it? This is where the general guides don't agree.

If you're showing possession of a collective, like a family or group whose names or title of the collective end in S, the solution is easy, you add an apostrophe to the end. Examples:
  • The Huss' house (this is the Huss family).
  • The Picketts' son (this is the Picketts family).
  • Those kittens' meows (more than one kitten).
  • These dogs' leashes (more than one dog).
However, if you have a character who's named Cleatus, how do you show possession?

In section 7.18, page 282 of The Chicago Manual of Style 15th Edition, it states: The general rule covers most proper names, including names ending in s, x, or z, in both their singular and plural forms, as well as letters and numbers. This means writing the name and adding an apostrophe with another S at the end. Examples:
  • I saw Cleatus's sneakers over there.
  • We went to the mall to get Kriss's new purse.
  • I can listen for hours to Venheis's violin.
Now, this is the way it's written out in the guideline. I think, when reading, it keeps me from thinking there's more than one Cleatus who owns sneakers I saw over there, and makes the possessive name read more easily.

All this is great! But...

Yeah, you knew there was a but. *grin*

In section 7.23, there's a suggestion for an alternative usage by simply adding the apostrophe to the end of the name. While easier to remember and apply, I think it reads with a clunky timbre. But, try it both ways and see what works for you. This goes back to Tia's post I mentioned above, where she talks about Strunk and White.

Before we wrap this post on possessive S up, I'd like to remind you of another rule of possession you may not be familiar with. Section 7.24 talks about more than one noun. When mutually exclusive, both nouns get an apostrophe S. If both are owning the same item, only the second named gets the punctuation. Examples:
  • My daughter-in-law and son's house.
  • Our niece and nephew's car.
  • or
  • My ex daughter-in-law's and son's houses.
  • Our niece's and nephew's cars.
Seems a lot of stress rests on the S.

How can you avoid this when writing fiction? Easy: Choose names that don't end in S when you're making your list.

I hope you all enjoyed our little lesson for today. If you have questions, comments, or otherwise, feel free to pop them into the comments section.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Monday, February 10, 2014

A Guest Post by Carlyle Labuschagne

Happy Friday, good people of the blogosphere! Today, I have with me author Carlyle Labuschagne with a guest post on why it's important to read when you're a writer, and how it changed her life. Carlyle is the author of Evanescent and The Broken Destiny, as well as being one of the authors attending UtopYA Con 2014 in June. If you don't have tickets to that event yet, click the name to buy yours soon. So grab your pens and notebooks and let's get going!

Reading and Writing and How it Changed My Life
by Carlyle Labuschagne

Thank you Jo for having me on as guest today, I am absolutely thrilled.

Why is it so important to read as a writer?

Books are very much an addiction to many. I read because I enjoy it, but as a writer I learn a lot from other books and authors. As many might know, English is not my first language, so by reading as much as I can – I learn the way of the English language. It is also good to see what is out there, what grabs at you and what you can bring differently than others. There are an abundant of gifted Authors I have read and yet to read. I am one of those readers who are swept away totally by a read. I am there within every book I read. My imagination allows for it. I think we are addicted to our imaginations more than anything, but what would our imaginations be without reading and for the talented Authors to ignite it for us? Books to me are a work of art, they are feelings, thoughts, and souls between the pages of books.

I write because I want to understand others as well as myself. I first started expressing myself at a very young age though poems, song writing. But finally found my true passion. Novel writing. My first novel The Broken Destiny is as I am sure many authors can relate to, is a combination of my experiences my world and the world inside my head, understanding myself as well as others , and feeding the passion. A almost craving for the feeling that writing has brought me. I have overcome the biggest obstacle of my life – to believe in myself , to prove myself to no one but myself of what I am capable of. To be a hard worker and enjoy it. To see things through.

Through writing I have learnt a lot about myself. Finally being able to move on from my mistakes. The Broken Destiny is about a girl who has to find her true self to unleash her Destiny towards greatness. Every person has good and bad, and everything comes down to a choice, and sometimes making the wrong choice is actually the write choice at the time - To grow, to learn - To love yourself. The only person who can hurt you is you. You are your worst enemy. Don’t change who you are for the sake of satisfying others, in the end it hurts only you. Your path is one of greatness and being true to yourself is the greatest gift you can give yourself and others. But it is often only through experiencing who you are not to know who you are. To know the light you have to have experienced the dark. But always remember everything you go through, no matter how hard - is for a reason. Writing gives me great pleasure and satisfaction. Writing heals.

My desire for everyone is to find that one thing and go for it, no matter how impossible it may seem at the time, you will never know if you don’t try, and once you have tried you will know you can never be without it. If you have a passion, you can perform deeds you never thought you were capable of.

~ Don’t be crippled by fear. Let love and passion give you wings ~ The Broken Destiny
Happy writing all
~Carlyle Labuschagne

I couldn't have said it better myself, Carlyle! Inspiring words.

If you'd like to check out Ms. Labuschagne's books, you can find The Broken Destiny here on Amazon as well as Evanescent here.

Thanks for stopping by and be sure to enter the rafflecopter giveaway to win!
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Got questions or comments? Pop them down below!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, February 6, 2014

Excerpt! Sneak Peek at Mystic ~ Markaza

Hello and happy Thursday, good people of the blogosphere! Today I'm giving you all a sneak peek into the pages of Mystic ~ Markaza, the sixth and final book of the series. It's been outrageously popular (especially since I released the five in one book) and I've had a few messages from readers asking when Markaza will be released. Answer: I'm going to try to have it out before UtopYA Con in June of this year. I have a good bit of it written and am almost to the point where the big baddie begins to cause trouble for the world. This one is a full length novel, so it's taking me a little longer.

