Writing Exercise - Word Fun

Happy Hump-Day, good people of the blogosphere! Today, I'm gonna give you a writing exercise. Don't worry, it'll be fun. This is to expand your writerly vocabulary and get you thinking about the words you use on the page to craft your prose. So, grab those pens and printers and let's get going!

Start by printing out the four pages linked to below.

We're gonna use some common cliches for this exercise:
Babe in the woods.
The whole ball of wax.
By the book.
Same old song and dance.

Got those? No? Well, print them. I made them just for you!

Now, take a look at what you have in front of you. Try coming up with alternate endings so your cliches aren't. Step outside the box. Think harder. Fill out column A.

Remember to be engaging, outrageous, and contradictory when filling out columns B and C.

When you're done, fill out the bottom.

I'd be willing to bet you can do it in less than fifteen minutes.

Can't come up with that many? Try using MS Word's synonym tool.

• Open MS Word.
• Type in woods.
• Right click.
• Go to synonyms and see what you have.
• Write them all down on your blanks.
• Choose another word you came up with and do that one, too!

Make your own sheets and do this exercise often. You can find a list of common cliches easily if you do a Google search.

What do you think? Was today fun?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Blank Canvas and Page Woes

Happy Tuesday, everyone! I hope you all had a fabulous weekend. You're almost halfway to the next one, so chin up! Today, I'm gonna blast my inner musings and thoughts for you to read; maybe you'll take something away from it, maybe you won't. Either way, it's therapeutic to talk it out! So, grab your coffee, get your typing fingers ready, and let's get going on my not philosophical discussion. *grin*

While browsing through Michael's art store the other day, I came upon a 40% off canvas sale. Well, I usually don't spring for the big ones because they aren't cheap. I ended up buying one that's 24" x 36" and giggling the whole way home. If you didn't know I draw and paint, I have to ask how long you've been following my blog, or if you've ever seen one of my book covers (most notably Yassa and The Bird).

Here are a couple of my artworks:

But, anyway, as you can see, I have no lack of skill. Yet, I find myself staring at the blank canvas, wondering what in the world I'm gonna put on it. I don't want to stop once I've started, and I don't want to hate it halfway through and have to gesso it out and start over.

So I find myself planning.

If you know anything about me, you'll know I'm a strict pantser when it comes to my writing.

When the thought of picking up a brush and going at a canvas makes me cringe, how the hell can I craft a story by the seat of my pants?

Truth: I don't.

I think about the book, plan out my characters, and have the plot (at least a beginning and ending) in mind when I sit down to write. I think a true pantser would sit down with no idea what they're going to do and bang out a book.

Like people say a true artist sits down and bangs out a painting.

But is it really that easy? No. Most of the famous artists in the world never sat down and slapped paint around on a canvas. They had direction, and they had a picture in mind before they ever began. This leads me to believe art rarely comes from nowhere. Even color choices made by the artist who attaches balloons to the wall and throws darts at them is a decision. There's never complete freedom in art. Everything has a plan.

Writing novels is an art form. Sure, you can write whatever you want, whenever you want, and throw it out there for the world to consume. But readers will become disenchanted if your novels have no cohesion, plot, or character building. Just like art lovers will spot an amateur painter if the colors on the canvas clash.

On the same note, there must be some freedom in painting like there is in writing. My imagination is my only limitation as far as situations, characters, and plot go; but I'm bound to certain rules of the written word—like artists are bound to rules of composition and color usage. Even Jackson Pollock had a specific idea in mind when he tackled a work. But he got to choose the colors. Note my baby pink oak tree up there.

What I'm saying is: We all have freedom in our writing or art,  but knowing all you can know about your craft—and using that knowledge—never hurts.

I guess buying that canvas did more for my thought process than I realized.

It's still sitting there, completely blank, waiting on me to make a decision.

I'm knee-deep in my section of the Fractured Glass anthology. It's so much fun giving characters free reign to lead me in the direction they choose. I've had a number of epiphanies while writing. Interesting twists and some mighty creepy situations are emerging as I bang the keys. Not long now. Good thing I had a plan, eh?

Time for you to join in the discussion here! Do you think it's possible to write an entire novel from the hip? Or do you think you must know the building blocks on all sides in order to craft something with no idea where it's going or how it'll get there?

Inquiring minds wanna know.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Improving Your Writing with a Journal

Happy Monday, good people of the blogosphere! I hope you all had a super fabulous weekend and are ready to kick the week off with a bang. Today, I'm gonna talk to you all about keeping a journal and discuss how it may help you in your writing life. So, grab those pens and notebooks and let's get going!

Journal
/ˈjərnl/
noun
1. A newspaper or magazine that deals with a particular subject or professional activity.
2. A daily record of news and events of a personal nature; a diary.

As you can imagine, I'm talking about the second definition of the word. But we'll take it a step further and add to that definition. Now, it'll read: A daily record of news, events, and emotions from a singular individual of a personal nature; a diary.

If you take five to ten minutes a day and write down your feelings or news topics that piqued your interest, you'll end up with an invaluable resource for your novels. I've talked about creating a feelings bible before, but this is something different.

Because you'll be writing in it every day, those emotions will be fresh. Feelings you had will still be on the tip of your fingers and ready to be slapped down on the page.

How does one journal feelings?

Think about a particular incident where you were taken aback by the reaction you had, or consider how something might have made you over-the-top happy. Write down what happened, then go on to describe your feelings about it in vivid detail.

Engage all five senses when you write these things down: Smell, Taste, Sight, Touch, Sound.

Go bananas. If you were angry, let it all out. Be real because you'll only be lying to yourself if you aren't.

What you'll find, after a month or so, is that you have a wonderful record of situational impact on a human being's emotional state. You'll know the situation, the players, and the results. Not only that, but you'll be able to recall things that interest you as a person.

You can also go sit in a cafe or coffee shop and journal other people. Yes, you'll have to guess about their feelings; but, chances are, you've been in a similar situation and can get pretty close to the physical fallout of a given situation. If you're an outgoing type (most authors aren't haha), go ask the person how they're feeling and write it all down. Take note of their facial expressions, posture, and vernacular.

Once you have this gem of a written record, put it somewhere you can get to it when you're stuck on a particularly emotional scene in a novel. If you already have a feelings bible, add some of the content from the journal.

I promise, it's never a waste of your time to get in touch with Human Nature (that's a link to another blog post series I did on the Jo Michaels blog that will give you some awesome insight into what makes us tick).

What do you think? Do you already have a feelings bible or journal? How has it helped?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Dialogue - Keeping it Fresh

Happy Friday, good people of the blogosphere! Today, I'm talking with you about dialogue again. I started writing this post yesterday, but life took over and killed it. Ha! Great how that works, isn't it? But! The kids go back to school soon, so things around the blog will settle down as they were before. Anyway, today we're gonna talk about keeping your dialogue fresh for readability and comprehension. I'll also give you a little exercise to do afterward. Grab those pens and notebooks and let's get going!