After all, we have to have some burning questions answered before the girls can fight! What the heck will their powers be used for? You'll have to wait and see. But, here's a snippet for all those who've been asking. Kindly remember it's unedited and a NEW ADULT novel. There's some strong language in here. Grab a cup of coffee, relax in your chair, and get to reading. I hope you enjoy it.

This is for those of you who read chapter one of Markaza in the back of the last book, Coralie. It's around 3200 words so be prepared to read for more than a minute.


Chapter Two ~ Happy Birthday!

Markaza woke up screaming. Her vision from the night before paralyzing her body as the horrors replayed through her head.

Sunny was standing on the tarmac at a small airfield, watching the instructor show them how they’d be tethered to the seasoned skydiver. Her face was lit up; eyes sparkling with excitement.
 
Markaza was inside Sunny, feeling everything she felt. Her thoughts were as clear as a summer sky.

When the instructor showed the girls where the straps would go and how their tandem partner would have to hold on, her heart leapt in her chest. What a thrill it would be to have her body strapped so tightly to his! Antsy, her mind playing out sexy scenarios, she bounced from foot-to-foot, not hearing half of what was being said.

He paused. “Sunny, are you listening?”

“Yes.” No!

“Okay, let’s continue.” His lecture went on for another ten minutes before he finally told the girls to get their harnesses on and follow him.

Sunny stepped into hers and buckled the straps like she thought she remembered seeing the hot instructor do it. Satisfied she was good to go, she sauntered over to her friend. “Holy hell he’s hot! Which one of us do you think will get to be strapped on to that?”

The friend giggled. “Maybe you will. It’s so cool of your mom to sign us up for this!”

“Right? I’m so excited!” Sunny’s feet went into a tap-dance as she waited for the others.

Once everyone was geared up, they followed the instructor to a place where a group of young men were waiting.

Her heart started beating double-time. These dudes were as good-looking as the one who showed them how to get into the gear! She smiled and locked eyes with a boy who had brown hair that was almost shoulder-length, warm green eyes, and a perfect set of teeth. He smiled back and she felt her face grow warm at the contact.

They were assigned their jump partners and, as luck would have it, Sunny ended up with the one she’d been eying.

He approached slowly, looking like a bronzed god, and her brain played scenes from every romantic movie she’d ever seen.

“Hi,” he said.

“Hey.” She wanted to slap her forehead for being lame.

“You excited about the jump?”

She nodded, feeling like if she talked, she’d sound stupid.

While the other team members were getting ready, Sunny and her jump partner sat down and chatted. She found out he was seventeen and had already made twenty jumps solo.

“Yeah, I just fell in love with it from the first time. This is only my second go-round with tandem, but I’m sure glad I’ll get to wrap my arms around you.” His gaze was smoldering and her ability to talk whooshed right out of her again.

All she could do was smile while her inner-goddess danced and sang a happy song.

They climbed into the plane and everyone sat down for takeoff. He reached over and grabbed her hand, caressing her thumb with his own as they rolled down the runway.

Roaring of the propeller was drowned out by her heartbeat echoing in her ears.

They reached jumping altitude and everyone was buckled to their partners. When he put his arms around her, she melted back into him. Instructions were being shouted over the din of the engine, but all she heard was his whispered words. “You smell so good.”

At once, the door was opened and the first pair of jumpers dove out. Screams of the young lady wafted back through the door as she experienced the first tingles of free-fall.

Sunny was shuffled to the opening. “Don’t be scared. I got you.” He had to yell because of the rushing wind, but she was grateful for the reassurance.

She leaned over and looked down. Squealing, she jumped backward, making him stumble a little.
He put his hand over hers and pulled her tightly to him. When the boss yelled, “Go!” they tumbled out into the open air.

Wind.

Warmth.

His strong arms around her body.

Her hair blowing around her face.

Blue skies and fluffy, white clouds as far as she could see.

Brown and green landscapes, broken only by the appearance of the white dot of a house now and then.

It was the most beautiful thing she’d ever seen.

When he squeezed her, she fell a little in love with him and her entire body tingled. Adrenalin rushed through her veins, causing her to scream, “Woooohoooooo!” It was a welcome release.

She could hear him laughing as he let go of her so he could pull the ripcord.

A jerk.

Pain searing through her inner-thighs.

Suddenly, she was falling again. She couldn’t feel him near her anymore and she grew cold. Her body began to flip and bend in awkward ways as the speeding wind abused it.

A scream ripped from her throat as she plummeted toward the ground; completely out of control. Her heart did flips inside her body and caused her throat to constrict. Then, everything went quiet except the rushing sound of the wind and her jumpsuit flapping. I’m going to die.

She quit fighting and was flipped upside down just in time to see the ground as it rushed at her face.

Her body slammed into it like a bullet into a target.

Markaza buried her face in her hands and screamed again; letting her feelings flow out with the sound. Death. The word consumed her mind and she recognized the agonizing fear for what it was. Never had she been in the body of the person who died. She began to shake so hard, the bed banged against the wall as it moved with her tremors.

Her mother rushed in, gathering the girl up, trying to console her. “What happened?”

“I… I… Where’s Nancy?” Markaza screamed.

“I don’t know! Can’t I do anything?” Her mother screamed in return, flapping her arms like a penguin’s wings.

“No! Get her! Find her! Ahhhhhhhhhhhh!” Only Nancy would listen and not have Markaza committed for what she saw.

An agonizing five minutes passed, during which she collapsed to the floor and cried, letting the sobs tear from her lips, not caring who heard.

Nancy arrived and sat down on the floor. “What is it, child? What did you see this time?”

Markaza threw herself into the woman’s lap, wrapping both arms around her waist. “Oh my God it was horrible! Nancy, we have to do something!”

Rocking the distraught child, Nancy used an even voice when she spoke. “Calm down. I can’t understand you when you’re hysterical.”

Markaza gulped for air, taking it in like she was being suffocated. Her stomach settled as her hair was stroked. “Sunny died.”

“Baby, you’ve seen these kinds of things every year since you were just a little thing. What was different this time?”

“I was inside her head. I saw what she saw; felt what she felt. I died, too,” Markaza whispered. She pushed back and began to tremble again. It started deep in her belly and radiated out through her limbs, causing her words to come through chattering teeth. “She went skydiving and got severed from her partner when he pulled the chute open. We hit the ground… What do I do?”

“Oh my God.” Nancy’s eyes were wide and blank, her lips were pressed together, and her hand flitted up to touch her forehead. “I’m so sorry. I can’t imagine…”

“It was horrible.” Rapid breathing ensued and Markaza could feel she was losing her grip again. “What do I do? If I call her, she’ll think I’m a freak! She’s the only friend I have.”

“Let me think. Just try to calm down, okay? We’ll figure it out.” Nancy pulled the girl back up and embraced her. “Shhhh…”

They rocked for a long time. Markaza felt her body relax; sure the woman would know what to do next. After all, she’d saved almost everyone for the last six years.

“Okay, I’m gonna call Sunny’s mom. I’ll tell her you said Sunny was going skydiving but we decided to have a party for you and were wondering if she could come. That’s all I can do.”

Markaza nodded. “That sounds like a good plan. But what if her mother says no?”

“Then you’ll have to call Sunny and hope she listens.”

A knot of dread tied itself around her body, holding her prisoner, but she agreed.

Nancy pulled out her cell phone, got the number from the rolodex on the office desk, and dialed Sunny’s mother.

“Hi, this is Nancy, I work for the Turner family?

“Yes, hi there. I’m calling because it’s Markaza’s thirteenth birthday today and we’ve decided to throw her a party. I was wondering if Sunny—

“Yes, I realize this is late notice and she did tell me Sunny was—

“Yes, ma’am. I understand. I’m sorry to have bothered you.”

Markaza’s heart was bouncing around like it had been put on a trampoline. Looking at Nancy’s face when she hung up and turned, Markaza knew she’d have to call and sound like a crazy person. After pulling her thoughts together, she picked up the phone and dialed Sunny’s cell number.

“Hey, girl! How are you?” Sunny sounded like she was smiling.

Markaza took a deep breath to steady her nerves. “I’m okay. Hey, I was thinking about having a birthday party today. I know I said I wasn’t going to, but I thought maybe you could blow off that thing you were going to and come see me instead!”

“There’s no way you’re asking me to blow off skydiving to come to a party you just decided to put together, right?” Sunny laughed. “Have you gone crazy?”

“No. I just thought you might be able to re-schedule.”

“What is it? Are you jealous because I didn’t invite you to come?”

Girls could be heard giggling in the background.

“No.” Markaza’s heart sank.

“Then why bother suddenly throwing yourself a party that you know I can’t come to because I have plans?”
“I… I thought, maybe…”

“Seriously, what’s really going on? Can’t I do anything without you?”

“I saw you die while you were skydiving!” The words flew from Markaza’s mouth before she could stop them.

“Oh my God! You’ll resort to anything! Girls, listen to this: Markaza says she saw me die while I was skydiving.”

Giggles echoed in the background again and someone shouted, “What a freak!”

Markaza’s blood boiled.

Sunny laughed and snorted. “You’re so lame. Go have your stupid party with no one there. I’m out.”
“Fine! When your fucking head slams into the ground, remember I tried to warn you, bitch!” Markaza’s phone beeped, signaling the call had been ended. She looked up, tears streaming down her face. “She wouldn’t listen. I lost my temper. What can I do now?”

“I was afraid that was going to happen,” Nancy said.

“Oh, you have no idea what I just did to myself. Now those cows in the car will tell everyone at school what happened. If Sunny dies today, I’ll be a freak show. Not to mention I’ll be losing someone I thought was my friend.” Markaza started to shake again. “Guess I just did that anyway. Why does this stuff happen to me? What did I do to deserve this curse?”

“You can’t look at it that way. Instead, think about all the people you’ve saved with your gift.”

“Funny thing; I don’t think they ever would’ve been in danger if it wasn’t for me. It seems the people I love the most are the ones who get hurt.”

“I’m still here and in one piece.” Nancy smiled.

Markaza shuddered. “Yeah, and I’m trying to work out why that is. Of all the people I care about the deepest, you, Mom, and Dad seem to all be immune.” She let out a sigh. “It’s weird. You’d think you three would be among the first to get hurt.”