Let's start with things you shouldn't do.

• Make every line of dialogue begin the same way.
• Break several lines of dialogue in a row with an action.
• Confuse your dialogue tags with action tags.
• Make everyone sound the same.

In keeping your writing fresh, you want to use dialogue, action, and dialect in a way that keeps them harmonious.

Example time!

Shouldn't do:
Pat elbowed her way through the crowd. "Can you believe how many people are here?"
I grabbed her hand before leaning toward her ear. "It's always like this on Friday night!"
Lucy made her way to us and joined the circle. "I'm so excited to be here! I can't believe our parents let us come."
I put my free hand on her shoulder. "This is once in a lifetime, kid."
Music pumped through the speakers, and my insides rattled.

Better:
Pat elbowed her way through the crowd. "Can you believe how many people are here?"
"It's always—" someone jostled me, and I grabbed Pat's hand to lean toward her ear "—like this on Friday night!"
Lucy made her way to us. "I'm so excited to be here, y'all! I can't believe our parents let us come." Her eyes sparkled.
"This is once in a lifetime, kid," I said.
Music pumped through the speakers, and my insides rattled.

Frequent name restatement is often necessary when there are several people in a discussion. Watch your pronouns. Let's look at one more example; then I'll turn you loose with an exercise.

Shouldn't do:
"I wanted to go to the store with Mommy," Lisa whined.
Her father's mouth turned down. He said, "You didn't want to stay with me?"
She crossed her arms and shook her head.
"I thought maybe we could play your favorite," he said, pulling out Chutes and Ladders.
She clapped her hands and said, "Yay! Yes, Daddy. I want to play."
"But you wanted to go to the store with Mommy," he teased.
"I was just kidding," she said.
He roared with laughter.

Better:
"I wanted to go to the store with Mommy." Lisa threw her tiny figure face-down on the couch.
Her father frowned. "You don't want to stay with me?"
She rolled over, crossed her arms, and shook her head.
"I thought maybe we could play your favorite," he said.
When Lisa saw the Chutes and Ladders game in his hands, she clapped. "Yay! Yes, Daddy. I wanna play."
"But you wanted to go to the store with Mommy."
"I was just kidding."
He roared with laughter.

Not only is the second passage easier to read, it's correctly punctuated. Remember to ditch the dialogue tag when giving the character an action. If you use a dialogue tag, there should be no action. Change it up so it doesn't get stale. No one wants to read: he said, she said, he said, he said, she said over and over again.

Time for your exercises!

#1:
Write a few quick paragraphs of dialogue with four characters: Paul, Mike, Anna, and Frank. Start each sentence the same way, pay no attention to punctuation, and no attention to pronoun usage.

Use the tips above and this post to correct your writing. Feel free to send it to me if you want someone to check it.

#2:
Using the ideas above, craft one line of dialogue for each of the following:

1. Starts with an action, ends with dialogue.
2. Uses a dialogue tag at the beginning.
3. Uses a dialogue tag at the end.
4. Break the dialogue with an action.
5. Stars with dialogue, ends with action.
6. No dialogue tag; no action tag.
7. Interrupted speech (remember your em-dash!)
8. Trailing off of speech (don't forget the ellipsis!)
9. Starts with action, then has dialogue, then another action

You may feel free to post your attempts in the comments below.

What do you think? Helpful?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Reversal Word

Happy Thursday, good people of the blogosphere! As you can probably tell, I'm going into word reversal in novels today. What the heck am I talking about? Well, I'm not gonna beat around the bush. Grab your pens and notebooks, slurp up that coffee, and let's get going!

When I say word reversal, what I mean is using the difficult path to convey an idea to your reader. One of the things I do when I'm editing is check readability. Your words should flow for the eyeballs moving over the page. One of the acronyms I love is:

K. I. S. S.

It means: Keep It Simple, Stupid!

Never speak over your reader's head (we know you're smart, but making someone feel stupid isn't a good idea), and try not to reverse your words. If you do, be on the lookout for awkward sentences in your first round of edits.

Time for some examples!

Rob looked at me, and I inwardly cringed.

First off, you don't need that adverb. Taking it out would simplify the sentence and make it more reader friendly. But let's say we want to leave it in there. As an editor, I try to apply a lighter hand when suggesting changes. I'll suggest a blanket change to remove most of the adverbs when I run across the first one. Mentioning it again becomes cumbersome. If the author enjoys adverbs and I leave this sentence alone (thinking it'll be fixed later), I'm doing them a disservice. Why? Because it will read/flow better if the action precedes the modifier. That's my job. There are two possible fixes if we leave in the adverb:

I cringed inwardly when Rob looked at me.
Rob looked at me, and I cringed inwardly.

Put the action first.

Here's another one that needs some rearranging:

I'd heard about the relationship being messed up between them, but I knew it wasn't also damaged on my side.

A small move will make a big difference. Like this:

I'd heard about the relationship being messed up between them, but I also knew it wasn't damaged on my side.

Make sense?

Yes, there's always more than one way to fix a sentence. Remember to KISS your reader, and you'll be fine.

When in doubt, read it out!

Do you ever catch yourself making those kinds of mistakes?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Pronouns in Dialogue

Happy Thursday, good people of the blogosphere! Today, I'm gonna talk to you about pronouns in dialogue and how they impact the way you use them outside speech. I've been over pronouns twice thus far, but this little tidbit needs to be added. I didn't want to confuse everyone by putting this information in with the other pronoun posts, so I'm making one all its own. Grab your pens and notebooks and join me for a quick lesson! Warning! This post seems long, but it's a lot of the same stuff written over and over again. A necessary evil, I'm afraid.

Remember, your pronouns are: he, him, she, it, its, they, their, them, they're, hers, and his.

Now, when you're writing a scene, the pronoun refers to the last person or thing named.

Learn more here and here.

There are caveats to this, though. First, when we speak, we usually don't use pronouns the right way. For example:
"Lisa told me last night Mel owes her money and isn't sure when she's gonna pay her back."

What a mess that is, right? But it makes sense when someone speaks that way. Why? Because that's what we're used to hearing. We get that Mel owes Lisa money and Lisa isn't sure when Mel is going to return said money. But to write the dialogue with proper pronouns, we'd have to rearrange it like this:
"Lisa told me last night she isn't sure when Mel's gonna pay back the money she owes."

That's okay, too, by the way; but don't beat yourself up over pronouns in dialogue. Above all else, you want speech to sound natural, not forced. So, pronouns in speech aren't something you need to be super vigilant about. Let it flow.