Nancy laughed. “You sure have a way of making people nervous. Don’t jinx me, okay?”

“Okay. Sorry. This thing with Sunny has my head all messed up.”

“You did what you could. So did I. If people won’t listen that’s not our fault.” Nancy brushed Markaza’s hair back. “Why don’t I bring you something to help you sleep? You can pass the day that way. You need to calm down; your face is still all flushed.”

“You’re right. Okay. Thanks.”

Nancy returned a few minutes later with some pills and a glass of water.

Markaza downed them and crawled back into bed.

“You want me to stay until you fall asleep?”

“No. I’ll be okay.” An odd numb feeling had taken over her body and she wondered if she was experiencing shock. “I love you.”

“I love you, too. Get some sleep.” Nancy left, closing the door softly.

Markaza could hear her mother arguing with the woman in the hallway. They were doing their best to whisper, but the walls carried the sound.

“What’s wrong with her?”

“Nothing. She just had a scary dream.”

“Is she going on about those stupid visions again? I hear you two talking sometimes; you really shouldn’t encourage her.”

“I help her try to deal with what she sees. I don’t know if any of it’s real, but she believes it is, and I’m going with the assumption she’s not crazy.” Nancy’s voice got rough and low, like she was getting angry.

“I’m taking her to a psychiatrist. She needs help.”

“You do whatever you think you have to. She’s your daughter.”

“Yes, she is. You might remember that.”

Everything went quiet and Markaza fell asleep, the drugs making her feel heavy and peaceful.

Banging on the door roused her from her slumber.

“Markaza, wake up! Get out here!” It was Mom. She was having a fit.

Markaza ground the sleep out of her eyes and rolled out of bed. Her head spun and she sat back down.
“Are you up?”

“Hang on a second! My head is spinning!” After a moment she was able to walk to the door and pull it open.
Her mother was completely disheveled. Hair that was usually perfectly coiffed stood in every direction and mascara streaks—that for some reason went right into the wrinkles—marred her face, making her look really old. With her eyes as big as hula-hoops, she leaned down and whispered, “You have to come see what’s on television.” Alcohol wafted from her body and caused Markaza to gag.

“Geeze, Mom, how much have you had to drink?”

“Not nearly enough. Come on.” Mom grabbed Markaza by the hand and dragged her to the living room. “Look at that. It’s on every channel.”

A reporter was holding papers in his hand and looking at the camera with a gloomy expression. “It seems to have been incorrectly used equipment that cost this young woman her life.”

They cut to a video where a tiny figure could be seen plummeting from the sky.

“Her tandem partner said the buckles weren’t fastened properly. You can see in the video how she’s jerked up for a moment when the chute opens, but falls away from him when it begins to slow their descent. Let’s watch it again.”

It was rewound and played back, this time showing the entire grisly scene. When the parachute opened, the figure was flung away from the body it was attached to and went spiraling out of control before slamming head-first into the ground.

“They say her name was Sunny Carter, daughter of James and Melanie Carter. She was fourteen years old. We’ll bring updates as the investigation…”

Markaza fled down the hallway and dry-heaved over the toilet before passing out on the tile.

***

“When I woke up, my mother asked me if Sunny’s death is what I’d seen. I told her it was and I ended up at a psychiatrist’s office that same night. He put me on a bunch of pills that made me groggy and skewed my visions. I went months feeling like a zombie. I’m kinda surprised I didn’t walk around moaning and drooling all over myself. It was the first time I was heavily medicated for what they called depression.” Markaza paused and blew her nose. “Who the hell wouldn’t be freaked out? Geesh. Because of that little fiasco, I was bullied at school so badly, my parents had to pull me out and send me somewhere else.

“That’s how I ended up at Her Majesty’s Other Preparatory Academy—which we New Yorkers lovingly call Hemop. Those years were some of the best and the worst of my life.”

“So your mom thought you were crazy because you saw the death of someone and had the gumption to try and stop it?” Lily’s voice rose as she asked the question.

Markaza nodded.

“That’s more like hero stuff, in my opinion. What a bitch!”

“Yeah, well, she didn’t really understand, did she?”

“Still. Argh!”

“How about we take a little break before I get into life at Hemop?”

Everyone agreed and Markaza ordered dinner to be sent up. Nancy pushed a cart into the room an hour later.

All the girls hugged the woman and thanked her for being awesome.

She smiled at them. “Markaza’s been telling her tales, I see. You ladies doing okay?”

“We are,” answered Melody. “Thank you so much.”

“Good.” Nancy turned. “Markaza, we need to talk. It’ll wait until tomorrow, but I wanted to let you know.” Her voice lowered. “It’s about your mother.”

“Okay. I’ll come down first thing in the morning. Thanks.” Markaza hugged the woman and ushered her out the door. “See you soon!”

After they ate dinner, they gathered in the living room once again with a huge pot of coffee and a tray of fruit and veggies; courtesy of Nancy.

“Where was I?” Markaza asked.

“Ooh! You were gonna tell us about the shrink, the meds, and life at Hemop.” Coralie was sitting forward, looking eager for more. “I’ve heard of that school. Always wondered what it was really like.” She grinned.
“I promise not to leave out any of the gritty details.”

“Great!”

Melody swatted Coralie on the leg. “Shhhhh! Go on, Markaza.”

“Hemop is the priciest school in New York State and is K through twelve. My parents were trying to avoid sending me there, because they wanted me to hobnob with more ‘down to earth’ kids—or so they said. Let me tell you, Mom and Dad weren’t crazy. Those were some of the strangest teenagers I’ve ever met.
“It was like they’d never been real kids and were born as adults. They had perfect hair, perfect clothing, and perfect grades. I went to school with the president’s daughter, the vice-president’s son, and tons of movie star offspring.

“Because I started in sixth grade, everyone wanted to know where I came from the minute I set foot in the door. It was like I was famous.

“I also got my first period right before I transferred. Talk about dealing with a lot of shit! Ha!

“Of course, it didn’t take me long to realize, if I was going to survive, I had to pretend to be something I wasn’t.”

~ End of preview

 If you enjoyed that, consider picking up the Mystic Anthology of books 1-5. It's just $3 over on Amazon and you get over 100k words for your money. Plus, you'll get to read chapter one of Markaza!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, January 30, 2014

Blogger Interaction - Why it Matters

Happy Thursday, good people of the blogosphere! OMG they've cancelled school again! What kind of perverse version of the South am I living in? Hello? Is this thing on? For anyone who's listening out there, bring back Spring! I've had quite enough of this cold crap to last me a lifetime. I live in the South for a reason. If it doesn't get warm soon, I'm moving to Tahiti. That is all. Enough about that. Today, I want to talk about blogger interaction and why it matters. Grab your pens and notebooks and let's get going!

If you write a blog, chances are people are going to come by and read it. If your post moves them, helps them, or creates a reaction, they may deign to leave you a comment and tell you what they thought.

Oftentimes, I pop over to a new blog and leave a comment on something I read that I found interesting. I like to ask questions in my comments sometimes, too; or help the author out with a handy recommendation. If I stop back by the blog (if I asked a question I always come back in a couple of days) I'll check to see if my question was answered or my tip proved useful.

Imagine my horror when I discover my comment wasn't acknowledged at all. I was ignored like I didn't exist. I'd become invisible, and my tip/question/comment had fallen into the realm of "it doesn't matter because I'm a blogging god and you're a peon who will worship me."

Really?

When that happens, I look like the lady on the left here and stop visiting that person's blog. Why? Because, chances are, I didn't subscribe on my first visit (it takes building of trust and stuff) and I was made to feel unimportant.

For shame.

Now, I do have blogs I comment on where I don't expect replies. Those people are kept up with on other forms of social media and I comment to let them know I was there. I neither expect replies nor acknowledgement on their blogs. Most of the time, any replies come back when that person comments on my blog. Yes, it's strange to communicate that way for many of you; but, it works for us. We're happy with it. A number of blogs I used to comment on religiously have fallen off my good grace radar. Those folks neither returned the favor nor acknowledged I was there to begin with.

But new readers you don't have that unspoken pact with won't understand. They'll feel rejected by you.

Guess why?

Because, in a way, you are rejecting them. Your readers who bother to leave a comment expect to be noticed by you. Even a simple "Thank you for the comment!" goes a long long way.


Remember, it takes a new blog at least a year before it starts getting serious traffic. Help your readers want to come back. Take the two minutes to write that reply, say those words of thanks, or give a head nod in their direction. It's like clicking the "like" button on Facebook; if you do that, you'll see more of their stuff. Maybe they'll even tell their friends what an awesome blog you have!

I wish I could figure out how to say thanks on Tumblr...

Think about it. A blog is a form of social media. Are you making it social?

How about it, bloggers? Do you respond to every comment? If not, what do you do to encourage your readers to return?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, January 17, 2014

5 Ways to Avoid Insta-Love

Happy Friday, good people of the blogosphere! Man, am I ready for the weekend. I'm hoping this crud flushes out of my system all the way by Monday. Not sure what you Floridians are cooking up down there, but this is one nasty as hell cold. Yeah, I've had it since my (cold) trip south. Fun, right? Anyway, enough about that! Today I want to give you five quick and dirty tips to avoid portraying insta-love in your novels. Readers generally hate it when there's no buildup to a feeling of all encompassing love. So grab your pens and notebooks and let's get going!


  1. Give Your Characters Empathy for One Another. This easy to implement angle gives your characters some reference when they meet again for the first time. In The Hunger Games, Katniss and Peeta have a bit of history together. It made the love he had for her more realistic.
  2. They Have so Much in Common. Again, this is rarely revealed when the characters only spend a few days together. You have to solidify the bond over time. But having things to talk about will help you write the story and show your readers how well your two lovers get along.
  3. Make One of Them an Ex. Perhaps one of them dumped another and a number of years have gone by in which each character matured. This builds on the previous relationship. Think about the movie Sweet Home Alabama. Melanie wanted to marry Jake from childhood. It was a great backstory to work in.
  4. He or She was the Best Friend's Best Friend. Maybe your two lovebirds eyed each other over their significant others years ago but kept it friendly. Now, they're single and things are heating up where they couldn't before.
  5. Friends Forever. Often, the best romantic tales begin with the two lovers being friends without realizing how they feel under the surface. Or, maybe one of them does and is afraid to tell the other on the off-chance that person doesn't feel the same way. Hell, there's a reality TV show that's made millions off this exact scenario.

I'm betting you're noticing a trend in the list above.

If not, I'll give you a moment to read it again and see if you can find the common denominator.

...

...