Second, when you're creating dialogue and you mention a name, you need to remove the speech to see who your pronoun is actually referring to. Also, the pronouns in speech are separate from the ones in text. This gets tricky, but I'll do my best to show you a couple of examples:
Susie looked at Byron and drummed her fingers on the desktop. "So, you're saying Lisa doesn't really like Mark?"
"That's what I'm saying. She's just using him to have a date to prom."
She gasped. "That's horrible!"
"You know how she is. How does that surprise you?" His eyebrow lifted and a smirk found its way onto his lips.
"I just never thought she'd be so crass." Her mouth turned down and her eyes shifted away. "It doesn't do to hurt people. Mel let it drop the other day that she thought her intentions weren't honorable. I just didn't believe her."
"Well, I'm telling you now, she's planning to make a big scene and leave him looking like an idiot at the end of the night." His hand found its way to hers in an attempt to offer comfort.
Sighing, she moved closer to him and rested her head on his shoulder.

Okay, now, you can see the mess we'd have if we followed traditional pronoun examples and tried to have everything include the dialogue. How do you check it? Like this:

#1 Delete the dialogue and highlight the pronouns.
Susie looked at Byron and drummed her fingers on the desktop. "So, you're saying Lisa doesn't really like Mark?"
"That's what I'm saying. She's just using him to have a date to prom."
She gasped. "That's horrible!"
"You know how she is. How does that surprise you?" His eyebrow lifted and a smirk found its way onto his lips.
"I just never thought she'd be so crass." Her mouth turned down and her eyes shifted away. "It doesn't do to hurt people. Mel let it drop the other day that she thought her intentions weren't honorable. I just didn't believe her."
"Well, I'm telling you now, she's planning to make a big scene and leave him looking like an idiot at the end of the night." His hand found its way to hers in an attempt to offer comfort.
Sighing, she moved closer to him and rested her head on his shoulder.

#2 Rewrite it.
Susie looked at Byron and drummed Susie's fingers on the desktop.

Susie gasped.
Byron's eyebrow lifted and a smirk found a smirk's way onto Byron's lips.
Susie's mouth turned down and Susie's eyes shifted away.
Byron's hand found Byron's hand's way to Susie's in an attempt to offer comfort.
Sighing, Susie moved closer to Byron and rested Susie's head on Byron's shoulder.

We know the passage is correct, because it reads like it's supposed to. If it didn't, we'd need to fix it.


Dialogue is independent of the text providing support. Is it possible to fix the pronoun issues in the dialogue? Yes. It can be done easily, but watch for forced speech. You don't wanna take something that works and tweak it until it sounds, well, tweaked. *grin* Proceed with caution.

One more example, and I'll let you go for the day. This time, we'll use four speakers and I'll make errors. See if you can find them before I go to the correction phase. GAME ON!

Lisa slapped Mark's hand before taking it in her own and tugging. "You're so silly sometimes. Let's go find Susie and Byron."
He grinned at her, loving the way she gave him love taps now and then, and let her pull him along.
"Lisa! Hey, girl. What are you guys up to?" Her speech was slurred and her eyes glassy.
"Sorry, guys, she's had a little bit to drink." Byron supported Susie with one arm while balancing two cups in the hand on the other.
She put her hands on her hips. "Aren't you gonna share?" One hand flew out, knocking the drinks off their perches. "There's Mel!"
"Lisa!"
"What?"
"You have zero class, you know that?"
"Oh, come on. Stop being such a ninny. Not my fault your girlfriend's sloshed. Would you look at her? I wonder where she got that dress?" She took off in Mel's direction without offering an apology.
Mark shrugged. "Sorry about that. She's kinda rude sometimes."
Glaring in her direction, he snorted. "Kinda rude? Sometimes? She's extremely rude always."
Feeling his face turn red, his mind began to wonder if he should punch the guy out to defend his girlfriend's honor. Deciding against it, he shrugged and started after her; anger boiling beneath the surface.

Ready? GO!

Done yet?

How about now?

Okay, your time's up. My turn! I'll show you why the passage is wrong, then correct it. Four steps this time.

#1: Remove dialogue
Lisa slapped Mark's hand before taking it in her own and tugging. "You're so silly sometimes. Let's go find Susie and Byron."
He grinned at her, loving the way she gave him love taps now and then, and let her pull him along.
"Lisa! Hey, girl. What are you guys up to?" Her speech was slurred and her eyes glassy.
"Sorry, guys, she's had a little bit to drink." Byron supported Susie with one arm while balancing two cups in the hand on the other.
She put her hands on her hips. "Aren't you gonna share?" One hand flew out, knocking the drinks off their perches. "There's Mel!"
"Lisa!"
"What?"
"You have zero class, you know that?"
"Oh, come on. Stop being such a ninny. Not my fault your girlfriend's sloshed. Would you look at her? I wonder where she got that dress?" She took off in Mel's direction without offering an apology.
Mark shrugged. "Sorry about that. She's kinda rude sometimes."
Glaring in her direction, he snorted. "Kinda rude? Sometimes? She's extremely rude always."
Feeling his face turn red, his mind began to wonder if he should punch the guy out to defend his girlfriend's honor. Deciding against it, he shrugged and started after her; anger boiling beneath the surface.

#2 Highlight the pronouns
Lisa slapped Mark's hand before taking it in her own and tugging.
He grinned at her, loving the way she gave him love taps now and then, and let her pull him along.
Her speech was slurred and her eyes glassy.
Byron supported Susie with one arm while balancing two cups in the hand on the other.
She put her hands on her hips. One hand flew out, knocking the drinks off their perches.
She took off in Mel's direction without offering an apology.Mark shrugged
Glaring in her direction, he snorted.
Feeling his face turn red, his mind began to wonder if he should punch the guy out to defend his girlfriend's honor. Deciding against it, he shrugged and started after her; anger boiling beneath the surface.

#3 Replace the pronouns
Lisa slapped Mark's hand before taking Mark's hand in Lisa's own and tugging.
Mark grinned at Lisa, loving the way Lisa gave Mark love taps now and then, and let Lisa pull Mark along.
Lisa's speech was slurred and Lisa's eyes glassy.
Byron supported Susie with one arm while balancing two cups in the hand on the other.
Susie put Susie's hands on Susie's hips. One hand flew out, knocking the drinks off the drinks' perches.
Susie took off in Mel's direction without offering an apology.Mark shrugged
Glaring in Mel's direction, Mark snorted.
Feeling Mark's face turn red, Mark's mind began to wonder if Mark should punch the guy out to defend the guy's girlfriend's honor. Deciding against defending honor, the guy shrugged and started after the guy's girlfriend; anger boiling beneath the surface.