Got it? Yep, that's right, it's always a love that develops over time. Whether past or present, these people don't meet one moment and spend the rest of their lives all googly eyed over one another. While that might be lovely to experience, it rarely happens in the real world (if at all) and you have to be careful of falling into that trap as an author.

Be sure you're figuring out why these two love one another the way they do and you're letting your reader in on the big secret.

By all means, feel free to describe the butterflies, tingly palms, loss of words, and shortness of breath that occur when one is physically attracted to another human. Apply caution and try to remember: That's not love.

Love is complete trust in someone else to not betray your secrets, a great deal of caring about the well being of that person, and faith they won't leave your side when you need them. In other words, it's two people knowing one another inside and out; and adoring each other just the way they are.

That's why it takes time to develop; even in books.

What was your best and worst case of insta-love (either in something you read or something you wrote)? Share with us!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Thursday, December 26, 2013

Writing What You Don't Know

Happy Thursday, good people of the blogosphere! Wow, what a busy couple of weeks here on the blog, eh? For the next few posts, I'll be talking about some of the things suggested on day ten of the twelve days. If you missed that post, just click the name and you'll be able to see what I'm talking about. So, today we're gonna discuss writing what you don't know. I have some posts on writing what you know and using a memory bible to keep track of places you've visited and things you've seen. But what about when you want to put your characters in a fantasy land or have them visit a place you've never been? I'll give you some tips and tricks on how to keep that straight. Grab your pens and notebooks and let's get going!



I've said it a lot here on the blog: The best fiction is based in fact.

That will be a constant. No matter if you're writing science fiction, fantasy, or anything that requires you to think outside the box.

Rules:
In most works of fiction, the same rules that apply to the world around us hold true. Gravity, human survival (we need food, air, and water), human nature (reactions to things, love, betrayal, etc...) hold pretty constant, and other such things that are seen as everyday (sky is blue, leaves are green, etc...).

But what if you're writing about a world you've made up where the sky is pink, leaves are silver, and people no longer need air to breathe?

Well, you're gonna have to explain why those things are possible. What changed? How did it change? When did it change?

Here are a few tips that will help you when you're writing about something that isn't:
  • Use your imagination to get an idea of the rules that will be broken in this world and make copious notes. If the sky is pink, write that down and say why.
  • Google is your friend. Do research on why the sky is blue and what might change to make it perma-pink.
  • Hunt down fantasy images that fit your vision of your world. If you can't find any, sketch out a few (don't try and be Rembrandt, no one is gonna see them but you). Keep them where you can see them as you write.

To give you an example, one of my works in progress is called M. In that not-so-distant future (2024ish), my characters get around their city on sidewalks that move at incredible speeds and are powered by the sun. Before I wrote that little bit of information, I did a lot of research. It seems there have been a number of attempts at making these fast moving sidewalks and detailed descriptions of just how they would work. Score! I could explain to my reader exactly how people would use it because I had a full grasp myself.

Make sense?

If you're going to break a "rule," be sure you have a reason and an understanding of how your fantasy idea could happen. Even if on another planet, be sure and explain why the world is the way it is or how we can survive there.

Now, if you're writing about a place that actually exists, you need to do some of the same research with a little modification here and there. Try these tips on for size:
  • Pull up photos of the place you want to write about and curate them to a word document.
  • List common temperatures of the area during the day and at night.
  • See what other people are saying about the location and copy/paste those tid-bits into your document with the photos.
  • Close your eyes and imagine yourself in the midst of the place. Without looking, type everything you see, hear, smell, taste, and feel into your word document. What do you think would be fun to do there? Write that down.

In The Bird, Stormy visits a place called Ringing Rocks National Park in Pennsylvania. I'd never been there, but I did a massive amount of research about the area and imagined how I would act if I were in her shoes. Turns out, I'm kind of a big ole kid. And she has that playful, whimsical attitude as well. I had her click the nails in her boots on the rocks to make them ring out.

Even though I'd never been there, I made it seem like I had. I was writing what I didn't know, but learned about.

What it all boils down to is this: If you're writing what you don't know, you must make it something you know before you can write about it.

It's all kind of an oxymoron.

You have to immerse yourself in the world and know every possible outcome of every action. If someone jumps and your world has light gravity, how much further will they go? Things like that. Be sure and keep a word or notepad document on every book. Yeah, even those that are based in fact. Dates and descriptions are important, too!

You don't want to say the sky is pink because there was an increase in dust and pollution in the atmosphere that causes the light of the sun to refract differently, only to contradict yourself in the next chapter.

What have you written that you didn't know?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday, November 22, 2013

Common Editing Errors

Happy Friday, good people of the blogosphere! Is it the last day of school for your kids, too? I sit here, cringing with the knowledge mine will be home all next week. Why? Because that means work comes to a screeching halt and I have a zombie novel to edit. About that, I got the most awesome bookmarks in the mail last week. Take a look:

These will be available exclusively at UtopYA Con 2014. 

If you don't have tickets to that event yet, you should. YA authors from all over the world will be there with their wares. You can get your tickets here:
www.utopyacon.com

But that's not the topic for today. I'm gonna talk to you about common editing errors in the hopes it'll help you avoid these pitfalls. So, grab your pens and notebooks and let's get going!


Learning to edit a book is like anything else, it takes practice (along with a handy reference guide to what works and what doesn't). Over at INDIE Books Gone Wild, we give editing tips now and then. If you follow them, your book will cost less to have edited by one of us.

Today, I'd like to go into some of the things to watch out for when you're doing those edits.

  1. Watch for homophones. I know that seems like an obvious SMH thing, but they're more common than you think.
  2. Use commas with care. In these two sentences: I went to the window and Bob moved to my side. I went to the window, and Bob moved to my side. You can see the one without the comma flows more easily. While they're both correct, common sense tells you to nix the comma on that one for readability.
  3. Adverbs can be cut if you use stronger verbs. Do a search for ly endings and eradicate by pumping up your prose. Here's a post that goes into that.
  4. Pay attention to pronouns. This is one of the most common errors I find when editing. See a post here about how to see if you're using the right one.
  5. Use contractions! Again, something I find a lot of when editing. We speak in contractions and read them more easily than we do when the words are broken out in two pieces.
  6. Watch out for the big words. Your reader knows you're a writer with a gargantuan vocabulary. Be careful not to shove it down their throats.
  7. Repetition in word use or information given. Okay, you told us his eyes were blue. Either find a new way to describe those peepers or cut the repeated information altogether.
  8. Hunt down your ize and ization words and kill those, too.
  9. KISS your reader. Keep it Simple, Silly. Use shorter words and smaller sentences (but remember to create variation, too) because readers can process information better when you do.
I hope that helps. I'll be working my way through I, Zombie today in an attempt to eradicate my own writing errors.

What do you think? Did you know to watch out for those?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Tuesday, November 19, 2013

Measuring Your Novel's Pace with MS Word

Happy Tuesday, good people of the blogosphere! Today I'm gonna let you all in on a really cool tip having to do with MS Word. This tip will help you adjust the pacing throughout your novel in snippets. According to what I've seen, you can use up to twenty-two scenes to see how your story maps out. Are you dying to know how to do it? Well, grab your pens and notebooks and let's get going!

I'm going to use a scene from I, Zombie where Trixie finds her dog.

Every scene has three parts: Beginning, Middle, and End.

You can graph the pace of a single scene by using a three-point scale that ranges from forty-five to one hundred and a nifty tool you have in MS Word. I'll get to that in a moment.

Go ahead and make your graph now. It might look something like this:

Choose your scene from beginning to end within your novel and copy it out to a new document so we don't have to worry about screwing anything up.

Now, mark the scene between the beginning and middle and the middle and end with a couple of asterisks or other symbol of your choice.

You'll need to get two numbers: The Flesch Readability score and the Flesch-Kincaid Grade Level score.

Here's where MS Word has a feature you may not know about that will give you those two numbers. Do the following:
  • Click the Microsoft Office Button, and then click Word Options.
  • Click Proofing.
  • Make sure Check Grammar With Spelling is selected.
  • Under "When Correcting Grammar in Word," select the "Show Readability Statistics" check box.
  • Click Ok.

Each readability test bases its rating on the average number of syllables per word and words per sentence.
  • A Flesch score will be between 0-100.
  • A Flesch-Kincaid score will be a decimal. It tells you the grade level someone should be on to comprehend the document (a nice gauge for all you children's book writers, eh?).

Okay, now, go to MS Word and click on the Review tab. Highlight the text in the scene from the beginning to the first break and click the "Check Grammar and Spelling" button in the top left corner. Go through the prompts. It'll ask if you want to continue with the rest of the document. Click "no."

Be amazed at what pops up.

Write down the numbers next to "Flesch Reading Ease" (mine was 86.8) and "Flesch-Kincaid Grade Level" (mine was 3.6). Subtract the second number from the first (mine comes to 83.2).

Add a dot to your graph. Like this:

Wash, rinse, and repeat for the other two sections. Connect the dots. You should have something like this:
As you can see, my scene has an end peak. This heightens tension when moving into the next scene. A peak at the beginning isn't good because you go in with tension and folks can get bored. Chances are, those scenes will drag. Try for a middle or end peak.

"So what?" you ask. "How will this help me?"

Well, the real measure comes when you do a bunch of these scenes and compile them together. You'll get an idea of the pacing throughout the story rather than just one scene. Because, after all, a story is a group of scenes all put together.

If you take the time to do a set of congruent scenes, make sure your novel has nice highs and lows (not below forty-five) and isn't a flat-line of death. It'll help show you where your work needs improvement.

I'm just giving you the tool. It's up to you how you use it. You may want to add some graph paper to your writer's toolbox!

What did you think of today's little lesson? Did you know about this measure?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Monday, November 18, 2013

A Guest Post by N.L. Greene

Happy Monday, blogospherians! In keeping with our regularly scheduled program with the authors of UtopYA Con 2014 here on the blog, I bring you a guest post from N.L. Greene. If you read her author interview from last week, you'll know she's part of a writing team! Today, she's going to tell us a little about that. I love this post and I think she brings a unique perspective to the process of writing. Now, coffee, pen, and notebook in hand, I open the floor to Ms. Greene.

Co-writing VS. Solo-writing

by N.L. Greene

Hi Everyone! I want to start off by saying thanks so much for stopping by and taking the time to read my post. I also wanted to say a huge THANK YOU to Jo for not only having me but also for putting this whole UtopYA Author feature together!!