#4 Repair
Lisa slapped Mark's hand before taking it in her own and tugging. "You're so silly sometimes. Let's go find Susie and Byron."
He grinned at her, loving the way she gave him love taps now and then, and let her pull him along.
"Lisa! Hey, girl. What are you guys up to?" Susie's speech was slurred and her eyes glassy.
"Sorry, guys, she's had a little bit to drink." Byron supported her with one arm while balancing two cups in the hand on the other.
Lisa put her hands on her hips. "Aren't you gonna share?" One hand flew out, knocking the drinks off their perches. "There's Mel!"
"Lisa!"
"What?"
"You have zero class, you know that?"
"Oh, come on. Stop being such a ninny. Not my fault your girlfriend's sloshed. Would you look at Mel? I wonder where she got that dress?" She took off in Mel's direction without offering an apology.
Mark shrugged. "Sorry about that. She's kinda rude sometimes."
Glaring in Lisa's direction, Byron snorted. "Kinda rude? Sometimes? She's extremely rude always."
Mark felt his face turn red, and his mind began to wonder if he should punch the guy out to defend Lisa's honor. Deciding against it, Mark shrugged and started after her; anger boiling beneath the surface.

Blue marks what I changed to make the passage correct. I know it seems like a lot of work; but if you take the time to learn how to recognize these things, it'll become second nature and move fast.

How about you? Did you get anything out of this post? How many errors did you find in the example?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Pronouns - Round Two

Happy Thursday, everyone! I know you're all excited about the approaching weekend, but stay with me today. I'm going over one of the most common errors in writing (again). Why am I bothering to write about it now if I already wrote a post about it last year? Well, because that one got a little buried in the sand (archives) and it's something every author needs to be aware of. Misuse of pronouns is the thing I find most often when editing or reading; and, I'm sorry to admit, the one error I make consistently when writing. Ready? Grab those pens and notebooks and let's get going!

First off: What's a pronoun?

A pronoun is a word that's used to replace a noun. He, his, him, she, her, hers, it, its (no apostrophe), their, they, they're, and theirs are the ones to watch out for.

When should you become hyper-aware of pronouns?

Anytime you're following up naming a person or thing by using a pronoun.

Examples of misplaced pronouns:
Larry looked into his dad's eyes. He noted the sadness there, and wondered if his mind was on the task they were doing. His hands dug into the soft dirt like they had for the last thirty years. Would he ever get used to seeing him this way? Grabbing a handkerchief from the toolbox, Larry used it to wipe his face.

Quickly! How many misplaced pronouns were in that paragraph?

I'll give you a moment to look it over.

Done yet?

Answer: Four out of ten are incorrect.

To find the ones that are wrong, we replace each pronoun with the last person or thing named. I'm going to number the pronouns so we can discuss after, keep the ones that refer to Larry's dad as "Dad," and break it down once I'm done. Errors are bold.

Larry looked into (1.his)Larry's dad's eyes. (2.He)Dad noted the sadness there, and wondered if (3.his)Dad's mind was on the task (4.they)Dad's eyes were doing. (5.His) Dad's hands dug into the soft dirt like (6.they) Dad's hands had for the last thirty years. Would (7.he) Dad ever get used to seeing (8.him) Dad this way? Grabbing a handkerchief from the toolbox, Larry used (9.it)the toolbox to wipe (10.his)Larry's face.

1. His - Right. Because we're talking about Larry's dad. Larry was the last person named.
2. He - Wrong. It's Larry who noted the sadness in his dad's eyes.
3. His - Right. We are referring to Dad, even though Larry should've been the last person named.
4. They - Wrong. Eyes can't dig in the dirt and they were the last plural noun.
5. His - Right. We are talking about Dad's hands.
6. They - Right. Dad's hands had dug in the dirt for the last thirty years.
7. He - Wrong. We should be referring to Larry, not Dad.
8. Him - Right. We do mean Dad.
9. It - Wrong. This should be the handkerchief, not the toolbox. I can't imagine wiping my face with a toolbox.
10. His - Right. We do mean Larry's face.

Ugh! Right?

So, how do we fix it? There are many ways. Here's one:
Larry looked into his dad's eyes, noting the sadness there, and wondered if his mind was on the task at hand. His fingers dug into the soft dirt like they had for the last thirty years. Larry wasn't sure he'd ever get used to seeing the strain staring back at him from those eyes. Grabbing a handkerchief, he used it to wipe his face.

If you have to include the toolbox, do so before the word handkerchief: Reaching into the toolbox, he grabbed a handkerchief and used it to wipe his face.

It's all about wording and construction. I know you probably think pronouns are the least of your worries, but a little bit of attention paid to this tiny thing will help your book tremendously in the long run.

These are rules that can't readily be broken without seriously confusing the crap out of your reader. Now that you know what to look for, scroll back up and read the first paragraph again without the breakdown.

Heck, I know I miss a couple when editing my own work or the work of other people; that's to be expected. I find errors like that in traditionally published books, too (though few and far between). But four in one paragraph?

How about you? Have you become pronoun proficient? Or did this post teach you something new?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Shying Away in Your Writing

Happy Wednesday, good people of the blogosphere! Wow! It's hump day. We're halfway to the weekend and have a ton of awesome stuff done already, right? Well, you have just two more days until you get a couple off to lounge around and soak up some sun (don't forget your sunscreen!). Today, I'm gonna be talking about those hard to write scenes and why you should write what you feel; not what you think your readers want to read. Ready? Grab those pens and notebooks and let's get going.

As you probably know, I review a good number of books here on the blog (at least twelve a year by Indies, and that number tends to go up as my favorite authors - both Indie and Traditionals - release new works). One thing I notice in the books I read is the author holding themselves back from writing a scene that may seem too graphic for their audience. No, I'm not talking about sex. I'm talking about violence, gore, and death.

If you're writing Young Adult, you do have to keep it toned down. That's not the genre I'm talking about here. However, you may reconsider your target audience if you come upon a scene you know will launch your story into a whole other realm. You feel me?

Most writers I know see the story take shape in their head as they put the words on the page. Things happen, characters act in their own way, and unexpected situations arise. Remember: A book isn't prime-time television, and you can write what you're seeing in the moment.

Let your fingers communicate what's in your head. If you see it on your inner-movie reel, put it on the page.

I can't stress this enough.

Here's some examples of lead-ups to scenes that you may shy away from writing:
Tiffany spun around the dark room; her eyes searching in the inky blackness for a visual to accompany the sounds her ears were picking up. Shuffling, grunts, and heavy breathing assaulted her most active sense. Arms out, she waves her hands through the air like she's swimming. Her heart is pounding, and she can smell metal. Something hard, cold, and rough is found. A wall. It must be a wall. Feeling her way along, she finds what she hoped for and pushes the switch to the on position. As the light fills the space, and her eyes adjust, her hands fly up to cover her mouth and muffle the scream building behind her lips.

Now, this can be a myriad of things:

• People being eaten
• A group of men ready to attack her
• A group of women ready to attack her
• Zombies
• Vampires
• Rats
• Giant spiders
• Clowns

I think you get the idea. Whatever happens next, you've built up that tension for a reason. Readers are waiting for what Tiffany is surprised by. Give it to them, and don't be shy. Go into detail about what she sees, smells, hears, feels, and tastes. If she's murdered, go into how. Torture? Give it raw. Write it exactly as you see it in your head.

Clark walked through the flower field, letting his hands graze the soft tops of the tall blooms. A breeze tickled the back of his neck and caused the tiny hairs there to stand on end. He's lost with thoughts of Delia to pay too much attention to the fact that the sun is setting, but the clearing is getting brighter by the moment. His ears pick up a whisper on the wind, and he freezes in place. Delia fades from his mind as a beautiful woman steps from the treeline and holds out her arms to him. Icy puffs of breath come from his mouth as it falls open. Heat spreads through his body as he takes in her form, and his fingers twitch to touch her alabaster skin--around which long, black hair twists and flows like a silk sheet in the breeze. Red lips that need no lipstick, blue eyes the color of the clear sky, and a Romanesque nose sized to perfection all beckon to him with promises of fantasies come true. If only he'll step into those open arms.

Again, you can take this in a million directions:

• Death by haunting vixen
• A quest
• Ghostly encounters
• Witches
• Vampires
• Myth and Lore

You get the picture, eh? Again, this is a tense scene. You've told your reader something big is coming because you've painted with your words. Bring it on. Don't leave them hanging and frustrated. Go where the wind takes you (hey, there's another idea!).

What I'm trying to get across here is: Don't let the audience dictate what you put on the page. If you end up with a novel geared toward an older, more mature audience, let it go. However, if you think Clark will end up whisked away to a land of fantasy and the story is supposed to start there, let it be so. But if another idea strikes you, let it come out. Write it two ways if you must and choose your favorite.

Whatever you do, don't shy away from the gore, death, or violence if the story calls for it. I'd be willing to bet that your YA brain already went with a quest (if that's what you write). Listen to your inner writer.

Have you ever ended up with a book totally different from the idea you began writing?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Friday Funday

Happy Friday, everyone! The weekend is almost upon us and I figured I'd give you a few things to do in your downtime that will help your writing skills. Just a little weekend fun to keep your writerly brain engaged and on target for the workweek ahead. I know you don't really want to think about Monday, but it behooves us all to be prepared. I'll begin by giving you the name of the exercise, and then move on to how you can accomplish it (and maybe have some fun, too). Grab those pens and notebooks and let's get going.

Exercise #1: Dialogue Dissection
Grab a friend or family member and chat with them. Be sure you have a recorder of some kind running (voice notes on an iPhone work great for this). Give yourself ten to fifteen minutes then shut the recording device off. End the conversation and move to a room where you can be alone. Play back the recording and recall what each of you were doing as you spoke. Mentally add commas and periods where you think they belong. Listen to it again. Pay attention to the words used, pronunciation, and inflection. Think about how you might write the conversation out. If you feel so inclined, you may do so; but, this is more of an exercise to get your brain thinking about dialogue in general.

Exercise #2: Title Trivia
Sit down with a friend or family member and grab a couple of sheets of paper or 3.5"x5" index cards. Cut them into pieces and have everyone write one word on each piece. Fold them up and throw them into a bowl. Take turns picking out two pieces and sticking them together. Pretend it's the title of a book and come up with a synopsis to support it. This is all verbal, so no need to write anything down (unless you hit upon the next great novel idea!).

Exercise #3: What's That Word?
This, again, is a two or more person game. Grab a sheet of paper and write down a sentence with at least ten words in it. Exchange with others. Now, try and come up with as many words as possible in place of the ones written. Whoever has the most variations (accurate ones) wins! Don't cheat and use a thesaurus! I find chocolate is a great motivator as a prize for this game.

Exercise #4: Acting Gone Awry
Take a character from one of your favorite novels and pretend to be them for the day. Respond to other people the way you think the character would, do things you think they would do, and really try to walk in their shoes. Take little notes as you go if you want. At the end of the day, reflect on your actions and try to flesh out the character in your head. Were there circumstances that made you wonder about the character's personality or how they would react or did it all flow very naturally? What part of the book let you know that? Use this knowledge the next time you're building your own characters (or when writing scenes of discovery).

Exercise #5: Cover Collection Craziness
Go online and take a look at other books in your genre. Save images of the covers. Print out a quick copy on regular paper or pull them up in a photo editing program. Make notes about what you like and don't like about each one. If you wanna get crazy, cut them up and glue together a whole new cover with some of the elements. Kids love this one.

These are just a few games you can play with your friends or family members to help you become a better writer. An added bonus is: You get to spend time with your loved ones while sharpening your skills!

Which one of these sounds the most fun to you?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Writing Your Ending First

Happy Wednesday, good people of the blogosphere! Today we're gonna talk about an interesting way to write a novel that goes out with a bang. All you pantsers out there are probably gonna love this. Those of you who work with a strict outline will most likely cheer. I'll admit to using this trick only once; but, I loved the results so much, I figured I'd share what I did and how I did it. Grab your pens and notebooks and let's get going!

Imagine this:
You have your story idea in your head. All the research has been done and you may or may not have an outline ready and waiting. Cracking your knuckles, you sit at your computer and start banging out your first chapter. Then another flows out. Then another. You take the rest of the day off because writing those nine thousand words really took it out of you.
Day two rolls around and you grab your coffee, determined to crack out as many words as you did on day one. This day you get two chapters written before you push away from your desk, exhausted, but loving the story on the pages.
By day three, you're back to rolling out words like a Lorem Ipsum generator (but yours makes sense, of course).

Fast forward a couple of months.

You stare at the screen. Your energy is drained because you've given your everything to writing this novel you're sure has the stuff of awesomeness. And now it's time to write the ending. Your creative juices are drained and you can't figure out how in the hell you're gonna go out with a bang. *head to desk*
Words begin to meander out of your fingers and you end up with a lackluster finale you know your readers are gonna lift an eyebrow at. But you're so tired of looking at/working on this novel, you don't have it in you to re-write it.

In edits, you may revise that ending. But it'll never have the level of awesome the first eighty or so pages of the novel. Why? Because you were exhausted.

Now, step back in time to day one. You knew exactly where the story was going back then and had a vivid idea about where your characters would end up, right?

Why not write the end and the beginning on that first day?

I heard that gasp.

Let me try and put it another way. If you have a clear path to your character's finale, using your awesome creativity to craft it when you're fresh out of the gate will leave you with something rich and satisfying.

Write the end, then step back and start at the beginning. You'll find you rush less, take the time to choose just the right words, and it may even help give your novel clearer direction.

Try it once. If it doesn't work out for you, I won't take it personally. But this is a cool way to be sure your ending is everything the beginning is.

I used this technique in only one book: I, Zombie. I knew what I wanted to happen by the end and I wrote it, then the beginning. It was one of the most surreal writing experiences of my life. Endings will now always be written first when I start a novel.

Have you ever used this technique? Think you'll try it now?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Video We Need to See

Happy Monday, everyone! I hope your weekend went well. Today, I'm sharing this cute video from YouTube I think you'll all enjoy. So sit back, grab a cup of Jo (ha!), and watch. Hopefully, this will clear some things up grammatically.

Literally.



Any questions?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Female Protagonists - Why Women Love Them

Happy, happy Friday, everyone! I'm thinking maybe the title of this post should be Strong Female Protagonists - Why Women Love Them; because I'm speaking from a female point of view, and I read a LOT of book reviews by women that cite that very thing as what makes the character great. Either way, let's get on to the discussion. I think this post may help female writers, but it might help some of the guys, too. Grab your pens and notebooks and let's get going!

I suppose you all remember the post about your characters being too perfect. Well, that also plays into this discussion. Since all characters are on a journey from page one to page five hundred, we'll assume you're starting out with a flawed female who thinks she needs one thing, but will find out that what she's looking for isn't what she needs.

Being flawed is what makes us human. Remember: To err is human, to forgive is divine.

So, why do women love female protagonists?

It's not just any old protagonist with a vagina we ladies love to read about. It's the ones we want to be more like that move us emotionally (and women are driven by emotions). We have to connect with them on a deeper level. Here's a quick list of things that make a strong female lead (and some of the females that rock):

• She doesn't know she's awesome and doesn't preen like a peacock (Jane Bennet-P&P).
• In a fight, she'll always come out on top. Maybe not because of her brute strength, but because of her brains (Hermione - Harry Potter).
• There should always be self-doubt as to whether she can do what she's about to attempt (Katniss - The Hunger Games).
• These ladies don't need a man, and they don't whimper in a corner when things get hard (Millie - The Help).
• Hard times or abuse have fallen on them in the past, and they grew from the experience (Kate - First Visions).
• Many of these women are completely selfless and put others first (every lady listed above).

Now, that's not everything that makes a great female protagonist; but it's a good list to start with. Add to that some skill with a sword or bow, a successful line of self-employment (all of Fern Michaels's leading ladies), some serious self-doubt that's overcome, or a hidden power, and you have a winner.

But she must also be the underdog. We must have some reason to root for her to succeed and the fear that she won't. A girl whose never seen the other side of the tracks is difficult to get behind. Let's face it, life isn't easy or fair for 99% of the population. If you make it fair, 99% of the population won't connect with your character.

If you do these things well, your readers will fall in love with your characters, identify with them, and want to be more like them. That's the key.

I bet you've heard of most of those women. Guess why? Yup, they were strong. If you haven't read Kate's story in First Visions, you should. It's free. Forever. On Amazon.

I'm going to let you in on a little secret: If your female lead is weak, annoying, leans on a man all the time, or acts childish, female reviewers will ding you for it. Give us someone we can really root for.

Who's your favorite leading lady?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

Style Guide Per Novel

Happy Thursday, good people of the blogosphere! Well, the snowpocalypse is still going strong and I'm considering writing a collection of fictional short stories about things that happened. But that's for another day! Today, I wanna gab about style guides for your novels and why they're important. So, grab your pens and notebooks and let's get going!

First and foremost, we all get an itch now and then to break a writing rule. This is all well and good until you don't break it consistently. For each of your novels, you should have a short list (in a notebook or separate Word document) which details the rules you're breaking or the particulars of your own style.

What the heck am I talking about?

I'll give you an example:
Character A always uses the word wanna rather than want to when speaking.
Character B not only uses want to and never wanna when speaking, but also never puts an S on the end of toward.
Character C is a mother and never, ever curses as one of her quirks.

So you're writing along and you throw the word wanna into Character B's speech. This is totally fine; write on. You feel the need to have Character C and Character B face off with dialogue. It's a heated argument  which the two almost come to blows over.

Suddenly, Character B is saying something about Character C walking backwards out the door. Add to that, she's suddenly in Character B's face, screaming expletives. Still, all good; write on.

Now it's time for editing. Chances are, you're going to catch those expletives and find tamer ways for Character C to say what's on her mind. During the heat of the battle, will you remember to check for that S on the end of backwards?

This is where your style guide will come in handy. Once you're done writing, you can do a quick find and replace on any phrases you've decided the characters will use or any rules you're breaking to check and make sure they're consistent.

When you send your novel to your editor, be sure an attach your style guide. This will help all those involved because the editor can also be sure you're breaking the rules consistently, and they'll know of any particular quirks your characters have and add or remove things as needed.

It doesn't take long to create a style guide. But the payoff is enormous.

If you have certain writing quirks, keep a running list of those, too. I'm an author who doesn't put the S on the end of backward, toward, forward, etc... so I know to do a search for those words when I'm done and be sure I'm consistent.

Make sense?

Good print book formatters keep style guides on the novels they're working on, too. Again, it's all about maintaining consistency.

For I, Zombie, I had a rather extensive style guide. Folks from Southern Louisiana have a particular way of speaking. They tend to leave the G on the words anything, bring, along, and everything, but drop it from nothing, doing, having, and leaving. Since I wanted to be true to the regional dialect, I had to be sure everyone spoke the same way (except when Tammy was on the air). It's quirky, but it's consistent.

Style guides are especially important for series. You can't have Character A suddenly belting out want to in novel three when he hasn't for the last two books.

What's in your personal style guide? Have you ever made one for a specific novel?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

PoSSeSSive S

Happy Hump-day, everyone! Snow in Georgia again and all the kiddies are out of school. I have to say, I'm more than ready for spring so I can get back to a normal schedule. This weather and being sick last month has really thrown me off. Anyway, enough about all that. Let's move on to today's post about the possessive S. Grab your pens and notebooks and let's get going!

If you aren't familiar with INDIE Books Gone Wild, allow me to share a bit of information with you. Every now and then, one of us posts on that blog about grammar, punctuation, or other little tidbits we find frequent errors revolving around. Before we get to the good stuff here, pop on over there and check out Tia's post on the Apostrophe. Yeah, it matters. Go read that sucker.

Now, I'm a Chicago Manual of Style lady. I have a copy of the 15th edition, and I follow it to the letter when doing an edit. Of course, this causes some of my clients to have small hernias when they don't agree with my edits or they have a style guide that's different from mine (which is totally fine, they should go with what feels right to them). I try to be very clear on our About Us page over on IBGW and state that I use the book I own as a reference. So, today's discussion will be the rules from that style guide.

When you show possession of a singular noun (not the demonic kind), the rule says you add an apostrophe and an S to the end of the word (section 7.17). Examples:

• Dora's shoes.
• Kitten's playground.
• Lola's necklace.

But what if those words end in S?

Well, here's where we get into a bit of a pickle. When choosing names, one usually avoids the ones ending in S so they don't have this conundrum. If you happen to select one that ends in S, how do you handle it? This is where the general guides don't agree.

If you're showing possession of a collective, like a family or group whose names or title of the collective end in S, the solution is easy, you add an apostrophe to the end. Examples:

• The Huss' house (this is the Huss family).
• The Picketts' son (this is the Picketts family).
• Those kittens' meows (more than one kitten).
• These dogs' leashes (more than one dog).

However, if you have a character who's named Cleatus, how do you show possession?

In section 7.18, page 282 of The Chicago Manual of Style 15th Edition, it states: The general rule covers most proper names, including names ending in s, x, or z, in both their singular and plural forms, as well as letters and numbers. This means writing the name and adding an apostrophe with another S at the end. Examples:

• I saw Cleatus's sneakers over there.
• We went to the mall to get Kriss's new purse.
• I can listen for hours to Venheis's violin.

Now, this is the way it's written out in the guideline. I think, when reading, it keeps me from thinking there's more than one Cleatus who owns sneakers I saw over there, and makes the possessive name read more easily.

All this is great! But...

Yeah, you knew there was a but. *grin*

In section 7.23, there's a suggestion for an alternative usage by simply adding the apostrophe to the end of the name. While easier to remember and apply, I think it reads with a clunky timbre. But, try it both ways and see what works for you. This goes back to Tia's post I mentioned above, where she talks about Strunk and White.

Before we wrap this post on possessive S up, I'd like to remind you of another rule of possession you may not be familiar with. Section 7.24 talks about more than one noun. When mutually exclusive, both nouns get an apostrophe S. If both are owning the same item, only the second named gets the punctuation. Examples:

• My daughter-in-law and son's house.
• Our niece and nephew's car.
• or
• My ex daughter-in-law's and son's houses.
• Our niece's and nephew's cars.

Seems a lot of stress rests on the S.

How can you avoid this when writing fiction? Easy: Choose names that don't end in S when you're making your list.

I hope you all enjoyed our little lesson for today. If you have questions, comments, or otherwise, feel free to pop them into the comments section.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Guest Post by Carlyle Labuschagne

Happy Friday, good people of the blogosphere! Today, I have with me author Carlyle Labuschagne with a guest post on why it's important to read when you're a writer, and how it changed her life. Carlyle is the author of Evanescent and The Broken Destiny, as well as being one of the authors attending UtopYA Con 2014 in June. If you don't have tickets to that event yet, click the name to buy yours soon. So grab your pens and notebooks and let's get going!

Reading and Writing and How it Changed My Life

by Carlyle Labuschagne

Thank you Jo for having me on as guest today, I am absolutely thrilled.

Why is it so important to read as a writer?

Books are very much an addiction to many. I read because I enjoy it, but as a writer I learn a lot from other books and authors. As many might know, English is not my first language, so by reading as much as I can – I learn the way of the English language. It is also good to see what is out there, what grabs at you and what you can bring differently than others. There are an abundant of gifted Authors I have read and yet to read. I am one of those readers who are swept away totally by a read. I am there within every book I read. My imagination allows for it. I think we are addicted to our imaginations more than anything, but what would our imaginations be without reading and for the talented Authors to ignite it for us? Books to me are a work of art, they are feelings, thoughts, and souls between the pages of books.

I write because I want to understand others as well as myself. I first started expressing myself at a very young age though poems, song writing. But finally found my true passion. Novel writing. My first novel The Broken Destiny is as I am sure many authors can relate to, is a combination of my experiences my world and the world inside my head, understanding myself as well as others , and feeding the passion. A almost craving for the feeling that writing has brought me. I have overcome the biggest obstacle of my life – to believe in myself , to prove myself to no one but myself of what I am capable of. To be a hard worker and enjoy it. To see things through.

Through writing I have learnt a lot about myself. Finally being able to move on from my mistakes. The Broken Destiny is about a girl who has to find her true self to unleash her Destiny towards greatness. Every person has good and bad, and everything comes down to a choice, and sometimes making the wrong choice is actually the write choice at the time - To grow, to learn - To love yourself. The only person who can hurt you is you. You are your worst enemy. Don’t change who you are for the sake of satisfying others, in the end it hurts only you. Your path is one of greatness and being true to yourself is the greatest gift you can give yourself and others. But it is often only through experiencing who you are not to know who you are. To know the light you have to have experienced the dark. But always remember everything you go through, no matter how hard - is for a reason. Writing gives me great pleasure and satisfaction. Writing heals.

My desire for everyone is to find that one thing and go for it, no matter how impossible it may seem at the time, you will never know if you don’t try, and once you have tried you will know you can never be without it. If you have a passion, you can perform deeds you never thought you were capable of.

~ Don’t be crippled by fear. Let love and passion give you wings ~ The Broken Destiny
Happy writing all
~Carlyle Labuschagne

I couldn't have said it better myself, Carlyle! Inspiring words.

If you'd like to check out Ms. Labuschagne's books, you can find The Broken Destiny here on Amazon as well as Evanescent here.

Thanks for stopping by and be sure to enter the rafflecopter giveaway to win!
a Rafflecopter giveaway

Got questions or comments? Pop them down below!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

What's in a Name?

Happy Friday, good people of the blogosphere! Oh, man, the weekend is right around the corner. I know you can smell it. Here's hoping everyone has a wonderful Saturday and Sunday! Today, I'm going to talk with you a little about naming your characters and why any old name won't (and shouldn't) do. So, grab your pens and notebooks and let's get going!

When naming characters, there are a few things you should always be mindful of:

• Is the name difficult to say/read?
• Does the name have more than two syllables?
• What does the name mean?
• Do any of the names sound too similar?
• How many of the names begin with the same letter?
• What does the last name say about the heritage of the character?

A lot of authors make a name swipe list for minor characters that run from A-Z. Time is spent gathering names that sound different from one another and those are organized in alphabetical order. When the author needs a new name, they simply pull out the list, choose one of the names, and mark it off. That way, they're guaranteed not to have too many characters whose names sound alike. This is a great plan! Do it! However...

In my humble opinion, you should also look into what every one of them means and write it next to the name in your swipe file. For example, the meaning of the name Trixie (MC in I, Zombie) is "bringer of joy," Bronya (Mystic, book one) means "strength," and Stormy (MC in The Bird) means "impetuous nature." Those names fit the personalities of my characters because I took the time to do the research. Guess what? It didn't take me long at all.

How did I discover that information and think to use those names in my books?

Well, there's a super secret website that I'm gonna share with you in a moment where you can search by name, meaning, number of syllables, gender, or first letter.

Yes! I'm actually telling you someone took the time to help authors out and give us a place where we can find hundreds of thousands of names at the click of a mouse.

What is it? BabyNames.com

Click on advanced search and get your happy on.

I know, you all just groaned inwardly. But this is one of the best resources I've found for character names. I wouldn't want a meek, confused girl to be named Bronya or Stormy. Just like I wouldn't want either of those characters to have a name like Naomi, which means "gentle."

Yes, readers will pick up on that. Even if they don't know it right away, they'll feel something is off if they're reading about Naomi kicking butt and shooting bad guys.

Thought I'd share!

Did any of you know about this site before today? Did you use it? What gems did you find?

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

A Guest Post by Ripley Patton

Happy Monday, good people of the blogosphere! As with every Monday from now until June, and UtopYA Con 2014, I'm featuring one of the authors attending the event. Today I have a guest post from my featured author, Ripley Patton. She's gonna talk with you all about what it's like to become a novelist. I did an interview with Ripley last week. If you missed it, you can find the post here. If you don't have your tickets to join us yet, get on it. Prices go up in two weeks! Just click the name of the con to be taken to their page. Enough of my yapping, grab your pens and notebooks and let's get going!

Five Things I Learned by Becoming a Novelist

by Ripley Patton

1. Writing is Hard. 

I was in a conversation with a friend recently who wants to become a writer. He was asking me questions about how to produce and market his first book, so I asked him when he had finished it. "Oh, I haven't even started it yet," he said, "but writing's the easy part."

Nope. Writing is not the easy part. Writing a book, any book, is really hard. Writing a good one that other people will want to buy and read? Even harder. In fact, in my experience, there is NO EASY PART. Every aspect of the writing process is difficult, and challenging, and rewarding. Easy is not a word anyone who has actually done it would ever employ to describe it.

2. We don't write for the money, but it sure helps.

Most writers and artists don't pursue their passion because they want to get rich quick. Art is not a fast track to wealth. Even the rags to riches stories we hear, like J.K. Rowling's, don't happen overnight. It was seven years after Rowling first conceived the Harry Potter series that it finally saw publication. During the time she was writing the first book, her mother died, she got divorced, and she found herself living in abject poverty. And during that time her book was rejected over and over again by publishers. J.K. Rowling didn't know if she would ever make a single penny on her books. But she wrote them anyway.

We writers write because we love to. Because we have stories inside of us yammering to get out. Because writing helps make sense of the world and the turmoil inside of us. We write because we must. And, I know for myself, I would continue to write for the rest of my life without pay.

But I also have two teenagers who like to eat.

3. Books connect people.

I'm not just a writer. I'm also an avid reader, as all good writers are. And one of the things
I've always loved about books is how they connect people.

First, there is the connection between the writer and the reader, that magical moment you enter someone else's internal world of story. Then there is the connection between the reader and the characters in the book, how they become like old friends or dear family members – people you've met in your mind, and traveled with, and now know intimately. And finally, there is the connection between you and all the readers who have loved that book before you and who will love it after you. You are connected to them through story, a story you've all shared. You've been to the same places and loved the same characters. When you meet someone who loves the same books you do, you are meeting an old friend.

4. There is no such thing as a perfect book.

When I wrote my first book, I wanted it to be perfect. I wanted the plot to be intricately woven. I wanted the cover to look exactly liked I'd imagined it. I wanted to comb the text over and over again until I'd rooted out every typo and misplaced comma. I was determined not to push the publish button until I had produced a flawless book.

However, when I was still finding small mistakes in the manuscript after seven revisions, three full edits (two by professional editors), and five different copy edits, I realized something - I have never read a perfect book.

I have read good books. I have even read great books. But I have never read a book without some kind of mistake in it. And yet, that has never prevented me from reading or enjoying books as long as the story was compelling.

So, I had to ask myself if I really wanted a perfect book, or if I wanted a book that people would get to read.

The answer seemed obvious.

There is no such thing as a perfect book. But there are millions of wonderfully-told stories.

5. The most important story is your own.

People often ask me why I became a writer. Why didn't I stay with the career I went to college for, or choose something easier or more lucrative? And there are lots of different answers for that question but the simplest is this; I became a writer because I want to read the stories only I can write.

Sometimes, I'll pick up a book, or two, or five or six in a row, and put them aside with a sigh because they simply aren't the story I want and need to read. My heart is hankering for a very specific story – a story that resonates deep inside me and says, "Yes, this is true. This is about you. These are the words you were looking for."

And sometimes, if you can't find that book, you want it so badly you write it yourself.

~ Ripley Patton

Okay, Ms. Patton, you've officially blown me away with that post. What a lot of great information and advice for Indie authors!

If you guys would like to know more about Ripley, why not give her a follow on the web?

Goodreads
Website


Again, if you want to know more about Ripley, check out the interview I did with her last Monday!

Do you have questions for this awesome lady? Pop them into the comments.

Well, that's all for today, folks! Until next time, WRITE ON!

Jo

5 Ways to Avoid Insta-Love

Happy Friday, good people of the blogosphere! Man, am I ready for the weekend. I'm hoping this crud flushes out of my system all the way by Monday. Not sure what you Floridians are cooking up down there, but this is one nasty as hell cold. Yeah, I've had it since my (cold) trip south. Fun, right? Anyway, enough about that! Today I want to give you five quick and dirty tips to avoid portraying insta-love in your novels. Readers generally hate it when there's no buildup to a feeling of all encompassing love. So grab your pens and notebooks and let's get going!

1. Give Your Characters Empathy for One Another. This easy to implement angle gives your characters some reference when they meet again for the first time. In The Hunger Games, Katniss and Peeta have a bit of history together. It made the love he had for her more realistic.
2. They Have so Much in Common. Again, this is rarely revealed when the characters only spend a few days together. You have to solidify the bond over time. But having things to talk about will help you write the story and show your readers how well your two lovers get along.
3. Make One of Them an Ex. Perhaps one of them dumped another and a number of years have gone by in which each character matured. This builds on the previous relationship. Think about the movie Sweet Home Alabama. Melanie wanted to marry Jake from childhood. It was a great backstory to work in.
4. He or She was the Best Friend's Best Friend. Maybe your two lovebirds eyed each other over their significant others years ago but kept it friendly. Now, they're single and things are heating up where they couldn't before.
5. Friends Forever. Often, the best romantic tales begin with the two lovers being friends without realizing how they feel under the surface. Or, maybe one of them does and is afraid to tell the other on the off-chance that person doesn't feel the same way. Hell, there's a reality TV show that's made millions off this exact scenario.

I'm betting you're noticing a trend in the list above.

If not, I'll give you a moment to read it again and see if you can find the common denominator.

...

...

Got it? Yep, that's right, it's always a love that develops over time. Whether past or present, these people don't meet one moment and spend the rest of their lives all googly eyed over one another. While that might be lovely to experience, it rarely happens in the real world (if at all) and you have to be careful of falling into that trap as an author.

Be sure you're figuring out why these two love one another the way they do and you're letting your reader in on the big secret.

By all means, feel free to describe the butterflies, tingly palms, loss of words, and shortness of breath that occur when one is physically attracted to another human. Apply caution and try to remember: That's not love.

Love is complete trust in someone else to not betray your secrets, a great deal of caring about the well being of that person, and faith they won't leave your side when you need them. In other words, it's two people knowing one another inside and out; and adoring each other just the way they are.

That's why it takes time to develop; even in books.

What was your best and worst case of insta-love (either in something you read or something you wrote)? Share with us!

Well, that's all for today, folks! Until next time, WRITE ON!

Jo