So I’m going to be totally honest here and tell you all that this is the first guest post I’ve ever written. I usually just do interviews where all I have to do is answer the questions and then I’m done. I know it’s lame but safe. *winks* I not only hope I don’t totally fail, but that you actually find my post helpful. So here goes...I wanted to talk a little bit about Co-writing and Solo-writing, since I’ve done both and learned that just like everything else in life, they both have their pros and cons but both can be successful.

I started my writing career about three years ago and did it as a co-author. My best friend and I both wanted to write but were terrified of doing it alone. We were scared that after spending months of pouring our heart and soul onto paper, we would be told that we weren’t good enough or that people would make fun of what we wrote. The fear of being vulnerable and exposed and then to be rejected was just too much, so neither of us tried. But then we came up with the idea of doing it together, under a pen name, and suddenly it didn’t seem so terrifying. From then on, it seemed much easier. We were each other’s cheerleader and support team, both equally emotionally involved in the book and both understanding the importance of what we were doing. On top of that, there was someone that could take over when the other was stumped, there were two people giving out ideas that, even if they weren’t great, sparked a new ones, and there was someone always there that just wanted to help you.

Like I said before though, everything has its pros and its cons. Though we didn’t have many issues, there were some that we had to work through. Being BFF’s for so long gave us an advantage over some other writing teams. Neither one of us had a problem being blunt or honest. In my opinion, that can make or break a writing duo. If you want your book to be good, you have to be willing to listen to someone when they tell you it isn’t as good as it can be and be willing to change it. The work load can also be an issue. Undoubtedly, at times, someone will do more than the other. The key is recognizing this as it happens and dealing with it accordingly. Everyone has different strengths and weakness and sometimes one will have to do a little more than the other if it means better success of the book. You have to push your pride away and do what is best for the team.

In the end, I think if the writing team is good and they work well together, the pros will always outweigh the cons and they will prove to be successful. I also think sometimes, writing as a team will give that push to someone that may not have ever put their words and thoughts to paper had they not had that other person to lean on, like we did.

All that being said, I also decided to become a solo-author. Why, you ask, since I seemed to be just fine co-writing? Well one other con to co-writing is that sometimes you aren’t both interested in actually writing the same thing. Angela is YA Paranormal all the way. It’s the only thing she reads, therefore the only thing she is interested in writing. Which is totally understandable, but not true for myself. I love all genres of books and really wanted to try writing in something other from what we had already done. It wasn’t easy though. Writing by myself made me realize a whole new set of pressure. Everything was on me. If I got stuck or lost, there wasn’t really anyone to pick up the story and run with it or straighten it out for me. I had to be creative and come up with ideas all on my own. And the vulnerability that I felt when the book came out was double because everyone knew that I wrote the whole book and if they didn’t’ like something, that was on me.

However, the sense of accomplishment and the pride I felt when I published my very own book was different than before. I had done something all by myself and it felt so good to know that I had set my mind to it and finished it. I also realized that I worked much faster by myself. Not having to rely on someone else to go back and check your work or having to rewrite a portion of the story because you both didn’t agree with what was happening gave me a freedom I hadn’t had before. The lack of pressure of having to hurry because someone wasn't waiting on me made me more relaxed and since I wasn’t so stressed, the story flowed much quicker.

So now that I have completely contradicted every statement I made throughout this post, I’ll say this. All of the above were my personal experiences and every individual is different. But my main point is this: If you enjoy writing or have someone in your head whispering stories that are just awesome, figure out how to get them on paper. I gave you two different examples of how to do that and what my experiences were, but there are tons of ways to achieve your goal, you just have to find what way works for you. And in some ways, like with me, more than one will work.

Well…I think that about covers it! I hope you found something helpful in what I had to say and that I didn’t completely bore you! Thanks for taking the time to read my post! Bye!!

~ N.L. Greene

Wow! I hope you all enjoyed that! Just in case you missed it last week, here's the information for Ms. Greene's book, Twisted, that'll be featured on the sidebar of the blog for the next week:

Synopsis:
Growing up isn’t always easy. But for most teenage girls, they can rely on their best friend to help them get through the process. A BFF is something that is truly treasured and completely irreplaceable. You share all of your secrets, and are loyal and honest with each other, even when you’re acting just a little bit crazy. You have each other’s backs no matter what and you form a bond that is virtually unbreakable.

At least that’s what normal teenage girls experience.

Nat and Mel have been bestie’s since childhood and Nat has followed her blindly ever since. But as Nat’s friendship with Mel begins to lead her down the wrong path, she starts to question the sincerity of their relationship. Nat starts to see Mel’s manipulative, deceitful ways become more focused on her. Will Natalie hold on tight to the friendship she’s had her entire life, no matter what it cost her? Or will she let her heart lead her to a relationship that’s not so twisted.

Buy it on
for $2.99

Author Bio:
N.L. Greene, who is 1/2 of the author duo Riana Lucas, has decided to venture outside of the Fantasy world that she and her best friend created with Poppy and The Deadly Flowers Series to write a few books on her own. While she loves working with her best friend, writing solo has allowed her to explore interest that had solely been her own. She spends a lot of time reading her favorite authors which range all over the place and in every genre, but spends just as much time with her husband and two daughters, traveling, shopping, and playing video games. Nichole was born in Pennsylvania but grew up in Florida, where she and her high school sweetheart live with their two children.


Give N.L. Greene a follow on Goodreads or her Author Blog



I hope you all enjoyed this post and learned a little bit, too! Do you think you'll ever co-author a book?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo